CHITARRA LAMPO

• SPARTITI, LIBRI DI MUSICA
    SPARTITI NOVITA'
    SPARTITI GRUPPI e PERSONALITA'
    SPARTITI ACUSTICA
    SPARTITI ACCORDATURE APERTE
    SPARTITI OPER TUNINGS/BOTTLENEK
    SPARTITI BLUES
    SPARTITI COUNTRY BLUES
    SPARTITI CLASSICA
    SPARTITI CLASSICA e...
    SPARTITI NATALE/SACRA
    SPARTITI NEO-CLASSICO
    SPARTITI FLAMENCO
    SPARTITI LATIN
    SPARTITI COUNTRY / BLUEGRASS
    SPARTITI BANJO, MANDOLINO e...
    SPARTITI BASI '50
    SPARTITI BASI '60
    SPARTITI BASI '70
    SPARTITI BASI '80
    SPARTITI BASI '90
    SPARTITI BASI '00
    SPARTITI BASI BLUES
    SPARTITI BASI COUNTRY
    SPARTITI BASI JAZZ
    SPARTITI JAZZ
    SPARTITI JAZZ METODI
    SPARTITI GYPSY JAZZ, SWING, MANOUCHE
    SPARTITI METODI PER CHITARRA
    SPARTITI PIANO E TASTIERE
    SPARTITI ROCK 'N' ROLL
    SPARTITI RHYTHM and BLUES, SOUL, DISCO, FUNK
    SPARTITI RACCOLTE '70
    SPARTITI RACCOLTE '80
    SPARTITI RACCOLTE '90
    SPARTITI RACCOLTE '00
    SPARTITI RACCOLTE FILM/TV
    SPARTITI SOLOING SCALE MODI ARPEGGI
    SPARTITI ARMONIA, ACCORDI
    SPARTITI DI TECNICA
    SPARTITI TECNICA TAPPING
    LIBRI DI ELETTRONICA
    LIBRO DI AMPLIFICAZIONE E IL SETUP
    LIBRI SUL SUONO E GLI EFFETTI
    LIBRI DI LIUTERIA
    MONOGRAFIE, BIOGRAFIE DI CHITARRISTI
    SPARTITI METODI PER BASSO
    SPARTITI METODI PER BATTERIA
    SPARTITI METODI PER ARMONICA
    LETTERATURA
• VIDEO/DVD
• CHITARRA FLAMENCO, CLASSICA, ACCESSORI

LIBRO DI AMPLIFICAZIONE E IL SETUP

1 - 2 - 3

1200 BASIC GUITAR ADJUSTMENTS & SETUPS.

Euro 5,95

Quantità

BASIC GUITAR ADJUSTMENTS & SETUPS. Manule per la regolazione dell'action, dell'intonazione, dei pickup, il montaggio delle corde, il settaggio della chitarra.

Series: Pocket Guide
Author: Various Authors

An essential, easy-to-use guide containing basic set-up and maintenance information for guitar and bass guitar players. Designed to help keep your axe in peak performance condition with tips about tools, cleaning, restringing and adjustments. Along with a good chord book, a must-have! 32 pages.

Disponibilità:

0696 SETUP AND MAINTENANCE.

Euro 6,95

Quantità

SETUP AND MAINTENANCE. Consigli per il cambio delle corde, la regolazione dell'action, l'intonazione, la lubrificazione, lucidatura del proprio strumento.

Guitar Shop Series: Setup and Maintenance
Music by John Carruthers
CATEGORY: Guitar Reference
FORMAT: Book
--------------------------------------------------------------------------------
Learn what every guitarist needs to know about caring for his or her instrument. This 48-page book covers the proper way of changing a string, setting the action, reslotting the nut, proper tuning techniques, maintaining the finish, adjusting the neck and much more. Loads of photographs make the instructions easy to follow. A book every guitarist should own.

Disponibilità:

1201 THE PLAYER'S GUIDE TO GUITAR MAINTENANCE, Burrluck.

Euro 26,00

Quantità

THE PLAYER'S GUIDE TO GUITAR MAINTENANCE, Burrluck. Dai vari modi di fissare le corde; ai pickup; a consigli per tutte le cure e le attenzioni che dovete avere per la vostra amata; con fotografie a colori.

PLAYER'S GUIDE TO GUITAR MAINTENANCE
Dave Burrluck
Publisher: Backbeat Books

This is a new kind of manual that helps electric guitarists adjust easily from the music shop to the workshop without demanding great technical skills. This accessible guide describes key procedures for applying the right adjustment at the right time, offering simple and straightforward advice and setting realistic targets for understanding and improving every electric guitar. 220 color photos, including nine fold-out spreads. Hardcover. 84 pages.

Disponibilità:

6290 GUITAR SETUP, MAINTENANCE & REPAIR, by John LeVan.

Euro 27,99

Quantità

GUITAR SETUP, MAINTENANCE & REPAIR, by John LeVan.

Product Description:
This guide will use photographs, diagrams and sketches made by the author and some provided by various manufacturers to teach how to clean, condition, adjust the action and properly intonate your acoustic guitar, as well as: John's trade secrets on hand-carving bone nuts and bridge saddles, wiring and fretwork. John has also included a chapter on identifying and diagnosing problem guitars. It even includes a forward written by Bob Taylor of Taylor Guitars. This book is perfect to teach a beginner or a reference for the guitar repair professional.

Foreword
Some years back, while walking through my factory, I was introduced to a young man by my then service manager
at Taylor Guitars,Terry Myers."Bob," he said,"this is John LeVan, the guy l've told you about who's got a repair
hop going up in Aubum." "Aubum?" I thought,"What kind of business can a guy do in repairs up in Aubum?"
Aubum is a little wooded town just north of Sacramento, California, and among my favorite spots, actually. The
year was 1994 and John was determined to become one of our very first authorized service centers.Terry has since
moved to other duties at Taylor Guitars, but at the time he was envisioning repairmen across the country that had
the talent to work on our guitars the way we would; fast, efficient, and above all, able to diagnose the true problem
wilh the guitar. Terry worked hard on that goal, but he needed raw talent and a good attitude from the applicants in
order to accomplish the task. So here was John Le Van, spending his time in our repair shop leaming our guitars,
our methods, our diagnosing procedures; he was leaming to have our eyes.
Well, he went home to Aubum, and it carne to pass that he grew tremendously in knowledge and eventually relocated
to Nashville.This was music to our ears because we now had a man in pIace in Music City, USA to take care
of the many, many Taylor owners there. Nashville is the pIace with probably the highest population of professionals
who use our guitars. John established himself there as an expert guitar repairman who could give great service
to people who needed it, both the players and us at Taylor. Our relationship with John has been a joy.
We all know the idea of any category being divided into good, better, and best. I see a lot of people who want to do
guitar repairs and be an expert at it. But I don't see people who are hungry for knowledge and experience on how
to real1y be an expert, and are willing to put in the time necessary and check their ego at the door in order to leam.
This expertise l'm referring to starts with the skill of looking at a guitar and deciding what the problem is. (You
have no idea how many times a neck is refretted when what the guitar actually needs is to be humidified!) After
that, it moves on to the expertise of how to effectively accomplish the repair, all in the given time allotted, and
then retuming that guitar to its owner at the promised time. John LeVan has done more than gather knowledge, he
has amassed it.When I read this book I see John's habits on the page -look at the guitar, assess the problem, clean
the workbench and gather the right tools, wash your hands, put on a smile, and get it done properly with the least
effort. It's amazing that after less than a lifetime of guitar repair John can be so organized and energized to put
it all in the form of a book like this, thus, passing on the information to others. Please take a good look and leam
some things from a person who is an expert leamer himself.

Chapter 1 - Tools and Materials

Guitar Maintenance Kit - Basic tools needed to perform setups.
Materials - Materials and supplies you'll need
Recommended Tools - List of luthrie tools.
Sources - Where to purchase tools and materials.

Chapter 2 - General Maintenance

Hygiene - Keep it clean.
Cleaning and Conditioning - Proper care of your instrument.
Restringing - Professional tips and techniques.
Transporting and Shipping - Tips on packing and shipping a guitar.
Humidity Effects - Too much, too little or too late.

Chapter 3 - Adjusting the Neck

Diagram of Components - Frets, fingerboard and trussrod.
Measurements - Before and after.
Sighting the Neck - Foolproof techniques.
Proper Adjustments - Adjusting for playing style and design.
Types of Trussrods - Single-action and double-action.
Troubleshooting - Identifying stripped and frozen trussrods.

Chapter 4 - Adjusting the Action at the Bridge

Diagram of Components - Parts of a guitar bridge.
Measurements - Before and after.
Acoustic Bridge Saddles - Concept, materials and common problems.
Tunematic
Hard Tail Bridge
Floating Tremolo Systems

Chapter 5 - Adjusting the Action at the Nut

Diagram of Components - Different shapes, sizes and materials.
Measurements - Before and after.
Angles, Width and Spacing - How to correctly cut string slots.
Proper Adjustments - Calculating the correct height for each string.
Replacement and Repair - Do I film, shim or replace the nut?

Chapter 6 - Adjusting the Pickups

Diagram of Components - Parts of an electric pickup.
Proper Heights and Effects - Pole pieces, adjustable and fixed.

Chapter 7 - Intonation

Definitions - What is intonation?
Tools Needed - Tuners, hex keys and screwdrivers.
Sharp, Flat and Hopeless
Variables and Tempering - Fret placement, nut placement and Bach.

Chapter 8 - Basic Fretwork

Diagram of Components - Tools, jigs and materials.
Fret Leveling - My steel bar and buckshot method.
Recrowning Frets - A tight crown is better than a flathead.
Partial Refretting - How many should you replace?
Burnishing the Edges - Final buff and polish.

Chapter 9 - Basic Electric Guitar Wiring

Diagram of Components - Anatomy of a pickup.
Pickup Harness Color Codes - So many colors, so little time
RW/RP, LFT/W - Fun with acronyms.
Pots, Switches and Jacks - How they work? And what do they do?
Wiring Diagrams - The proper way to read a wiring diagram.
Acoustic Pickup Systems - Application and function.
Troubleshooting - Pickup failure causes.

Chapter 10 - Top 10 Signs of a Problematic Guitar

Electric - Common Problems.
Acoustic - Common Roblems.

Chapter 11 - Miscellaneous Upgrades and Repair

Strap Buttons - Drilling, countersinks and felt washers.
Tuning Keys - Replacement and repair.
Bridge Pins - Too loose, too tight and just right.

Chapter 12 - Other Training Resources

Apprenticeships - Understudy programs.
Factory Training - Crash courses in real guitar repair.
Workshops - ASIA, GGAL and schools on guitar building.

Disponibilità:

1697 COMPLETE GUIDE TO GUITAR AND AMP MAINTENANCE. FLIEGER.

Euro 14,95

Quantità

THE COMPLETE GUIDE TO GUITAR AND AMP MAINTENANCE. Manuale pieno di fotografie per la cura del proprio strumento e dell'amplificazione.

A Practical Manual for Every Guitar Player
Series: Book
Publisher: Hal Leonard
Medium: Softcover
Author: Ritchie Fliegler

From the author of Amps! comes an essential survival guide for every guitar player and amp owner. Packed with concise, clearly written tips on troubleshooting and repairs, this guide teaches the secrets of maintenance and fixing it yourself, with straightforward, step-by-step instructions using simple, affordable, readily available tools. The book focuses on the most commonly performed procedures, and contains over 150 photos and insider information from technicians, engineers, and roadies. 80 pages.

Disponibilità:

6658 ULTIMATE BENCH WARRIOR How to Design, Build and Modify Custom Guitar and Bass Amplifiers, L. Jackson. 180 Foto e immagini.

Euro 30,00

Quantità

ULTIMATE BENCH WARRIOR How to Design, Build and Modify Custom Guitar and Bass Amplifiers, L. Jackson. 180 Foto e immagini.

Series: Book
Publisher: Cherry Lane Music
Medium: Softcover
Author: Lee Jackson

Amp guru Lee Jackson covers: tools of the trade; the basics of soldering; different tube types, with specs and histories; electronic symbols; amplifier modifications from gain stages to adding reverbs; schematics of solidstate circuits and power supplies; lists of parts suppliers; and more. Features 180+ photos and illustrations. 152 pages

Disponibilità:

3189 A DESKTOP REFERENCE OF HIP VINTAGE GUITAR AMPS, Gerald WEBER.

Euro 40,99

Quantità

A DESKTOP REFERENCE OF HIP VINTAGE GUITAR AMPS, Gerald Weber.

A Desktop Reference of Hip Vintage Guitar Amps
Series: Book
Publisher: Kendrick Books
Format: Softcover
Author: Gerald Weber

If you have questions about guitar amplifiers-how to fix them, how to restore them, or how to hot-rod them-this book has the answer. This book is written for the guitarist or collector who desires a common sense approach to understanding the essence of vintage tube amps and vintage tube tone. Not written for engineers, it does not contain engineering formulas, polar mathematic equations, or abbreviations that are assumed you should know. Gerald Weber, a regular columnist for Vintage Guitar magazine, shares the knowledge he has accumulated over the years of repairing and building his line of Kendrick amps.
Inventory #HL 00330225
ISBN: 9780964106000
UPC: 073999302257
Width: 6.0"
Length: 9.0"
512 pages

Gerald Weber has written many articles on tube guitar amplifiers for Vintage Guitar magazine, and this book is a compilation of those articles, plus excerpts from his "Ask Gerald" question and answer column. Written for the guitarist or collector who wants a common sense approach to understanding the essence of vintage tube amps and vintage tube tone, this essential guide will answer questions on how to fix, restore, or hot-rod vintage amps. Includes easy-to-follow text, a complete glossary of terms, many photos and detailed schematics, and a listing of dealers and sources.

If you have questions about guitar amplifiers-how to fix them, how to restore them, or how to hot-rod them-this book has the answer. This book is written for the guitarist or collector who desires a common sense approach to understanding the essence of vintage tube amps and vintage tube tone. Not written for engineers, it does not contain engineering formulas, polar mathematic equations, or abbreviations that are assumed you should know. Gerald Weber, a regular columnist for Vintage Guitar magazine, shares the knowledge he has accumulated over the years of repairing and building his line of Kendrick amps.

If you want to know about vacuum tube guitar amplifiers & what affects tone, this book bypasses the confusion & gets down to the essences of guitar amplifiers. Written for the guitarist or collector, this book is a common sense approach to understanding vintage vacuum tube guitar amplifiers. Not written for engineers, it does not contain engineering formulas, polar mathematic equations, or abbreviations that are assumed you know. When a new term is used for the first time, a definition of that term appears at the end of the chapter in a mini-glossary. The Author is president & owner of Kendrick Amplifiers, who manufacture vacuum tube guitar amplifiers & operate the largest vintage amp restoration shop in the country. He writes question-&-answer columns for "Vintage Guitar Magazine." Many of the articles are reprinted in this book. Over 200 schematics & layout diagrams, dozens of modifications, a whole section of tips & tricks, circuit comparisons & pictures. A must for anyone interested in tube guitar amps.

Gerald Weber wrote his first monthly column for Vintage Guitar magazine over three years ago. It was the first technical, article that we had' ever printed and Gerald's writing soon became a very popular part of the magazine. Since that time, his articles have generated more reader mail than any other regular feature of the magazine. The letter writers almost always express their appreciation for Gerald freely sharing his vast knowledge of guitar amplifiers and how to "tweak" them for better performance. Whether the readers use this information to work on the amps themselves, or just to be able to deal with repair people, Gerald's words make for a better informed-and happier-guitar player. In the pages of this book, Gerald continues to freely share this information-knowledge that he has accumulated over the years repairing and building guitar amps. His line of Kendrick amplifiers and related components come with the highest references and he is always striving for quality and that "Killer Tone." So, if you have questions about guitar amplifiers- how to fix them, how to restore _ them, or how to hot-rod them-look inside,
Gerald Weber has the answer! Alan Greenwood Publisher
Vintage Guitar Magazine

PREFACE
When I began writing articles for Vintage Guitar Magazine several years ago, my original intention was to share my knowledge with those who care as much about tube guitar amps as I do. At the time, I had no idea that this book would eventually write itself. This book is actually a compilation of those articles and a compilation of the" Ask Gerald" question and answer column with the addition of some schematics and a reprint of the "Trainwreck Pages" and some other reprints. This book is written for the guitarist or collector who desires a common sense approach to understanding the essence of vintage tube amps and vintage tube tone. Not written for engineers, it does not contain engineering formulas, polar mathematic equations, or abbreviations that are assumed you should know. In fact, when a term is used for the first time, a definition of that term will appear at the end of the chapter in a mini-glossary. When you come across a word that is unfamiliar, you should look at the mini-glossary at the end of the chapter and clarify the word before proceeding. This will keep everything clear for you. DISCLAIMER: Tube amplifiers contain potentially lethal high voltages even after they are unplugged, that may cause personal injury or death. Do not attempt to repair or modify any amplifier unless you are absolutely certain that you know what you are doing.

Schematic. One of these losses occurs in the audio transformer. In times of old, virtually all transformers were wound directly on a laminated core with only paper insulating the windings from the core; modern transformers are wound on plastic or nylon bobbins, much thicker than paper, resulting in greater loss and consequently less fidelity. Try this: hook up your guitar and play it and listen to how it sounds. ow take a small screwdriver and adjust the pickups so they are a quarter of an inch further away from the strings. Now how does it sound? From this experiment, you can see for yourself that the further a magnetic source your guitar strings) is away from an inductive coil (your pickups), the less efficient the signal transfer. This is exactly the same phenomenon occurring in a plastic bobbin transformer. The extra distance of a plastic bobbin kills tone that would have been captured by the closer, paper-insulated vintage style transformers. Also many vintage transformers were interleaved, a practice not common in modern amps. Any audio transformer generally has two coils wound on the same core. Interleaving means winding a little bit of the first winding, then a little bit of the second winding, then a little of the first, then a little of the second, etc., until both windings have the correct number of turns. Modern transformers are usually wound by winding all the turns of one winding, and then all the turns of the other winding. Obviously the interleaved transformer will sound better because it is more efficient and better at producing low end, with richer harmonics. In the 50s and 60s, coupling capacitors were typically made by placing two small sheets of paper (called the dielectric) between two small pieces of foil. A lead was attached to each piece of foil, and the paper and foil sandwich (double decker) was rolled up like a cigarette. Often, the finished cap was encased in plastic, wax, or epoxy. These caps had a very rich sound with nice low end. Nowadays however, technology and automation have taken us to a new level in capacitor manufacture. Polystyrene, mylar, polyester, and anything but paper are commonly used as the dielectric but do not have the same sound as paper dielectrics. Although audiophiles will tell you that polystyrene caps have the best sound (and maybe they do for stereo systems), I prefer the polyester tubular foil capacitors as the ones sounding the most like vintage for guitar amps. These caps are the Mallory 150 series caps and are made by spraying ...

Amps of Our Times - Vintage vs. Modern

... conductors of a capacitor. Paper, air, electrolyte, mica, mylar, polyester, and ceramic are some of the dielectrics that are used.
DISTORTION-noun- The difference between what goes into an electronic device and what comes out.
DYNAMICS-noun-The loud/soft quality of music that gives it character.
ENVELOPE-noun-The changing dynamics of a vacuum tube circuit that can be heard as an attack, decay and sustain volume level when a note or a chord is played through the amp.
E.Q.-noun-Abbreviation for "equalizer."
FIXED-BIAS-adjeetive-A way to achieve bias in a vacuum tube in which a fixed amount of negative voltage is placed on the grid of a tube. This is almost always done on output tubes and almost never done on preamp tubes.
GAIN-noun-The amount of voltage amplification in the preamp section of an amplifier. This voltage amplification ultimately drives the power tubes which do not add any more gain. The power tubes add current (power).
GRID-noun-One of the internal parts of a vacuum tube. This is usually where
the input signal connects.
HARMONICS-noun-The frequencies that are related to the fundamental frequency by being multiples of the fundamental frequency.
HEADROOM-noun-The volume level that is attainable before clipping occurs.
IMPEDANCE-noun-Sum of all resistance, capacitive reactance, and inductive reactance.
INTERLEAVED-adjeetive-A way of winding a transformer in which a little bit of the primary is wound, then a little of the secondary is wound, then a little primary, then a little secondary, etc. until the transformer is wound. The more interleaves, the better the efficiency.
PHASE INVERTER-noun-The circuit in a push pull amplifier that feeds the power tubes signal. It feeds one power tube an in phase signal and the other power tube an out of phase signal. The tube for this circuit is always located next to the power tubes.
PICOFARAD-noun-A very small amount of capacitance that is equal to a trillionth of a farad (.000,000,000,00 I farads). Sometimes also called "micro micro
farads."
PLATE-noun- The part of a vacuum tube that has high voltage on it. Except in a cathode follower circuit, the output is always taken from this part of the tube.
PLATE VOL TAGE-noun- The voltage that is applied to the plate of a vacuum tube. Higher voltages give more headroom and high end, lower voltages give more breakup and a browner tone. All tweed amps had relatively lower plate voltages.
PREAMP-noun-The section of an amplifier whose function is to add gain. Preamps are always before the output stage.
RECTIFIER TUBE-noun-A vacuum tube with no grid, whose purpose is to change alternating current to direct current. Current flows from the cathode to whichever of the two plates that happens to be positive at the time.

... relatively lower impedance cathode follower circuit. This circuit increases odd order harmonics thus giving a crunchy tone. This is the same crunch that you hear in all early Marshalls. Originally, this circuit was used so that the tone controls would not load down the signal. Later blackface Fenders did not use this circuit and that is why blackface amps will have no volume if all the tone controls are turned to the lowest setting. (The signal is loaded down to the point that nothing is left to amplify.) Shortly after the 5E6 came out, Fender changed the design slightly to a 5E6A. This amp was identical to the 5E6 except that the bias voltage was increased somewhat. (They were probably having problems with power tubes blowing and increasing the bias would have the tubes run cooler.) Also the tone cap values were slightly different on the 5E6A. In 1958, the 5F6 became the next evolution of the 4X10 Bassman. Sometimes referred to as a four hole Bassman (it had two inputs for bright and two inputs for normal-each channel having a high and low gain input), this model had quite a few design changes, although cosmetically it looks like they simply added two inputs and a middle control. There is much more to it than that. For instance, the negative feedback across the second stage was removed, thus increasing gain. Although the 12AY7 was still used on the first gain stage, the second tube was changed to a 12AX7 increasing gain even further. The tone control design was changed to what would become a classic design later used by Marshall, Vox, and many others. A cathodyne style phase inverter was dropped in favor of the familiar long-tail pair style phase inverter that has remained a characteristic of virtually all Fender tube amps to date. The choke was moved between the screens and center tap of the audio transformer-a place it has been ever since in all Fender amps. 100 ohm screen grid resistors were added and the output tubes were changed to the higher fidelity 5881s. The wattage increased to about 40 watts because the plate voltage was increased from 405 volts on the 5E6A to 427 volts on the 5F6 and the preamp gain was increased considerably. 5881 power tubes are different from the 6L6Gs in several ways. First the 5881 has always been considered a high fidelity version of the 6L6G which is considered an industrial public address tube. 5881s are rated at 23 watts per tube compared to the 6L6G's 19 watts. Being a ... Kendricks

HIP VINTAGE AMPS
Amps of Our Times-Vintage vs. Modern
The Tweed Champ
The Tweed Deluxe
The Definitive 4X10 Bassman
The Deluxe Reverb
The Super Reverb
The Vibroverb

TIPS AND TRICKS
A Tube is a Tube, Right?
The Simple Truth About Biasing Your Amp
Unwinding the Transformer Puzzle
Important Facts About Jensen Speakers
How to Make Your Amp Sound Right
Easy Tricks to Juice Your Vintage Amp
Ten Easy Mods for Your Super Reverb
Ten Easy Mods for Your Pro Reverb
Juice Up That 6G15 Fender Reverb
Resurrecting That Tube Echoplex
Silver to Blackface Conversion for Twin Reverb

THE TRAINWRECK PAGES-By KEN FISCHER

QUESTIONS AND ANSWERS

SCHEMATICS
Ampeg
Fender
Gibson
Hiwatt
Magnatone
Marshall
Rickenbacker
Silvertone
Vox

REVIEWS OF KENDRICK PRODUCTS
Gerald Weber, the Tweed King

CATALOG OF KENDRICK PRODUCTS

Disponibilità:

3154 AMPLIFIER, THE ART OF THE. DOYLE.

Euro 31,00

Quantità

AMPLIFIER, THE ART OF THE. DOYLE. Fotografie a colori di tutti i marchi storici.

Disponibilità:

3012 AMPS! THE OTHER HALF OF ROCK 'N' ROLL. FLIEGLER.

Euro 32,00

Quantità

AMPS! THE OTHER HALF OF ROCK 'N' ROLL. Fliegler. 128 pagine.

Series: Book
Publisher: Hal Leonard
Medium: Softcover
Author: Ritchie Fliegler

Electric guitar players can choose from a library full of guitar books, but comparatively little has been written about the other 50% of the electric guitar: the amplifier. This book takes a giant step toward redressing the balance, providing the first overall view of amp-dom, including: how amps work, profiles of the major manufacturers, 'transistor dinosaurs' and their place in amp history, reissues vs. vintage amps, and troubleshooting. Terms are defined in the margin as they are introduced, and plenty of photos and diagrams illuminate the text. 120 pages.

Disponibilità:

6836 GIBSON AMPLIFIERS 1933-2008. 75 Years of the Gold Tone. By Wallace Marx, Jr. Book & CD-ROM 2010

Euro 29,95

Quantità

GIBSON AMPLIFIERS 1933-2008. 75 Years of the Gold Tone. By Wallace Marx, Jr. Book & CD-ROM

Series: Blue Book
Category: Guitar Reference
Format: Book & CD-ROM

Gibson Amplifiers 1933-2008 is the first and only guide on Gibson amplifiers! Features include 192 pages and a 16-page color pictorial section, the entire history of Gibson amplifiers through 2008 as well as an overview of amplification from the early 20th century, a complete guide section to Gibson amps with specifications, shipping totals, and pictures, and a CD-ROM containing the entire Gibson Amplifier Master Service Book in PDF format that includes owner’s manuals and schematics for Gibson amps produced from 1936 to 1966. The information contained in this book and CD-ROM is simply not available from any other single source!

Disponibilità:

CHITARRA LAMPO