CHITARRA LAMPO

• SPARTITI, LIBRI DI MUSICA
    SPARTITI NOVITA'
    SPARTITI GRUPPI e PERSONALITA'
    SPARTITI ACUSTICA
    SPARTITI ACCORDATURE APERTE
    SPARTITI OPER TUNINGS/BOTTLENEK
    SPARTITI BLUES
    SPARTITI COUNTRY BLUES
    SPARTITI CLASSICA
    SPARTITI CLASSICA e...
    SPARTITI NATALE/SACRA
    SPARTITI NEO-CLASSICO
    SPARTITI FLAMENCO
    SPARTITI LATIN
    SPARTITI COUNTRY / BLUEGRASS
    SPARTITI BANJO, MANDOLINO e...
    SPARTITI BASI '50
    SPARTITI BASI '60
    SPARTITI BASI '70
    SPARTITI BASI '80
    SPARTITI BASI '90
    SPARTITI BASI '00
    SPARTITI BASI BLUES
    SPARTITI BASI COUNTRY
    SPARTITI BASI JAZZ
    SPARTITI JAZZ
    SPARTITI JAZZ METODI
    SPARTITI GYPSY JAZZ, SWING, MANOUCHE
    SPARTITI METODI PER CHITARRA
    SPARTITI PIANO E TASTIERE
    SPARTITI ROCK 'N' ROLL
    SPARTITI RHYTHM and BLUES, SOUL, DISCO, FUNK
    SPARTITI RACCOLTE '70
    SPARTITI RACCOLTE '80
    SPARTITI RACCOLTE '90
    SPARTITI RACCOLTE '00
    SPARTITI RACCOLTE FILM/TV
    SPARTITI SOLOING SCALE MODI ARPEGGI
    SPARTITI ARMONIA, ACCORDI
    SPARTITI DI TECNICA
    SPARTITI TECNICA TAPPING
    LIBRI DI ELETTRONICA
    LIBRO DI AMPLIFICAZIONE E IL SETUP
    LIBRI SUL SUONO E GLI EFFETTI
    LIBRI DI LIUTERIA
    MONOGRAFIE, BIOGRAFIE DI CHITARRISTI
    SPARTITI METODI PER BASSO
    SPARTITI METODI PER BATTERIA
    SPARTITI METODI PER ARMONICA
    LETTERATURA
• VIDEO/DVD
• CHITARRA FLAMENCO, CLASSICA, ACCESSORI

SPARTITI JAZZ METODI

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13

5613 A MODERN METHOD FOR GUITAR VOLUME 1. BOOK e DVD ROM

Euro 41,99

Quantità

A MODERN METHOD FOR GUITAR VOLUME 1. BOOK e DVD ROM

Series: Berklee DVD
Publisher: Berklee Press
Medium: BOOK & DVD ROM PKG
Guitar
Artist: Larry Baione
Author: William Leavitt

This money-saving value pack includes Volume 1 of this practical, comprehensive method book (the basic text for the guitar program at the world-famous Berklee College of Music) PLUS a matching DVD-ROM featuring 14 complete lessons with Larry Baione, chair of Berklee's guitar department. Owning this pack is like having access to a year's worth of private guitar lessons at Berklee ! 128 pages

A legendary method, now bundled in a book and DVD-ROM package...at one low price!
"...THE BEST METHOD EVER WRITTEN FOR GUITAR." - Mike Stern

For Use in Both Windows and MacIntosh Computers! For use in computers ONLY, this is not for use in a DVD player.

THE BOOK. A Modern Method for Guitar by William Leavitt, is one of the world's most popular guitar methods. It is the basic text for Berklee College of Music's guitar program. It has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors for over 40 years.

THE DVD-ROM. This DVD-ROM version of this proven method is the most comprehensive guitar method DVD-ROM on the market. The instruction on this DVD-ROM is equivalent to a year's worth of guitar lessons at Berklee College of Music! You will be guided through 14 complete lessons with Larry Baione, Chair of Berklee's Guitar Department.

14 Hours of instruction include on-screen demonstrations, with camera close-ups of both hands, as well as interactive duets and play-along segments so you can "sit in" with your instructor.
You will learn essential skills for playing lead and rhythm guitar, including:

scales
chord forms
accompaniment skills
guitar technique
voice-leading approaches
reading music notation

BIO
Larry Baione has been Chair of the Berklee College of Music Guitar Department since 1990 and a faculty member since 1974. He studied with William Leavitt while Leavitt was developing the Modern Method for Guitar, and also studied with Bucky Pizzarelli, Jim Hall, and other legendary players. Baione has taught students using this method for thirty years. He is the author of the Berklee Practice Method for Guitar. Baione continues to record, perform and give clinics throughout the world.

14 ORE DI LEZIONE

LEAVITT 1
LIBRO DI MUSICA, METODO SPARTITI, CON DVD ROM

Contents
It is important that the following material be covered in consecutive order. The index on page 126 is for reference purposes only and will prove valuable for review or concentration on specific techniques.

Section I
3 Tuning, The Staff, Clef Sign, Common l'\ote Values
4 Notes in the First Position
6 Sea to Sea (Duet)
8 Note and Chord Review (Upper Register)
10 One, Two, Three, Four (Duet)
11 Rhythm Accompaniment
13 Review (Lower Register)
14 Imitation Duet
15 Sharps and Flats
16 Here We Go Again (Duet)
17 Rhythm Accompaniment (Bass Notes and Chords)
18 Eighth Notes-Counting and Picking
20 Etude NO.1 (Duet)
21 Rests, Tied Notes, Dotted Notes
22 Etude NO.2 (Duet)
23 First Solo
24 Rhythm Accompaniment (Chord Diagrams Explained)
25 Second Solo
26 Etude NO.3 (Duet)
27 Picking Etudej o. 1 (Right-Hand Development)
27 Etude
28 Two, Two (Duet)
30 Key of G Major (First Position)
30 Rhythm Accompaniment (Chord Diagrams)
31 Sixteenth Notes
32 Duet in G
33 Picking Etude NO.2
34 Another Duct in G
35 Key of F Major (First Position)
35 Rhythm Accompaniment (Chord Diagrams and Grand Barre)
36 Duet in F
37 The Triplet
Waltz in F (Solo)
39 Key of A Minor (First Position)
39 Rhythm Accompaniment (Chord Diagrams)
40 Pretty Pickin' (Duet)
42 Dotted Eighth and Sixteenth Notes
43 Key of E Minor (Scales in First Position)
43 Rhythm Accompaniment (Chord Diagrams)
44 Take Your Pick (Duet)
45 Rhythm Accompaniment (Movable Chord Forms)
46 Chromatic Scale (First Position)
46 Speed Studies
47 Key of D Minor (Scales in First Position)
47 Rhythm Accompaniment
48 Endurance Etude (Picking Etude No.3)
50 Key of Bb (Scales in First Position)
50 Rhythm Accompaniment
51 Duet in Bb
52 Reverse Alternate Picking Study
53 Key of D Major (Scale in First Position)
53 Duet in D
54 Dynamic Etude-Etude NO.4 (Duet)
56 Key of A Major (First Position)
56 Duet in A
56 Rhythm Accompaniment
57 Key of nMajor (Scale in First Position)
57 Duet in n
58 Movable Chord Forms
58 Chord Simplification and Substitution Chart
59 Picking-A Different Technique

Section II
60 Position Playing
60 Major Scales (C Major, Fingering Type 1, Second Position)
62 Chord Etude o. 1
63 Etude NO.5 (Duet)
64 Reading Studies (C Major, Fingering Type 1, Second Position)
66 Ballad (Duet)
67 Movable Chord Forms
68 Chord Forms (Derivative Fingerings)
69 Rhythm Accompaniment-Right-Hand Technique
69 Picking Etude NO.4
70 F Major Scale (Fingering Type lA, Second Position)
7I Chord Forms
72 Chord Etude NO.2
73 Another Duet in F
74 Reading Studies (F Major, Fingering Type lA, Second Position)
76 Play It Pretty (Duet)
77 Chord Forms
77 Triplet Study
78 Speed Study-Fingering Type 1
79 Speed Study-Fingering Type l A
80 G Major Scale (Fingering Type 2, Second Position)
81 Dotted Eighth and Sixteenth Study
82 Waltz for Two (Duet)
83 Chord Forms
84 Reading Studies (G MAJOR, Fingering Type 2, Second Position)
86 Blues in G (Duet-Muffled Effect)
87 Chord Etude NO.3
88 Rhythm Accompaniment-Right-Hand Technique
(Basic Latin Beat)
88 Picking Etude NO.5
89 Short and Sweet (Duet)
90 D Major Scale (Fingering Type 3, Second Position)
91 Chord Forms
92 Melodic Rhythm Study NO.1 (Syncopation)
93 Chord Etude NO.4
93 Staccato, Legato
94 Reading Studies (D Major, Fingering Type 3)
96 Dee - 00 -Ett (Duet)
97 Chord Forms
98 Speed Study-Fingering Type 2
99 Speed Study-Fingering Type 3
100 A Major Scale (Fingering Type 4, Second Position)
101 Chord Etude o. 5
102 Reading Studies (A Major, Fingering Type 4, Second Position)
104 Tres Sharp (Duet)
105 Sixteenth Note Study
105 Chord Forms
106 Speed Study-Fingering Type 4, Second Position
107 Chord Forms
108 Second Position Review
110 Chord Forms
III Quarter Note Triplets
112 Major Scales in Third Position (Bb, Eb, Ab, Db)
114 Third Position Review
116 Chord Forms
117 Major Scales in First Position (Ab, Db)
118 First Position Review
119 Major Scales in Fourth Position (G, D, A, E)
121 Chord Forms
122 Fourth Position Review
124 Chord Forms
125 Author' Note
126 Index

Index
ARPEGGIO STUDIES
Key of C major .
Key of F major .
Key of G major .
Key of D major " .
Key of A major .
CHORD ETUDES
1 .
2 .
3 .
4 .
5 .
CHORD FORMS (RHYTHM ACCOMPANIMENT)
Introduction to .
Bass notes and chords .
Chord diagrams (open position) .
Principle of movable forms ,
Movable forms .
Movable forms (Rhythmic accompaniment, part 2)
Basic and derivative fingerings .
Right-hand technique for rhythmic acceleration .
Basic Latin beat .

FUNDAMENTALS
Primary information .
Sharps and flats .
Eighth notes .
Rests, tied notes, dotted notes .
Sixteenth notes .
The triplet .
Dotted eighth and sixteenth notes .
Quarter-note triplets .
Harmonics .
Muffled effect .
Staccato, legato .

READING STUDIES .
Optional duets with rhythm guitar
Melodic rhythm study 1 (syncopation) .
Second position review .
Third position review .
First position review .
Fourth position review .

RHYTHM ACCOMPANIMENT (SEE CHORD FORMS)
RIGHT-HAND DEVELOPMENT
Picking etudes 1, 2, 3, 4, 5 .
Reverse alternate picking study .
Dynamic etude (duet) .
Picking-a different technique .
Triplet study .
Dotted eighth and sixteenth study .
Basic Latin beat .
Melodic rhythm study 1 .
Sixteenth note study .
Also see: (fundamentals) eighth notes, sixteenth notes, the triplet, dow
quarter note triplets, speed studies, arpeggios, and solos marked (*)
SCALES: OPEN (FIRST) POSITION
C major .
G major .
F major .
Bb major ,
D major .
A major .
Eb major .
A minor (Three types) .
E minor (Three types) .
D minor (Three types) .
Chromatic scale .
SCALES: MOVABLE FINGERINGS (POSITION PLAYING)
C major-Fingering Type 1 (position II) .
F major-Fingering Type 1A (position II) .
G major-Fingering Type 2 (position II) .
D major-Fingering Type 3 (position II) .
A major-Fingering Type 4 (position II) .
Bb major-Fingering Type 4,
Eb major-Fingering Type 4 (position II) .
Ab major-Fingering Type 2,
Db major-Fingering Type 1 (position III) .
Ab major-Fingering Type 4,
Db major-Fingering Type 3 (position I, no open strings) .
G major-Fingering Type lA,
D major-Fingering Type 1 (position I) .
A major-Fingering Type 2,
E major-Fingering Type 3 (position IV) .
SOLOS
"First Solo" .
"Second Solo" '
(*) Picking etudes 1, 3, 4, 5 .
(*) Duet in F (lst Guitar part) .
Wal tz in F
(*) Pretty Pickin' (lst Guitar part) .
(*) Take Your Pick (lst Guitar part) .
Chord etudes 1, 2, 3, 4, 5, .
"Ballad" (lst Guitar part) .
SPEED STUDIES .

Disponibilità:

5665 A MODERN METHOD FOR GUITAR - VOLUME 1. Berklee Press. DVD-ROM

Euro 33,00

Quantità

A MODERN METHOD FOR GUITAR - VOLUME 1. Berklee Press. DVD-ROM

Series: Berklee DVD
Publisher: Berklee Press
Medium: DVD-ROM
Guitar
Artist: Larry Baione
Author: William Leavitt

This DVD-ROM version of A Modern Method for Guitar, Volume 1 is the most comprehensive guitar method DVD-ROM on the market. You will be guided through 14 complete lessons with Larry Baione, chair of Berklee's guitar department. It's like a year's worth of private guitar lessons at Berklee College of Music! It features 14 hours of instruction including on-screen demonstrations (with camera close-ups of both hands), as well as interactive duets and play-along segments so you can sit in with your instructor. You will learn essential skills for playing lead and rhythm guitar, including: scales, chord forms, accompaniment skills, guitar technique, voice-leading approaches, reading music notation.

"...THE BEST METHOD EVER WRITTEN FOR GUITAR." - Mike Stern
For Use in Both Windows and MacIntosh Computers! For use in computers ONLY, this is not for use in a DVD player.
BOOK NOT INCLUDED

A Modern Method for Guitar by William Leavitt, is one of the world's most popular guitar methods. It is the basic text for Berklee College of Music's guitar program. It has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors for over 40 years.

This DVD-ROM version of this proven method is the most comprehensive guitar method DVD-ROM on the market. The instruction on this DVD-ROM is equivalent to a year's worth of guitar lessons at Berklee College of Music! You will be guided through 14 complete lessons with Larry Baione, Chair of Berklee's Guitar Department.

14 Hours of instruction include on-screen demonstrations, with camera close-ups of both hands, as well as interactive duets and play-along segments so you can "sit in" with your instructor.

You will learn essential skills for playing lead and rhythm guitar, including:

scales
chord forms
accompaniment skills
guitar technique
voice-leading approaches
reading music notation

Disponibilità:

6743 A MODERN METHOD FOR GUITAR JAZZ SONGBOOK, VOL. 1. CD 2009

Euro 15,00

Quantità

A MODERN METHOD FOR GUITAR JAZZ SONGBOOK, VOL. 1. CD

SERIES: GUITAR METHOD
PUBLISHER: BERKLEE PRESS
MEDIUM: SOFTCOVER WITH CD

PLAY GREAT JAZZ WHILE YOU LEARN FROM THIS REVERED GUITAR METHOD! THESE SOLOS AND DUETS MAP DIRECTLY TO THE LESSONS IN WILLIAM LEAVITT'S MODERN METHOD FOR GUITAR, VOLUME 1, THE BASIC GUITAR TEXT AT BERKLEE COLLEGE OF MUSIC. SINCE THE 1960S, THE MODERN METHOD FOR GUITAR SERIES HAS BEEN ONE OF WORLD'S MOST POPULAR GUITAR METHODS, TRANSLATED INTO SPANISH, FRENCH, AND JAPANESE, AND SELLING OVER HALF A MILLION COPIES.

CAREFULLY OVERSEEN BY LARRY BAIONE, CHAIR OF BERKLEE'S GUITAR DEPARTMENT (AND A FORMER STUDENT OF WILLIAM LEAVITT), THESE ARRANGEMENTS ARE CRAFTED TO LEAVITT'S TIME-PROVEN APPROACH, GIVING YOU THE CHANCE TO APPLY WHAT YOU LEARN TO MUSIC BY MILES DAVIS, DUKE ELLINGTON, SONNY ROLLINS, DJANGO REINHARDT, AND OTHER JAZZ GREATS. THE ACCOMPANYING CD DEMONSTRATES ALL THE TUNES AND OFFERS PLAY-ALONG TRACKS FOR PRACTICING THE DUETS.

SONGS INCLUDE:

AFTERNOON IN PARIS
BASIN STREET BLUES
A CHILD IS BORN
DAPHNE
HERE'S THAT RAINY DAY
IN A SENTIMENTAL MOOD
MY LITTLE SUEDE SHOES
ST. THOMAS
SAMBA DE ORFEU
SO WHAT
SWING 42
VALSE HOT
THE VERY THOUGHT OF YOU
WHEN I FALL IN LOVE
WILLOW WEEP FOR ME

Disponibilità:

2501 A MODERN METHOD FOR GUITAR VOLUME 1. By William Leavitt, Berklee Press: CD

Euro 24,00

Quantità

A MODERN METHOD FOR GUITAR VOLUME 1. By William Leavitt, Berklee Press. 127 pagine di studi melodici, accordi, arpeggi, lettura, esercizi, tecnica, pezzi, senza Tablature. CD

Series: Berklee Methods
Publisher: Berklee Press Publications
Author: William Leavitt
This practical, comprehensive method is used as the basic text for the guitar program at the Berklee College of Music. Volume One builds a solid foundation for beginning guitarists and features a comprehensive range of guitar and music fundamentals, including: scales, melodic studies, chord and arpeggio studies, how to read music, special exercises for developing technique in both hands, voice leading using moveable chord forms, and more. 128 pages.

Disponibilità:

5126 A MODERN METHOD FOR GUITAR VOLUME 2. Berklee Press, William Leavitt. With CD

Euro 25,00

Quantità

A MODERN METHOD FOR GUITAR VOLUME 2. Berklee Press, William Leavitt. No Tablature. With CD

Series: Berklee Press
Publisher: Berklee Press
Medium: Softcover with CD
Author: William Leavitt
Now available in a book/CD pack! The William Leavitt guitar method, used as the basic text for the Berklee College of Music guitar program, has stood the test of time and earned a vast and loyal following of guitar students and instructors. After mastering the basics from Volume 1, this intermediate-level book continues and builds upon the study of melody, scales, arpeggios and chords, covering the entire fingerboard. This volume also addresses: intervals, chord voicings, improvisation, rhythm-guitar techniques, play-along duets and more. 122 pages.

Disponibilità:

3851 BERKLEE BASIC GUITAR, PHASE 1. W. Leavitt.

Euro 8,00

Quantità

BERKLEE BASIC GUITAR, PHASE 1. W. Leavitt.

Guitar Technique
Series: Guitar Method
Publisher: Berklee Press Publications
Author: William Leavitt

A modern method ideal for all beginning guitarists, studying individually or in a class. Technique and reading skills are developed through two-, three- and four-part ensemble arrangements of traditional and newly composed music. Also includes an introduction to chord playing.

America, The Beautiful
Frere Jacques (Are You Sleeping?)
Home On The Range
Long, Long Ago
Lullaby (Cradle Song)
Merrily We Roll Along
My Old Kentucky Home
Old MacDonald
Symphony No. 94 In G Major ('Surprise'), Second Movement Excerpt
White Coral Bells

64 pages

Disponibilità:

3852 BERKLEE BASIC GUITAR, PHASE 2. W. Leavitt.

Euro 8,00

Quantità

BERKLEE BASIC GUITAR, PHASE 2. W. Leavitt.

Guitar Technique
Series: Guitar Solo
Publisher: Berklee Press Publications
Author: William Leavitt

A continuation of Phase I, this volume is ideal for beginning to intermediate guitar students or classes ready to progress beyond the basics. It includes solo, two-part, and three-part ensemble arrangements of traditional and contemporary music to help players create a unique and personal sound.

The Big Rock Candy Mountain
Chopsticks
Chorale #26 (Bach)
Chorale #38 (Bach)
Fifty Rocks (Leavitt)
The Glow Worm
The Happy Farmer Returning From Work, Op. 68, No. 10
Hava Nagila (Let's Be Happy)
In My Merry Oldsmobile
Jeanie With The Light Brown Hair
Joy To The World
La Paloma Blanca (The White Dove) (Hague)
Lirpa-Lee Melody (Leavitt)
Maidens Wish (Chopin)
My Wild Irish Rose
Polly Wolly Doodle
A Short Sad Song (Leavitt)
Short'nin' Bread
Softshoe Shuffle (Leavitt)
Spanish March
2-Part Invention (Bach)
When The Saints Go Marching In

64 pages

Disponibilità:

2537 BERKLEE BASIC GUITAR, PHASE 1. Leavitt, William. (EDIZIONE ITALIANA).

Euro 17,99

Quantità

BERKLEE BASIC GUITAR, PHASE 1. Leavitt, William. (EDIZIONE ITALIANA).

Il metodo Berklee Basic Guitar: Parte 1. Risorsa essenziale per ogni studente di chitarra alle prime armi. Questo moderno metodo di insegnamento è pensato sia per lo studio individuale sia per l'ambito scolastico. La tecnica della chitarra e le capacità di lettura vengono sviluppate negli arrangiamenti d'ensemble a due, tre e quattro parti, sia di brani musicali tradizionali sia di partiture appena composte. Per ampliare l'apprendimento c'è anche una introduzione alla esecuzione degli accordi. Il metodo Berklee basic guitar offre il modo di imparare la chitarra. I chitarristi faranno rapidi progressi grazie agli elementi essenziali che vengono esposti qui.

Disponibilità:

2532 BERKLEE BASIC GUITAR, PHASE 2. Leavitt, William. (EDIZIONE ITALIANA)

Euro 17,99

Quantità

BERKLEE BASIC GUITAR, PHASE 2. Leavitt, William. (EDIZIONE ITALIANA)

Adatto per studenti principianti di livello intermedio pronti per sviluppare ulteriormente le loro capacità di base. Pensato sia per lo studio individuale sia per l'ambito scolastico, il metodo Berklee Basic Guitar è ideale per migliorare la propria abilità nel creare un suono unico e personale con la chitarra. Come per i precedenti, questo secondo volume continua le lezioni sui soli attraverso l'uso di arrangiamenti d'ensemble a due o a tre parti dibrani tradizionali o contemporanei. I chitarristi faranno rapidi progressi grazie agli strumenti essenziali che vengono forniti.

Disponibilità:

2502 A MODERN METHOD FOR GUITAR VOLUME 1. William Leavitt. Berklee Press. CON CD IN ITALIANO.

Euro 24,99

Quantità

A MODERN METHOD FOR GUITAR VOLUME 1. William Leavitt. Berklee Press. LIBRO CON CD IN ITALIANO

Figure Accordali Mobili
(ACCOMPAGNAMENTO RITMICO, PARTE II)
L'aspetto pilù difficile nell'apprendimento degli accordi sulla chitarra, consiste nel far cadere istantaneamente, e senza uno sforzo cosciente, le dita sulla tastiera con una determinata disposizione o figura. Si tratta di un grande problema fisico la cui soluzione sembra consistere unicamente in un lungo ed adeguato esercizio.
Tuttavia, trovo che presentando allo studente nuove figure accordali con un certo ordine (una successione di diteggiature correlate) il tempo per il loro apprendimento si riduce.
Pertanto, le seguenti figure accordali vengono presentate con un ordine particolare. Useremo tre delle figure gia note, assumendole come figure-base, muovendo o togliendo uno più dita in modo che ogni nuova diteggiatura sia correlata a quella (o quelle) che la precedono.
In tal modo, ciascuna figura-base e ciascuna delle figure derivate fungerà da preparazione per un'altra figura accordale.
Non viene data nessuna denominazione agli accordi, ma soltanto il modello accordale e la corda sulla Quale si trova la tonica.

Memorizzate la diteggiatura di tutte le forme accordali nell'ordine in cui compaiono. Non saltare dall'una all'altra. Non modificare la diteggiatura di una figura, anche se già la suonate in maniera diversa. Essa apparirà più avanti con la "vostra" diteggiatura, ma correlata con una nuova serie di figure. Praticare tutte le figure cromaticamente salendo e scendendo lungo la tastiera e le toniche (che danno il nome agli accordi).

FIGURA BASE N. 1
MAGGIORE
tonica 6a corda

FIGURA BASE N. 2
MAGGIORE DOMINANTE7a
(Tonica 2a o 5a corda)
Diteggiature, opzionali

FIGURA BASE N. 3
MAGGIORE
(Tonica 5a corda)

La parentesi significa che benchè la nota appartenga all'accordo, non va suonata obbligatoriamente anzi, in molti casi, l'accordo suona meglio senza di essa.

Disponibilità:

CHITARRA LAMPO