CHITARRA LAMPO

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5354 GUITAR ATLAS: MIDDLE EAST. Jeff Peretz. CD TAB.

Euro 16,00

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Guitar Atlas: Middle East
By Jeff Peretz

SERIES: National Guitar Workshop
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

The Guitar Atlas series is your passport to a new world of music. Learn the characteristic rhythms and techniques of some of the world's most remarkable guitar music, discovering the history, origins, and pioneering artists of distinctive styles from around the globe.

This introduction to the exotic music of Algeria, Egypt, Israel, Kuwait, Morocco, Nubia, and neighboring regions includes insights into cultural and religious influences and the major musicians of each locality. Discover unique plucked instruments, the Arabic tone system and exotic scales, and open your mind to new forms of improvisation that will forever alter your approach to soloing. The examples and compositions throughout all 48 pages are presented in standard notation and TAB and demonstrated on an enclosed CD.

An introduction to the exotic and exciting music of:
Algeria
Morocco
The Bedouins
Nubia
Egypt
Sudan
Israel
Turkey
Kuwait
and more
Examples in standard music notation and TABLATURE
JEFF PERETZ

Jeff Peretz, author of Zen and the Art of Guitar, takes you on a whirlwind tour of the exotic and diverse music of the regions of "The Dry World": Mashrig ("where the sun rises" in the Eastern Mediterranean), Mahgrib ("where the sun sets" in North Africa), the Arabic peninsula, and Asia Minor. The roots of the wonderful musical traditions from the Middle East are taught in a way the contemporary guitarist can understand, including cultural and religious infiuences, unique plucked instruments (predecessors of the guitar), the major musicians of the region, the Arabic tone system,and exotic scalesand forms. Discover the basicsofTaqsim, an improvisatory form that will open your mind to a new dimension in music,forever altering your approach to guitar soloing.
The CD demonstrates all the examples and compositions featured in the book.

INTRODUCTION
This book assumes that you are an intermediate guitarist with the ability to read guitar tablature and/or standard music notation. You should have a good grasp of basic music theory, including scales and chords. You should also have some experience using scales to improvise, although the style you prefer to play is not important.
With this book, you'll be learning to create new sounds that will stretch your imagination, and the imaginations of your listeners.
About the Written Music in This Book The written examples printed in this book are doorways into the performance of this music. The key that unlocks them, however, is the CD. The musics of the Middle East are aural traditions, and capturing them in writing is only partially possible. While the written music examples are not literal transcriptions of the performances on the CD, they will serve as maps to what you are hearing.

HISTORY
Music has been on the planet longer than humans have been recording them history.
Archeologists have discovered musical instruments dating back almost 30,000 years; many
believe that music may even predate human speech. Ancient Mesopotamia (modern day
Iraq) is believed to be where it all started.
The Middle East is the birthplace of many things in this world, from civilization and
religions to paper, our alphabet and recorded history (not to mention calendars and
time keeping). It should come as no surprise that the Middle East is also a birthplace of
improvised music. The music of the region that we call the Middle East is a tradition
that has been cultivated for thousands of years. It is mentioned in the Bible and has been
academically documented since the late 6th century. Many styles which are still played
today date back as far as the Sassanid Dynasty (Persia, 224-651 A.D.), the Byzantine
Empire (4th-5th century) and earlier. The concept of using a stringed instrument as a
vehicle for melodic improvisation comes from these ancient stYles.
To truly understand how the music of the region evolved, we must paint a picture of
what life was like during pre-Islamic Arabia. The era that predated Mohammed and the
birth of Islam was a time of tribal unions, trade routes and gypsies. From North Africa
through the Eastern Mediterranean coast up to the Caspian and Aegean seas, and as
far east as the Zagros mountains and the Iranian Highlands, life was defined by tribal
association. Its story was told through the sung poetry known as Laya/i. The sung poetry
was often accompanied by an ud (also spelled oud) or other string instruments that were
light and portable and could be carried easily in a trade caravan.
There were three ways in which people lived in the early days of the Middle East. One
either lived in an urban center such as Baghdad or Damascus, a rural region as a farmer
or a shepherd, or you were a nomad (Bedouin/Gypsy) and traveled the land according
to the seasons and trade. While each way of life had its own unique contribution to the
musical development of the region, the concept of using a group of notes (scale) as a basis
for free expression (solo) is a common theme in the ancient music of the Middle East.
The ud, along with the tanbar, saz, bazooki, tar and setar, all precursors to the guitar, are
the key instruments in the development of melodic plucked string improvisation. The
approach to playing these instruments is the genesis of the way we play the guitar today.
In other words, this is where the pre-historic Hendrixs and Wes Montgomerys came
from. It is the birthplace of the guitar solo.

ABOUT THE AUTHOR
PRONUNCIATION GUIDE/GLOSSARY

CHAPTER I-Introduction
History
Geography: Four Regions
Musical Diversity of the Four Regions
Religious/Cultural Influence
The Guitar/Instruments
The Arabic Tone Systems

CHAPTER 2-The Maqam Phenomena
How the Maqam Are Created (Tetrachords)
Maqam Playable by the Guitar
Taqsim
Temple of Dum 15
Harmonic Major/Harmonic Minor Modulation
People of the Dark (Modulation)
Daftze's Dilemma

CHAPTER 3-Wasn Rhythm .
Basic Belly Dance Rhythms .
Belly Dance Excerpt .
Maqsum Belly Dance .
Morrocan 6 .
Cafl Shohor 9 .
CHAPTER 4-Musical Forms and Styles .
Sung Poetry .
Oriental Art Styles .
Sama-I. .

CHAPTER 5-Modern Middle Eastern Styles .
Rai .
2:30A.M .
Other Styles and Artists .
Rosh Shel Lee (My Head) .
APPENDIX: Middle Eastern Tonal Systems .
The Persian Dhagsta System .

The author wishes to thank his wife, Neta, and his children Maya and Zohar, for their
patience and support.

A compact disc is included with this book. This disc can make learning with
the book easier and more enjoyable. The symbol shown at the left appears
next to every example that is on the CD. Use the CD to help ensure that
you're capturing the feel of the examples, interpreting the rhythms correctly,
and so on. The track number below the symbol corresponds directly to the
example you want to hear. Track 1 will help you tune your guitar to this CD. Have fun!

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5352 GUITAR ATLAS: CELTIC. David Ernst. CD TAB.

Euro 15,99

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GUITAR ATLAS: CELTIC. David Ernst. CD TAB.

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By David Ernst
SERIES: National Guitar Workshop
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

The Guitar Atlas series is your passport to a new world of music. Learn the characteristic rhythms and techniques of some of the world's most remarkable guitar music, discovering the history, origins, and pioneering artists of distinctive styles from around the globe.

This exploration of Celtic music covers jigs, reels, hornpipes, strathspeys, and other music traditions of Ireland and Scotland. The examples and compositions throughout all 48 pages are presented in standard notation and TAB and demonstrated on an enclosed CD.

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5353 GUITAR ATLAS: INDIA. Sanjay Mishra. CD TAB.

Euro 15,99

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GUITAR ATLAS: INDIA. Sanjay Mishra. CD TABLATURE

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By Sanjay Mishra
SERIES: National Guitar Workshop
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

The Guitar Atlas series is your passport to a new world of music. Learn the characteristic rhythms and techniques of some of the world's most remarkable guitar music, discovering the history, origins, and pioneering artists of distinctive styles from around the globe.

Whether you play jazz, rock, blues, or any other style, the beautiful musical language of India will infuse your playing with a new, unique flavor. Explore ornamentation, modes, and rhythms of folk music from Darjeeling, Assam, Bengal and other regions. Learn how ragas are structured, and discover the subtle, graceful improvisational art form of Hindustani music. The examples and compositions throughout all 48 pages are presented in standard notation and TAB and demonstrated on an enclosed CD.

In November 2006, Guitar Atlas: India and its author Sanjay Mishra were featured on NPR radio's "Sanjay Mishra: A Cross-Cultural Exploration in Music."

SANJAY MISHRA
The most important elements of Indian music, including:
- Folk Music
- Devotional Music
- Ragas, the classical music of India
- Ornamentation, modes (thaats) rhythms (taals)

Examples in standard music notation and TABLATURE

Visit the exotic land of India through its exciting and beautiful
musical language.Sanjay Mishra. who first came to public acclaim
for his album "Blue Incantation" with guitarist Jerry Garcia of
The Grateful Dead, makes this mysterious body of music easy
to understand and play for contemporary guitarists. Learn folk
music from places like Darjeeling, Assam, Bengal,and Rajasthan;
devotional music of Rishikesh,and the Sufis;and even one of
Mahatma Gandhi's favorite songs.
You'll be introduced to Hindustani music,the classicalmusic
of North India,and learn how ragas are structured. A true
improvisor's art form, the subtlety and grace of Indian music
will infuse your playing- whether you play jazz, rock, blues or
any other style -with a new, unique flavor. Discover why some
of the greatest guitarists of our time have been drawn to this
unusual music.This thorough yet concise introduction will make
it fun and easy to get started playing music influenced by the
rich musical traditions of India.
The CD demonstrates all the examples and compositions featured in the book.

The lines between East and West are increasingly crossed and occasionally obliterated.
In this spirit, we will explore the modalities of the East on an instrument generally
thought of as Western. Not that it matters; music is an international language-like
mathematics, but with much more heart.
Before we can appreciate the emotional component of any style of music, we must learn
the rational aspects. This is the point of this book. It is a point of departure from which
you can take this music and give it life and meaning through your performance.
The musical examples presented in this book are arrangements. It assumes you:
- Read standard music notation and/or tablature.
- Have the ability to fingerpick simple arpeggios and chord/melody.
- Have a basic knowledge of music theory (scales and intervals).
This book is divided into three parts, each of which focuses on a different aspect of
Indian music: folk, devotional and classical. The first two parts, concerning folk and
devotional music, focus on songs with chordal accompaniment or repeating bass lines
and do not require extensive knowledge of the Indian system of music. The guitar is
very popular as an accompanying instrument in many forms of music in India.
The third part deals with the raga system of classical music-the "art music" of India.
To learn raga thoroughly, one must find a teacher. The nuances of this music cannot be
written down. Thus, the purpose of the raga chapter in this book is not to enable one
to perform a raga in the traditional sense, but to provide an insight into various modes
and their usage in a non-Western context. You can then use them as new colors in your
improvisation. Some Indian theory and historical background is provided, as well, to
help you understand some Eastern musical concepts. This chapter can only serve as an
introduction to this large body of music.
These three broad divisions of the book are almost independent of each other. Use them
in any order you like. The first two parts are more suited to a fingerstyle technique, the
third part can also be played with a pick.
A CD provides performances of all the examples in the book. The songs are played as
notated to help you get a feel for the sound and style. The performances of the ragas
on the CD will be very close to what is written in the book, but may not be exact. The
notation is just a skeleton, in keeping with the spirit of the music. Also, keep in mind
that real performances of ragas are quite extended, and these brief examples are just little
windows into the style. The CD also provides drones and backing percussion tracks for
the reader to improvise over. Feel free to try your own ideas!

ABOUT THE AUTHOR
INTRODUCTION

CHAPTER I-Getting Started
Tunings
Ornaments
Notation
Guitar Fingering
About the Drone
Indian Music Appreciation 101

CHAPTER 2-Folk Music of India
Chol Mini Assam Jabo
(Come Let Us Go to Assam)
Sohag Chand Baddni Nacho to Dekhi
(Let Me See you Dance in the Moonlight)
Folksongfrom Rajasthan

CHAPTER 3-Devotional Music in India
Om Jai Jagdish Hare
(Praise be The Almighty)
Raghupati Raghav Raja Ram
(Glory to Lord Ram, the Most Glorious
One of Ragu's Race)
Qawwali Tune
Dadra

CHAPTER 4-Hindustani Music-
The Classical Music of North India .
A Brief History .
Raga .
Some Important Aspects of Raga .
Form of a Raga .
Performing a Raga .
Classification of Ragas .
Permutations .
Rhythm in Indian Music .
Sample Ragas .
Raga Bageshri (Thaat Kafi) .
Raga Khamaj (Thaat Khamaj) .
Raga Scales .
Final Word .
References for Further Study .
Pronunciation Guide .

A compact disc is included with this book. This disc can make learning with
the book easier and more enjoyable. The symbol shown at the left appears
next to every example that is on the CD. Use the CD to help ensure that
you're capturing the feel of the examples, interpreting the rhythms correaly,
and so on. The track number below the symbol corresponds direcdy to the
example you want to hear. Track 1 will help you rune your guitar to this CD. Have fun!

Born in India and residing in the United States, guitarist-composer Sanjay Mishra
plays with an eclecticism well suited to his multicultural background. After completing
his studies at The Peabody Conservatory of Music, he began composing music
that combined Eastern and Western influences. In an interview with The Washington
Post, he explains "I come from a tradition that has a lot of improvisation. Sometimes
Western classical music can seem a little rigid, I had to find some middle ground."
Sanjay came to public acclaim with his highly-praised recording "Blue Incantation"
with Grateful Dead guitarist Jerry Garcia. His music has been released on Ryko,
PolyGram-Philips, Melodia (France), Putumayo World and others, as well as his own
label, Akar.

ACKNOWLEDGEMENTS
My thanks to Nat Gunod, Samir Chatterjee, Barun Pal, Gus Wanner, Dr. Mark
Whitmire and Chris Hagan for their advice.

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5375 GILTRAP GORDON, GUITAR ENCOUNTERS OF THE FINGERSTYLE KIND, CD TAB.

Euro 20,00

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GILTRAP GORDON, GUITAR ENCOUNTERS OF THE FINGERSTYLE KIND, CD TAB.

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Product Description:
'Exploit your limitations' was the most profound advice ever given by the great jazz guitarist Wes Montgomery. 'TOTAL GILTRAP' is a prime example of this. Indeed, Giltrap himself is a living example of an artist who has exploited his limited, right hand pick and little finger technique to its nth degree. In this volume, we explore open tunings, legato technique, two-handed tapping and the harp-like technique of open strings and harmonics. This is all wrapped up in a very English approach to melody and invention. All the techniques and pieces in the book are featured on an accompanying CD. All the examples are recorded at half tempo and full tempo, making it a very easy to follow guide. 'TOTAL GILTRAP' is a snapshot of ideas ready to be 'exploited' and developed by the willing and imaginative student of the modern day acoustic guitar.

Format: Book/CD Set

01 Giltrap's Master Class --
02 Using Hammer-Ons --
03 Hoe Down! --
04 Country Bluff --
05 A Dublin Day --
06 Beachcomber --
07 A Christmas Carol --
08 Minus One --
09 Nursery Chimes --
10 Gordon's Scary Finger Workouts --
11 Acoustic Tapping --
12 A Jazz Waltz --
13 G+T Blues --
14 A Celtic Jig --
15 Giltrap's Roots --
16 Sleuth --
17 Who Knows Where Tomorow Goes --
18 From the Four Winds --
19 Shady Tales --
20 Be With Me Always --
21 The Kerry Dancers --
22 Down the River --
23 Daisy Chain --
24 Lucky --
25 On Reflection --
26 Prelude to Pastoral --
27 The Mariner's Tale --
28 Gordon Giltrap --

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2886 COMPLETE ACOUSTIC GUITAR, Play Blues, Jazz, Rock, Classical & Country Now! MEL REEVES. DVD TAB.

Euro 33,00

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COMPLETE ACOUSTIC GUITAR, Play Blues, Jazz, Rock, Classical & Country Now! MEL REEVES. DVD TAB.

Description
Whether you only know a few chords or are already proficient, this easy-to-follow programme will show you all of the main acoustic guitar styles. You will learn 6 great instrumentals and take your playing to new heights.

DVD CON NOTAZIONE E TABLATURE

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5136 GUITAR SOLO JAZZ STANDARDS. Silverman. TAB.

Euro 16,00

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GUITAR SOLO JAZZ STANDARDS. Silverman. TAB.

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Guitar Solo Jazz Standards
Arr. Jerry Silverman and Gregory Coleman
SERIES: Guitar Solo
CATEGORY: Guitar Mixed Folio
FORMAT: Book
Nineteen classic jazz standards in beautiful and playable solo guitar arrangements. 82 Pages.Titles include:

Ain't She Sweet
Bess, You Is My Woman
Body And Soul
The Boulevard Of Broken Dreams
Don't Get Around Much Anymore
Emily
Fascinating Rhythm
In A Mellow Tone
In A Sentimental Mood
It Don't Mean A Thing (If It Ain't Got That Swing)
Li'l Darlin'
Mood Indigo
The More I See You
Mood Indigo
The More I See You
'Round Midnight
Skylark
Solitude
Sophisticated Lady
Take Five
Stardust

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5208 acoustic guitar magazine, ESSENTIAL ACOUSTIC GUITAR LESSONS. CD TABLATURE

Euro 20,99

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acoustic guitar magazine, ESSENTIAL ACOUSTIC GUITAR LESSONS. CD TABLATURE

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8 FULL SONGS TO PLAY

BASICS

RHYTHM

LEAD

EXPLORATION

Essential Acoustic Guitar Lessons
14 In-Depth Lessons for Players of All Levels
Series: String Letter Publishing
Publisher: String Letter Publishing
Format: Softcover with CD - TAB
Author: Various Authors

Inventory #HL 00695802
ISBN: 9780634068355
UPC: 073999958027
Width: 9.0"
Length: 12.0"
66 pages

This book/CD pack offers a superb selection of lessons and songs for the acoustic guitar, expertly played by teachers on the accompanying CD. It includes exercises, licks and 8 full songs to play, in standard notation and tablature with chord diagrams. The CD includes two versions of each song: one played slowly and the other, up to tempo. The book is divided into four main sections: Basics - covering the fretboard, barre chords and flatpicking; Rhythm - bluegrass in dropped D, bass lines, classic pop changes; Lead - Celtic jigs, melodic improvisation, soloing with arpeggios; and Exploration - capo use, Hawaiian slack key, classical etude variations; and modal harmony. Players of all levels will find lessons to benefit them. 66 pages

Introduction

There
has never been a better time to play the guitar! Guitar makers call this the Golden Age of Lutherie for good reason; it's a time where players of all levels can find high-quality guitars in an price range. But this era could just as easily be called the Golden Age of Guitar Instruction. Never before have we had so many high-quality instructional materials and accurate song transcriptions for virtually any style of music. In Essential Acoustic Guitar Lessons, the experienced teachers at Acoustic Guitar offer up something for everyone. The Basics section will help you learn the notes on the guitar's fret board and get started with barre chords and flatpicking. More advanced lessons include styles as diverse as jazz improvisation, Celtic jigs, slack-key guitar, alternate tunings, and more. You'll even learn how to play your guitar like a bass, if the need arises! If one style particularly grabs you, log on to where you'll find a multitude of books delving into specific styles and techniques. So pick up your guitar, and let's get started!
Andrew DuBrock Music Editor

DAVID HAMBURGER
David Hamburger is a performer and writer who lives in Austin, Texas. He has been playing
folk and blues music since first picking up the guitar at the age of 12 and has been on the
faculty of the National Guitar Workshop since 1988. Hamburger's guitar, slide guitar, and
Dobro playing can be heard on his solo albums King of the Brooklyn Delta (Chester, 1994)
and Indigo Rose (Chester, 1999), as well as on numerous other independent recordings.
Hamburger is the author of many books, including The Acoustic Guitar Method, and has
contributed dozens of lessons and articles to Guitar Player and Acoustic Guitar magazines.
For a discography, performance schedule, and other information, visit his website at

KAREN HOGG
Karen Hogg is a multi-instrumentalist, music teacher, yoga teacher, and freelance writer living
in New York City. She has written two instructional books for Workshop Arts/Alfred
Publishing: Women in Rock and Guitar Made Easy. Hogg has been teaching for ten years and
is an instructor at the National Guitar Summer Workshop and the American Institute of
Guitar. She performs regularly on guitar and mandolin in various country and rock bands
around New York.

PAUL KOTAPISH
Paul Kotapish started playing guitar in bands shortly after he first heard the Beatles on his
transistor radio. He has toured the globe and recorded numerous albums with Irish fiddler
Kevin Burke, the Hillbillies from Mars, and Wake the Dead an acoustic ensemble that meshes Grateful Dead songs with traditional Irish music. During the day he messes around on computers doing forensic multimedia work for an Oakland,
California law firm.

TONY MARCUS
Tony Marcus plays lead guitar and violin in the '30s and '40s swing band Cats and Jammers,
which records for the Tuxedo label (2557 Wakefield Ave., Oakland, CA 94606). He's also
played with the Arkansas Sheiks, the Cheap Suit Serenaders (featuring counter-culture cartoonist
Robert Crumb), and the Royal Society Jazz Orchestra.

PETER MULVEY
Peter Mulvey began his musical career playing guitar in the subways of Boston and on the
streets of Dublin. Since those early busking days, he has recorded four critically acclaimed
albums (his latest, Ten Thosand Mornings, was released in 2002) and has captivated audiences
across the U.S. and Ireland with his intelligent lyrics and percussive, inventive guitar
work. You can find him.

CONTENTS

CD Track List
Introduction
Music Notation Key
About the Teachers

BASICS

Unlocking the Fretboard - KAREN HOGG

Barre Chords - DAVID HAMBURGER

Flatpicking 101 - DAVID HAMBURGER
Blackberry Blossom

RHYTHM
Bluegrass in Dropped D - HAPPY TRAUM
Angel Band

Bass Lines for Guitarists - PAUL KOTAPISH
Levis Beaulieu

Classic Pop Changes - ANDREW DUBROCK

Swing Voice Leading - TONY MARCUS

LEAD

Celtic Jigs - DAVID SURETTE
Coleraine/Monferrine

Melodic Improvisation - CHRIS GRAMPP

Soloing with Arpeggios - JAMIE FINDLAY

EXPLORATIONS

Getting Low Lows with a Partial Capo - PETER MULVEY

Hawaiian Slack Key - KEOLA BEAMER
A Grandmother's Wish
Wa'apa

Classical Etude Variations - MARK SMALL
Prelude

Modal Harmony - SCOTT NYGAARD
Winter Waltz

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5209 acoustic guitar magazine, RHYTHM GUITAR ESSENTIALS, Learn to Play Rock-Solid Rhythm and Expand Your Chord Vocabulary. CD TAB. 2010

Euro 19,95

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acoustic guitar magazine, RHYTHM GUITAR ESSENTIALS, Learn to Play Rock-Solid Rhythm and Expand Your Chord Vocabulary. CD TAB.

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Series: Guitar Educational
Publisher: String Letter Publishing
Format: Softcover with CD - TAB
Author : Various Authors

This 12-pack of lessons from Acoustic Guitar magazine offers all sorts of ways to improve rhythm playing. Learn the fundamentals, then discover new chord positions, bass lines, muting techniques, syncopated strums and more. Features exercises, licks and full songs to play in notes, tab and chord diagrams, with all songs and examples on CD. 72 pages

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5289 STANDEFER JOHN, FAVORITE ORIGINAL SOLOS AND ARRANGEMENTS. CD TAB.

Euro 19,95

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STANDEFER JOHN, FAVORITE ORIGINAL SOLOS AND ARRANGEMENTS. CD TAB.

Product Description:
Great solo fingerstyle guitar arrangements by 2002 National Champion Fingerstyle Guitarist John Standefer. The collection contains John's most loved original pieces - and it's written in his own format, which he calls 'Picture-Perfect' TAB. This new method of writing guitar music makes it more complete, easier and faster to learn. Great player. Great music. Great way to learn it. It's the triple threat! Get this book and CD set today!

Format: Book/CD Set

Song Title: Composer/Source:
As a Little Child John Standefer
Badlands John Standefer
Brand New Life John Standefer
Growing Fruit John Standefer
His Majesty John Standefer
In His Arms John Standefer
The Conflict John Standefer
What Child Is This? Traditional

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5317 MORGEN H., PREPARATIONS: AN INTRODUCTION TO FINGERSTYLE PLAYING.

Euro 13,50

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MORGEN H., PREPARATIONS: AN INTRODUCTION TO FINGERSTYLE PLAYING.

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