CHITARRA LAMPO

• SPARTITI, LIBRI DI MUSICA
    SPARTITI NOVITA'
    SPARTITI GRUPPI e PERSONALITA'
    SPARTITI ACUSTICA
    SPARTITI ACCORDATURE APERTE
    SPARTITI OPER TUNINGS/BOTTLENEK
    SPARTITI BLUES
    SPARTITI COUNTRY BLUES
    SPARTITI CLASSICA
    SPARTITI CLASSICA e...
    SPARTITI NATALE/SACRA
    SPARTITI NEO-CLASSICO
    SPARTITI FLAMENCO
    SPARTITI LATIN
    SPARTITI COUNTRY / BLUEGRASS
    SPARTITI BANJO, MANDOLINO e...
    SPARTITI BASI '50
    SPARTITI BASI '60
    SPARTITI BASI '70
    SPARTITI BASI '80
    SPARTITI BASI '90
    SPARTITI BASI '00
    SPARTITI BASI BLUES
    SPARTITI BASI COUNTRY
    SPARTITI BASI JAZZ
    SPARTITI JAZZ
    SPARTITI JAZZ METODI
    SPARTITI GYPSY JAZZ, SWING, MANOUCHE
    SPARTITI METODI PER CHITARRA
    SPARTITI PIANO E TASTIERE
    SPARTITI ROCK 'N' ROLL
    SPARTITI RHYTHM and BLUES, SOUL, DISCO, FUNK
    SPARTITI RACCOLTE '70
    SPARTITI RACCOLTE '80
    SPARTITI RACCOLTE '90
    SPARTITI RACCOLTE '00
    SPARTITI RACCOLTE FILM/TV
    SPARTITI SOLOING SCALE MODI ARPEGGI
    SPARTITI ARMONIA, ACCORDI
    SPARTITI DI TECNICA
    SPARTITI TECNICA TAPPING
    LIBRI DI ELETTRONICA
    LIBRO DI AMPLIFICAZIONE E IL SETUP
    LIBRI SUL SUONO E GLI EFFETTI
    LIBRI DI LIUTERIA
    MONOGRAFIE, BIOGRAFIE DI CHITARRISTI
    SPARTITI METODI PER BASSO
    SPARTITI METODI PER BATTERIA
    SPARTITI METODI PER ARMONICA
    LETTERATURA
• VIDEO/DVD
• CHITARRA FLAMENCO, CLASSICA, ACCESSORI

SPARTITI NOVITA'

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13

5300 SOUL GUITAR BIBLE. TAB.

Euro 21,00

Quantità

SOUL GUITAR BIBLE. TAB.

Series: Guitar Recorded Version TAB
Note-for-note tab transcriptions of 33 standards of soul:

COLD SWEAT, PT. 1
BORN UNDER A BAD SIGN
GREEN ONIONS
GROOVIN'
HOLD ON I'M COMIN'
I HEARD IT THROUGH THE GRAPEVINE
I'LL COME RUNNING BACK TO YOU
I'LL PLAY THE BLUES FOR YOU
I'VE BEEN LOVING YOU TOO LONG
IN THE MIDNIGHT HOUR
IT'S GONNA WORK OUT FINE
KNOCK ON WOOD
LAND OF A THOUSAND DANCES
LET'S GET IT ON
MY GIRL
PAIN IN MY HEART
PAPA'S GOT A BRAND NEW BAG
PICK UP THE PIECES
RESPECT
RESPECT YOURSELF
SEND ME SOME LOVIN'
THEME FROM SHAFT
(SITTIN' ON) THE DOCK OF THE BAY
634-5789
SOUL FINGER
SOUL LIMBO
SOUL MAN
TIME IS TIGHT
TIRED OF BEING ALONE
WALKIN' THE DOG
WRAP IT UP
YOU DON'T KNOW LIKE I KNOW
(YOUR LOVE KEEPS LIFTING ME) HIGHER AND HIGHER

208 pages

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5203 WEDDING FIRST SET GIG GUIDE. CD

Euro 34,95

Quantità

WEDDING FIRST SET GIG GUIDE. CD BAND TAB.

Wedding First Set (Bass / Drums / Guitar / Vocal / Keyboard)
Gig Guide. Book & CD Package. With notes and tablature. Size 9x12 inches. Published by Hal Leonard. These book/CD packs are the ultimate do-it-yourself kit for gigging musicians and up-and-coming performers alike. Can be used by a full band or individual players. Wedding First Set features 12 songs: Blue Suede Shoes * Could I Have This Dance * Desafinado * Georgia on My Mind * I Saw Her Standing There * In the Mood * Misty * My Girl * Rock Around the Clock * Save the Last Dance for Me * Tennessee Waltz * Wonderful Tonight.

Disponibilità:

5204 WEDDING SECOND SET GIG GUIDE. CD TAB. ULTIMA COPIA, LAST COPY, OUT OF PRINT

Euro 35,00

Quantità

WEDDING SECOND SET GIG GUIDE. CD BAND TAB.

Wedding Second Set (Bass / Drums / Guitar / Vocal / Keyboard)
Gig Guide. Book & CD Package. With notes and tablature. Size 9x12 inches. Published by Hal Leonard. These book/CD packs are the ultimate do-it-yourself kit for gigging musicians and up-and-coming performers alike. Can be used by a full band or individual players. Wedding Second Set features 12 songs:

ANOTHER ONE BITES THE DUST
DADDY'S LITTLE GIRL
HAPPY TOGETHER
LA BAMBA
LIMBO ROCK
MUSTANG SALLY
NEVER GONNA LET YOU GO
SILHOUETTES
THE STRIPPER
TEQUILA
TWIST AND SHOUT
WOOLY BULLY
DADDY'S LITTLE GIRL

Disponibilità:

5205 WEDDING THIRD SET GIG GUIDE. CD TAB.

Euro 34,95

Quantità

WEDDING THIRD SET GIG GUIDE. CD BAND TAB.

Wedding Third Set (Bass / Drums / Guitar / Vocal / Keyboard)
Gig Guide. Book & CD Package. With notes and tablature. Size 9x12 inches. Published by Hal Leonard. These book/CD packs are the ultimate do-it-yourself kit for gigging musicians and up-and-coming performers alike. Can be used by a full band or individual players. Wedding Third Set features 12 songs to end the night with a bang: Beer Barrel Polka (Roll Out the Barrel) * Brick House * 867-5309/Jenny * (Everything I Do) I Do It for You * Friends in Low Places * Great Balls of Fire * The House Is Rockin' * Shout * Stand by Me * Takin' Care of Business * What I like About You * Y.M.C.A.

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5283 MORE OF THE 1970S THE DECADE SERIES FOR GUITAR. TAB

Euro 20,00

Quantità

MORE OF THE 1970S THE DECADE SERIES FOR GUITAR. TAB.

Series: Guitar Recorded Version TAB
Artist: Various
30 more hits from the '70s. 272 pages

Contents:
Happy performed by Rolling Stones
Landslide performed by Fleetwood Mac
Godzilla performed by Blue Oyster Cult
Smoke On The Water performed by Deep Purple
Best Of My Love performed by Eagles
Breakdown performed by Tom Petty
Show Me The Way performed by Peter Frampton
Wheel In The Sky performed by Journey
Barracuda performed by Heart
Blue Collar Man (Long Nights) performed by STYX
Burning Love performed by Elvis
Dust In The Wind performed by Kansas
Evil Woman performed by E.L.O.
Freeway Jam performed by Jeff Beck
Lay Down Sally performed by Eric Clapton
Let It Be performed by The Beatles
Maggie May performed by Rod Stewart
No Woman No Cry performed by Bob Marley
Oye Como Va performed by Santana
Paranoid performed by Black Sabbath
Rock And Roll Hoochie Koo performed by Rick Derringer
So Into You performed by Atlanta Rhythm Section
Space Oddity performed by David Bowie
Stayin' Alive performed by Bee Gees
Teach Your Children performed by Crosby, Stills, Nash & Young
Time In A Bottle performed by Jim Croce
Walk This Way performed by Aerosmith
You Ain't Seen Nothin' Yet performed by Bachman-Turner Overdrive
You Really Got Me performed by Van Halen
You've Got A Friend performed by James Taylor

Disponibilità:

5269 THE ENCYCLOPEDIA OF PICTURE CHORDS FOR GUITAR & KEYBOARD.

Euro 23,00

Quantità

THE ENCYCLOPEDIA OF PICTURE CHORDS FOR GUITAR & KEYBOARD.

Description
A clear chord book for musicians, songwriters and composers. Easy-to-read diagrams and clear, close up photographs for both keyboard and guitar.

Disponibilità:

5325 COLOR YOUR CHORDS. CD

Euro 14,00

Quantità

COLOR YOUR CHORDS. Perlmutter. CD TAB.

Hendrix-ize a C chord! Van Halen-ize a G chord! Color your chords like the masters of rock guitar! With expert yet user-friendly advice on fretting, voicing, technique, feel and other topics, you'll learn how to cop the chordal styles of: Chuck Berry, John Frusciante, Jimi Hendrix, James Hetfield, Dave Matthews, Jimmy Page, Keith Richards, Pete Townshend, Eddie Van Halen and Angus and Malcolm Young.

Disponibilità:

5359 KOCH GREG, RHYTHM RIFFS LIBRO CD TABLATURE

Euro 13,99

Quantità

Rhythm Riffs, Over 200 Riffs in All Styles Hal Leonard Guitar Method

LIBRO PER CHITARRA CON CD E TABLATURE

Series: Guitar Method
Format: Softcover with CD
Arranger: Greg Koch

Also available:
Lead Licks – 00697345

Inventory #HL 00697346
ISBN: 9780634048487
UPC: 073999973464
Width: 9.0"
Length: 12.0"
48 pages

KOCH GREG, RHYTHM RIFFS. 200 riffs. CD TABLATURE

Over 200 Riffs in All Styles Hal Leonard Guitar Method
Series: Guitar Method
Medium: Softcover with CD
Arranger: Greg Koch

Are you tired of playing the same riffs over and over again? Or maybe you just don't know what to play during your solo? Loaded with new ideas, Rhythm Riffs gives you the tools to spice up your rhythm guitar playing and make your parts more authentic. This book/CD pack covers rock, blues, jazz, country, funk and "outside" styles. It gives you major, minor and dominant 7th riffs for nearly any musical situation - over 200 riffs in all! The CD includes each riff played at full speed and at a slower practice tempo. 48 pages.

INTRODUCTION

RIFFS MAJOR
RIFFS MINOR
RIFFS DOMINANT 7TH.
12 -BAR VARIATIONS
TUNING

INTRODUCTION

Do you find yourself reaching for the same chord shapes again and again when you pick up a guitar? What if someone asks you to "play something bluesy" on a G chord-do you know what to do? How would you like to spice up your rhythm guitar playing, make your parts more authentic, or maybe just get some new ideas? Rhythm Riffs is a unique book designed for the intermediate to advanced guitarist to increase your playing vocabulary exponentially. Whether you're playing in a band, writing songs, accompanying others, or just jamming with friends, there's so much more you can do-other than strum!-when playing rhythm guitar.

ABOUT THE RIFFS
What is a "riff?" A riff is a rhythmic theme that can contain single notes or chords. What goes into a riff can really depend on the style of music or even the particular player. A riff can include any of these elements:
• unique chord voicing(s)
• distinctive rhythm(s)
• hammer-ons/pull-offs
• fills & ornaments
• passing tones & chords
• unusual playing techniques
• other embellishments

The possibilities are nearly endless!
When it comes right down to it, most songs are the same. That is, they're all based on chords. What makes one song-or style, or artist-different from another, is what they do with those chords. This is where Rhythm Riffs comes in.
Each riff in this book is based on a simple chord-like A, Em, G7, etc. The chord label doesn't necessarily reflect the actual voicing used; it just shows you what type of chord you may want to play the riff over. This means you can start "plugging in" the riffs right away-putting them into songs, grooves, jams, whatever.
But here's where things get really interesting: Each riff isn't just played once. Instead, through various stylistic nuances, each riff is "morphed" into five different genres of music: rock, blues, jazz, country, and funk.* This gives you an option for just about any style you could possibly play! With twelve major riffs, twelve minor riffs, and twelve dominant seventh riffs, plus the five stylistic variations for each, you've got 180 potential riffs for bolstering your rhythm guitar vocabulary. The last section of the book features eight variations on the 12-bar blues, also done in various styles, which provide interesting rhythmic ideas and chord voicings for this most popular and highly used song form. Folk, R&B, and pop are occasional alternate styles.

HOW TO USE THIS BOOK
There is no right or wrong way to use this book. Some players may want to play each riff in its entirety; others will want to pick and choose just a few chord voicings or techniques out of various riffs. Some players may want to focus on one particular style and learn only those riffs. The option is always yours. If you started the book at the beginning, it would take you quite a while to get to some of the ideas at the end. Therefore, you may want to "preview" the book first: Listen to the CD while following along with the book, and keep track of the selections that you like. Make those your first playing priority. On the CD, each riff is played twice (fast, then slow); the total CD length is just over an hour. Track 45 contains tuning notes.

HOW TO PRACTICE
When learning the riff selections, practice them along at a speed at which you can play flawlessly. If you try to play them fast too soon, the "slop factor" can be too great. (Always give yourself plenty of time to learn each riff; there's a lot of them here and the tendency may be to rush, but each riff is worth taking your time with.) Using a metronome is very helpful for gradually speeding up pieces that you are trying to learn. Start at a reasonable tempo, and as your skill dictates, increase the tempo. When trying to apply the riffs, some incubation time is again a good idea. It may help you to have certain tunes in mindperhaps a song for which you're having trouble finding fresh rhythm ideas. You can try the riffs at your next band rehearsal, record them as you playa tune to see how they sound, play along with records, or whatever it takes to feel conversant with them. Never force a riff, though; strive to make your playing musical. When something works, you'll know it. The 12-bar variations at the end of the book can be used in their entirety or can be cross-mutated by joining some of the different variations together. The idea is to give you a strong rhythmic vocabulary for com ping a blues in any genre.

SPECIAL TECHNIQUES
There are two specialized (right-hand) techniques used in this book on occasion-most often in the country-style riffs-that may require a little explaining before we proceed. One is Travis-style picking, and the other is chicken pickin'.
The Travis-style selections in this book are written as two parts like the example below. The lower part can be played with the thumb, while the higher register can be played with the first and second fingers. A hybrid picking ("pick & fingers") approach may also be employed by playing the lower register with your pick while your middle and ring fingers catch the other notes. In either case, muting the lower notes with the palm of your picking hand gives the desired rhythmic approach for this style.

Chicken pickin' means different things to different people, but it basically involves using muting of one form or another to achieve a "clucking"-type sound indicative of a lot of great country guitarists. The muting used to produce chicken pickin', as it occurs in this book, can best be explained with the example below. The three notes of the first A chord are simultaneously plucked by the index, middle, and ring fingers. These same fingers are immediately used to dampen the strings, and the thumb is used to pluck the open A string (which is being muted by the index finger) to produce the "cluck." By rapidly going back and forth between the open chord and the muffled "cluck," your chicken pickin' sequence begins to take shape.

RHYTHM RIFFS giver you major, minor, and dominant 7th riffs for nearly any musical situation. Over 200 riffs in all !

CD includes each riff played at full speed and at a slower practica tempo !

ROCK

BLUES

JAZZ

COUNTRY

FUNK

Disponibilità:

5334 STYLUS PICK, Breaking the Speed Barrier. TABLATURE

Euro 9,95

Quantità

STYLUS PICK, Breaking the Speed Barrier. Con un plettro Stylus Pick. TABLATURE

THE EXERCISES
The exercises were developed by noteab!y fast-picking instructors and alumni at BerKlee College of Music, and are
intended to deveiop strengUi. dexterity, anc picking skills. Start first with a down-stroke, then start again 'with an up-stroke increase the metronome one selling and play the exercise again. Continue this until you finally "break down" and the" mark the setting. With each practicE: session, raise and lower the metronome selling. These exercises will interact with eacrl other to produce extraordinary results for you.

Keep string inside diameter of Stylus.
FRETS
FINGERS

INSTRUCTIONS FOR USE
1. Hold the STYLUS PICK in the way most natural to your hand. "Choke down" on the support cone so your thumb and first fingers hang over the edge a little. You should feel like you're holding the support cone, while the pick body stabilizes your grip. 2. Place the very tip directly on the string, and position the STYLUS PICK at a 90° angle to the surface of the guitar. Keep it at that angle at all
times. (Don't start strumming back and forth across the strings, that's not what the STYLUS PICK is for.)

3. Whether you pick "from the elbow", or "from the wrist", be sure you know what really feels best, and anchor your arm, hand, or wrist accordingly.

4. "Rub” the STYLUS PICK gently across the string; back and forth until you feel its subtle guiding effect. Keep the STYLUS PICK
"balanced" on the string. Keep the alternate strokes limited to the approximate diameter of the tip of the STYLUS PICK Strokes longer than this are unnecessary and will slow you down. (Don't start "muscling" a tremolo and then try to "finger a note"for each picking stroke to sound like you're playing fast. This is out of control and backwards.)

5. Don't let the STYLUS PICK drop below the string at the widest portion of the tip. This is the most important aspect of alternate picking with the STYLUS PICK. If you gauge the tip too low while picking up and down, the support cone grabs the string and yanks your hand right down. Dead stop! You will quickly learn the margin of gauging error. With a little practice, you will soon master this, and the stylus tip will become irresistible for fast alternate picking. The key here is to work off the very tip, while resisting the urge to "dig down". The stylus tip and support cone work together to stop you when you're wrong, and help you along when you're right.

6. Now try this example. Concentrate on the very point of the tip. ALWAYSFEEL FOR THETIPOFTHE PICK ON THE STRING! Rather than attacking the string "from the air", keep the tip ON the string, and as you fret the string, it will "fall off'the tip, soupding the note.

7. Try to maintain total relaxation of the picking hand. Keep starting over until you are able to remain relaxed for extended periods of time. Reducing tension in the arm, wrist and hand is what you're after. Just attack the strings accurately with each stroke, so you get used to it, and grow into it.

8. After gaining control of the STYLUS PICK, you may then concentrate more on your playing hand, while the STYLUS PICK corrects slight errors in gauging. This way, you can relax your picking hand altogether while it is simultaneou Iy being trained to "zero in” on the tip.

Threshold
String above threshold results in maximum resistance

Threshold
String below threshold results in minimum resistance

The widest point where the two cones of the pick meet is called the threshold. When the string rises ABOVE the threshold due to excessive digging, you go nowhere, because the support cone will pull the pick all the way down, and stop the stroke. When the string remains BELOW the threshold, you go everywhere, because the STYLUS PICK will roll over the strings without getting stuck.

With each alternate stroke, the STYLUS PICK first guides the hand up to the very tip, THEN picks the string. While the stylus tip allows the right hand to continue picking without interruption, the left hand is free to move through the scales: thus building control and endurance for both hands.

SUMMARY
1 Don't drop the widest portion of the stylus below the strings.
2 Each picking stroke must be as short as possible.
3 Practice relaxation to develop and maintain control.

Disponibilità:

5273 FINGERSTYLE GUITAR NEW DIMENSIONS, 1,2,3. DVD

Euro 60,00

Quantità

FINGERSTYLE GUITAR NEW DIMENSIONS, 1,2,3. DVD

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CHITARRA LAMPO