CHITARRA LAMPO

• MUSIC BOOKS
    WHAT'S NEW
    GROUPS & PERSONALITIES
    ACOUSTIC GUITAR
    OPEN TUNINGS
    OPER TUNINGS/BOTTLENEK
    BLUES GUITAR
    COUNTRY BLUES/ACOUSTIC BLUES
    CLASSICAL GUITAR
    CLASSICAL and
    SACRED, CHRISTIAN, CHRISTMAS
    NEO-CLASSICAL
    FLAMENCO
    LATIN
    COUNTRY / BLUEGRASS
    BANJO, MANDOLIN and...
    JAM '50/backing tracks
    JAM '60 backing tracks
    JAM '70 backing tracks
    JAM '80/backing tracks
    JAM '90/backing tracks
    JAM '00 backing tracks
    JAM BLUES/backing tracks
    JAM COUNTRY/backing tracks
    JAM JAZZ/backing tracks
    JAZZ GUITAR
    JAZZ METHODS
    GYPSY JAZZ, SWING, MANOUCHE
    METHODS FOR GUITAR
    PIANO/KEYBOARDS e...
    ROCK and ROLL
    RHYTHM and BLUES, SOUL, DISCO, FUNK
    ANTHOLOGY '70
    ANTHOLOGY '80
    ANTHOLOGY '90
    ANTHOLOGY '00
    FILM/MOVIE/TV
    SCALES MODES ARPEGGIOS
    HARMONY, CHORDS
    GUITAR TECHNIQUE & INSTRUCTION
    TAPPING
    ELETTRONIC
    AMPLI SETUP
    SOUNDS AND EFFECTS
    GUITAR MAKING
    INSTRUMENTAL REFERENCE, BIOGRAPHY
    METHODS FOR BASS GUITAR
    METHODS FOR DRUM
    HARMONICA
    BOOKS
• VIDEO/DVD INSTRUCTIONAL DVD
• CLASSICAL AND FLAMENCO GUITARS, & ACCESSORIES

WHAT'S NEW

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5318 MORGEN H., CONCEPTS: ARRANGING FOR FINGERSTYLE GUITAR.

Euro 21,00

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MORGEN H., CONCEPTS: ARRANGING FOR FINGERSTYLE GUITAR. Laura -the boy next door -sweet and lovely -blue moon -stompin' at the savoy -have yourself a merry little Christmas -just friends -what are you doing the rest of your life? -taking a chance on love -whispering -in a mellow tone -don't blame me -the shadow of your smile -on green dolphin street, ... and meny more.

Concepts: Arranging for Fingerstyle Guitar
By Howard Morgen
SERIES: The Howard Morgen Fingerstyle Jazz Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book
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Beginning with an explanation of how a bass line defines the harmonic scheme, this edition leads the player through dozens of fingerstyle arrangements. Including: Laura * Green Dolphin Street * The Shadow of Your Smile * Stompin' at the Savoy * Just Friends * Don't Blame Me * Nobody Does It Better.
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Includes the Following Selection:
Title Composer

BELL BOTTOM TROUSERS H MORGEN

BLUE MOON
L: HART, LORENZ/RODGERS, RICHARD

BLUES FOR HY/H MORGEN CONCPTS

BOLD MACDONALD H MORGEN

BONFIRE/H MORGEN CNCPT'S

BONNIE H MORGEN

C JAM BLUES
ELLINGTON, DUKE

CRAWDAD SONG H MORGEN

DON'T BLAME ME
FIELDS, DOROTHY / MCHUGH, JIMMY

DON'T GET AROUND MUCH ANYMORE
ELLINGTON DUKE/L: RUSSELL, BOB

FIVE FOOT TWO, EYES OF BLUE
HENDERSON, RAY/L: LEWIS, SAM M./L: YOUNG, JOE

FORTUNE COOKIE (MAIN TITLE)

FREIGHT TRAIN H MORGEN

GENTLE RAIN

GREENSLEEVES H MORGEN

HANDY MAN
BLACKWELL, OTIS/JONES, JIMMY

HAVE YOURSELF A MERRY LITTLE CHRISTMAS
BLANE, RALPH/L: MARTIN, HUGH

I'M WALKIN' PRINT (C)
ANTOINE DOMINO, DAVE BARTHOLOMEW

IN A MELLOW TONE /INST{PRINT (C)}
ELLINGTON, DUKE

JOSHUA/H MORGEN CNCPT'S

JUST FRIENDS
JOHN KLENNER, SAM M. LEWIS

JUST YOU, JUST ME
JESSE GREER, ROYMOND KLAGES

LAMB STEW H MORGEN

LAURA
RAKSIN, DAVID/L: MERCER, JOHNNY

LONESOME ROAD/H MORGEN CNCPT'S

MY GRANDFATHER'S CLOCK H MORGEN

NOBODY DOES IT BETTER
L: SAGER, CAROLE BAYER/HAMLISCH, MARVIN

OLD TIME RELIGION H MORGEN

ON GREEN DOLPHIN STREET
KAPER, BRONISLAW/L: WASHINGTON, NED

PEG O MY HEART PRINT (C)
FRED FISHER; ALFRED BRYAN

SAINT JAMES INFIRMARY H MORGEN

SIDEWALKS OF NEW YORK H MORGEN

STAIRWAY TO THE STARS (PRINT ONLY)
M. PARISH, M. MALNECK AND F. SIGNORELLI

STOMPIN' AT THE SAVOY
GOODMAN, BENNY/L: RAZAF, ANDY/SAMPSON, EDGAR/WEBB, CHICK

SUR LES PONT D' AVIGNON H MORGEN

SWEET AND LOVELY PRINT (C)
ARNHEIM, TOBIAS, LEMARE

SWEET GINGERBREAD MAN (PRINT(C)}
MICHEL LEGRAND, A. & M. BERGMAN

TAKING A CHANCE ON LOVE
DUKE, VERNON/L: LATOUCHE, JOHN/L: FETTER, TED

THAT OLD FEELING PRINT (C)
LEW BROWN, SAMMY FAIN

THE BOY NEXT DOOR PRINT (C)
HUGH MARTIN, RALPH BLANE

THE GREEN LEAVES OF SUMMER (PRINT ONLY)
PAUL F WEBSTER, DIMITRI TIOMKIN

THE SHADOW OF YOUR SMILE (FROM "THE SANDPIPER")
L: WEBSTER, PAUL FRANCIS/MANDEL, JOHNNY

TOWNHOUSE BLUES

WHAT ARE YOU DOING THE REST OF YOUR LIFE?
LEGRAND, MICHEL/L: BERGMAN, ALAN/L: BERGMAN, MARILYN

WHISPERING PRINT (C)
SCHONBERGER/COBURN/ROSE

ZOOM

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5319 GUTHRIE WOODY, THE BEST OF.

Euro 15,00

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GUTHRIE WOODY, THE BEST OF.

Series: Strum It (Guitar)
Artist: Woody Guthrie

Features authentic chords, strum patterns, melody and lyrics for 20 of the most popular songs (all in their original keys) from this highly influential founding father of folk. Includes: 56 pages

Table of contents
Deportee (Plane Wreck At Los Gatos)
Do Re Mi
Dust Pneumonia Blues
Going Down The Road (I Ain't Going To Be Treated This Way)
The Grand Coulee Dam
Hard Travelin'
I Ain't Got No Home
I've Got To Know
Jackhammer John
Jesus Christ
New York Town
Pastures Of Plenty
Ramblin' Round
Riding In My Car
Roll On, Columbia
So Long It's Been Good To Know Yuh (Dusty Old Dust)
Talking Dust Bowl
This Land Is Your Land
Tom Joad
Vigilante Man

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5274 THE BEST OF BLUES GUITAR, SIGNATURE. CD

Euro 21,00

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THE BEST OF BLUES GUITAR, SIGNATURE. CD TAB.

A Step-By-Step Breakdown of the Guitar Styles and Techniques of the Blues Legends
Series: Signature Licks Guitar
Softcover with CD - TAB
Author: Dave Rubin

Learn the trademark riffs and licks of the blues masters with this informative book/CD pack. Features lessons on 12 classics:

All Your Love (I Miss Loving) (Otis Rush) - Boom Boom (John Lee Hooker) - Born Under a Bad Sign (Albert King) - Cross Road Blues (Crossroads) (Eric Clapton) - Pride and Joy (Stevie Ray Vaughan) - (They Call It) Stormy Monday (Stormy Monday Blues) (T-Bone Walker) -The Thrill Is Gone (B.B. King), and more.

All Your Love (I Miss Loving)
Boom Boom
Born Under A Bad Sign
Catfish Blues
Collins' Mix
Cross Road Blues (Crossroads)
I Smell A Rat
I'm Tore Down
It Hurts Me Too
Pride And Joy
(They Call It) Stormy Monday (Stormy Monday Blues)
The Thrill Is Gone

56 pages

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5312 ROCKIN' THE BLUES, The Best American and British Blues-Rock Guitarists: 1963-1973. CD TAB.

Euro 21,00

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ROCKIN' THE BLUES, The Best American and British Blues-Rock Guitarists: 1963-1973. CD TAB.

Series: Guitar Educational
Softcover with CD - TAB
Author: Dave Rubin

Take a journey inside the blues with Dave Rubin's latest book, Rockin' the Blues: 1963-1973. This seminal 10 years produced some of the most influential blues-rock guitarists of all time. Learn about the lives of these trail-blazing guitarists, their individual styles, accomplishments, and techniques, then play along with the accompanying CD and taste the magic yourself. Each chapter delves into the world of a key blues-rock guitarist from this period, with rare photos, historic insights, interviews, and guitar solos written in standard notation and tablature and performed by a full band on the included audio CD. Explore this exciting time in music history with a book that covers it like no other. Artists covered include: Duane Allman, Jeff Beck, Roy Buchanan, Eric Clapton, Alvin Lee, Keith Richards, Robbie Robertson, and others. 64 pages

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5315 BASIC BLUES GUITAR METHOD 1 (BOOK & DVD).

Euro 21,00

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BASIC BLUES GUITAR METHOD 1. Fisher. DVD TAB.

By Drew Giorgi & Fisher,
CATEGORY: Guitar Method or Supplement
FORMAT: Book & DVD

A thorough course, paced for beginners. Become a great blues guitarist by starting with the fundamentals, like holding the guitar, tuning up, and playing simple chords and notes, and continue to grow with more advanced topics explored later, like slides, tritone patterns and double stops. All the music in each 48-page book is shown in TAB as well as standard music notation and demonstrated on the accompanying CD and/or DVD.

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5335 ESSENTIAL BLUES GUITAR, D. Celentano. CD TAB.

Euro 18,00

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ESSENTIAL BLUES GUITAR, D. Celentano. CD TAB.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD
Composer: Dave Celentano

This handy guide to playing blues guitars emphasizes the essentials, such as: chord changes, scales, rhythms, turn arounds, phrasing, soloing and more. Includes lots of examples, plus 10 rhythm tracks for soloing and improvising. 80 pages.

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5310 BOOK'S BLUES BOOK, The Songs & Fingerstyle Guitar Arrangements of Roy Book Binder. CD TAB.

Euro 21,00

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BOOK'S BLUES BOOK, The Songs & Fingerstyle Guitar Arrangements of Roy Book Binder. CD TAB.

Series: Guitar Educational
Publisher: Homespun
Softcover with CD - TAB
Artist: Roy Book Binder

A seasoned vet with a unique sound, Roy Book Binder has been singing, playing guitar, and writing songs since the '60s. This book/CD pack presents traditional and original blues tunes that have delighted his audiences for years. Features great lessons & an intro from Roy, note-for-note transcriptions with tab, and a CD of recorded examples to make learning easier. Level 3. 64 pages.

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5206 PLAY TRUMPET TODAY! SONGBOOK. CD

Euro 14,00

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PLAY TRUMPET TODAY! SONGBOOK. CD

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5301 STRIDE & SWING PIANO. John Valerio CD

Euro 18,99

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STRIDE & SWING PIANO. John Valerio. CD

Hal Leonard Keyboard Style Series
Series: keyboard instruction
Medium: Softcover with CD
Author: John Valerio

Focusing on styles such as classic ragtime, early blues & boogie woogie, New Orleans jazz, stride and swing, this new book/CD pack in the Hal Leonard Keyboard Style Series teaches left- and right-hand techniques including chords, bass runs, patterns and more. Key players of these styles Scott Joplin, Jimmy Yancey, Pete Johnson, Jelly Roll Morton, James P. Johnson, Fats Waller, Teddy Wilson and Art Tatum are prominently referenced. Includes 14 full songs to play, and an accompanying CD! 96 pages

INTRODUCTION
Welcome
to Stride and Swing Piano! This book is an in-depth look at early solo jazz
piano styles from the 1900s to the 1940s. Many pianists know the term stride as an accompaniment
technique in which the left hand alternates between a bass note and a
chord in an "oom-pah, oom-pah" manner. But stride was also the label given to a style of piano
music that emerged in the 1920s. This was an early form of jazz that evolved from predecessors like
ragtime, blues, and New Orleans style, and culminated in the swing style of the 1930s and' 40s.
Most of the early jazz piano styles up to and including swing piano feature this striding left-hand
motion.
This book traces the evolution of stride and swing piano styles-from their predecessors to their
fullest development; each chapter focuses on a particular style and player:
Classic Ragtime: Though not jazz per se, ragtime was an important forerunner, serving
as a model for styles like New Orleans and stride. Invented by Black Americans, ragtime
emerged during the 1890s and was a strictly written music with formal and rhythmic constraints.
Scott Joplin was its most famous composer.

Blues & Boogie Woogie: Also invented by Black Americans (in the 1800s), blues
was another important forerunner of stride and swing jazz styles. A looser music, blues had
its own melodic material, accompaniment style, and rhythmic feel. Jimmy Yancey was a premiere
blues pianist; Pete Johnson was a well-known player in the faster, boogie woogie style.

New Orleans Jazz: In the early 1900s, New Orleans pianists developed jazz, a style that
merged ragtime with blues, and added improvisation. Jelly Roll Morton was the most important
early jazz pianist. He loosened the "even subdivisions" of ragtime and made jazz swing.

Stride: Stride was a fast, virtuosic piano music born in Harlem during the 1920s and' 30s.
Early stride,
ala James P. Johnson, was more appropriately called "Eastern ragtime" than
later stride, which evolved into a lighter, smoother music, as played by Fats Waller.

Swing: Swing emerged during the mid '30s with jazz big bands. The driving accents of
stride were ironed out, and an even 4/4 pulse became the norm. Teddy Wilson best represented
the swing style; Art Tatum took it to its highest point.

The one element that all of these styles have in common is the almost continuous playing of the
pulse (on every beat) by the left hand. This was accomplished by: 1) bass note vs. chord alternation,
2) the playing of bass lines, or 3) the continuous playing of chords.
Modern jazz piano styles have done away with the left hand's time keeping role [or the most pat1,
and contemporary players are often at a loss when called upon to play the left hand in an older solo
style. Stride and Swing Piano offers an introduction to the usage of traditional left-hand devicesincluding
characteristic chord voicings and bass note intervals, such as octaves and tenths-as well
as right-hand techniques such as single-note lines, chord voicings, intervals, mns, and improvisation.
Each chapter culminates in one or more original tunes demonstrating the style and its techniques.
Practice suggestions are also included. The reader is encouraged to learn and study these
tunes, and to apply all of the techniques in the book to standard jazz and pop songs of the era.
About the CD
The accompanying CD features many of the examples in the book-including 14 original tunesperformed
on solo piano. Listen to the CD to better understand each style and to practice your
own solo playing.

Early jazz had always been evolving on two simultaneous fronts-as a small ensemble
music, and as a solo piano music. By the mid 1930s, ensembles were changing. Jazz
bands were growing larger, into "big bands"-essentially, hybrids of the jazz combos and
larger dance bands of the '20s. Along with the transition from smaller to larger groups, a
"smoothing out" process took place in the music, and a distinctly new piano style emerged.
One crucial defining characteristic of swing* music is the evenness of all four beats played by the
rhythm section. The rhythm sections of the big bands used a bassist who usually played on all
four beats of the measure, laying down an even 4/4. This was different from the tuba or bass
players of older New Orleans style, who usually played on beats I and 3, with occasional walking
fills. The epitome of a swing rhythm section was Count Basie's band; they played all four beats
of each measure with such evenness and precision they sound like one person.
Swing pianists were caught between two worlds. Still rooted in the stride/ragtime model, they
began exploring new ways to establish the 4/4 pulse while freeing up the left hand. Swing demanded
a lighter touch and a looser feel; the driving accents of stride piano were ironed out.
Although the left hand still relied on an oom-pah striding motion, dynamic levels became more
consistent for bass notes and after-chords. So-called "walking bass" lines became commonplace.
The consummate swing pianist was Teddy Wilson (1912-1986). His playing represents the highest
cultivation of the pure swing style. Balance and restraint characterize his approach. Classically
trained, Wilson had a refined sense of touch. His technique was supple, and his music, subtle.
One reason for the lighter touch of the swing pianists was the use of the microphone; the earlier
jazz pianists had to pound on the piano to be heard within a group setting. Wilson gained notoriety
when he teamed up with clarinetist Benny Goodman and drummer Gene Krupa to form the
Benny Goodman Trio. This group was historically important not only for the great music they
created but also for being the first publicized interracial jazz performing group. The fact that this
trio had no bass player is a testament to Wilson's astounding left-hand technique and conception.
Wilson played solo piano in much the same way as he approached playing with a group.
*The term swing as used here refers to the style of jazz that evolved from the mid 1930s to the mid' 40s. It should not be confused
with the more general use of the word denoting the rhythmic conception associated with most jazz.
Left-Hand Techniques
Most of the left-hand techniques used by swing pianists were already used by the late stride players.
As with earlier styles, the left hand mostly kept time by playing the quarter-note pulse.
Crucial differences were that now all of the beats were played with equal stress, the touch was
much lighter, and the feeling was more relaxed. The hard-driving left hand of the stride pianists
was replaced by a steady, relaxed groove. There was also a difference in when and how often the
swing pianists applied each left-hand technique. These newer approaches are described in the following
pages.

CONTENTS

1 CLASSIC RAGTIME .
Scott Joplin

2 BLUES & BOOGIE WOOGIE
Jimmy Yancey & Pete Johnson

3 NEW ORLEANS JAZZ .
Jelly Roll Morton

4 STRIDE PIANO I.
James P. Johnson

5 STRIDE PIANO II.
Fats Waller

6 SWING PIANO I .
Teddy Wilson

7 SWING PIANO II .
Art Tatum

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5358 BLUES PIANO. M. Harrison. CD

Euro 18,00

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BLUES PIANO. M. Harrison. 79 Pages. CD

Hal Leonard Keyboard Style Series
Series: keyboard instruction
Medium: Softcover with CD
Author: Mark Harrison

Ever wanted to play the blues, but weren't sure where to start? Blues Piano will teach you the basic skills you need. From comping to soloing, you'll learn the theory, the tools, and even the tricks that the pros use. And, you get seven complete tunes to jam on. Listen to the CD, then start playing along! Covers: scales and chords; left-hand patterns; walking bass; endings and turnarounds; right-hand techniques; how to solo with blues scales; crossover licks; and more. 80 pages.

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CHITARRA LAMPO