CHITARRA LAMPO

ACOUSTIC GUITAR

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2400 PETTEWAY AL, THE WATERS AND THE WIND. CD

Euro 26,00

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PETTEWAY AL, THE WATERS AND THE WIND. Suggestive pagine di musica, evocate dalle antiche vie d'acqua e insenature atlantiche nelle terre degli Stati Uniti. CD TAB.

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2395 PETTEWAY AL, WHISPERING STONES. WITH CD

Euro 32,00

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PETTEWAY AL, WHISPERING STONES. Al Petteway con questo libro è il vincitore del "premio Award 1996" come miglior musicista folk. CD TAB.

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6088 PLAY ACOUSTIC, The Complete Guide to Mastering Acoustic Guitar Styles. LIBRO 2 CD TABLATURE

Euro 30,99

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PLAY ACOUSTIC, The Complete Guide to Mastering Acoustic Guitar Styles. 2CD TABLATURE

LIBRO PER CHITARRA CON 2 CD, TABLATURE.

Series: Book
Publisher: Backbeat Books
Softcover with CD - TAB
Author: Dave Hunter

The acoustic guitar is the instrument of the people and Play Acoustic tells the people how to play it. This detailed and beautifully illustrated book explores the history of the acoustic guitar, from the jazz age to the folk revolutions of the early 1960s and late 1990s to the current rebirth of bluegrass and the singer-songwriter boom of the past decade. Skilled professional musicians and experienced tutors coach the reader through 11 styles, using exercises suitable to novice players new to each style and working up to full pieces and advanced techniques. Entire chapters are devoted to folk, rock and pop, blues, country, bluegrass, jazz, and more, with detailed guidance through both musical notation and tablature, diagrams, and explanatory text. An accompanying CD also offers listening examples of the most crucial of these exercises, to help players master each style. 252 pages.

... few have survived in great playing condition. Gretsch flat-tops didn't fare much better in
the quality stakes, though some have become collectible fot aesthetic or historic reasons,
such as the G-btanded Rancher of the 1950s.

GYPSY JAZZ GUITARS
The continuing, even booming popularity of guitarist Django Reinhardt and the sprightly,
melodic 'Gypsy jazz' style of which he long formed the centre, has spawned a perhaps
surprising cottage industry building a type of guitar that has only really excelled at this
single style of playing. Rob Aylward, John Le Voi, Maurice Dupont and Shelly Parks all offet
instruments in the apptoximate Selmer-Maccaferri design, as pioneered more than 75 years
ago, and taken up by Reinhardt almost immediately after its arrival on the scene.
Maccaferri was an Italian-born luthier and concert (classical) guitarist, whose relatively
radical design ideas were taken up by London music store manager Ben Davis and promoted
to Henri Selmer, head of the enormous French saxophone maker, as a sound basis for a guitar
of the same brand. The Selmer factory in France began limited production of the instruments
in late 1931, and the first models arrived for sale in London in 1932. They were taken up
mostly by jazz players, although Maccaferri himself favoured the gur-stting variants, as did
a few other classical players of the day. But the steel-string models were unlike anything the
majority of jazzers were strumming at the time. They were - and remain - a different breed
of guitar entirely.
Selmer-Maccaferri instruments are large-bodied, flat-top guitars, often with aD-shaped
or round soundhole placed under the strings and a deep, 'flattened' looking cutaway. Many
models were originally built with circular wooden 'resonators' mounted under their tops,
intended to aid projection and volume. If anything, these usually damaged the tone of the
guitars to which they were fitted, and players simply removed them, or custom-ordered new
Selmers without resonators. The sreel-string Orchestre is the real classic of the early years of
the Selmer-Maccaferris, but others existed, such as the cutaway-less Hawaien, and gut-string
models such as the Concert (with the cutaway), Espagnol, and C1assique. All - both steel and
gut models - were made with laminated back and sides, not as a cost cutting exercise, but
for well-defined tonal considerations researched by Maccaferri.
In 1933, only shorrly before rhe instrumenr's mosr famous endorser took up rhe brand,
Maccaferri parted ways with Selmer after a contracr dispute. He rerurned briefly to his
playing career, which itself was cut short after he fractured his wrist in a swimming accident.
For a time he took up the manufacture of reeds for musical instruments, and dabbled in
other rypes of guitar design, before being hooked by the possibilities of injection-moulded
plastic instruments. Experiments with plastics led ro his founding of Mastro Industries,
which introduced a plastic ukulele in 1949, and the famous Maccaferri plastic guitars in the
early 1950s. Despite their appearance and rheir general perception today, instrumenrs such
as the Maccaferri G-30 flat-top and G-40 atchcop - moulded from a material called Dow
Styron - were presented as serious instruments, and were even taken up by a number of pros
in their day.
The plastic image could never quite cur it credibility-wise, however, and Maccaferri gave
up applying the process co 'serious' instruments just a few years into the effort. Mastro
continued co offer a number of downscaled plastic guitars through the 1960s, but these were
no longer intended as professional-grade players' instruments. In the 1970s and 1980s Mario
Maccaferri occasionally returned co lutherie, and even produced his Selmer-style wooden
Gypsy jazz guitars again, first as the CSL Gypsy (in parrnership with Englishman Maurice
Summerfield, and manufactured in Japan at the Hoshino faccory, where Ibanez guitars were
made), and later in collaboration with high-end New York maker John Monteleone.
Maccaferri died in 1993 at the age of 92.

Freddie Green, guitarist with Count Basie.
pictured in 1968 with his Gretsch 5ynchromatic 400.

PLASTIC GUITAR
A plastic Maccaferri Romancer from 1960 and a 1955 advertisement for the revolutionary instrument.

CD TRACK LISTS &. NOTES

The exercises on rhe cwo CDs packaged wich chis book are all played and recorded by che authors themselves, except for che Latin and African senions of che 'World Music' chapcer, which were performed and recorded by Rod Fogg. In all cases, che musical examples are che copyrighc of che auchocs of che respeccive chapters (excepct of course for che occasional non-copyriglued Tradicional' runes used, where che aurhors have copyrighc in the arrangements). Click cracks, count-ins and chychm cracks were nor used excepc where noced. To make che best use of che space on che CD, we have chosen co supply music cracks mainly foe che exercises chac you ceally need to hear played co undersrand fully. Each liscing begins wich che crack number, followed by che section and exercise number that the music relates to. Addicional nores for some tracks come aftec that, in italic type.

GETTING STARTED
ROCK & POP
RITCHIE BLACKMORE
4 NOTE CHORDS
JIMMY PAGE
BLUES
A SERIES OF BLUES TURNAROUNDS PLAYED IN SUCCESSION
BOTTLENECK - PETE MADSEN
THE RIFF FROM PLAYED WITH RHYTHM GUITAR BACKING
COUNTRY - LEE HODGSON
BLUEGRASS - ERIC THOMPSON

JAZZ - CARL FILIPIAK
JAZZ, MINOR BLUES
JAZZ, RHYTHM CHANGES
GYPSY JAZZ - MICHAEL HOROWITZ
CELTIC
PENNYWHISTLE MELODY

WORLD MUSIC

LATIN - NESTON GARCIA
SON CLAVE -
RUMBA
CASCADA TIMBALE
SPECIFIC RHYTHM
PLAYED AGAINST RHYTHM
AFRICAN
SIKYI RHYTHM ON BELL, CABASA AND CONGA
KLEZMER

ADVANCED FINGERSTYLE - TEJA GERKEN
DADGAD TUNING
MOVING BASSLINES
MOVING AROUND THE FINGERBOARD
NATURAL HARMONICS
SLAPPED HARMONICS
RIGHT-HAND FRETTING
D MINOR TUNING
BEHIND THE NUT BENDS
CLASSICAL STYLE TREMOLO
MIDLE FINGER SNAP
ACOUSTIC TAPPING

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6296 POWER PLUCKING, A Rocker's Guide to Acoustic Fingerstyle Guitar, MI. CD TAB.

Euro 19,00

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POWER PLUCKING, A Rocker's Guide to Acoustic Fingerstyle Guitar, MI. CD TAB.

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Softcover with CD - TAB
Author: Dale Turner

If you're a rock player and the world of acoustic fingerstyle has always seemed foreign and hard to grasp, have no fear. Power Plucking teaches the technique from a purely pop-rock standpoint. You won't waste your time here learning classical pieces you don't want to know. This book concentrates on the type of riffs you've heard from all your favorite artists, including Jimmy Page, James Taylor, Elliot Smith, John Frusciante, Eric Clapton, Jeff Buckley, Nick Drake, etc. You've never felt this comfortable treading new ground! 80 pages.

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5280 PROCTOR CHRIS, GUITAR COLLECTION. CD TAB.

Euro 99,99

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PROCTOR CHRIS, GUITAR COLLECTION. The bells of the harbour -the emperor's choice -henry's shuffle -hotspot -late again -morning thunder -mountaineer creek -over the pass -seven-oh-four, stormwatch -tap room -war games. CD TAB.

Acoustic Masters Series: Chris Proctor Guitar Collection

SERIES: Acoustic Masters Series
CATEGORY: Guitar Method or Supplement
VERSION: Guitar/TAB
FORMAT: Book & CD

Twelve of Chris Proctor's stunning solo guitar pieces, fully transcribed in tab and notation. Plus, Chris walks you through each arrangement on the included masterclass CD. Songs include: The Bells of the Harbor * The Emperor's Choice * Henry's Shuffle * Hotspot * Late Again * Morning Thunder * Mountaineer Creek * Over the Pass * Seven-Oh-Four * Stormwatch * Tap Room * War Games.

Includes the Following Selections:
Title Composer
BELLS OF THE HARBOR
CHRIS PROCTOR
HENRY'S SHUFFLE

HOTSPOT

LATE AGAIN

MORNING THUNDER
PROCTOR, CHRIS
MOUNTAINEER CREEK

OVER THE PASS

SEVEN-OH-FOUR

STORMWATCH
PROCTOR, CHRIS
TAP ROOM

THE EMPEROR'S CHOICE

WAR GAMES

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3196 PROCTOR CHRIS, ONLY NOW. CD TAB. ULTIMA COPIA, OUT OF PRINT, LAST COPY

Euro 72,99

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PROCTOR CHRIS, ONLY NOW. CD TAB.

Adrenaline
Tap Room
Dialogues
Three Jigs: The Rambler/Kitty's Wedding/Langstrom's Pony
Slickrock Lament
Hotspot
Only Now
October's Window
Anymore

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4410 REAL ACOUSTIC GUITAR. CD

Euro 78,00

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REAL ACOUSTIC GUITAR. CD TAB.

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6672 RENBOURN JOHN, FINGERSTYLE GUITAR: Folk, Blues & Beyond; Celtic Melodies & Open Tunings; & The Jazz Tinge. 3CD TAB.

Euro 30,00

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RENBOURN JOHN, FINGERSTYLE GUITAR: Folk, Blues & Beyond; Celtic Melodies & Open Tunings; & The Jazz Tinge. 3CD TAB.

Product Description:
This comprehensive Guitar Workshop Audio Series book/3-CD set brings together a variety of fingerstyle arrangements featured in three of John Renbourn's video lessons. Illustrates unique and exciting fingerstyle techniques in the performance of traditional ballads and other tunes, using standard and several alternate tunings. In notation and tablature. Includes an extensive discussion about the tunes in the collection. 120 PAGES
Format: Book/3-CD Set

Song Title: Composer/Source:
Abide With Me/Great Dreams From Heaven John Renbourn
Anji John Renbourn
Buffalo John Renbourn
Bunyan's Hymn John Renbourn
Cherry John Renbourn
I Saw Three Ships John Renbourn
Judy John Renbourn
Lament For Owen Roe O'neill John Renbourn
Lindsay John Renbourn
Little Niles John Renbourn
Lord Franklin John Renbourn
My Dear Boy John Renbourn
My Sweet Potato John Renbourn
Sandwood Down To Kyle John Renbourn
The Blarney Pilgrim John Renbourn
The English Dance John Renbourn
The Mist-Covered Mountains Of Home John Renbourn
The Orphan John Renbourn
The South Wind John Renbourn
Tramps And Hawkers John Renbourn
Transfusion John Renbourn
Watch The Stars John Renbourn
White House Blues John Renbourn

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1044 RENBOURN, GROSSMAN, JANSCH, GRAHAM, BRITISH FINGERPICKING GUITAR. CD

Euro 24,95

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RENBOURN, GROSSMAN, JANSCH, GRAHAM, BRITISH FINGERPICKING GUITAR. CD TAB.

Interviews and guitar solos from the playing of John Renbourn, Bert Jansch and Davey Graham - the three guitarists who shaped the British school of fingerpicking. Music ranges from blues to medieval, Celtic to folk.

Titles Include: JOHN RENBOURN: Lady Nothynge Toye Puffe, The Moon Shines Bright, The Hermit, Faros Rag, Bransle Gay, The Lamentation Of Owen Roe ONeill, Lord Inchiquin, Carolans Concerto, Mrs. ORourke, Lament For Charles MacCabe BERT JANSCH: Black Waterside, Alices Wonderland, Veronica, The Wheel, St.Fiacres Revenge, The Bridge DAVEY GRAHAM: Forty Ton Parachute, Lashtals Room, Lord Inchiquin, Lord Mayo, Hardiman The Fiddler and Fairies Hornpipe.

The stereo CD features each solo as performed by the respective British composer/guitarist, and contains all but four of the songs in the book. The CD does not contain the following songs: Carolan's Concerto, Mrs. O'Rourke, Lord Inchiquin (arr. by John Renbourn) and Lament for Charles MacCabe. Book with CD

A tribute to the innovators and an analysis of the unique guitar fingerstyles and techniques developed in Great Britain. Presents guitar instrumentals by Davey Graham, Burt Jansch, and John Renbourn - over 20 solos in notation and tablature. The stereo CD features each solo as performed by the respective British composer/guitarist, and contains all but four of the songs in the book. The CD does not contain the following songs: Carolan's Concerto, Mrs. O'Rourke, Lord Inchiquin (arr. by John Renbourn) and Lament for Charles MacCabe.

Song Title: Composer/Source:
Forty-Ton Parachute -- Davey Graham
Lashtal's Room -- Davey Graham
Lord Inchiquin -- Arranged by Davey Graham
Lord Mayo -- Arranged by Davey Graham
Hardiman The Fiddler -- Arranged by Davey Graham
The Fairies' Hornpipe -- Arranged by Davey Graham
Black Waterside -- Arranged by Bert Jansch
Alice's Wonderland -- Bert Jansch
Veronica -- Bert Jansch
The Wheel -- Bert Jansch
St. Fiacre's Revenge -- Bert Jansch
Bridge -- Bert Jansch and Martin Jenkins
Lady Nothynge's Toye Puffe -- John Renbourn
The Moon Shines Bright -- Arranged by John Renbourn
The Hermit -- John Renbourn
Faro's Rag -- John Renbourn
Bransle Gay -- Gervais, arranged by John Renbourn
Carolan's Concerto -- Turlough Carolan, arranged by John Renbourn
Mrs. O'Rourke -- Turlough Carolan, arranged by John Renbourn
Lord Inchiquin -- Turlough Carolan, arranged by John Renbourn
Lament for Charles Maccabe -- Turlough Carolan, arranged by John Renbourn
The Lamentation of Owen Roe O'Neill -- Turlough Carolan, arranged by John Renbourn

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0284 RENBOURN JOHN, COMPLETE ANTHOLOGY OF MEDIEVAL & RENAISSANCE MUSIC FOR GUITAR. WITH CD

Euro 25,00

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RENBOURN JOHN, COMPLETE ANTHOLOGY OF MEDIEVAL & RENAISSANCE MUSIC FOR GUITAR. CD TAB.

Product Description:
A collection of 28 fingerstyle guitar solos and duets by fingerstyle guitarist John Renbourn. These solos are drawn from Medieval and Renaissance lute dance tunes and solos. All solos are in notation and tablature. The online audio contains 17 of the solos from the book. 176 PAGES

Song Title: Composer/Source:
Alman John Renbourn
Bandora Lullaby John Renbourn
Bourree I - Bourree Ii Nicolas Vallet
Bransle De Bourgogne Claude Gervaise
Bransle Gay Claude Gervaise
Courante Robert Ballard
Fantasia Alonso Mudarra
Gipsy Dance-Jew's Dance Hans Neusiedler
Gittern Pavan John Renbourn
Lachrimae Antiquae John Dowland
Lamento Di Tristan-Rotta John Renbourn
Mal Sims John Renbourn
My Lord Willobie's Welcome Home John Renbourn
Pavanne D'espagne Nicolas Vallet
Redford's Meane John Redford
Saltarello John Renbourn
Salterello John Renbourn
Se Lo M'accorgo John Renbourn
Stantipes John Renbourn
The Earl Of Salisbury William Byrd
The English Dance John Renbourn
The Irish Ho-Hoane John Renbourn
The Moon Shines Bright John Renbourn
Toy For Two Lutes Thomas Robinson
Triple Ballarde Guillaume De Machaut
Trotto John Renbourn
Veri Floris John Renbourn
Westron Wynde

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CHITARRA LAMPO