CHITARRA LAMPO

• SPARTITI, LIBRI DI MUSICA
    SPARTITI NOVITA'
    SPARTITI GRUPPI e PERSONALITA'
    SPARTITI ACUSTICA
    SPARTITI ACCORDATURE APERTE
    SPARTITI OPER TUNINGS/BOTTLENEK
    SPARTITI BLUES
    SPARTITI COUNTRY BLUES
    SPARTITI CLASSICA
    SPARTITI CLASSICA e...
    SPARTITI NATALE/SACRA
    SPARTITI NEO-CLASSICO
    SPARTITI FLAMENCO
    SPARTITI LATIN
    SPARTITI COUNTRY / BLUEGRASS
    SPARTITI BANJO, MANDOLINO e...
    SPARTITI BASI '50
    SPARTITI BASI '60
    SPARTITI BASI '70
    SPARTITI BASI '80
    SPARTITI BASI '90
    SPARTITI BASI '00
    SPARTITI BASI BLUES
    SPARTITI BASI COUNTRY
    SPARTITI BASI JAZZ
    SPARTITI JAZZ
    SPARTITI JAZZ METODI
    SPARTITI GYPSY JAZZ, SWING, MANOUCHE
    SPARTITI METODI PER CHITARRA
    SPARTITI PIANO E TASTIERE
    SPARTITI ROCK 'N' ROLL
    SPARTITI RHYTHM and BLUES, SOUL, DISCO, FUNK
    SPARTITI RACCOLTE '70
    SPARTITI RACCOLTE '80
    SPARTITI RACCOLTE '90
    SPARTITI RACCOLTE '00
    SPARTITI RACCOLTE FILM/TV
    SPARTITI SOLOING SCALE MODI ARPEGGI
    SPARTITI ARMONIA, ACCORDI
    SPARTITI DI TECNICA
    SPARTITI TECNICA TAPPING
    LIBRI DI ELETTRONICA
    LIBRO DI AMPLIFICAZIONE E IL SETUP
    LIBRI SUL SUONO E GLI EFFETTI
    LIBRI DI LIUTERIA
    MONOGRAFIE, BIOGRAFIE DI CHITARRISTI
    SPARTITI METODI PER BASSO
    SPARTITI METODI PER BATTERIA
    SPARTITI METODI PER ARMONICA
    LETTERATURA
• VIDEO/DVD
• CHITARRA FLAMENCO, CLASSICA, ACCESSORI

SPARTITI ARMONIA, ACCORDI

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

0264 THE COMPLETE GUITAR PLAYER CHORD ENCYCLOPEDIA WITH CD

Euro 18,00

Quantità

THE COMPLETE GUITAR PLAYER CHORD ENCYCLOPEDIA. Enciclopedia degli accordi per chitarra. Per uno studio semplice della teoria e della composizione dei vari accordi; maggiori, minori, sesta, settima nona, undicesima, bemolle, sospesi, aumentati; la struttura degli intervalli, dominante, tonica. Quasi 300 esempi illustrati e registrati nei 56 minuti del disco. CD TAB.

Disponibilità:

4860 THE EASY CHORD IDEA BOOK. CD

Euro 18,00

Quantità

THE EASY CHORD IDEA BOOK. Everybody knows a few guitar chords, and it's fun to use them to accompany your favorite songs. This book is just full of ideas to help you sound like a pro while playing even the simplest chords. Concentrating on the most commonly used chords in the most frequently used keys, Dan Donnelly teaches enjoyable ways to embellish chords in a friendly, step-by-step approach. Learn what chords are usually combined and many great-sounding ways to go between them. Discover how variety and color can be added to your songs just by picking up a finger or adding another. Get started in this book today and become everybody's favorite accompanist. CD TAB.

Disponibilità:

2446 GRIMOIRE 2, CHORD AND VOICING

Euro 24,50

Quantità

THE GUITAR GRIMOIRE 2. CHORDS & VOICINGS. TAB.

Disponibilità:

1093 THE GUITAR GRIMOIRE CHORD ENCYCLOPEDIA.

Euro 30,00

Quantità

THE GUITAR GRIMOIRE CHORD ENCYCLOPEDIA. 334 Pagine. Con disegno della tastiera.

Disponibilità:

4840 THE PROGRESSIVE GUITARIST AN INTRODUCTION TO CHORD THEORY. Latarski.

Euro 11,00

Quantità

THE PROGRESSIVE GUITARIST AN INTRODUCTION TO CHORD THEORY. Latarski.

An Introduction to Chord Theory
By Don Latarski
ITEM: 00-F3096GTX
UPC: 029156190755
ISBN 10: 0769209556
ISBN 13: 9780769209555
SERIES: The Progressive Guitarist Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book
--------------------------------------------------------------------------------
A practical guide to the fundamentals of chord construction, analysis and function. Arranged in a logical, sequential order, beginning with intervals, then moving to triads, extended chords, altered chords, chord function, and chord substitution. A simple, straightforward approach to a complex topic.

Disponibilità:

1084 THE ULTIMATE GUITAR TUNING PACK. TURNER. CD

Euro 10,50

Quantità

THE ULTIMATE GUITAR TUNING PACK. TURNER. Quello che volete (dovete) sapere per accordare, i vari metodi, il sistema ben temperato. CD TAB.

Series: Guitar Book
Medium: Softcover with CD
Author: Dale Turner

This fantastic book/CD pack teaches you how to tune your guitar quickly and accurately. Covers: relative tuning (tuning from a reference pitch); tuning with harmonics; the history of tuning; equal temperament; intonation; floating bridges; troubleshooting; open, slack and drop tunings; and more. The accompanying CD includes over 20 pitch sources. 16 pages

Disponibilità:

4027 TRIAD POWER FOR GUITAR, MARK HANSON. CD TAB.

Euro 21,00

Quantità

TRIAD POWER FOR GUITAR, MARK HANSON. CD TAB.

Disponibilità:

4794 WORLD BEAT ENCYCLOPEDIA CD

Euro 20,00

Quantità

WORLD BEAT ENCYCLOPEDIA. CD TAB.

Disponibilità:

5043 A RHYTHMIC VOCABULARY. ALAN DWORSKY. CD

Euro 29,99

Quantità

A RHYTHMIC VOCABULARY. Understanding and improvising with rhythm. ALAN DWORSKY. Manuale sul ritmo per chi fa musica e vuole evitare le note. 208 pagine. CD

A Rhyt:hmic Vocabulary
A Musician's Guide to
Understanding and Improvising
lNith Rhythm
by Alan Dw-orsky and Betsy Sansby
Illustrations by Robert Jackson
CoverArt by Marie Olofsdotter
Dancing Hands Music
"A goldmine" -DRUM Magazine
'The book is masterfully written. It's like having a good friend sitting next
to you, guiding you through each lesson. It explains musical concepts in a
way anyone can easily understand. The sections on cross rhythms and polyrhythms
should be required reading for any musician!"
Professor Michael Williams, Department of Music, Winthrop University

For Jerry Sansby,
the first drummer in the family
We would like to express our gratitude to all our teachers,
especially Marc Anderson, who generously shared his
knowledge of Ghanaian rhythms with love and reverence for the
culture that created them. We'd also like to thank those who
have taught us through their books and videos, especially David
Locke (for his clear presentation and analysis of Ghanaian
rhythms), Phil Maturano (for his organization of patterns and
his concept of "relayed time shifting," which we adapted into
our lesson on bending a pattern), Reinhard Flatischler (whose Ta
KeTi Na®method we adapted into rhythm walking), and Gordy
Knudtson (from whom we learned - both in his books and in
private lessons - a wide variety of cross-rhythms and other
patterns, as well as the method we call "say-it-and-play-it"). We
are also indebted to the creators of all the other sources listed at
the back of this book and to all the unknown creators of the
rhythms of the world.
Finally, we would like to thank Mamady Keita, who has taught us
through his recordings, and whose brilliant djembe playing has
been an unending source of inspiration and delight.

VARIATION
TECHNIQUES
Create space
Change voicing
Fillspace
Combine variations
Shift
Add dynamic
accents
Add ghost notes
Adjust the volume
Displace one note
Substitute
sixteenth notes
Attach a prefix
Attach a suffix
Compress
Accent with a flam
Isolate and repeat
Expand
Substitute a triplet
Camouflage
Swing
Playoff marks
Bend
GETTING STARTED

1 Who this book is for and how it works
2 Understanding the charts and basic concepts
Pulses and subdivisions
Four and six
Timelines and cycles
3 Adapting the patterns to your instrument
Hand drums
Drumset
Guitar, bass, and other string instruments
Piano and other keyboard instruments
Sax and other wind instruments
Voice
4 A method for learning any new pattern applied to
the timelines on the CD
Say-it-and-play-it
The timeline in four
The timeline in six
5 Triple-weave practicing

PATTERNS, CONCEPTS, AND TECHNIQUES
6 The pulse and parallel figures
Lesson 1: Playing the pulse on your instrument
Lesson 2: The pulse and the beat before
Lesson 3: The two beats before the pulse
Lesson 4: The pulse and the beat after
Lesson 5: The two beats after the pulse
Lesson 6: Three-note figures
7 Pathways through the grid in four
Lesson 7: Consecutive eighth notes
Lesson 8: Numbered beats and upbeats
Lesson 9: Offbeats
Lesson 10: Singles and pairs
Lesson 11: Backbeats
Lesson 12: Sixteenth notes
Lesson 13: The offbeats before or after the pulse
Lesson 14: Timelines

8 Pathways through the grid in six
Lesson 15: Consecutive eighth notes
Lesson 16: The odd-numbered beatsthe
6-pulse and 3 over 2
Lesson 17: The odd-numbered beats - patterns
Lesson 18: The even-numbered beats
Lesson 19: Backbeats
Lesson 20: The offbeats before or after the pulse
Lesson 21: Singles and pairs and timelines
9 Three not-quite-equal groups of beats in four
Lesson 22: One-bar clave patterns
Lesson 23: Shifted one-bar clave patterns
Lesson 24: 5/5/6 patterns
Lesson 25: Shifted 5/5/6 patterns
10 Three groups of four beats in six
Lesson 26: The 3-pulse and 3 over 4
Lesson 27: Set 1
Lesson 28: Set 2
Lesson 29: Set 3
Lesson 30: Set 4
11 Cross-rhythms
Lesson 31: 3-beat cross-rhythms in four
Lesson 32: 6-beat cross-rhythms in four
Lesson 33: 8-beat cross-rhythms in six
Lesson 34: 5-beat and 7-beat cross-rhythms
12 Polyrhythms with uneven grids
Lesson 35: 3 over 2 eighth notes in four and six
Lesson 36: Subdividing the pulse in four into 3
Lesson 37: Subdividing the pulse in six into 2 or 4
Lesson 38: Bending a pattern between four and six
13 Glossary

FOR FURTHER STUDY AND ENJOYMENT
14 Rhythm walking
Blank charts
Sources: books, videos, CDs, and audiotapes
Also available from Dancing Hands Music
RHYTHMIC
CONCEPTS
The tendency of the
largest gap
The flexibility
created by the
unaccented pulse
The power of a limited
number of voices
The trance effect
of repetition .
The circular effect
of overlappingONE
The disorienting
effect of obscuring
the pulse
The stabilizing effect of ending on ONE
The diffusing effect of ending on the beat after ONE
The suspended effect of ending on the beat before ONE
The tendency to group notes in the same voicetogether

This book is a roadmap to rhythm for any musician. It's for
guitar players intrigued by the rhythms of world music. It's for
keyboard players who've studied scales and chords and now want to
study rhythm in a systematic way. It's for drummers, bass players, and
sax players who want to groove and solo with a deeper understanding
of rhythmic structure. Whatever your instrument, if you want to play
funkier and don't mind using your head to do it, this book is for you.
The patterns in this book come from African and Afro-Cuban
rhythms, the source for the groove in most contemporary music. But
our purpose here is not to teach any specific style of drumming. Our
purpose is to illuminate the subject of rhythm in general so you'll be
able to navigate comfortably in any rhythmic territory.
To do that, we've organized representative patterns according to their
structure, arranged them roughly in order of difficulty, and presented
them in bite-sized lessons. While we present the patterns, we also
present rhythmic concepts and techniques you can use to create
patterns of your own. And we include plenty of examples of how
patterns can be varied and combined when you improvise or solo.
We've tried to make this book as user-friendly as possible. For
example, we use big, easy-to-read charts that are so simple even
non-musicians can understand them. Any time we introduce a new
concept or technique, we highlight it in the margin for easy reference.
Any time we introduce a new term, we put it in bold letters, define it
on the spot, and add it to the glossary at the back of the book. We've
also included some blank charts you can photocopy and use to write
down patterns of your own. We've even used a special binding that
makes the book stay open without the help of a shoe.
The CD that comes with this book helps create a realistic, three dimensional
rhythmic context for you to play in right from the start. It
contains two reference rhythms you'll be playing with while you practice.
Each of those rhythms is recorded for about five minutes at each
of seven different speeds so you can practice at your own level. And as
soon as you feel like putting your instrument aside and using your
whole body to learn the patterns, check out the chapter on rhythm walking.

Music
By the authors of Conga Drumming Beginner's Guide to Playing with Time

You don't have to be a drummer to study rhythm

This book is a roadmap to rhythm for any musician. It's for guitar
players intrigued by the rhythms of world music. It's for keyboard
players who've studied scales and chords and now want to
study rhythm in a systematic way. It's for
drummers, bass players, and sax players who
want to groove and solo with a deeper understanding of
rhythmic structure. Whatever your instrument, if you want to
play funkier and don't mind using your head to do it,
A Rhythmic Vocabulary is for you.

This step-by-step, comprehensive course includes:

- Hundreds of patterns drawn from African and Afro-Cuban rhythms explained and organized according to their structures
-Rhythmic concepts and techniques you can use to create your own patterns
-Bite-sized lessons arranged in order of difficulty
- Easy-to-read charts that even non-musicians can understand
- A CD that creates a realistic, three-dimensional rhythmic context for you to practice in
- Exercises to reinforce your understanding and help you build on what you're learning
- A chapter on rhythm walking-a fun way to create rhythms with your whole body while you walk

Disponibilità:

CHITARRA LAMPO