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GUITAR TECHNIQUE & INSTRUCTION

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3044 LEGENDS HOW TO PLAY AND COMPOSE LIKE THE WORLDS GREATEST GUITARISTS: Adrian Clark CD TABLATURE

Euro 29,00

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Fraseggi di: Jeff Beck, Ritchie Blackmore, Charlie Christian, Jimi Hendrix, Kurt Cobain, Joe Satriani. 208 Pagine. CD TABLATURE

Description

If you've ever wondered what it is that your guitar heroes can do that sets them apart from other players, then Legends has the answer. From Jeff Beck to Ritchie Blackmore, Charlie Christian to Jimi Hendrix, Kurt Cobain to Joe Satriani, each guitarist's trademark licks and tricks of the trade are written out in standard notation and tab, with each example played on the CD for easy reference.

Albert King
Andy Summers
Bb King
Brian May
Charlie Christian
Chuck Berry
Edward Van Halen
Eric Clapton
Freddie King
George Harrison
Jeff Beck
Jimi Hendrix
Jimmy Page
Joe Satriani
Kenny Burrell
Kurt Cobain
Pete Townsend
Ritchie Blackmore
Roger Mcguinn
Scotty Moore
Steve Cropper
Steve Ray Vaugham
Steve Vai
The Edge

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1100 MASTERS OF RHYTHM GUITAR. Vogel. BOOK WITH CD TABLATURE

Euro 29,99

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MASTERS OF RHYTHM GUITAR. Vogel. 200 esempi di Rock, Metal, Blues, Soul, Reggae, Country, Jazz, con Scotty Moore, Chuck Berry, Keith Richards, Jimmy Page, Malcom Young, Van Halen, Jimi Hendrix, Steve Stevens, James Hetfield, Marley, Pass, A. Lee, ecc. BOOK WITH CD TABLATURE

SHEET MUSIC FOR GUITAR

Product Description:
This book and CD set presents rhythm concepts and techniques for rock, blues, soul, funk, reggae, jazz and country guitar. It includes more than 200 grooves in the styles of Scott Moore, Keith Richards, Jimi Hendrix, Steve Stevens, James Hetfield, Prince, Bob Marley and other famous guitarists. The aim of this book is to expand the player's repertoire of authentic rhythm grooves in a number of popular styles. Using examples of playing styles of various influential guitarists, the author illustrates their characteristic sounds, playing techniques and harmonic approaches. This, combined with background information and a discography, will provide you with a comprehensive view of the work of each guitarist. This book should serve as a reference work which you can draw on as you need or choose to. In notation and tablature.

Format: Book/CD Set

Contents:

Foreword
On working with this book

Welcome to Masters of Rhythm Guitar.

Even though since Chuck Berry (or at the latest, since Jimi Hendrix) there has been no such thing as pure "rhythm guitar" or "lead guitar", the guitarist today spends most of his time working on improving his solo playing. There are countless books and methods for every imagineable style with which one can learn "how to play great guitar solos". Although this is extremely worthwhile and important, rhythm guitar often gets the "short end of the stick", despite the fact that in almost any playing situation, rhythm playing is 90 % of the job. And, just by the way, consider this: if you playa wrong note in a solo, only a few listeners are likeley to notice. If you, on the other hand, loose the groove, everybody notices! So, in rhythm playing there is, in fact, a lot to do.
My intention with this book is to expand your repertoire of authentic rhythm grooves in a number of popular styles. Using different examples of the playing styles of the influential guitarists, I'll show their characteristic sounds, playing techniques and harmonic approaches.
This, combined with background information and a discography will provide you with a comprehensive view of the work of each guitarist. This book should serve as a reference work which you can draw on as you need or choose to.
The great number of musical styles and guitarists make it almost impossible to write a definitive work on the stylistic development of rhythm guitar. To keep a reasonable amount of control over this project, I've restricted my choice to 22 "masters of rhythm guitar". The playing of these guitarists, which has been just as important to the success of record production as the lead guitar work, has made the guitar into one of the most important elements in music and is responsible for rock's establishment and subsequent development.
Mixing many different musical styles together came naturally to me, as I personally don't generally categorize music so much by style, as by whether it is good or bad music. All styles have their own worth and influence each other. It often happens that one style flows over into the other or that two styles join forming a new one. A clear separation between musical styles is simply impossible to make. Terms like rock, soul or jazz, or the order in which they appear when combined, are in this book only "working" expressions used for the purpose of organization.
However you choose to work with this book, I hope you have fun reading, listening and playing. With the necessary diligence and patience you'll find that a well rounded vocabulary of rhythmic ideas will become available to you, leading you to success in the studio, in bands or as a teacher.

Rock is a general term for all music that can be traced back to the Rock and Roll of the 1950's.
The first record company to market both white country music and black rhythm and blues (R + B) was Sun Records in Memphis, Tenessee, founded in 1950. Developing out of attempts by country musicians (fi,'st and foremost, Elvis Presley with guitarist Scotty Moore) to imitate R + B, which had become very popular with young white audiences, the "rock-a-billy" sound came into being in the first half of the 1950's. In 1955, Chuck Berry, became the first black musician to break into the American pop-music market, which until then had been an exclusively white domain. "Rock and Roll" (a term coined in 1953 by radio disc-jockey Alan Freed) began to break down racial barriers and became the embodiment of the rebellion against the values of "established" society.
In the beginning of the 60's in England there developed, out of the playing of young amateur musicians who played rock and roll in their own somewhat naive and carefree style, what came to be known as the" beat" sound. Sometime after the American market had become flooded with such English products as the Beatles or the Rolling Stones, the expression "rock music" came into use; this label stood for honesty in music, a quality which rock'n roll had long since lost in the process of being marketed.
Jimi Hendrix made the guitar into the symbol of rock. Jimmy Page laid the cornerstone of hard rock and guitarists like Van Halen, Malcolm Young, James Hetfield and Steve Stevens developed the style uncompromisingly through their brilliant rhythm guitar playing which both served the songs and made them what they are. Thus, the guitar has become the symbol for honest, handmade music. Without it, rock wouldn't exist.

Rock
Scotty Moore Behind Elvis
Chuck Berry The First Rocker
Keith Richards It's Only Rock'n'RolI
Jimi Hendrix The Orchestral Guitar
Jimmy Page Classic Rock Patterns
Malcolm Young Dirty and Loud
Eddie van Halen Dr. Rhythm
James Hetfield The Riffsmith
Steve Stevens Heavy Metal Meets New Wave

Soul / Reggae
Steve Cropper The Soulman
Jimmy Nolen Funk Pioneer
Nile Rodgers 80's Funk with 60's Roots
Prince Sex and Funk and Rock'n'Roll
Paul Jackson Professional for Rent
Bob Marley Rebel Musician

New Wave
Andy Summers Rhythms From Space
David Evans The Edge

Country
Merle Travis The Country Picking King
Albert Lee The Flatpicker

Jazz
Joe Pass Virtuoso Guitar
Charlie Byrd Jazz Meets Latin
John McLaughlin The Mahavishnu

Appendix
List of Symbols

Product Description:
This book and CD set presents rhythm concepts and techniques for rock, blues, soul, funk, reggae, jazz and country guitar. It includes more than 200 grooves in the styles of Scott Moore, Keith Richards, Jimi Hendrix, Steve Stevens, James Hetfield, Prince, Bob Marley and other famous guitarists. The aim of this book is to expand the player's repertoire of authentic rhythm grooves in a number of popular styles. Using examples of playing styles of various influential guitarists, the author illustrates their characteristic sounds, playing techniques and harmonic approaches. This, combined with background information and a discography, will provide you with a comprehensive view of the work of each guitarist. This book should serve as a reference work which you can draw on as you need or choose to. In notation and tablature.

Contents:
Foreword
On working with this book

Rock
Scotty Moore Behind Elvis
Chuck Berry The First Rocker
Keith Richards It's Only Rock'n'RolI
Jimi Hendrix The Orchestral Guitar
Jimmy Page Classic Rock Patterns
Malcolm Young Dirty and Loud
Eddie van Halen Dr. Rhythm
James Hetfield The Riffsmith
Steve Stevens Heavy Metal Meets New Wave

Soul / Reggae
Steve Cropper The Soulman
Jimmy Nolen Funk Pioneer
Nile Rodgers 80's Funk with 60's Roots
Prince Sex and Funk and Rock'n'Roll
Paul Jackson Professional for Rent
Bob Marley Rebel Musician

New Wave
Andy Summers Rhythms From Space
David Evans The Edge

Country
Merle Travis The Country Picking King
Albert Lee The Flatpicker

Jazz
Joe Pass Virtuoso Guitar
Charlie Byrd Jazz Meets Latin
John McLaughlin The Mahavishnu

Appendix
List of Symbols

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3108 MASTERS OF ROCK GUITAR, PETER FISCHER. CD TABLATURE

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MASTERS OF ROCK GUITAR, Peter Fischer.

Mezzo secolo di musica rock, solo 20 uomini. 250 esempi di fraseggi, brevi e medio brevi di: Chuck Berry, B.B. King, Albert King, Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Ritchie Blackmore, Santana, Summers, Mark Knopfler, Steve Morse, Van Halen, Roads, Gary Moore, Yngwie Malmsteen, Lukather, Joe Satriani, Paul Gilbert, Steve Vai. Informazioni sul suono e la strumentazione. Tecniche usate: alternate picking, i legati, sweep picking o economy picking, tapping, tecnica a due mani, bending e vibrato, dive bomb, effetti armonici, wrench slide, mouse trap, harmonic dive (horse), cat purr, talk/off-pitch, whammy bar. 159 pagine. CD TABLATURE

Welcome to the Masters of Rock Guitar
Foreword
Taking a look at the stylistic variety of the preceding decades, the task of documenting the development of rock guitar playing seems more than difficult. The problems begin with choosing the guitarists. Countless players will have to be left out who could be considered most important.
Undoubtedly you'll miss one guitarist or another who in your opinion is an absolute master of the rock guitar.
In order to maintain a clear perspective, I've found it necessary to restrict myself to twenty guitar heroes. Even in this book, space is limited, so I've tried to select only those really influential guitarists who've been primary forces in the development of guitar techniques. So it's been necessary to leave out guitarists like Frank Zappa, Steve Howe, John Mclaughlin, Pete Townshend, George Lynch, and others, as well as the guitarists from important groups like The Beatles and The Rolling Stones. Although their playing is inseparably linked to their groundbreaking compositions, from a technical standpoint, they're not as revolutionary or innovative as the rest of the "club", those whose playing has been an influence on a large number of other guitarists. The names of the ones I've chosen call to mind certain sounds, concepts and performing techniques that are often demanded of musicians and teachers.
(" Play it like Hendrix / van Halen / Knopfler/ Lukather ... " or "Play some of those Police chords ... ") One is seldom asked to playa solo in a Beatles style. The selections here have been made to meet these demands and to serve as a reference work for anyone who is looking for some authentic sounding material. Of course the danger in this sort of undertaking lies in reducing the concept of the book down to a mere compilation of guitar licks. Comprehending a guitarist's style takes more than just having a few licks down. Without the essential background information, such as personal influences, identifiable elements, harmonic material, sound and discography, all of which, along with the licks, give a well-rounded picture of each individual guitarist, you can't do justice to the Masters of the Rock Guitar.
Not that I'm promoting a star cult. Four decades of rock history are personified by these twenty" chosen players", with whose help the stylistically variable development of rock guitar playing can be seen in a clear light. For this reason our brief tour of rock history will begin with those definitive representatives of the blues guitar, B.B,King and Albert King, whose playing still has a lot to offer to the current generation of guitarists. And this, although for many young guitarists (my own age group, by the way) the Era of the Electric Guitar began with Eddie van Halen, and names like Jimi Hendrix and Jimmy Page often bring little more response than a shrug of the shoulders. Of course the level of technical difficulty increases parallel to the chronological sequence. So "Masters of Rock Guitar" not only serves as a reference work, but can also - as an extra, so to speak - be used as a methodically constructed learning aid for beginning and advanced players. The accompanying CD is over seventy minutes in length. It will not only help you to play the licks, but has also the major advantage over other recordings that each of the guitarists can be selected individually. However you choose to use this book, I do hope you'll have a lot of fun reading, playing, listening and working.

Product Description:
The aim of this book and CD is to document the development of rock guitar playing by thoroughly investigating the styles of twenty distinctive and influential guitar greats, including Chuck Berry, Jeff Beck, Jimi Hendrix, Mark Knopfler, Gary Moore, Eddie van Halen, Joe Satriani, Steve Vai and others. The more than 250 licks selected for inclusion here serve as a reference for anyone in search of authentic sounding material. This book is more than a mere compilation of licks. By presenting detailed information about personal influences, identifiable elements, harmonic material, sound (preferred instruments, amps, effects, etc.) and discographies, the book provides the reader with a well-rounded picture of each individual guitarist. In addition, the level of technical difficulty increases parallel to the chronological sequence, so the book can also be used as a methodically constructed learning aid for beginning to advanced players. The accompanying CD is over 70 minutes in length. It will not only help readers play the licks, but gives them the ability to select each profiled guitarist's music individually. In notation and tablature. Format: Book/CD Set

On working with this book
Tips & Tricks
Before we begin our tour through the history of rock guitar playing here are a few hints and ideas how to work with this book: Play each lick not only over the chord it appears with, but also over the harmonic extensions. (For example, if C 7 is indicated, play also over C 9 and C 11; if Cm is indicated, play also over Cm7, Cm9, Cm11, etc.) Try them over the diatonic chords of the key, as well. The licks sound somewhat different over every chord (sometimes better, sometimes worse), and you'll find that this way you have seven times as much material as you would have if you only practiced over the suggested chord. Look at my instructions for execution (hammer-ons, pull-offs, slides, etc.) as suggestions. Play around with the licks and see how they sit best under your fingers. Same thing for the rhythm, the choice of octaves and the sound. I've found that you really have to listen (in the deeper sense of the word) to each guitarist before you can develop a true feeling for his style. To really get the feeling for Jimi Hendrix's style, for example, you've got to listen quite a bit. The licks on the CD are just a beginning. Sorry, but there's no way around listening to the original. The discography should help you get your bearings. There are basically two ways to make progress with this book. One way is to go straight through from beginning to end, thereby experiencing the different stages of development in the music. The other possibility is to pick out your heroes in whichever order you want. However you do it, have fun! I have purposely recorded the licks on the CD with relatively neutral backgrounds, so that the stylistic labels IImetal II or IIfusion II, or whatever, won't be stamped on them. You'll have to combine and mix styles if you want to develop your own creativity and find your own style. Don't hesitate to use freshly learned licks in your playing. This is the only way to make them a part of your own repertoire. As to the subject of III don't copy anyone! II, I found a good quotation from Steve lukather: "If you copy only one guitarist, it's stealing. But if you copy a lot of them, it's a science. I play, by the way, almost exclusively 'borrowed' licks.!" With this in mind: LET'S GET BUSY!

Contents:

Foreword
On working with this book

TIPS & TRICKS
Preparatory exercises
Alternate picking
Legato technique (Hammer-Ons and Pull-Offs)
Sweep or economy picking
Two hand tapping
String bending and vibrato

BLUES AND EARLY ROCK PERIOD
B. B. King - THE KING OF BLUES
Albert King - BORN UNDER A BAD SIGN?
Chuck Berry -THE FATHER OF ROCK 'N ROLL

THE CLASSIC ROCK PERIOD
Jimi Hendrix - THE INVENTOR OF MODERN ROCK GUITAR
Eric Clapton - RESTLESS SLOWHAND
Jeff Beck - THE STRAT CAT
Jimmy Page -THE FOUNDING FATHER OF HEAVY ROCK
Ritchie Blackmore - HARD ROCK GOES CLASSICAL
Carlos Santana - SPIRITUAL LATIN BLUES

MODERN CLASSICS
Andy Summers - MUSIC NEEDS ROOM TO BREATHE
Mark Knopfler - THE SULTAN OF SWING
Steve Morse - MISTER VERSATILITY
Eddie van Halen - THE TAPPING GOD
Randy Roads - TRADEMARK LICKS FROM METAL AND CLASSICAL

THE NEW GUILD
OR GUITAR HEROES WITHOUT END
Yngwie Malmsteen - NEO-CLASSICAL METAL WITH EGO PROBLEMS?
Gary Moore - STILL GOT THE BLUES
Steve Lukather - CONTROLLED ECSTASY
Joe Satriani - WORTH WAITING FOR
Steve Vai - HIS ROYAL DARKNESS
Paul Gilbert - FROM THE E MINOR TO THE HIP SCALE

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6523 MASTERS OF ROCK GUITAR 2, VOL. 1 THE NEW GENERATION, BY PETER FISCHER. CD TABLATURE

Euro 25,00

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MASTERS OF ROCK GUITAR 2, VOL. 1 THE NEW GENERATION, BY PETER FISCHER. CD TABLATURE

Product Description:
An analysis of well-known guitarists including: Aerosmith, Ace Frehley, Metallica, John Petrucci and others. Included are detailed information about the biography of every artist, his personal influences, his characteristic attributes and concepts, musical examples and equipment. The licks are integrated into short solo examples to increase the practical aspect of the selections. In addition, there are not only ideas for solos and licks, but also a lot of information concerning rhythm guitar concepts. You’ll find a lot of licks and riffs in this book that are very easy to play and excellent instructional material for beginners. There are also sufficient advanced ideas and licks for specialists who want to expand their musical repertoire. 116 Pages.

Contents:

01) Index of Licks --
02) Aerosmith --
03) Ace Frehley --
04) BritPop --
05) Metallica --
06) John Petrucci --
07) The Darkness --
08) Slipknot --
09) John 5 --
10) Zakk Wylde --
11) Shawn Lane --
12) Table of Special Symbols --
01) Index of Licks --
02) Aerosmith --
03) Ace Frehley --
04) BritPop --
05) Metallica --
06) John Petrucci --
07) The Darkness --
08) Slipknot --
09) John 5 --
10) Zakk Wylde --
11) Shawn Lane --
12) Table of Special Symbols

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6524 MASTERS OF ROCK GUITAR 2, VOL. 2 THE NEW GENERATION, BY PETER FISCHER. CD TAB.

Euro 25,00

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MASTERS OF ROCK GUITAR 2, VOL. 2 THE NEW GENERATION, BY PETER FISCHER. CD TAB.

Product Description:
An analysis of well-known guitarists including: Brian May, Michael Landau, Eric Johnson, and the Red Hot Chili Peppers. Chapters discuss styles such as NuRock, Punk and Grunge which cover the most prominent artists of these styles. Included is detailed information about the biography of every artist, his personal influences, his characteristic attributes and concepts, musical examples and equipment. The licks are integrated into short solo examples to increase the practical aspect of the selections. In addition, there are not only ideas for solos and licks, but also a lot of information concerning rhythm guitar concepts. You’ll find a lot of licks and riffs in this book that are very easy to play and excellent instructional material for beginners. There are also sufficient advanced ideas and licks for specialists who want to expand their musical repertoire. 116 Pages.

Contents:

01) Index of Licks --
02) Brian May --
03) Punk --
04) Grunge --
05) Michael Landau --
06) Eric Johnson --
07) Red Hot Chili Peppers --
08) NuRock --
09) Table of Special Symbols --
01) Index of Licks --
02) Brian May --
03) Punk --
04) Grunge --
05) Michael Landau --
06) Eric Johnson --
07) Red Hot Chili Peppers --
08) NuRock --
09) Table of Special Symbols

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4836 MEAD D., THE DEFINITIVE GUITAR COLLECTION. BOXED 4 BOOKS

Euro 69,00

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MEAD D., THE DEFINITIVE GUITAR COLLECTION. ten minute, 100 guitar tips, 100 tips for acoustic, rhythm. 4CD TAB.

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2458 HEAVY METAL GUITAR TRICKS. T. Stetina T. Burton. CD

Euro 17,95

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HEAVY METAL GUITAR TRICKS. Trucchi e segreti per far volar le corde, dal cilindro di Troy Stetina e Tony Burton. CD TAB.

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

Learn 'every trick in the book' including virtually every whammy bar and two-handed fretting technique conceivable as well as all types of harmonics, sound effects, and other techniques. All of the techniques are applied to a variety of licks. Also includes five fully transcribed solos. Loaded with instructional photos demonstrating the techniques. Music and examples demonstrated on CD.

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3922 REAL ROCK GUITAR. K. CHIPKIN. CD

Euro 21,00

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REAL ROCK GUITAR. K. Chipkin. Facciamo un paragone! L'accento americano e quello Britannico. 74 esempi, 120 pagine, migliaia di note a raffronto, comparazione di riffs, i solo di Chuck Berry, Doors, Beatles, Jethro Tull, Santana, Eric Clapton, Rolling Stones, Jimmy Page, Jimi Hendrix, S.R.V, Blackmore, Jeff Beck, e molti altri. 58 esempi di riff, 10 di double-stops e scale; presi dagli anni '60 e '70, con 8 esempi di rock lead guitar completi. CD TAB.

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3967 REH, HARD ROCK SOLOS FOR GUITAR. P. Hanson. CD

Euro 17,00

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REH, HARD ROCK SOLOS FOR GUITAR. P. Hanson. CD TAB.

Series: REH Publications
Softcover with CD - TAB
Author: Paul Hanson

Examine the solo concepts of the masters in this unique book/CD pack. You'll learn the signature techniques of Jimi Hendrix, Yngwie Malmsteen, Randy Rhoads, Steve Vai, Edward Van Halen and many others through phrase-by-phrase performance notes. Also covers long ascending and descending runs, two-handed guitar, rapid-fire repeating licks, sweep picking, building solos and more. The book includes standard notation & tab, and the CD features full demonstrations and rhythm-only tracks.

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4456 ROCK GUITAR Ad-Lib SELF STUDY. CD

Euro 74,00

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ROCK GUITAR Ad-Lib SELF STUDY. CD TAB.

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