CHITARRA LAMPO

• SPARTITI, LIBRI DI MUSICA
    SPARTITI NOVITA'
    SPARTITI GRUPPI e PERSONALITA'
    SPARTITI ACUSTICA
    SPARTITI ACCORDATURE APERTE
    SPARTITI OPER TUNINGS/BOTTLENEK
    SPARTITI BLUES
    SPARTITI COUNTRY BLUES
    SPARTITI CLASSICA
    SPARTITI CLASSICA e...
    SPARTITI NATALE/SACRA
    SPARTITI NEO-CLASSICO
    SPARTITI FLAMENCO
    SPARTITI LATIN
    SPARTITI COUNTRY / BLUEGRASS
    SPARTITI BANJO, MANDOLINO e...
    SPARTITI BASI '50
    SPARTITI BASI '60
    SPARTITI BASI '70
    SPARTITI BASI '80
    SPARTITI BASI '90
    SPARTITI BASI '00
    SPARTITI BASI BLUES
    SPARTITI BASI COUNTRY
    SPARTITI BASI JAZZ
    SPARTITI JAZZ
    SPARTITI JAZZ METODI
    SPARTITI GYPSY JAZZ, SWING, MANOUCHE
    SPARTITI METODI PER CHITARRA
    SPARTITI PIANO E TASTIERE
    SPARTITI ROCK 'N' ROLL
    SPARTITI RHYTHM and BLUES, SOUL, DISCO, FUNK
    SPARTITI RACCOLTE '70
    SPARTITI RACCOLTE '80
    SPARTITI RACCOLTE '90
    SPARTITI RACCOLTE '00
    SPARTITI RACCOLTE FILM/TV
    SPARTITI SOLOING SCALE MODI ARPEGGI
    SPARTITI ARMONIA, ACCORDI
    SPARTITI DI TECNICA
    SPARTITI TECNICA TAPPING
    LIBRI DI ELETTRONICA
    LIBRO DI AMPLIFICAZIONE E IL SETUP
    LIBRI SUL SUONO E GLI EFFETTI
    LIBRI DI LIUTERIA
    MONOGRAFIE, BIOGRAFIE DI CHITARRISTI
    SPARTITI METODI PER BASSO
    SPARTITI METODI PER BATTERIA
    SPARTITI METODI PER ARMONICA
    LETTERATURA
• VIDEO/DVD
• CHITARRA FLAMENCO, CLASSICA, ACCESSORI

SPARTITI COUNTRY / BLUEGRASS

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4573 FLATPICKING COLLECTION VOLUME 1. CD

Euro 20,00

Quantità

FLATPICKING COLLECTION VOLUME 1. CD TAB.

Flatpicking Guitar Magazine, in conjunction with Mel Bay Publications, is proud to present this sampler of 20 flatpicking guitar solos by some of the best bluegrass guitar players in the business. This project was sparked by requests from readers from audio reference to material featured in the magazine. The concepts grew to book-length proportions with the inclusion of transcriptions in standard notation and tablature as well as biographical information about the artists. Intermediate in difficulty. The companion CD features the artist's recordings of each piece in the book taken from their original albums.

Disponibilità:

4574 FLATPICKING COLLECTION VOLUME 2. CD

Euro 20,00

Quantità

FLATPICKING COLLECTION VOLUME 2. CD TAB.

Disponibilità:

4892 FLATPICKING COLLECTION, S. BENNETT. CD

Euro 23,00

Quantità

FLATPICKING COLLECTION, S. Bennett. CD TAB.

Product Description:
This book features twelve of Stephen Bennett’s favorite flatpicking solos for the six-string acoustic guitar. Perhaps best known for his work with the harp guitar, Stephen shows the same relaxed, sharp-witted spirit he exudes on stage in his insightful performance notes for these inspired guitar solos. Written in standard notation and tablature with a few altered and open tunings and partial capo indications, this book is recommended for the intermediate to advanced player. The companion performance CD includes all of the selections in the book.
Afton Mountain Stephen Bennett
Blackberry Blossom Arr. by Stephen Bennett
Cooley's Reel Arr. by Stephen Bennett
Greased Pig Stephen Bennett
Indian Nation Arr. by Stephen Bennett
Little Martha (Stewart) Stephen Bennett
Remember Stephen Bennett
Richmond Arr. by Stephen Bennett
Snowflake Reel Stephen Bennett
Tangier Morning Stephen Bennett
The Forest Floor Stephen Bennett
Waltz for a Maple Tree Stephen Bennett

Disponibilità:

4893 FLATPICKING COOKBOOK, GARY COOK. LIBRO CD TABLATURE

Euro 19,99

Quantità

FLATPICKING COOKBOOK, Gary Cook. CD TABLATURE

Product Description:
This book contains original and standard tunes performed by two-time National Flatpick Guitar Champion Gary Cook. Borrowing from many styles of acoustic guitar playing, this book will provide an insight into Gary's guitar technique. The selections in this book range from fast paced flatpicking to western swing music; you will learn many fun and unusual arrangements. The notation and tab to each song and the accompanying CD allow players of many skill levels to learn these songs. Included in this book are examples of Gary's contest selections, original compositions performed on several instruments, and other familiar tunes performed in Gary's unique style.

Format: Book/CD Set

Song Title: Composer/Source:
Colorado Waltz Gary Cook; Transcribed by Brad Davis
Durango Gary Cook; Transcribed by John McGann
Grandfather's Clock Arranged by Gary Cook; Transcribed by Joe Carr
John Henry Arranged by Gary Cook; Transcribed by Dix Bruce
Morning Waltz Gary Cook; Transcribed by John McGann
Nine Pound Hammer Arranged by Gary Cook; Transcribed by Steve Pottier
Old Spinning Wheel Arranged by Gary Cook; Transcribed by Adam Granger
Redcliff Gary Cook; Transcribed by Brad Davis
Soldier's Joy Arranged by Gary Cook; Transcribed by Adam Granger
St. Anne's Reel Arranged by Gary Cook; Transcribed by Joe Carr
Under the Double Eagle Arranged by Gary Cook; Transcribed by Steve Kaufman
Wabash Cannonball Arranged by Gary Cook; Transcribed by Dix Bruce
Western Standard Time Gary Cook; Transcribed by Beppe Gambetta
Whiskey Before Breakfast Arranged by Gary Cook; Transcribed by John Carlini
Wreck of the Old 97 Arranged by Gary Cook; Transcribed by Steve Pottier

About Gary Cook
Flatpicking the acoustic guitar has been referred to as the "full contact sport" of guitar playing. Pushing a heavy gauge pick through medium gauge acoustic guitar strings at break neck speeds while trying to create enough volume to be heard over banjos, mandolins, and fiddles, does indeed require strength, speed, and endurance. Watch the face of most f1atpickers while they are performing on stage and the focus and concentration required to execute their craft is reflected in their steely-eyed gaze. The endurance required to play at blazing tempos for four or five minutes straight is also reflected in the occasional facial grimace. But then there is Gary Cook. Gary makes it all look way too easy. His expression is that of a man taking an afternoon walk in the park, his motion is fluid and flawless. He is making eye contact with the audience and looks like he couldn't be more relaxed. While many f1atpickers appear to be struggling through every solo, Gary appears to be having the time of his life.
Gary's ease and comfort on stage was developed during a lifetime of stage experience. The youngest of four children in a musical family from Ft. Collins, CO, Gary began performing with his siblings, as the Cook J(jds, at the age of four. Gary explains, "I was the youngest of the four kids. My two brothers and my sister played music and I wanted to be involved in what they were doing. Plus, the family wanted to have a full band sound, so I was taught to play the guitar and the bass. We first started playing at family music parties and having family jam sessions." Gary adds, "Our parents never forced us to play music. But my mom played and my aunts and uncles played. We were interested because we believed everyone did it. Playing music just seemed natural" The music that the Cook kids crew up listening to and playing was the country music that was popular on the radio in the early 60s. Around 1965, when Gary was four, the Cook J(jds began playing on a Saturday evening radio program on KLAK out of Denver, Colorado. Their popularity on that show led to their parents booking the kids to play at various venues with other local entertainers. Gary says, "I always knew that I was going to play music for a living. I never wanted to do anything but play the guitar and be an entertainer." In fact, Gary skipped his high school graduation ceremony because he had a paying gig that night!
Gary did more than just learn how to play the guitar. He has evolved into one of the best f1atpicking guitar players in the country, as evidenced by his being one of the few two-time winners of the prestigious National Flatpicking Guitar Championship at the Walnut Valley Festival in Winfield, Kansas (Gary won in 1989 and 1996). He has also become a consummate entertainer. For the past fifteen years Gary has played on stage every night of the week from Memorial Day through Labor Day at the Bar-D Chuckwagon in Durango, Colorado, with the house band, the Bar-D Wranglers. The members of the band own the venue-which includes a mock western town, working small-scale railroad, and an indoor/outdoor theater. The band serves dinner to the crowd a sell out crowd of 900, and then performs a delightfully entertaining Western music show.
When asked about his influences on the guitar, Gary points to Roy Nicols, Chet Atkins and Don Rich as having an influence on his playing early on. He said that Glen Campbell and Waylon Jennings were favorites. While in high school Gary met some friends who played bluegrass music and started listening to players like Doc Watson and Charles Sawtelle. Additionally, Gary loved Western swing music and listened to bands like Sons of the Pioneers and Bob Wills. He gained more insights about the guitar from listening to the guitar players with those bands, especially Eldin Shamblin's rhythm work.
For the ten years following high school graduation, Gary played music with a variety of different bluegrass and country bands.
In 1989 he got the job at the Bar-D in Durango and has been there ever since. Since 1989 Gary has released three solo recordings:
Western Standard Time, Now and Then, and Train Classics. He has also recorded twelve projects with the Bar-D Wranglers. The songs presented here in this book, and on the accompanying audio CD, were selected from Gary's three solo projects.
For the first eight years Gary worked at the Bar-D, he spent his summers in Durango while wintering in Arizona and playing with country bands in theater shows there. Gary also spent two of those winters attending classes at the Conservatory of Recording Arts and Sciences in Tempe, Arizona, to earn a degree in audio engineering. In 1999 he built his own recording studio in Durango and began living there all year around. During the summer he performed with the Wranglers at the Bar-D and during the winter he worked in the studio as a sound engineer.
In the summer of 2002 a monsterous forest fire blazed through the Four Corners area of Colorado. In June, as the fire moved its way towards the town of Durango, Gary and the other Bar D owners worked with fire fighters to keep the fire away from the Bar-D facilities. Unfortunately, as Gary and his wife, Brigette, worked hard to save the Bar-D, the fire consumed their home and recording studio. The fire burned so hot that firefighters could not get to the home to try and save it. By the time they were able to safely move near the home, there was nothing left.
Even after Gary lost all his worldly possessions to fire, he still maintains a positive attitude and outlook. Several days after the fire swept through Durango, Gary was back on stage at the Bar-D. A couple of months later, he was up on stage at the National Flatpicking Championships looking as calm and cool as ever. After months of living in hotel rooms and rented homes, Gary and Brigette are now rebuilding their home and recording studio and life will continue as before. They lost the material things that they owned, but they didn't lose each other and they never lost the music. This book is a tribute to Gary's ever-present positive attitude, his enduring spirit, and his love of music.

Introduction
In the summer of 2002 a series of wild fires raged through southern Colorado. Two-time National Flatpicking Champion Gary Cook's home and recording studio were in the path of one of those fires and were both burnt to the ground. When word of Gary's devastating misfortune reached the flatpicking community dozens of guitar players around the country said, "What can we do to help?" My first thought was to collect money and set up a fund to help Gary and his family. However, upon further consideration, I felt like a better idea would be to produce a project that would highlight Gary's guitar playing, bring enjoyment and instruction to the flatpicking community, and raise money for Gary and his family all at the same time.
Previous to the fire Gary had produced three solo projects. The master discs, and most of the inventory, for these projects were casualties of the fire and thus they were no longer going to be available to the public. I thought that taking selections from all three of these projects, putting them on disc as kind of a "Best of Gary Cook" CD, and packaging the CD with a transcription book would serve to help Gary and his legacy, as well as bring a lot of listening and practicing pleasure to all flatpickers. I contacted Gary and he thought that it was a great idea.
The next thing I did was contact Bill Bay, of Mel Bay Publications, to ask him if he would be willing to publish this project and send all proceeds to Gary. He said, "yes" without hesitation. We want to give a very special thanks to Bill for his generosity. Without his willingness to help, this project would not have been possible.
In order to keep the costs as low as possible, and thus get Gary as much money from sales as possible, I asked a number of Flatpicking Guitar Magazine's contributors if they would volunteer to transcribe some of Gary's solos. Everyone who I asked was glad to help out. Special thanks for transcription work are due to:
Brad Davis, Joe Carr, Adam Granger, Dix Bruce, Steve Kaufman, John McGann, John Carlini, Steve Pottier, and Beppe Gambetta.
Since all of the artists who did the transcription work were extremely busy with their own projects and touring schedule, you will find that some transcriptions in this book are only provided for the first of Gary's solos on the CD. However, there are other tunes where we were able to provide complete transcriptions.
We hope that you enjoy listening to Gary Cook play this selection of standard flatpicking tunes and original compositions. We also hope that you are able to improve your own guitar playing by learning some of Gary's arrangements to these songs.
We also want to wish Gary and Brigette Cook the best of luck in rebuilding their home and recording studio and starting a new life in the aftermath of such a devastating event.

June 20, 2003
Today is the first anniversary of the day our home burned in the Missionary Ridge Fire that swept through the Southwest part of Colorado. After our nightly show at the Bar D Chuckwagon Brigette and I returned to our new home and found the rough draft of the new Flatpicking Cookbook.
After one year there have been many changes to our lives and I have many people to thank. First of all and most important, Brigette Cook. Without her the past few months would have been overwhelming at best! To our families, we love you and can't say thanks enough. To Dan Miller and his family you have been very supportive and helpful and I don't know what else to say but we appreciate all you have done. We have many friends and strangers alike that have offered their assistance and we are grateful to all of them. And also, to our other family at the Bar D, thanks for all you continue to do ... I hope you enjoy this project and may it help you learn a few new songs and as always Keep Picking.

Gary Cook
Gary Cook would also like to thank the following:
Taylor Guitars
Elixer Strings
Southern Lights Photography
McAward Physical Therapy for getting me back in working order
Redcliff Sound Studio
Bob and Kendra Redford and our friends at the Walnut Valley Festival, Winfield Kansas
Dan Miller, Flatpicking Guitar Magazine
Our friends at Mel Bay Publications

Disponibilità:

1319 FLATPICKING MASTERS: 11 LEGENDARY SOLOS. Bowden. CD TAB.

Euro 19,00

Quantità

FLATPICKING MASTERS: 11 LEGENDARY SOLOS. Bowden. CD TAB.

Disponibilità:

2368 FOLK-STYLE GUITAR.

Euro 17,00

Quantità

FOLK-STYLE GUITAR. H. Taussig. TAB.

Disponibilità:

4611 FRAILING THE GUITAR. Baughman. Unleashing the clawhammer in guitar fingerpicking. CD TAB.

Euro 19,00

Quantità

FRAILING THE GUITAR. Baughman. Unleashing the clawhammer in guitar fingerpicking. CD TAB.

Product Description:
The Travis pick revolutionized guitar picking in the 20th century, and frailing stands poised to do so in the 21st. This simple technique in which the thumb is employed on an upbeat, instead of on its usual downbeat, creates a driving groove reminiscent of Appalachian banjo. Frailing is a very versatile pattern that works as well with singer-songwriter guitar accompaniment as it does with fingerpicking blues and old time fiddle tunes. This is the first book ever published on the subject. Written in notation and tablature for intermediate to advanced guitarists.

Format: Book/CD Set

Contents:

Full Disclosure Regarding Terminology
Laying the Foundation
A Word about Open Tunings
Applying the Lubus Pick
Shady Grove
The Basic Frailing Pattern
Go Tell Aunt Rhodie
Shady Grove (Orkney)
Shady Grove (Standard Tuning)
A Word About Repetition
Bells and Whistles
Double Pluck Variation on the Basic Frail
Left Hand Filler Slap
Honing Your Technique
Cripple Creek
Advanced Shady Grove (with filler slap)
Two Advanced Exercises
The High Lonesome Riff
Angeline Baker Riff
Old Joe Clark
Old Joe Clark Melody Variation
Middle Finger Thwack
More Tunes
Hey McLeod, Get Off of My Ewe
Glory by the River
Angeline Baker
Hickory Jack
Frailing the Blues
Frailing as Vocal Accompaniment
Some Other Guy's Frailing
Our Daily Bread
Ten Minutes to Frailing Fluency
Basic Frail (2 minutes)
Basic Frail with Left Hand Filler Slap (3 minutes)
High Lonesome Riff (2 minutes)
Angeline Baker Riff (3 minutes)
About the Author

Disponibilità:

3317 FRETBOARD ROADMAPS, COUNTRY GUITAR. CD TAB.

Euro 13,00

Quantità

FRETBOARD ROADMAPS, COUNTRY GUITAR, the essential guitar patterns that all the pros know and use.

Scale maggiori, variazioni di accordi maggiori, progressioni country, 3 accordi per tutta la tastiera, pentatoniche e parti soliste, altro.

This book/CD pack will teach you how to play hot country lead and rhythm anywhere on the fretboard, in any key! You'll play basic country progressions, boogie licks, steel licks and other melodies and licks. You'll also learn a variety of lead guitar styles using moveable scale patterns, sliding scale patterns, chord-based licks, double-note licks and more. The book features easy-to-follow diagrams and instructions for beginning, intermediate and advanced players, and the accompanying CD includes 37 demonstration tracks. CD TAB.

Disponibilità:

1627 GATTON DANNY, 88 ELMIRA St. .

Euro 27,00

Quantità

GATTON DANNY, 88 ELMIRA St. . Con una trascrizione del tema dei Simpson. TAB.

Series: Guitar Recorded Version TAB
Artist: Danny Gatton

Danny's work was a brilliant combination of blues, rockabilly, and rock 'n' roll. This collection features 11 transcriptions from his album, including: Funky Mama - In My Room - The Simpsons - Slidin' Home, and more. 96 pages

Blues Newburg
Elmira St. Boogie
Fandingus
Funky Mama
In My Room
Muthaship
Pretty Blue
Quiet Village
Red Label
Theme From The Simpsons
Slidin' Home

Disponibilità:

2369 GREAT COUNTRY RIFFS VOLUME 1, CD

Euro 16,50

Quantità

GREAT COUNTRY RIFFS VOLUME 1. CD TAB.

Disponibilità:

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