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FLAMENCO

1 - 2 - 3 - 4 - 5 - 6 - 7

3255 SERRANO PACO, "MI CAMINO". CD

Euro 18,00

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SERRANO PACO, "MI CAMINO". CD
1. El portillo (Tangos) 5'10''
2. Mi camino (Soleá) 6'18''
3. Lagunas de sal (Alegrías) 5'36''
4. Amanecer en la vega (Granaínas) 6'10''
5. Taracea (Bulerías) 4'35''
6. Viento del norte (Farruca) 5'01''
7. Lluvia en el patio (Zapateado) 3'47''
8. Las campanas del cerro (Rondeñda) 5'58''
9. Buen son, buen corazón (Guajiras) 4'04''
....(a mi compadre Rafael Montilla)
10. A mi hermana Luisa (Taranta) 7'30''
11. Chiringo (Bulerías) 4'28'' All music composed and played by Paco Serrano. With the collaboration of Ricardo Espinosa (Percussion).

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4973 SERRANO PACO, MUSICBOOKS 1. TAB.

Euro 24,00

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SERRANO PACO, MUSICBOOKS 1. 3 pieces from the CD "Mi Camino". Lagunas de sal (Alegrías) -Lluvia en el patio (Zapateado para 1 o 2 guitarras) -El portillo (Tangos para 1,2 o 3 guitarras. TAB.

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4997 SERRANO PACO, MUSICBOOKS 2. TAB.

Euro 24,00

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SERRANO PACO, MUSICBOOKS 2. 3 pieces from the CD "Mi Camino". Mi Camino (Soleá) -Viento del norte (Farruca) -Chiringo (Bulerías). TAB.

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3394 SYSTEMATIC STUDIES FOR FLAMENCO GUITAR. SERRANO. 2 CD TABLATURE

Euro 49,99

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SYSTEMATIC STUDIES FOR FLAMENCO GUITAR. Serrano. 447 Pagine, 10 sevillana, 10 alegrial por arriba, 10 alegrias por medios, 10 bulerias, 10 colombianas, 10 fandangos, 10 farrucas, 10 granainas, 10 romeras, 10 siguiriyas, 10 soleares, 10 tangos, 10 tarantas. 2 CD TABLATURE

A FALSETA ANTHOLOGY

Product Description:
This masterful, comprehensive book presents ten Sevillanas plus ten falsetas of each of the following popular and traditional flamenco forms: Alegrias por Arriba, Alegrias por Medio, Bulerias, Columbianas, Fandangos, Farrucas, Granainas, Romeras, Siguiriyas, Soleares, Tangos, and Tarantas. This landmark text presents the systematic development of Flamenco tech- nique. Each of the dance forms contains performance notes & a brief history. In English & Spanish and written in standard notation and tablature. Includes companion 2-CD set.

Format: Book/2-CD Set

Contents:
01) Introduction --
02) Sevillanas --
03) Alegrias Por Arriba --
04) Alegrias Por Medio --
05) Bulerias --
06) Colombianas --
07) Fandangos --
08) Farrucas --
09) Granainas --
10) Romeras --
11) Siguiriyas --
12) Soleares --
13) Tangos --
14) Tarantas

INTRODUCTION
All of the flamenco forms are based on one traditional rhythmical phrase of 8 or 12 beats (musically 3/4, 4/4, or 3/4 and 6/8). The rhythmical flamenco phrase is called compas. The melodic themes that are played between each compas are calledjalsetas. A falseta can be composed of several flamenco compases. The flamenco selections are composed of its traditional compus with some rhythmical variations and several falsetas. Between falseta and falseta the compas or one of its variations is played.
The falsetas melodically are all different and are composed of different techniques, tremolos, picados arpeggios, rasgueados and different chords.
Almost all of the flamenco aficionados know which is the compus of each form and how to play it. Many prefer not to play compositions of other guitarists, but they prefer to learn many new falsetas in order to make their own arrangements.
This book is composed of 10 Sevillanas and 10 falsetas of each one of the most popular and traditional of the flamenco forms:

Sevillanas, Alegrias por Arriba, Alegrias por Medio, Bulerias, Colombianas, Fandangos, Farrucas,
Granamas, Romeras, Siguiras, Soleares, Tangos and Tarantas

All of the falsetas can be used as technical studies. Each falseta is equivalent to one study. It is
recommended that each of the falsetas be practiced very slowly, following the fingering marked in each, so that the fingers memorize the order that they must follow. Thus, the synchronization of the two hands can be perfected and the falsetas can be played with more ease.
There are many flamenco guitarists that play the notes very clearly with a good sound. These guitarists are called "clean guitarists" (clear) within the flamenco world. There are others that are good musicians and have a very good sense of rhythm, but do not have a good technique. The notes sound sloppy. These guitarists are called "dirty guitarists" (sloppy) in the flamenco world.
It doesn't matter what type of music is played, jazz, classical or flamenco. All of the notes should sound clear with each one having its musical value.
Note Falsetas are the melodic phrases that are played between compas and compas. Compas is the rhythmical phrase that is played between falseta and falseta.
SYMBOLS
• The numbers 1 - 2 - 3 - 4, signify the fingers of the left hand.
• The letters P - I - M - A - S signify the fingers of the right hand.
• The Roman numerals designate the position, I - II - III etc.
• A letter C preceding a Roman numeral signifies Barre: CI - CII - CIII etc.
• The numbers in circles designate the strings. For example, a three in a
circle G) means the note played on the third string, a four 4 fourth string etc.
TRANSLATIONS FOR MUSIC AND TABLATURE
Freestroke ----Tirando
Reststroke ----Apoyando
Scale ------Picado

SEVILLANAS
Sevillanasare one of the most popular forms of the flamenco music. One complete Sevillana set is composed of four coplas; that is, four different Sevillanas-ealled 1st, 2nd, 3rd, and 4th. The reason is that the Sevillanas are danceable and each of them is adapted to the choreography of the dance. The complete dance is divided into four parts. The choreography of the dance is based on the rhythm, not the melody, therefore the order of the 4 Sevillanas that are in the composition can be interchanged.
This section is composed of 10 different Sevillanas in tone and melody. The order is in a progressive form in technical difficulty (advancement).
It is recommended learning all of the 10 Sevillanas; then playing the four that are liked best and interchanging them in any order. It is also recommended that the second not be attempted until the first is mastered and so on.
although the compas and the musical form of all of the Sevillanas are the same, the techniques and melodies are completely different in each one of them; therefore when the 10 Sevillanas are learned, it will be much easier to master the rest of the falsetas that make up this book.
The Sevillanas are measured in 3/4. A flamenco compas has 6 beats equivalent to 2 measures of 3/4.

SEVILLANAS
Las Sevillanas son unas de las formas mas populares entre la musica flamenca. Una composici6n completa de sevillanas consiste en cuatro copIas, 0sea, cuatro Sevillanas diferentes que se les llama primera, segunda, tercera y cuarta. La razon es porque las Sevillanas son bailables y cada una de elIas esta adaptada a la coreograffa del baile.
La danza completa esta dividida en cuatro partes. Las coreograffas del baile estan basadas en el ritmo y no en la melodia. Por 10 tanto, el orden de las cuatro Sevillanas que se esten usando en la composici6n puede ser cambiado a la conveniencia del guitarrista que las interprete.
Esta eccion de Sevillanas se compone de diez Sevillanas diferentes en tonos y melodfas. El orden esta en una forma progresiva en dificultad tecnica.
recomiendo que los estudiantes aprendan las diez Sevillanas y asf podran tocar las cuatro que mas les gusten y podran cambiar el orden a su conveniencia y gusto. Tambien recomiendo que hasta que no hayan aprendido bien la primera, no empiecen con la segunda y 10 mismo con todas las siguientes.
Aunque el compas y la forma musical de todas las Sevillanas es igual, las tecnicas y las melodfas son completamente diferentes en cada una de elIas. Por 10 tanto, cuando hayan aprendido estas diez Sevillanas les sera mucho mas facil el aprendizaje de todas las demas formas que componen este libro.
todas las Sevillanas se miden en tiempo de 3/4. El compas flamenco se compone de seis tiempos equivalente ados compases musicales de 3/4.

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3673 THE ART OF RASGUEADO. TAB.

Euro 13,95

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THE ART OF RASGUEADO. La tecnica del rasgueado è senza dubbio la più caratteristica della chitarra flamenco. Ioannis Anastassakis parlerà anche del golpe, in questo volume per flamenchisti e per chi vuole imparare tutto sul rasgueado e il suo ritmo. TAB.

Product Description:
The rasgeuado technique is without a doubt the most impressive and characteristic element of the flamenco guitar. Author Ioannis Anastassakis has studied and researched the rasgueado technique of every significant flamenco guitarist in the world, and has compiled his work in this book in an easy and understandable notation form, with excellent explanations of each rasgueado technique. From this book, every flamenco and non-flamenco guitarist, from aficionado to professional, can learn everything about the rasgueado technique and its interpretation. Rumba rhythms and the golpe technique are also discussed. Notation and tablature.

Contents:

THE ART OF RASGUEADO
Symbols used in this book

PREPARATORY RASGUEADOS

TRADITIONAL RASGUEADOS
Ornamental rasgueados
The eami rasgueado
16th-note traditional rasgueados
The ieami rasgueado
The amii rasgueado
Triplet & Sextuplet traditional rasgueados
The pai rasgueado
The pei rasgueado
The pmi rasgueado
The pmp rasgueado
Quintuplet traditional rasgueados
The eamii rasgueado
The peami rasgueado

CONTEMPORARY RASGUEADOS
Triplet rasgueados
The iai rasgueado
The iia rasgueado
The imi rasgueado
The iei rasqueado
The mmi rasgueado
The amamami rasgueado
The amamamamami rasgueado
The amamamamamamamami rasgueado
16th-note rasgueados
The pami rasgueado
The paip rasgueado

SPECIFIC PURPOSE RASGUEADOS
Triplet and sextuplet rasgueados
The pm rasgueado
The ieamie amieam i rasgueado
The iamiami rasgueado
Miscellaneous other rasgueados
The ami rasgueado
The amiami rasgueado
The amiamiami rasgueado
The imae rasgueado
The imaei rasgueado
The peamip rasgueado
The eami ieam i rasgueado
The ieamii rasgueado
The amiamiami rasgueado
The amiimami rasgueado
Final rasgueado exercise

ON PRACTICING THE RASGUEADO TECHNIQUE
Rasgueado Practice Outline

GOLPE TECHNIQUE
Golpes with the ring finger
Golpes with the Thumb

RUMBA PATTERNS
Introduction to the Rumba Flamenca
Basic Rumba patterns
Pattern no. 1
Pattern no. 2
Variations on the Rumba patterns
Variation no. 1
Variation no. 2
Variation no. 3
Variation no. 4

CONCLUSION
ACKNOWLEDGEMENTS
ABOUT THE AUTHOR

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7058 RASGUEADO FLAMENCO, Paul Martínez CD TABLATURE METRONOMO FLAMENCO DE ABANICO-SOLEA-BULERIA

Euro 25,49

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RASGUEADO FLAMENCO, Paul Martínez CD TABLATURE METRONOMO FLAMENCO DE ABANICO-SOLEA-BULERIA

POWER TRAINING APRENDE A RASGUEAR CON 120 TRUCOS

RASGUEADO TRADIZIONALE
RASGUADO DE ABANICO

POWER TRAINING, aprende a rasguear con 120 trucos

Aprende a rasguear con 120 trucos. Incluye cd con ejercicios y metrónomo flamenco. Lección 1 - La Notación en el flamenco; Lección 2 - La Digitación; Lección 3 - La escritura musical; Lección 4 - Cómo hacer un rasgueo; Lección 5 - Lectura de rasgueados; Lección 6 - El rasgueado en la soleá; Lección 7 - El rasgueado en las alegrías; Lección 8 - El rasgueado en la rumba; Lección 9 - El rasgueado en en los tangos;Lección 10 - El rasgueado en la sevillana; Lección 11 - Ejemplo de sevillana ''Mi Portal''; Lección 12 - El rasgueado en la bulería; Lección 13 - Ejemplo de bulería ''Cosas del Querer''

íNDICE
Lección 1 - LA NOTACiÓN EN EL FLAMENCO
Lección 2 - LA DIGITACIÓN
Lección 3 - LA ESCRITURA MUSICAL
Lección 4 - CÓMO HACER UN RASGUEADO
Lección 5 - LECTURA DE RASGUEADOS
Lección 6 - EL RASGUEADO EN LA SOLEÁ
Lección 7 - EL RASGUEADO EN LAS ALEGRíAS
Lección 8 - EL RASGUEADO EN LA RUMBA
Lección 9 - EL RASGUEADO EN LOS TANGOS
Lección 10 - EL RASGUEADO EN LA SEVILLANA
Lección 11 - EJEMPLO DE SEVILLANA "MI PORTAL" CON IL PENTAGRAMMA DEL CANTO
Lección 12 - EL RASGUEADO EN LA BULERíA
Lección 13 - EJEMPLO DE BULERíA "COSAS DEL QUERER"

METRÓNOMO FLAMENCO SUL CD

METRÓNOMO FLAMENCO
En las seis últimas pistas del cd de audio que acompaña este libro, se incluyen ritmos
percusivos a diferentes velocidades. a modo de metrónomo flamenco que nos permita
sentir el pulso y el compás de la bulería mientras practicamos cada uno de los ejercicios.
Para facilitar la comprensión de la partitura, contamos con las dos últimas pista donde
escuchamos, además del ritmo, una voz que cuenta los tiempos del compás [ingles y
español)

100 BPM
47 Metrónomo Flamenco - BULERíA -

90 BPM
48 Metrónomo Flamenco - BULERíA -

60 BPM
49 Metrónomo Flamenco - SOLEÁ -

40 BPM
50 Metrónomo Flamenco - SOLEÁ -

100 BPM
51 Metrónomo Flamenco - SEVILLANA -

80 BPM
52 Metrónomo Flamenco - SEVILLANA-

100 BPM
53 Metrónomo Flamenco - RUMBA-

90 BPM

54 Metrónomo Flamenco - RUMBA-

100 BPM
55 Metrónomo Flamenco - TANGOS -

80 BPM
56 Metrónomo Flamenco - TANGOS -

90 BPM
57 Metrónomo Flamenco - ALEGRíAS -

80 BPM
58 Metrónomo Flamenco - ALEGRíAS

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4537 HERRERO OSCAR, TORRENTE. NINE CONCERT SOLOS FOR FLAMENCO GUITAR. BOOK CD OUT OF PRINT

Euro 26,00

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HERRERO OSCAR, TORRENTE. NINE CONCERT SOLOS FOR FLAMENCO GUITAR. 9 pezzi di flamenco moderno. CD TABLATURE

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4535 VICTOR MONGE "SERRANITO" IN CONCERT. DVD

Euro 35,00

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VICTOR MONGE "SERRANITO" IN CONCERT. DVD

Product Description:
Victor Monge "Serranito" is a legend in the history of Spanish music. His virtuoso technique combined with his supreme musicality has confirmed the fact, well known in musical circles, that he is one of the greats in flamenco guitar. As a composer he takes the greatest care in the form and foundation of his compositions, something which has taken him to an astonishing level of perfection in his music. In this video, he performs six of his compositions, accompanied by a second guitar, acoustic bass guitar, and percussion. A booklet of program notes is included in Spanish, English, French, and Japanese. A book with the music in notation and tablature is available separately.

Format: DVD

Song Title: Composer/Source:
Calle de la sangre (Bulerías) Victor Monge "Serranito"
Cazorla (Taranta) Victor Monge "Serranito"
Llora la farruca (Farruca) Victor Monge "Serranito"
Paseando por Triana (Soleá) Victor Monge "Serranito"
Por la vera el Genil (Tangos) Victor Monge "Serranito"
Romance para un poeta Victor Monge "Serranito"

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4536 VICTOR MONGE "SERRANITO" IN CONCERT. BOOK

Euro 30,00

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VICTOR MONGE "SERRANITO" IN CONCERT. TAB.

Product Description:
Victor Monge "Serranito" is a legend in the history of Spanish music. His virtuoso technique combined with his supreme musicality has confirmed the fact, well known in musical circles, that he is one of the greats in flamenco guitar. As a composer he takes the greatest care in the form and foundation of his compositions, something which has taken him to an astonishing level of perfection in his music. This book gives notation and tablature for six of his compositions, as performed on the video of the same title. A biography and performance notes are included in Spanish, English, French, and Japanese.

Format: Book

Song Title: Composer/Source:
Calle de la sangre (Bulerías) Victor Monge "Serranito"
Cazorla (Taranta) Victor Monge "Serranito"
Llora la farruca (Farruca) Victor Monge "Serranito"
Paseando por Triana (Soleá) Victor Monge "Serranito"
Por la vera el Genil (Tangos) Victor Monge "Serranito"
Romance para un poeta Victor Monge "Serranito"

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CHITARRA LAMPO