CHITARRA LAMPO

• SPARTITI, LIBRI DI MUSICA
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    SPARTITI GRUPPI e PERSONALITA'
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    SPARTITI ACCORDATURE APERTE
    SPARTITI OPER TUNINGS/BOTTLENEK
    SPARTITI BLUES
    SPARTITI COUNTRY BLUES
    SPARTITI CLASSICA
    SPARTITI CLASSICA e...
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    SPARTITI NEO-CLASSICO
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    SPARTITI BANJO, MANDOLINO e...
    SPARTITI BASI '50
    SPARTITI BASI '60
    SPARTITI BASI '70
    SPARTITI BASI '80
    SPARTITI BASI '90
    SPARTITI BASI '00
    SPARTITI BASI BLUES
    SPARTITI BASI COUNTRY
    SPARTITI BASI JAZZ
    SPARTITI JAZZ
    SPARTITI JAZZ METODI
    SPARTITI GYPSY JAZZ, SWING, MANOUCHE
    SPARTITI METODI PER CHITARRA
    SPARTITI PIANO E TASTIERE
    SPARTITI ROCK 'N' ROLL
    SPARTITI RHYTHM and BLUES, SOUL, DISCO, FUNK
    SPARTITI RACCOLTE '70
    SPARTITI RACCOLTE '80
    SPARTITI RACCOLTE '90
    SPARTITI RACCOLTE '00
    SPARTITI RACCOLTE FILM/TV
    SPARTITI SOLOING SCALE MODI ARPEGGI
    SPARTITI ARMONIA, ACCORDI
    SPARTITI DI TECNICA
    SPARTITI TECNICA TAPPING
    LIBRI DI ELETTRONICA
    LIBRO DI AMPLIFICAZIONE E IL SETUP
    LIBRI SUL SUONO E GLI EFFETTI
    LIBRI DI LIUTERIA
    MONOGRAFIE, BIOGRAFIE DI CHITARRISTI
    SPARTITI METODI PER BASSO
    SPARTITI METODI PER BATTERIA
    SPARTITI METODI PER ARMONICA
    LETTERATURA
• VIDEO/DVD
• CHITARRA FLAMENCO, CLASSICA, ACCESSORI

SPARTITI JAZZ METODI

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13

4877 THE CHANGES: Guide Tones for Jazz Chords, Lines, and Comping. Sid Jacobs. CD

Euro 19,00

Quantità

THE CHANGES: Guide Tones for Jazz Chords, Lines, and Comping. Sid Jacobs. CD TAB.

Product Description:
The Changes: Guide Tones for Jazz Chords, Lines, and Comping is offered for beginning to advanced players as a way to visualize guide tones on the fretboard. From these shapes lines can be created for soloing and voicings can be built for comping and chord melody. Most importantly, the changes of the progression being played can be heard with only a few notes. The simple approach is always best; guide tones are easy to play and are how the ear identifies a chord progression. Embellishing guide tones is what improvising musicians from baroque to bebop to beyond have been doing to make the changes. Companion CD includes all exercises.
Format: Book/CD Set

Contents:

The Changes --
Voicings --
Minor 7 (b5) --
Tritone Substitution --
Way to practice this stuff --
Block chords --
About the Author --
The Changes --
Voicings --
Minor 7 (b5) --
Tritone Substitution --
Way to practice this stuff --
Block chords --
About the Author

Disponibilità:

4868 THE COMPLETE JAZZ GUITAR METHOD. BEGINNING JAZZ GUITAR. DVD

Euro 27,00

Quantità

THE COMPLETE JAZZ GUITAR METHOD. BEGINNING JAZZ GUITAR. DVD TAB.

Complete Jazz Guitar Method: Beginning Jazz Guitar
By Jody Fisher
FORMAT: Book & DVD

You don't need to have a doctorate in jazz to sound like you do. This series by brilliant performer and educator Jody Fisher teaches you the concepts, techniques and theory specific to jazz and how to apply them to both lead and rhythm guitar playing. Book: 96 pages. DVD running time: 1 hr 10 min.

Disponibilità:

1075 THE COMPLETE JAZZ GUITAR METHOD. BEGINNING JAZZ GUITAR. CD TAB.

Euro 21,00

Quantità

THE COMPLETE JAZZ GUITAR METHOD. BEGINNING JAZZ GUITAR. CD TAB.

Complete Jazz Guitar Method: Beginning Jazz Guitar
By Jody Fisher

CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start learning to play jazz right away. Spanning from the major scale and basic triad theory all the way up to extended chords and the modes, this book features a full-length etude or song to go with every new concept introduced. Beginning Jazz Guitar breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. Clearly organized into easily mastered segments, each chapter is divided into separate lessons on harmony or improvisation. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

Disponibilità:

5506 BEGINNING CHITARRA JAZZ, JODY FISCHER. IN ITALIANO. CD TABLATURE

Euro 19,99

Quantità

BEGINNING CHITARRA JAZZ, JODY FISCHER. IN ITALIANO. Per iniziare a suonare la chitarra Jazz. Scale pentatoniche, cromatiche, maggiori, minori, gli accordi in diverse posizioni, il voicing, accordi di sesta, settima, nona, undicesima, tredicesima, diminiuti, aumentati, armonizzazzioni della scala maggiore, scale modali, pezzi completi e esercizi. CD TABLATURE

BEGINNING CHITARRA JAZZ, JODY FISHER. CD TABLATURE

IN ITALIANO

METODO COMPLETO PER CHITARRA JAZZ

LIVELLO BASE, NUOVA EDIZIONE

Edizione Aggiornata del testo ideale per muovere i primi passi nel mondo del jazz. I neofiti della chitarra troveranno tutte le informazioni necessarie per iniziare uno studio serio e approfondito del genere; i chitarristi provenienti da altre aree stilistiche (rock, blues ecc.) disporranno finalmente di un metodo chiaro e lineare, che con semplicità e immediatezza aprirà loro le porte del jazz. Gli argomenti trattati sono: teoria fondamentale, accordi (dalle triadi a quelli estesi), il pensiero tonale, i modi derivati dalle scale maggiori. Il tutto sia dal punto di vista armonico, sia da quello solista. In chiusura un capitolo dedicato al corretto metodo di studio.

Per iniziare a suonare la chitarra Jazz. Scale pentatoniche, cromatiche, maggiori, minori, gli accordi in diverse posizioni, il voicing, accordi di sesta, settima, nona, undicesima, tredicesima, diminiuti, aumentati, armonizzazzioni della scala maggiore, scale modali, pezzi completi e esercizi.

INTRODUZIONE
Il libro che state guardando è il primo di una serie di quattro volumi che insegnano a suonare lo chitarra jazz. Negli anni, solo gli studenti più appassionati e più dedicati sono riusciti a padroneggiare questa forma d'arte musicale molto espressiva. Nonostante le montagne di libri didattici a disposizione, lo maggior parte degli studenti rimane all'oscuro su alcuni concetti basilari che riguardano il jazz e lo chitarra jazz. Credo che questo sia dovuto al fatto che pochi insegnanti o autori forniscono una panoramica adeguata di quello che una persona ha bisogno di imparare. Gli studenti imparano alcune scale, qualche lick, un arpeggio o due, qualche accordo, e finiscono per chiedersi come unire il tutto. Il mio approccio in questa serie è quello di cominciare con alcune informazioni basilari, e poi procedere logicamente, parlando dei concetti armonici, melodici e tecnici, per avere un quadro completo della situazione. Lo studio del jazz è un obbiettivo a lungo termine di tutta una vita, ma non ci vuole tutta lo vita per imparare i concetti fondamentali e iniziare a suonare! Questa serie di libri è per gli autodidatti, ma anche per coloro che studiano con un insegnante. Questi libri possono anche essere usati come fonte di consultazione. Seavete appena cominciato lo studio del jazz, dovreste certamente cominciare con questo libro, e procedere lezione dopo lezione e libro dopo libro. Se invece studiate da un po', potete sentirvi liberi di saltare qui e là, sebbene dovreste cercare di non perdere nessuna informazione importante lungo il tragitto. Questi libri sono diversi dagli altri per un'altra ragione. In passato, avevate bisogno di libri diversi per studiare l'improvvisazione, lo melodia degli accordi, e altri argomenti. Nonostante questa collana non pretende di enunciare tutto, essa combina comunque lo maggior parte degli argomenti importanti. Ciascun capitolo è diviso in lezioni, e ciascuna lezione è divisa in due sezioni separate. Le sezioni "A" si occupano di argomenti armonici e degli accordi, le sezioni "B" danno informazioni sull' improvvisazione. Ogni pagina e ogni argomento può – e dovrebbe - essere supportato da informazioni ulteriori, provenienti da altri libri, o da altri insegnanti.
Se siete prevalentemente interessati agli accordi e all'armonia, sentitevi liberi di procedere solo attraverso le sezioni A. Se l'improvvisazione è il vostro interesse principale, allora studiate le sezioni B. Dal momento che lo maggior parte delle sezioni corrispondono una all'altra, studiarle entrambe potrebbe essere il corso più completo. La sezione "Coda" alla fine del libro contiene delle informazioni che saranno utili nell'area della tecnica, dell' allenamento e altri concetti correlati al jazz. Dovreste consultare spesso questa sezione, perché troverete senza dubbio dei suggerimenti e dei consigli che riguardano le aree di studio su cui state lavorando. Comunque voi decidiate di usare questi libri, è mio desiderio più sincero che voi impariate e amiate il jazz e contribuiate alla sua vita.

INDICE
PROPOSITO DELL'AUTORE
INTRODUZIONE

Capitolo 1: Iniziamo
Accordi in Posizione Aperta,
Accordi Barre,
Leggere la Musica e la Tablatura,
Progressioni Blues e Pennate,
Diteggiature delle Scale Pentatoniche

Le Lezioni "A"
Accordi e Armonia

Capitolo 2
Lezione 1A: Teoria di Base
La Scala Cromatica,
La Scala Maggiore,
Armature di Chiave,
Intervalli,
II Circolo delle 4e (o 5e),
Leggere i Numeri Romani

Lezione 2A: Teoria delle Triadi & Diteggiature in posizione di Tonica
Triadi Minori,
Diminuite e Aumentate, e loro Rivolti,
I 4 Gruppi Principali di Corde,
Diteggiatura delle Triadi in posizione di Tonica,
Studio# 1: Triadi in Posizione di Tonica,

Lezione 3A: Triadi in 1° Rivolto su Quattro Corde
Studio #2: Triadi in 1° Rivolto

Lezione 4A: Triadi in 2° Rivolto su Qualtro Corde
Studio #3: Triadi in 2° Rivolto

Capitolo 3
Lezione 1A: Costruzione di Accordi piu Ampi
Come Funziona la Formula per Accordi piu Ampi
Estensioni,
Rivolti degli Accordi piu Ampi,
Voicings

Lezione 2A: Accordi di 6°
Accordi di 6° Maggiore-33,
Accordi di 6° Minore
Studio #6: Accordi di 6°

Lezione 3A: Accordi di 7°
Accordi di 7° Maggiore-37,
Accordi di 7° Minore
Accordi di 7a Dominante,
Studio #7: Accordi di 7°

Lezione 4A: Accordi di 9°
Estensionie Famiglie di Accordi,
Accordi di 9° Maggiore,
Accordi di 9° Minore,
Accordi di 9° Dominante,
Studio#8: Accordi di 90-43,
Studio #9: Ancora Accordi di 9a

Lezione 5A: Altri Accordi che Dovete Sapere
Accordi di 11a Minore-46,
Accordi di 11° Dominante
Accordi di 13° Maggiore-47,
Accordi di 13° Minore
Accordi di 13° Dominante-48,
Accordi Maggiore Add9
Accordi Minori Add9-48,
Accordi Min75 (Semidiminuiti)

Le Lezioni "B"
Improvvisazione
Lezione 1B: Diteggiature delle Scale Maggiori
Teoria delle Triadi Maggiori
Rivolti delle Triadi Maggiori

Lezione 2B: Ancora due Diteggiature della Scala Maggiore

Lezione 3B: Ancora due Diteggiature della Scala Maggiore

Lezione 4B: Studio sulla Scala Maggiore
Studio #4: La Scala Maggiore

Lezione 1B: Studio sulla Scala Maggiore
Studio #5: La Scala Maggiore

Lezione 2B: Collegare Ie Scale Maggiori

Lezione 3B: Scale di Tre Oltave

Lezione 4B: Ancora Scale di Tre Ottave

Le lezione “A”
ACCORDI E ARMONIA

Capitolo 3, continua
Accordi di 7a Diminuita,
Accordi Sospesi di 7° Dominante,
Accordi Minori (Maj7),
Accordi di 7° Dominante Aumentata,
Studio #10: Ancora Accordi

Capitolo 4
Lezione 1A: La Scala Maggiore Armonizzata

Lezione 2A: Scale di Accordi Maggiori

Lezione 3A: Ancoro Scale di Accordi Maggiori

Lezione 4A: Ancora Scale di Accordi Maggiori

Capitolo 5
Lezione 1A: I Numeri Romani e la Trasposizione
Lezione 2A Ancoro sui Numeri Romani e la Trasposizione
Lezione 3A Scale Verticali di Accordi
Lezione 4A: Ancora Scale Verticali di Accordi.
Lezione 5A: Ancora Scale Verticali di Accordi

LE LEZIONI “B”
Improvvisazione

Lezione 5B: Due Brani Usando la Scala Maggiore
Noah's Groove,
Blues for Maggie

Lezione 1B: Improvvisare con la Scala Maggiore
Di Che Cosa Si Tratta,
Pensiero Diatonico

Lezione 2B: Due Brani Costruiti sulla Scala Maggiore
Ruby, My Deerfly,
Fly Like a Beagle

Lezione 3B: Ancora Due Brani sulla Scala Maggiore
Noisy Nights,
The Creature

Lezione 4B: Ancora Due Brani Sulla Scala Maggiore
Julie in Wonderland,
Samba de Shauna

Lezione 1B: I Modi della Scala Maggiore - I Fondamenti ...
Lezione 2B: I Modi Della Scala Maggiore -
Diteggiature Parallele - di Approccio
Re Dorico,
Mi Frigio,
Fa Lidio
Sol Misolidio,
La Eolico,
Si Locrio,
Progressioni per Esercitarsi

Lezione 3B: 1Modi della Scala Maggiore -
Approccio Derivato
Lezione 4B: Due Brani Modali
Nosh 4 Josh,
Chocolate Tuna Enchiladas

Lezione 5B: Due Brani Modali/Diatonici
Modelicious,
Blue Tofu

CODA - Un Medley di Consigli e Conceitti Musicali ;
Come Funziona il Jazz

Tecnica
Tecnica di Base della Destra e della Sinistra,
Postura,
Tecnica di Pennata di Base,
Accordi Fingerstyle,
Tecnica Dita / Plettro

Allenamento
II Vantaggio di Esercitarsi Lentamente,
Imparare Accordi Difficili e come Cambiare gli Accordi,
Imparare Ie Scale Due Corde per Volta,
La Funzione delle Posizioni Bloccate,
Allenarsi sulle Scale
Maggiori,
Limitare le Opzioni Ritmiche,
Uso degli Schemi Melodici

Assoli
Forma: Usare un'Apertura,
un Corpo e una Conclusione,
Forma Basata su Tema e Variazione
Uso della Ripetizione negli Assoli

Epilogo
È disponibile un CD per ciascun libro in questa serie. Questi dischi possono rendere l'apprendimento più facile e più divertente. Questo simbolo apparirà vicino a ciascun esempio contenuto nel CD. Usatelo per capire che state catturando la sensazione degli esempi, interpretando i ritmi correttamente, e così via. I numeri di traccia sotto al simbolo corrispondono all'esempio che volete ascoltare. La traccia 1 vi aiuterà ad accordarvi col CD. Buon divertimento

Disponibilità:

2535 THE COMPLETE JAZZ GUITAR METHOD. INTERMEDIATE JAZZ GUITAR. CD TABLATURE

Euro 20,99

Quantità

THE COMPLETE JAZZ GUITAR METHOD. INTERMEDIATE JAZZ GUITAR. CD TABLATURE

This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

Complete Jazz Guitar Method: Intermediate Jazz Guitar
By Jody Fisher
Item: 00-14123
UPC: 038081128290
ISBN 10: 0739021559
ISBN 13: 9780739021552

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

INTERMEDIATE JAZZ GUITAR

The National Guitar Workshop's Jazz Guitar Method
FINALLY FOUR COMPREHENSIVE INSTRUCTION BOOKS DEDICATED TO REVEALING THE SECRETS OF JAZZ GUITAR FROM ONE OF AMERICA'S LEADING GUITAR SCHOOLS!
All four books are loaded with:
• Examples in standard music notation and TABLATURE
• Full-length songs to practice
• Easy-to-read chord and scale diagrams
Teachers and students alike will love the clearly organized lesson format By Jody Fisher, best-selling author

A CD DEMONSTRATING EXAMPLES IS AVAILABLE FOR EACH BOOK

38081 12829 0
ISBN 0-7390-2155-9
14123 Book and CD

Alfred PublishingCo., Inc.

BEGINNING JAZZ GUITAR
Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start
learning to play jazz right away. Spanning from the major scale and basic triad theory all the way
up to extended chords and the modes, this book features a full-length etude or song to go with
every new concept introduced in the book. Beginning jazz Guitar breaks the age-old tradition of
dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable
method for learning to play in this style. Clearly organized into easily mastered segments, each
chapter is divided into separate lessons on harmony or improvisation.

INTERMEDIATE JAZZ GUITAR
This book is great for guitarists who have learned the basics of jazz harmony and improvisation.
Topics include the ii-V-I progression, creating solo lines, altered chord formulas and "com ping" in
different jazz feels such as Latin, swing, ballad and even funk. Continuing the format of Beginning
jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every
chapter is clearly divided into harmony and improvisation lessons. Packed with literally
hundreds of chord voicings and improv ideas, this book is a must for any serious student of
jazz guitar.

MASTERING JAZZ GUITAR CHORD/MELODY
Learn to play the harmony, melody, rhythm and bass parts of any song simultaneously! Your
guitar will become the ultimate jazz solo instrument when you master the techniques and
concepts in this book. This book picks up where the harmony lessons in Intermediate jazz Guitar
leave off. Topics include integrating melody and harmony, developing bass lines, chord
enhancement, quartal harmonies and arranging a guitar solo. Concepts are illustrated with
lots of examples to practice, including arrangements of some traditional melodies.

MASTERING JAZZ GUITAR IMPROVISATION
Expand the boundaries of your knowledge and improvisation skills with this exciting book,
which picks up where the improv lessons in Intermediate jazz Guitar leave off. Topics include
improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting
the altered chords, revamping licks, modes of the minor scales and more! Loaded with
easy-to-read scale diagrams and example phrases, this book is packed with essential information
for the improvising jazz guitarist.

INTRODUCTlON
Welcome to the second book of a four book series about to playing jazz guitar. The format of this book is the same as Beginning jazz Guitar: each chapter is divided into lessons and each lesson is comprised of two sections. The "A" section of every lesson deals with chord work and harmonic concepts, while the"B" section contains information about single-line improvisation. The CODA section at the end of the book discusses technique and a variety of other areas of interest to jazz guitar students.
To get the most out of this book you should already be familiar with major and minor pentatonic scales, triads and chords with extensions (such as 9ths, I Iths and 13ths), transposition, basic diatonic harmony, the modes of the major scale and melodic patterns. You don't need to be an expert in all of these areas, but a firm grasp of the concepts will certainly help you get through this volume more easily.
This series, Beginning jazz Guitar, Intermediate jazz Guitar, Mastering jazz Guitar: Chord/Melody and Mastering jazz Guitar: Improvisation, covers an enormous amount of material. Be sure to supplement this information with lessons, practice, and other instructional books and video tapes. Also, playing with others is very important for your development.
While the four books in this series progress from elementary ideas to very complex concepts, the more advanced player would benefit by checking out all of them. Even the Beginning book contains some very challenging material. The series is designed so that it can be used as a reference-sort of a catalogue of concepts for jazz guitarists-or as a well organized method to be used with an instructor or on one's own.
I wish you lots of joy as you absorb this information. I hope this book will help you find the self-expression you are looking for through music and the guitar.

A compact disc is available for each book in this series. These discs can make learning with these books easier and more enjoyable. This symbol will appear next to every example that is played on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The Track numbers and Index numbers below the symbols correspond directly to the example you want to hear. Track I will help you tune to the CD.

TABLE Of CONTENTS

About the Author
Introduction
The "A" Lessons
Chords and Harmony

Chapter I
Lesson IA: The ii-V7-I Progression
Lesson 2A/2B:Diatonic Arpeggios

The "B" Lessons
Improvisation
Lesson IB: Improvising Over
Diatonic ii-V7 -IProgressions .
Lesson 2A12B: Diatonic Arpeggios .

Chapter 2

Lesson IA: Altered Chords
Dominant 7th b5 Chords :
The Closer You Are
Lesson 2A: More Altered Chords
Dominant 7th #5 Chords
Funny
Lesson 3A: Altered Chords, Continued
Dominant 7b9 Chords
Friendly
Lesson 4A: More Altered Chords
Dominant 7#9 Chords
By the Light ofthe Moon
Lesson 5A: Chords with Combined Alterations
Lesson 6A: More Chords with Combined Alterations
Lesson 7A: Other Important Chords and ii-V7-I Fingerings
Slash Chords
ii-V7 -I Fingerings

Lesson IB: Practicing Arpeggios .
Lesson 2B: Progressions for Practicing Arpeggios .
Lesson 3B: Creating Lines #1 .
Spelling Out the Changes .
Swing Feel .
Lesson 4B: Creating Lines #2 .
Neighbor Tones Approaching the Root .
Lesson 5B: Creating Lines #3 .
Neighbor Tones Approaching the 3rd .
Lesson 6B: Creating Lines #4 .
Neighbor Tones Approaching the 5th .
Lesson 7B: Creating Lines #5 .
Neighbor Tones Approaching the 7th .

Chapter 3
Lesson IA: Comping Swing Feels
Lesson 2A: Com ping Latin Feels
Lesson 3A: Com ping Funk Feels
Lesson 4A: Comping Ballads
Lesson IB: Major 7th Extensions .
Lesson 2B: Diminished Extensions .
Lesson 3B: Ascending Lines from Chord Tones .
Lesson 4B: Descending Lines from Chord Tones .

Table of Contents

The "A" Lessons
Chords and Harmony

Chapter 4
Lesson IA: Chord Connections
Lesson 2A: Chord Connections #2
String Set 6-5-4-3
String Set 5-4-3-2
String Set 4-3-2-1
Lesson 3A: Chord Connections #3
Moving Across the String Sets
Lesson 4A: Chord Connections #4
String Set 6-5-4-3
String Set 5-4-3-2
String Set 4-3-2-1

The "B" Lessons
Improvisation

Lesson I B: Learning Licks # I .
Major Chord Licks .
Lesson 2B: Learning Licks #2 .
Minor Licks .
Lesson 3B: Learning Licks #3 .
Dominant Licks .
Lesson 4B: Learning Licks #4 .
minor 7b5 Licks

Chapter 5
Lesson IA: The Blues Progression
Lesson I B: Soloing Over Blues Progressions .
C Minor Pentatonic Fingerings .
C Blues Scale Fingerings .
C Mixolydian Fingerings .
Sample Blues Solos .
Blues Solo #I .
Blues Solo #2 .
Blues Solo #3 .

Chapter 6
Lesson IA: Rhythm Changes
Rhythm
Lesson I B: Soloing Over Rhythm Changes .
Rhythm Solo.

Chapter 7
Lesson I A: Turnarounds
Lesson I B: Soloing Over Turnarounds.

Chapter 8
Lesson IA: Chord Solo
Foggy 88
Lesson I B: Single-Note Solo .
Single Notes in the Mist .

Coda-A Medley of Suggestions and Musical Concepts
Playing With Good Tone .
More About Practi cing .
The Value of Practicing Along a Single String .
Singing Along With Improvised Lines .
Listen ing to the Greats .

Disponibilità:

1076 THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR CHORD/MELODY. CD TABLATURE

Euro 20,99

Quantità

THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR CHORD/MELODY. CD TABLATURE

Your guitar becomes the ultimate jazz solo instrument when you master the techniques and concepts in this book. Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.

Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody
By Jody Fisher
Item: 00-14126
UPC: 038081128320
ISBN 10: 0739009575
ISBN 13: 9780739009574
Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar

Your guitar becomes the ultimate jazz solo instrument when you master the techniques and concepts in this book. Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.

The Complete Jazz Guitar Method
Beginning
Intermediate
Mastering Chord/Melody
Mastering Improvisation

JODY FISHER

Alfred, the leader in educational publishing, and the National Guitar Workshop, one of America's finest guitar schools, have joined forces to bring you the best, most progressive educational tools possible. We hope you will enjoy this book and encourage you to look for other fine products from Alfred and the National Guitar Workshop.
Alfred Publishing Co., Inc.

INTRODUCTION
This book is about learning to play in a style we call Chord/Melody. In this style songs are
arranged so the harmony, melody, rhythm and sometimes the bass parts are played simultaneously.
These arrangements can be played alone or, if desired, make it possible for the
guitarist to lead his or her own group. Players who study this style know that it can be one
of the deepest forms of musical self-expression. Also, there are enough concepts to learn
and apply to keep one intrigued for a lifetime.
It has always amazed me that many guitarists just stand there not knowing what to do
when asked to playa song alone. The whole idea behind playing a musical instrument is to
play music -play songs. It seems that most guitarists know the parts of songs they would
play in a band, but if they had to play something as a solo, well, most players would be
stuck.
This book is not for complete beginners. The material found here is for the student who
has been studying the information in the first two books of this series, Beginningjazz Guitar
and Intermediate jazz Guitar, or the equivalent. To get the most out of this book you should
be familiar with major scales, chord construction, major chord scales and altered chords.
In the first two books each lesson has two separate sections. The "A" section deals with
chords and harmony while the "B" section covers the topic of single-line improvisation.
This book focuses completely on chord/melody and harmonic concepts. It starts right
where the "A" sections of the Intermediate book left off. (Mastering jazz Guitar Improvisation
starts where the "B" sections in the intermediate book left off.)
While I personally prefer reading musical notation, it is not necessary in order to obtain
maximum results from this book. Examples are written in both standard notation and
tablature. While TAB is effective, it is not nearly as expressive as musical notation. Nonreaders
are missing out on an overwhelming amount of musical and instructional material.
You don't have to be a super sight reader, but the ability to decipher musical notation is
very important. Of course, the better you read music, the better your comprehension
and musicality will be. This will increase your enjoyment.
You may be surprised by the added benefits of becoming proficient in chord/melody playing.
Some of these are: a much greater awareness of harmony, better visualization of
arpeggio shapes, a more sophisticated sense of melody while improvising, and a dramatic
improvement in technique and strength. Also, keep in mind that you may be able to find
employment as a solo guitarist if band gigs aren't available.
After completing this book, you will be able to arrange your own chord/melody tunes and
you will have a deep understanding of chord progressions and harmony. This will allow you
to communicate with other musicians more effectively.
Take your time, practice slowly and have fun!

TABLE Of CONTENTS
ABOUT THE AUTHOR .
INTRODUCTION.

Chapter I

Right-Hand Options .
Pick Style .
Fingerstyle Chords .
Pick and Fingers Technique .

Chapter 2
Lesson I: Recognizing Chord Tones .
Combining Melody and Harmony .
Lesson 2: Guidelines for Arranging .
Lesson 3: Chord Enhancement .
Home on the Range .

Chapter 3
Lesson I: Diads .
Non-Chord Tones .
Blue Bell of Scotland .
Lesson 2: Adding the Non-Chord Tone .
Beautiful Dreamer .
Lesson 3: Voice Leading .
Lesson 4: Passing Chords .
Virginny .
Blues in G ,
Diminished Chords .
Min7b5 (Half-Diminished) Chords .
Blues in F .
Lesson 5: Quartal Harmony .
Single Notes .
Octaves .

Chapter 4
Lesson I: Passing-Chord Approaches .
Enhancing Chord Progressions .
Lesson 2: The 1V-1Approach .
Lesson 3: The V7-1Approach .
Lesson 4: The ii- V7-1 Approach .
Rum and Coke .
Lesson 5: BackcyclingApproaches .
The Alternate Cycle .
Lesson 6: Tritone Substitution Approach .
Lesson 7: The bV7-I Approach .
Lesson 8: The ii-V7 -I and Alternate Cycles .
Lesson 9: Surprise Chords .

Table of Contents

Chapter 5
Lesson I: The Basic Voicings
Simultaneous Chords and Walking Bass Lines
Lesson 2: Bass Lines-ScalewiseApproach
Lesson 3: Bass Lines-Half-StepApproaches
Lesson 4: Bass Lines-Rhyth m
Lesson 5: Bass Lines-ii- V7 -I Patterns
Everything You're Not
Lesson 6: Bass lines-Com biningTech niques
Accompaniment for Everything You're Not.

Chapter 6
Lesson I:
Lesson 2:
Moving Voices
Search ing Out New Yoicings
Symmetrical Chord Movement

Coda
Creating Arrangements
Listen ing to the Greats
Reality Check
ByesvilIe

Track
A compact disc is available for each book in this series. These discs can make learning with these books easier and more enjoyable. This symbol will appear next to every example that is played on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The Track numbers and Index numbers below the symbols correspond directly to the example you want to hear. Track I will help you tune to the CD. Have fun!

Disponibilità:

1077 THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR IMPROVISATION. CD TABLATURE

Euro 21,00

Quantità

THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR IMPROVISATION. CD TABLATURE

Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.

Complete Jazz Guitar Method: Mastering Jazz Guitar, Improvisation
By Jody Fisher
Item: 00-14129
UPC: 038081128351
ISBN 10: 0739025910
ISBN 13: 9780739025918

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.

INTRODUCTION
Guitar students typically spend a lot of time looking around for information that will take
them to a higher level. When I was growing up, it was very difficult to learn how to play
jazz. There were no instructional videos, and the books that were available were just not
very helpful. There were no guitar schools. Most students were self-taught and some
took lessons, but really good teachers were very hard to find. I was lucky-I've had some
great teachers.
Today, there are videos, books, guitar schools, tapes, CDs and very talented teachers all
over the place. But there is still something missing: books that give a complete overview
of what you need to know to become a proficient jazz guitarist. Hopefully, this series fills
that gap.
Any student who starts with Beginning jazz Guitar and proceeds through the entire series
will be exposed to most of what they nee-d to know to play jazz guitar. You will
find some complex subjects in this book, as well as some very simple ideas that you can
start to use immediately. Chapter I begins with a discussion of improvising over altered
dominant chords.
This book is not for beginners. It is for guitarists that have worked through Beginning jazz
Guitar and Intermediate jazz Guitar, or have received the same sort of information elsewhere.
To get the most out of this book you should be proficient with the pentatonic
scales, blues scales, the major scale, diatonic harmony and chord scales, transposition,
diatonic arpeggios, neighbor tones, triads, licks and formulas for extended and altered
chords.
Each lesson in the first two books had two seperate sections. The "A" sections dealt with
harmonic principles and chord work while the"B" sections handled the topic of single-line
improvisation. This entire book concerns itself with single-line improvisation. It starts
right where the "B" sections in the intermediate book left off. Mastering jazz Guitar:
Chord/Melody starts where the "A" sections of the intermediate book left off. You may
want to go through the book in order, or you may want to use it as a sourcebook of
concepts and techniques to investigate in your own way.
The concepts and exercises in this book are intended to inspire you for a lifetime of study
and enjoyment. Since jazz improvisation is an ever expanding field of information, one
never really finishes doing this work. Enjoy the journey.

ABOUT THE AUTHOR
Jody Fisher has worked professionally in virtually all styles of music during his career,
from straight-ahead and contemporary jazz, to rock 'n' roll, country, pop and show tunes.
He taught Guitar and Jazz Studies at the University of Redlands in Southern California and
at the Idyllwild School of Music and the Arts (ISOMATA). An active performer in the
Southern California area, he still maintains a private teaching practice, serves on the faculty
of the University of La Verne, and as an associate director of the National Guitar
Summer Workshop's California and Nashville campuses. Jody Fisher is also the author of
the Guitar Mode Encyclopedia, also published by the National GuitarWorkshop and Alfred.

TABLE Of CONTENTS
ABOUT THE AUTHOR .
INTRDUCTION .

Chapter I-Improvising Over Altered Dominant Chords
Lesson I: The Diminished Scale .
Train
Lesson 2: The Whole Tone Scale .
Once
Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale) .
Moon .
Lesson 4: Using the Altered Scale Over a ii-V7-1 Progression .
Lesson 5: Targeting the Altered Chords-The Altered Clusters .
Lesson 6: Revamping Licks .

Chapter 2- The Minor Scales and Their Modes
Lesson I: The Melodic Minor Scale .
Lesson 2: The Modes of the Melodic Minor Scale .
Lesson 3: Arpeggios in the Melodic Minor Scale .
Lesson 4: The Harmonic Minor Scale .
Lesson 5: The Modes of the Harmonic Minor Scale .
Lesson 6: Arpeggios in the Harmonic Minor Scale .
Lesson 7: The ii min7b5-V7b9-i min7 Progression .

Chapter 3-Using Arpeggios
Lesson I: Chord Superimposition .
Lesson 2: Melodic Patterns Based Around Arpeggios .
Lesson 3: Melodic Patterns Based Around Chord Shapes .

Chapter 4 -Eight-Tone Scales
The Eight-Tone ii-V7 Scale .
The Eight-Tone IScale .

Chapter 5 ConnectingYour Ideas .
Lesson I:The Chromatic Connection
Lesson 2: Accentuating the Difference Between Keys
Lesson 3: Repeating an Idea in Different Octaves
Lesson 4: Rhythmic Motives
Lesson 5: Melodic Connection
Lesson 6: Diatonic Connection

CODA-A Medley of Suggestions and Musical Concepts
Playing on the Extensions Using Advanced Pentatonics
Playing on the Extensions Using Tones From 13 Chords
PlayingWith Wider Intervals
Octave Disp lacement
Symmetrical Motives

Track. A compact disc is available for each book in this series. These discs can make learning with these books easier and more enjoyable. This symbol will appear next to every example that is on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The Track numbers below the symbols correspond directly to the example you want to hear. Track I will help you tune to the CD. Have fun!

Disponibilità:

2533 THE GUITAR, DUETS VOLUME 1. NO Tablature.

Euro 9,00

Quantità

THE GUITAR, DUETS VOLUME 1. Senza Tablature.

Disponibilità:

4713 THE MOTIVIC BASIS FOR JAZZ GUITAR IMPROVISATION. RONCHINSKI. CD

Euro 15,00

Quantità

THE MOTIVIC BASIS FOR JAZZ GUITAR IMPROVISATION. Ronkinski. CD

Disponibilità:

4759 TRATTATO DI CHITARRA JAZZ, F. Mariani.

Euro 29,99

Quantità

TRATTATO DI CHITARRA JAZZ, F. Mariani.

La teoria e gli esercizi fondamentali; Le tecniche avanzate e l'improvvisazione.

Il Trattato è preceduto da un compendio di teoria musicale, che facilita l'apprendimento della seconda parte tecnica dedicata unicamente ai chitarristi.
Prima parte: Notazione musicale; Sistema temperato; Scale ed interballi; Tonalità e circolo di quinte; Dal sistema graco al sistema bimodale; Cadenze; Modulazione; Strumenti traspositori / Seconda Parte: Accordatura; Impostazione ed esercizi fondamentali; Accordi; Modi; Improvvisazione; Scale pentatoniche; Il Blues; Sostituzione degli accordi; Scale diminuite; Scala esatonale; Accompagnamento; Bibliografia e discografia consigliate. 291 pagine.

Disponibilità:

CHITARRA LAMPO