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JAZZ METHODS

 
 

 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 

 5238 QUARTAL HARMONY & VOICINGS FOR GUITAR. CD



Euro 19,95

 
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QUARTAL HARMONY & VOICINGS FOR GUITAR. Tom Floyd. CD TAB.

Product Description:
This book contains a study and breakdown of "harmony in 4ths". The introduction of quartal harmony in modern jazz began in the 1960's. Compositions by Miles Davis and John Coltrane such as "Impressions" and "So What" showcased chord voicings derived from quartal harmony. The purpose of this book is to show guitarists how to function in an area of harmony mostly dominated by keyboard players. Common uses of quartal harmony are demonstrated and analyzed. Exercises and compositions in the style of Wayne Shorter, Herbie Hancock and others are included. Companion CD contains demonstrations of all exercises.

Format: Book/CD Set

Contents:

01) Introduction --
02) Traditional Harmony --
03) Quartal Harmony --
04) Functions --
05) Upper, Middle, and Lower Four-String Voicings --
06) The Seven Functions --
07) Analysis Chart - Seven Structures --
08) Structure Excercises --
09) Expanding Quartal Structures --
10) Quartal Structures and Traditional Harmony --
11) Creating Outside Sounds --
12) Chromatic Movement --
13) Contrary Movement --
14) Contrary Motion with Added Bass Notes --
15) Creating ii-V-I Progressions --
16) Variations of Quartal Voicings --
17) Harmonic Minor --
18) Harmonic Minor Quartel Harmony --
19) Minor Blues --
20) Jazz Tunes --
21) Closing Notes
 

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 3964 REH, BEBOP LICKS FOR GUITAR. LES WISE. CD



Euro 19,50

 
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REH, BEBOP LICKS FOR GUITAR, Les Wise. CD TAB.

A Dictionary of Melodic Ideas for Improvisation
Series: REH Publications
Softcover with CD - TAB
Author: Les Wise

Written for the musician who is interested in acquiring a firm foundation for playing jazz, this unique book/CD pack examines the phrases of the masters! Over 800 licks are provided in the styles of Tal Farlow, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith, and other jazz guitar greats! The book includes standard notation and tablature, and the CD contains note-for-note demonstrations of every lick. 104 pages.
 

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 3996 REH, JAZZ IMPROVISATION FOR GUITAR, Les Wise. CD



Euro 18,00

 
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REH, JAZZ IMPROVISATION FOR GUITAR, Les Wise. CD TAB.

Series: REH Publications
Softcover with CD - TAB
Author: Les Wise

This terrific book/CD by Les Wise will allow you to make the transition from playing disjointed scales and arpeggios to playing melodic jazz solos that maintain continuity and interest for the listener. Topics covered include: tension and resolution - major scale, melodic minor scale, and harmonic minor scale patterns - common licks and substitution techniques - creating altered tension, and more! Features standard notation and tab, and a CD with 35 demo tracks. 32 pages.
 

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 3963 REH, JAZZ SOLOS FOR GUITAR. Les Wise. CD



Euro 19,99

 
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REH, JAZZ SOLOS FOR GUITAR. Les Wise. CD TABLATURE

REH Pro Licks Book/CD Pack
Series: REH Publications
Softcover with CD - TAB
Artist: Barney Kessel
Artist: Joe Pass
Artist: Johnny Smith
Author: Les Wise
Artist: Tal Farlow
Artist: Wes Montgomery

Examine the solo concepts of top jazz guitarists in this info-packed book/CD pack. The CD includes full demonstration and rhythm-only tracks to assist with learning the styles of Kenny Burrell, Jim Hall, Barney Kessel, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith and many others. The book includes phrase-by-phrase performance notes; tips on arpeggio substitution, scale substitution, tension and resolution, jazz-blues, chord soloing and more; and standard notation and TABLATURE.

LES WISE

REH PROLICKS JAZZ SOLOS FOR GUITAR

- ARPEGGIO SUBSTITUTIONS,
- SCALE SUBSTITUTIONS,
- TENSION AND RESOLUTION,
- CHORD SOLOING

Introduction

welcome to ProLicks Jazz 5010s for Guitar. In this book, I'm going to walk you through six original guitar solos. Each one is based on classic lead (and rhythm) patterns used in jazz and is full of licks and ideas that you'll be able to use in your own playing. We'll cover a variety of styles and techniques-including arpeggios, scales, tension and resolution, blues forms, chord soloing, virtuoso-style fills, and more-giving you a solid foundation in playing and improvising jazz guitar.
Many of the styles and techniques in this book are based on the masterful soloing of players like Wes Montgomery, Joe Pass, Herb Ellis, Tal Farlow, George Benson, and more. You'll be able to listen to me solo using many of their favorite techniques on the accompanying CD, then I'll dissect each and every solo, note for note, so that you can master these styles as well.

How to Use This Book
As you work your way through the solos in this book, you'll discover that there are a lot of short phrases that you can learn, lift out, and use in your own style of playing. In other words, you don't have to learn each solo exactly the way it was played on the CD. You can listen through the entire CD, hear everything that I'm going to play for you, then go back and pick out the phrases you like best. Then you can learn those phrases and incorporate them into your own style of playing. It's good practice to take all of these ideas and then mix them in with what you already know how to play.
Of course, there are things to be learned by playing an entire solo: how the solo builds, how to make a transition from one chorus to the next, how to begin and end the whole thing. Those are elements of style that make the phrases fit together so that they actually sound good. But the individual phrases themselves can be picked out and used in practically any jazz solo. With a little tweaking, these phrases can also be used in songs with different tempos and in different keys.
In addition to performing the six complete solos on the CD, I'm going to explain each one in depth, phrase by phrase. Each phrase will include Practice Points-detailed directions that will help you understand my note choices and give you ideas for coming up with your own solo phrases over the given chord progressions, using various tricks and techniques. Once you've listened to a solo on the CD, start learning it phrase by phrase using the Practice Points to help you.
When you get through, you'll know all the phrases and be able play them along with the solo track or with the rhythm-only track at the end of the chapter-a full-band, minus-guitar track that's also included on the ProLicks CD. Playing along with the rhythm-only tracks will give you an opportunity to get a feel for how your phrasing sounds against a rhythm section and whether or not you're playing correctly. Plus, you can use these tracks to improvise your own jazz solos.
Some of the phrases are easier than others. Some are slower; some are faster. Take your time. Practice each phrase as many times as you need to get it right. And most of all, have fun!
Tuning notes for reference can be found on track 16 of the CD.



Table of Contents
Introduction .
How to Use This Book .
Before You Begin .

Get in Tune .

Arpeggio Substitutions
(In the style of Wes Montgomery, Johnny Smith, and Jimmy Raney) .

Scale Substitutions
(In the style of Tal Farlow, Joe Pass, Herb Ellis, and Jim Hall) .

Tension and Resolution
(In the style of Pat Martino, George Benson, and Wes Montgomery)

Jazz Blues
(In the style of George Benson, Wes Montgomery, Tal Farlow, and Joe Pass)

Chord Soloing
(In the style of Barney Kessel, Kenny Burrell, Wes Montgomery, and Ed Bickert] ...

Virtuoso Guitar
(In the style of Joe Pass, Barney Kessel, and Johnny Smith)

Guitar Notation Legend
 

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 3995 REH, CHORD-MELODY PHRASES FOR GUITAR. ESCHETE. CD



Euro 17,00

 
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REH, CHORD-MELODY PHRASES FOR GUITAR. Eschete. CD TAB.

Series: REH Publications
Softcover with CD - TAB
Author: Ron Eschete
Expand your chord-melody chops with these outstanding jazz phrases by Ron Eschete! He covers: chord substitutions, chromatic movements, contrary motion, pedal tones, inner-voice movements, reharmonization techniques, and much more. The book includes standard notation and tablature, and the CD features 39 helpful demo tracks.
 

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 3961 REH, JAZZ CHORD CONNECTION. CD



Euro 16,00

 
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REH, JAZZ CHORD CONNECTION. CD

A Systematic Approach to Understanding Guitar Fingerboard Harmony
Series: REH Publications
Softcover with CD - TAB
Author: Dave Eastlee

This terrific book/CD pack by Dave Eastlee will give you the jazz guitar voicings you need to know, plus the theory behind how they are used in common chord progressions. The CD includes 56 demo tracks of the exercises, which cover: common fingerings and voice leading; common jazz chord progressions; tritone substitution, turnarounds, diminished principles and other important jazz comping tips. In standard notation and TAB. 40 pages
 

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 3962 REH, JAZZ-ROCK SOLOS FOR GUITAR. CD



Euro 17,00

 
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REH, JAZZ-ROCK SOLOS FOR GUITAR. CD TAB.

Lead Guitar in the Styles of Carlton, Ford, Metheny, Scofield, Stern and more!
Series: REH Publications
Softcover with CD - TAB

Author: Doug Perkins
Artist: John Scofield
Artist: Larry Carlton
Artist: Mike Stern
Author: Norman Brown
Artist: Pat Metheny
Artist: Robben Ford
Author: Steve Freeman

Examine the solo concepts of the jazz-rock masters in this comprehensive book/CD package! You'll get phrase-by-phrase performance notes, plus tips on: improvising with triads; blues fusion; lines for static chords and vamps; atmospheric jazz; double stop improvising; and much more. The book includes standard notation and tab, and the CD features both full-demonstration and rhythm-only tracks.
 

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 6470 JAZZ-ROCK TRIAD IMPROVISING FOR GUITAR, Jean Marc Belkadi. Musicians Institute Press CD TABLATURE



Euro 16,99

 
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JAZZ-ROCK TRIAD IMPROVISING FOR GUITAR, Jean Marc Belkadi. Mus. Inst. CD TABLATURE
50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

Jazz-Rock Triad Improvising for Guitar
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

In this “private lesson,” MI instructor Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top, red-hot licks and lead phrases! He covers: modal and tonal usage, triad substitution and superimposition techniques, and much more. The book is in standard notation and tab, and the CD features 50 full-band tracks.

Inventory #HL 00695361
ISBN: 9780634001581
UPC: 073999953619
Width: 9.0"
Length: 12.0"
24 pages

PRIVATE LESSONS

JAZZ-ROCK TRIAD IMPROVISING for Guitar
50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top phrases.

- CD Includes 50 Full-Band Tracks
- Modal and Tonal Usage
- Triad Substitution and Superimposition Techniques
- Standard Notation and Tablature

ISBN 0-634-00158-2



Introduction
In contemporary music, the use of triads is an important element in improvisation and composition.
They are as prevalent as scales, modes, arpeggios, rhythms, and intervallic ideas.
Like scales and modes, triads can be substituted in tonal and modal music. They can also be
superimposed, creating bitonality or polytonality. Superimposed triads give us synthetic scales
such as hexatonic (6 note scales = 2 triads), or nonatonic scales (9 note scales = 3 triads).
What Is a Triad?
A triad is a three-note chord made up of a root, third, and fifth. There are four triad families:
Major triad: 1-3-5
Minor triad: 1-b3-5
Diminished triad: 1-b3-b5
Augmented tri ad: 1-3-# 5
Of course, in everyday applications triads are played with different inversions:
Root position
1-3-5

Inversion possibilities
3-5-1, 5-1-3, 3-1-5, etc.

Sometimes triads are played with one degree dispersed an octave higher:

regular triads
open triads

This dispersement procedure creates what is referred to as an open triad, and can be applied
to minor, diminished, and augmented triads, as well as major.

Triad Substitution
Triad substitution is where one triad is substituted in place of another. One of the most common
is flat-five-or tri-tone substitution. This is when a triad a flat-fifth degree (tri-tone) away is
substituted for a chord. For example: instead of playing a G major triad over a G7 chord, a Db
major triad (Db is a flat-fifth away from G) is "substituted."

Triad Superimposition
Triad superimposition is where two or more triads are played one after the other, creating a
"dispersed scale" effect of bitonality or polytonality. Of course all triads can be substituted or superimposed
in both tonal and modal music, either using the single-note approach or voiced in chord form.


About this Book
The purpose of this book is to help you to create your own ideas using triad concepts. It is
divided into two parts: tonal music (II-V-I chord progressions, Chapters 1 and 2) and modal
music (Chapters 3 and 4). Keep in mind that the examples do not follow a specific order
of difficulty; you can jump in anywhere and work with the licks you like best. You also might want
to listen to the CD first to locate the examples that appeal to you the most.

About the Audio
Throughout this book, the numbers in the audio symbols (+) indicate the CD track number
where each example will be found on the accompanying CD.
Each example is played at full tempo, and most are repeated at half speed. In addition, short
introductory phrases (which are not transcribed in the examples) are sometimes included to provide
a better sense of context and to maintain an improvisational feel.



Acknowledgments
I wish to give special thanks to Marie-Christine Belkadi, Kevin Holmes for editing assistance, all at Hal Leonard Corporation, Frank Gambale and Mike Stern for their support, Keith Wyatt from Musicians Institution, Steve Blutcher from DiMarzio, HHHrrernst Homeyer for his good advice, Marco Biasella and Pierre Pichon for letting me use their equipment, Alain Lasseube-Le frere
Gagarine, Olivier Hermitant for his friendship, and Chris Jero of Yamaha.
This book is dedicated to my dear Grandma, Georgette Bach.

About the Author
Jean-Marc Belkadi started playing guitar at age 14. He graduated from the Toulouse Music
Conservatory in his hometown. In 1984, he left France for the U.S. to study at Musicians
Institute in Los Angeles where he received the Best Guitarist of the Year award.
In 1989 and 1992, he was awarded third and second prize at the Billboard Song Contest.
For three years, he was musical director of the Johnny Hune TV show. He has written three guitar
method books-A Modern Approach to Jazz, Rock, & Fusion Guitar, The Diminished Scale for
Guitar, and Advanced Scale Concepts and Licks for Guitar-and has recorded one solo album.



Table of Contents
About this Book
About the Audio
Introduction

Chapter 1: Substitution and Superimposition Techniques in Tonal Music
Major Key II-V-I Progressions Using Substitution
Major Key II-V-I Progressions Using Superimposition
Minor Key II-V-I Progressions Using Substitution
Minor Key II-V-I Progressions Using Superimposition
Major Key IImi7b5-V-1 Progressions Using Substitution
Major Key IImin5-V-1 Progressions Using Superimposition
Major Key 117-V-1Progressions Using Substitution
Major Key 117-V-1Progressions Using Superimposition

Chapter 2: Open Triad Techniques in Tonal Music
Major Key II-V-I Progression Using Open Triads .
Minor Key II-V-I Progression Using Open Triads
Major Key Ilmi7b5-V-1 Progression Using Open Triads
Major Key II7-V-1Progression Using Open Triads

Chapter 3: Substitution and Superimposition Techniques in Modal Music
Ma7 Chord Examples
Ma7#11 Chord Examples
Mi7 Chord Examples
Mi(ma7) Chord Examples
Dominant7 Chord Examples

Chapter 4: Open Triad Techniques in Modal Music
Ma7 Chord Examples
Mi7 Chord Examples
Mi(ma7) Chord Examples
Mi6 Chord Examples
Dominant7 and Altered Dominant7 Chord Examples
Acknowledgments
About the Author
Guitar Notation Legend
Note: Track to tune up.
 

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 3450 A MODERN APPROACH TO JAZZ, ROCK & FUSION GUITAR. Jean Marc Belkadi Publisher: Mus. Inst. CD TABLATURE



Euro 16,99

 
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A MODERN APPROACH TO JAZZ, ROCK & FUSION GUITAR. Jean Marc Belkadi, Musicians Institute. Le scale maggiori, i cromatismi, triadi e tapping, arpeggi e sweep picking, fusione di idee. CD TABLATURE


Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas. Covers: alternate, sweep, and skip picking; major scale, chromaticism, arpeggios, superimposing triads; legato, wide intervals, alterations; and much more. Includes standard notation and tablature.

Inventory #HL 00695143
ISBN: 9780793573776
UPC: 073999951431
Width: 9.0"
Length: 12.0"
24 pages



A Modern Approach to JAZZ, ROCK, & FUSION GUITAR

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas

- Major scale, chromaticism, arpeggios, superimposing triads
- Alternate picking, sweep picking, and string skipping
- Legato, wide intervals, alterations
-Standard notation and TABLATURE

HL00695143

MUSICIAN INSTITUTE PRESS
is the official series of Southern California's renowned music school. Musicians Institute
MI instructors, some of the finest musicians in the world, share their vast knowledge and
experience with you nomatter what your current level.
Whether your instrument is guitar, bass, drums, vocals, or keyboards, MI PRESS
offers the finest music curriculum for higher learning through a variety of series:

Essential Concepts – designed from MI core curriculum program

Master Class - designed from MI elective courses

Private Lessons - tackle avariety of topics "one-on-one" with MI faculty instructors

Pocket Guide - handy reference to the basics

Video - in-depth lessons with many of Ml's well-known instructors

Workshops - transcribed scores of music's greatest songs, designed from Ml's performance workshop classes.

HAL LEONARD


by Jean Marc Belkadi

Contents

Dedication
About the Author
Introduction
Introduction to the Recording
Tuning
Chapter 1: The Major Scale and Chromatism
Chapter 2: Triads
Chapter 3: Arpeggios
Chapter 4: Additional Ideas
Closing
Guitar Notation Legend

ISBN 0-7935-7377-7
HAL-LEONARD


DEDICATION
This book is dedicated to Marie Christine Belkadi, my brother Patrick, and my
parents whose love, strength, and faith has been a source of inspiration and
growth.
Special thanks to:
Karen Segal for transcribing, copying, editing, and for all your positive
suggestions.
Vasso Dimitriou for producing, recording, and for your supportive attitude.
Ted Green for editing and positive advice.
Thanks to Frank Gambale, Michael Komitchisk, Francois and Fred from LAG
guitars and Steve Butcher from Dimarzio pick-ups.

ABOUT THE AUTHOR
Jean Marc Belkadi started playing guitar at age 14. He graduated from the
Toulouse Music Conservatory in his hometown. In 1984,he left France for the
u.s. to learn at the Musicians Institute of Technology in Los Angeles where he
received the Best Guitar of the Year Award.
In 1989 and 1992he was awarded third and second prize at the Billboard Song
Contest. For three years he was musical director of the Johnny Hune TV show.
He has written two guitar method books addressing Jazz, Fusion and Rock
soloists and recorded one solo album.

INTRODUCTION
The purpose of this book is not to be a guitar method book with a captalIM."
Rather, it is intended as a source of inspiration to help you develop your own
ideas. The three key areas that I focus on and encourage you to explore are:

Melody
In any style of music you are into, the melodic direction, sound, and phrasing
are the first and most important things to consider. For this reason-and to
develop the connection between your ear and fingers-I recommend that you
sing all the lines (slowly at first).

Harmony
All of the lines are performed against a certain chordal background. However,
they can also be used with other chords and will sound different in each context.
I encourage you to experiment by playing them in different chordal contexts using
a tape recorder, a synthesized background, a friend, or whatever you may have
available.

Technique
This book is geared for guitar players and makes use of various techniques that
are unique to the guitar, including alterna te, sweep, and skip picking, hammer-ons,
pull-offs, and tapping. Play the lines very slowly and accurately at first and
gradually speed up. Don't forget that the melody should sound natural to you at
any tempo. The harmony should be implicit, your phrasing clean, and timing
perfect.
Let's begin now! I hope you will enjoy this as much as l do ...

Editor's notes:
Follow the audio icons in the book to keep your spot on the CD.
A short "introductory" solo portion may sometimes precede the main lick of each
figure, to give it a better sense of context. However, only the main lick itself
appears transcribed in each case.
 

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Euro 16,00

 
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JAZZ FOR THE ROCK GUITARIST. CD TAB.

Series: Guitar Educational
Softcover with CD - TAB
Author: Michael Mueller

Take your playing beyond barre chords and the blues box! This book/CD pack is ideal for the rock guitarist who is interested in expanding boundaries and exploring new musical paths. Ten chapters will take you through the essentials of the jazz idiom with plenty of exercises and examples all of which are demonstrated on the accompanying CD. 48 pages.
 

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CHITARRA LAMPO