CHITARRA LAMPO

JAZZ METHODS

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3848 BERKLEE INSTANT GUITAR, PLAY RIGHT NOW! BERKLEE METHODS CD

Euro 16,00

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BERKLEE INSTANT GUITAR, PLAY RIGHT NOW! BERKLEE METHODS CD

Series: Berklee Methods
Publisher: Berklee Press Publications
Medium: BOOK W/CD
Author: Tomo Fujita

No matter what your level of musical knowledge, this book/CD pack is a fun method for students of all ages who want to start playing the guitar. Features simple lessons and tips on theory and technique, strategies to help you understand the guitar and develop your own guitar parts, and solid chords and rhythm-guitar patterns you'll use in these tunes and beyond. When you're ready, you can jam with the band in a variety of musical styles on the accompanying CD. 48 pages

Availability:

5923 BERKLEE JAZZ GUITAR CHORD DICTIONARY, Rick Peckham. 42 pagine. TAB.

Euro 10,00

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BERKLEE JAZZ GUITAR CHORD DICTIONARY, Rick Peckham. 42 pagine. TAB.

Series: Berklee Guide
Publisher: Berklee Press
Softcover - TAB
Author: Rick Peckham

This chord dictionary from the assistant chair of Berklee's guitar department includes 100+ chord forms, from basic 7th chords to guide tone chords and triads over bass notes. It is organized to reveal chord relationships and help guitarists learn voicings quickly and thoroughly. Includes notes, fretboard diagrams and TAB for each chord.

Availability:

3966 BERKLEE PRACTICE METHOD TRUMPET. CD

Euro 16,00

Quantity

BERKLEE PRACTICE METHOD TRUMPET. Per tromba.

Discover how to play in a band with this Berklee Practice Method book/CD pack! Lessons throughout the book guide you through technique that is specific to playing the trumpet in a contemporary ensemble. You'll learn: melody and improvisation, phrasing, articulations, breathing, chords, scales, theory, comping, reading, interpreting lead sheets, and much more. Daily practice routines are designed for practicing by yourself, or with other musicians. The accompanying CD features outstanding Berklee players and covers a variety of styles, including rock, funk, jazz, blues, swing and bossa nova.
CD

Availability:

4784 BIG BOOK OF JAZZ GUITAR IMPROVISATION. M. Dziuba. CD TAB.

Euro 21,00

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BIG BOOK OF JAZZ GUITAR IMPROVISATION. M. Dziuba. CD TAB.

By Mark Dziuba
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Learn to channel improvisational impulses into great solos with this amazing book & CD by outstanding jazz performer and educator, Mark Dziuba.

Topics are thoroughly explained and organized into three main categories: instruction in the harmonic and melodic structures of jazz, discussions of practical application, and conceptual issues. Complex subjects are taught with an engaging and friendly style, so things like melodic and rhythmic motifs, phrasing, development, guide tones, chromaticism and functional harmony are easy and enjoyable to learn.

This is a must-have book for all jazz guitarists that will be used for years to come. 144 pages.

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5848 THE TOTAL JAZZ GUITARIST. CD TAB.

Euro 18,00

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THE TOTAL JAZZ GUITARIST. CD TAB.

By Jody Fisher
ITEM: 00-24417
UPC: 038081265780
ISBN 10: 0739038486
ISBN 13: 9780739038482
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

The Total Jazz Guitarist is an exciting journey through the diverse world of jazz guitar playing. You start with basic lessons on the major scale and end up playing intricately beautiful chord melodies and soloing over tricky jazz chord progressions. This wide-ranging study is for all players from beginning to advanced. The beginning-to-intermediate student will find all the tools needed to become a great guitarist, while the more advanced player will find lots of useful tips and a fresh perspective on jazz guitar. Whether this is your first jazz guitar book or you've been studying for years, this is the one place to get everything you need to make you a great jazz guitarist. A CD demonstrating the examples in the book is included.

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4587 COMPLETE FINGERSTYLE JAZZ GUITAR BOOK. MAUSE CD

Euro 29,95

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COMPLETE FINGERSTYLE JAZZ GUITAR BOOK. Mause CD TAB.

Product Description:
This book is complete in the sense that there is something for everyone: beginners, intermediate players and professionals. Along with learning the basics, this book teaches fingerstyle guitar players to play two-string harmonies, accompaniment styles and much more. Alan De Mause has filled the companion CD to capacity with 90 examples of music from his landmark text. The recording features nylon-string guitar throughout in both solo and midi-accompanied settings. A full range of jazz guitar stylings is offered, starting from square one and proceeding through advanced fingerstyle solo material. 184 PAGES

Format: Book/CD Set
Series: Complete

Contents:

SECTION ONE: Getting Started with Fingerstyle Jazz Guitar

INTRODUCTION
Being your own band
About the author
Acknowledgments

SECTION ONE/PART 1: Guitars, hand positions, fingerstyle strokes
Your guitar
Centering the guitar
Naming fingers
Right arm and hand position
Melody playing with the rest stroke
When hammering your nails
Let two fingers do the walking
On the other hand, the left--
Restrain the wayward thumb
May I presume--?
Open strings: E, B, and G
Three notes on open strings
Music, meter, and measures
Three beats per measure
Time signatures: 3/4
Time signatures: 4/4
Four beats per measure
Picking pairs of alternating fingers: m-a
Quarter notes, half notes, and whole notes
Matching right hand fingers with strings
Rematch
Open choice on open strings
Thumbing along freely
E, A, and D
Digging deep
Fingers and thumb
Uppers and lowers
Reader's choice

SECTION ONE/ Part 2: Learning the blues: fretted notes, rests
The old open six
The new fretted two
Left-hand technique
B, E, and some friends
The oldies and the newies
Make a blues sound
Blues background
Go form a blues
A and D complete the blues scale
Picking up notes
E blues scale
Time for a rest
Go and Stop
Stopping an open string from ringing
Damping
Thumb work
Strings 'n things
Accuracy in notation
Something simple
Too simple?
Music in two parts
Rests in two part music
Ties that bind
Not so hard
Try it, you'll like it
Twofers
One more note
Lower ledger lines workout with G
Complete two octave blues scale
Try it two ways
Let it rip blues trip
Sun rhythmics
House of the Rising Sun

SECTION ONE/ Part 3: Rhythming around
Can we talk?
Swimming in rhythm
Find a rhythmic reference
Basic and specific rhythms
Review of whole note, half note, quarter note, and rest equivalents
Take a rest (notes and rests)
Ties that bind
Dots incredible
Equivalent tied and dotted notes
Rhythm in 3/4 time
Two part rhythm
Blues with the whole thing

SECTION ONE/ Part 4: The flow of jazz: Eighth notes
Simple eighths
Counting eighths
Eighth notes and others
Talking to yourself
Mixes bag of note values
Take a rest
Simple ties that bind
Swinging the blues
Doo-ba Doo-ba blues
Eighth notes with mixed rests
Ties in disguise?
Same guise with ties: Eighth-Quarter-Eighth and Tie
Same guys with rests: Half rest-Quarter rest-Eighth rest
The readability factor
Dots and ties incredible
Ties with dotted note equivalents
Dotted quarter notes with eighth notes and eighth note rests
Dot's all in 3/4, folks
Pause to catch your wind and finish up
Rhythmic review
Bop Stop

SECTION ONE/ Part 5: All together, now
Playing to or more strings simultaneously
Two strings and parts, one rhythm, same bass notes
As above, with a variety of bass notes
More note movement
pattern playing
Rhythmic independence in both parts
Independence in 3/4
Blues with a beat
Whompin' the blues
Back to the future
Half note bass
Quarter note bass
Quarter note bass in 3/4 time
Half note plus quarter note in 3/4 time
Refurbishing Twofers
Deja vu: Part 4 review
Slower melody, faster bass
Shuffling Home
It's a wrap!
Further study

SECTION TWO: Creating Fingerstyle Jazz Guitar Solos
SECTION TWO/Part 1: Preparing to create a fingerstyle jazz solo
May I presume--?
Special Note: No TAB or audio here
Selecting a tune
Both melody and chord symbols are on the original sheet music
Lead sheet fragment
It can be played easily as is
It is basically in one key
It is in a good guitar key
It is in a range convenient for adding harmony below the melody
Trial run for tunes
Tune 1
Tune 2
Raising the melody one octave higher
Changing keys by counting steps
TALE OF KEYS (arranged by half step intervals)
You could trace them down
Accidentals
Chord symbols
Tune 2 transposed to D
How high is high enough?
Setting up the tune for arranging
Conventions of notation for fingerstyle guitar
Tune 2 in G, stems up
It's a singer's world
Tune 3 with original piano lead sheet and vocal part
Tune 3 with stems up, eighth notes beamed

SECTION TWO/Part 2: Accompanying yourself
What's next
Adding to this band of one
Rooting for the root
When to change the bass note
Rhythm changes
Two more
Twofers
Bass notes in 3/4 time
Threefers
Making the bass more independent
Rhythm Changes with quarter notes in the bass
Making repetition less repetitious
Variation on four quarter notes
Rhythm Changes with syncopated bass
Alternating octaves
Alternating Octave Blues
When to use which bass rhythm
Getting it down on paper

SECTION TWO/Part 3: Oom-pah power
Root/fifth
Great Scott!
Finding the root/fifth of a scale
Root/fifth of the C major chord
Oom-pah Rhythm Changes
Putting some oomph into the oom-pah
Lowering the oom-pah
The not-so-perfect fifth
Let's all root for the fifth
View of Blues
Your turn

SECTION TWO/Part 4: Marking major and minor
Distinguished notes
Locating thirds using scales
Using the C major scale to locate major thirds
finding minor thirds
Using the C melodic minor scale to locate minor thirds
Absolute measuring: the chromatic scale
The chromatic scale spelled in sharps
The chromatic scale spelled in flats
Juggling thirds
Exercise A
Exercise B
Building chords by stacking thirds
Two plus two
Using major and minor thirds in arranging
Mandatory thirds
Rhythm Changes with thirds
An OK Place to Be
Sequences
Answers to Exercises A and B

SECTION TWO/ Part 5: Accompanying with arpeggios
The Natural
Rhythm Changes with arpeggios
Right-hand fingering
Left-hand fingering
Alternate arpeggiation style
Arpeggio samples
Reality enters
Rhythm Changes with reality
Your turn

SECTION TWO/ Part 6: Harmonizing a melody with a third below
Quick and EZ thirds
Making the top note ring out
Rhythm Changes in thirds
Interval makeup of chord symbols
Perfect matches-- or not
Adjusting the fit
Bringing back the bass
Rhythm Changes in thirds plus bass
Third this blues
Third this blues (completed)
TABLE OF THIRDS

SECTION TWO/ Part 7: Harmonizing with tenths
Tenths: the dropped third
Rhythm Changes with parallel tenths in the bass
Rhythm Changes with mixed intervals
Improvisation on Rhythm Changes
Trippingly, with tenths
Walking tenths
Accompaniment using walking tenths
TABLE OF TENTHS
There's tenthing tonight on the old camp ground

SECTION TWO/ Part 8: Harmonizing with sixths
Another natural
Rhythm Changes déjà vu
Multipurpose sixths
Parallel Me, Baby
Crackers and Muscles
Show Me the Way to Go Sixths
TABLE OF SIXTHS
Crackers and Muscles (completed)
Congratulations!
More is less
Training in A

SECTION THREE: Professional Fingerstyle Jazz Guitar

SECTION THREE/Part 1: Harmonic background
Complete fingerstyle jazz guitar
May I presume--?
Something to play upon
Jazz harmony
Chord qualities
Standard chord voicings
Root position, thirds an octave higher
Root position, thirds and fifths an octave higher
HARMONIC MOVEMENT
Harmonic movement based on scale steps
Diatonic walking tenths
Diatonic walking sixths
Harmonic movement based on the cycle of fifths
Root movement using the cycle
Focusing on fifths
Chromatic harmonic movement
Mixers
Ascending by half step

SECTION THREE/Part 2: Self accompanying
One is company
SINGLE NOTE ACCOMPANIMENT OF MELODY
Root movement
Double bass notes, root movement
Mixes bass rhythms
Repeated figure bass
Root/fifth alternation (simple)
Other alternating bass notes
Non-root movement
Walking bass (diatonic)
Walking bass (chromatic)
Anticipation
Delaying
Folk jazz
More
TWO NOTE ACCOMPANIMENT OF THE MELODY
An abundance of riches
Stomp romp
Alternating bass on hormones
When melody and bass overlap
Oom-pah meets arps
Melody accompanied by tenths in the bass
Autumn Sneeze
Piano movements
Closer voicing
Leading with a two-note comp
Sneezing and comping
More non-root movement
Music in three parts

SECTION THREE/Part 3: Capable accompanist accoutrements
Fingerstyle accompanying
Those other playmates in your sandbox
Accompanying singers
Crush
Guitar and bass comping behind a soloist
Some Day My Prints Will Arrive
Guitar duets
Imagine Nation
Accompanying with one note at a time
My Gummy Valentine
Walking-bass-plus-chord
Bird Adobe Song
Guitar and flute duet
Body and Sole
Guitar and --

SECTION THREE/Part 4: Expressive devices of jazz
Making jazz jazzy
The underlying rhythmic pulse: Quarter note
The feeling of swing
Accented notes on off-beats
Oo-bah oo-bah
Ghosting notes by plucking lightly
Ghosting notes by using slurs
Slides and fall-offs
Bends
Rhythmic displacement
The whole thing
In a Yellow Phone

SECTION THREE/Part 5: Pedaling the cycle of fifths
Why the cycle of fifths is important
Notation conventions
Root movement
V7-I with opposing movement
V7-V7 with mixed movement
V7-I tritone pull
Chords, pieces, and lines
The spread
More tenths
Bassman--the bass, man!
Challenge
Harmony today
Less relentless
Cycled out

SECTION THREE/Part 6: Intros, endings, turnarounds, tags & modulations
Yipes!
An introduction by any other name
The ins and outs of I-V7, V7-I, and IV-I
INTRODUCTIONS
A moving experience
Classic drama
Vamp
II-V7 within one measure
II-V7 over two measures
Purposeful ambiguity
Peaceful, easy feeling
2-in-1 EZ cheap trick
ENDINGS
Cycling to the end
Minor matter
Turnarounds (turnbacks)
Turnaround with modulation
TAGS (Codas)
Tag me if you can
Tag, you're it
MODULATION
Nothing special
Instant modulation: V7-I
Taking time
Back cycling
Smoother moves: II-V7-I
Descending chromatically
Approaching by half step
Mozart's fakeroo

SECTION THREE/Part 7: Fun Jazz
Are we having fun yet?
Blew Moo
Good Evening, Friends
Ain't Miss Bee Haven
Stringing the World Along
Roots in A
Bird Abode Song
3 on 4
Walkdown
Further study

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4926 COMPLETE JAZZ GUITAR METHOD, Christiansen. CD DVD TAB.

Euro 34,00

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COMPLETE JAZZ GUITAR METHOD, Christiansen. CD DVD TAB.

Product Description:
If you're getting into jazz or expanding your jazz chops, this comprehensive approach is for you. From comping and chord voicings to single-note soloing, you will learn, step by step, the tools necessary for playing jazz guitar. The book is easy to understand and contains hundreds of great-sounding playable examples to serve as springboards for applying the concepts to jazz standards or your own compositions. Whether you're into traditional jazz or fusion, this book has it all. In notation and tablature. CD and DVD included.

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4883 COMPLETE JERRY HAHN METHOD FOR JAZZ GUITAR. CD

Euro 24,00

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COMPLETE JERRY HAHN METHOD FOR JAZZ GUITAR. CD TAB.

Product Description:
This jazz guitar book is a compilation of three books formerly published as Volume 1 - Scales and Exercises, Volume 2 - Patterns and Solos and Volume 3 - Improvisation Course and Chord Studies. This comprehensive edition covers all of the facets of jazz guitar study including all of the primary scales and arpeggios in five positions. There are several exercises to help increase technical facility including an excellent cross-picking exercise. Also there is a large single line section that includes jazz vocabulary and ideas to be played over certain chords and progressions. Learning and memorizing these single line studies expands the student's improvisational concepts and technique. The chord section includes the primary chord forms found in jazz and contemporary music as well as examples of turn-arounds, variations on twelve bar blues, and modal comping. The harmonized bass line section has four chord studies in a Freddie Green style. The Improvisation Course is a unique systematic approach to teaching improvisation. It consists of four lessons that has the student write out solos (with out an instrument) utilizing certain rules. The material in this book will provide a solid foundation for the aspiring jazz guitar student and has been used as the primary text for the jazz guitar programs at Portland State University and Wichita State University. 176 pages.

Table of Contents

Practicing - Ideas and Suggestions
Fingerboard Chart
Key to Notational Symbols
Picking Technique
Parent Scales and Modes
Exercises - Basic Warm-ups
Blues Scales and Patterns
G Major Scales and Arpeggios in Five Different Positions
G Major Scale - 2nd Position
G Major Scale - 5th Position
G Major Scale - 7th Position
G Major Scale - 9th (10th) Position
G Major Scale - 12th Position
Db Major - 1st Position
Db Major - 3rd (4th) Position
Db Major - 6th Position
Db Major - 8th Position
Db Major - 11th Position
G7 Scales and Arpeggios
G Minor Scales, Arpeggios and Chords
G Melodic Minor
G Lydian
G Lydian Dominant
G Locrian
G Altered Dominant
G Major Extended
C Major Extended
Diminished Scales and Arpeggios
Patterns for Diminished Scales
Whole-Tone Scales and Patterns
Cross-Picking Exercises
Chord Positions for Cross-Picking Exercises
Alternating Picking
Cross Picking Part II
Seventh Position
Alternative Picking Patterns
V7-I Patterns
II7-V7 Patterns
Bmi7b5-E7 Patterns
G Minor Patterns for Improvisation
Polytonal Improvisation
Polytonal Patterns
Pentatonics
Modal Improvisation
D Dorian
Eb Dorian
The Language of Jazz
Jazz Language
Changing Positions
Complete Fingerboard Knowledge - Malachi
Jazz Blues Solo
II-V7-I Cycle
Giant Steps Ahead
All the Things You're Not
Joy Springtime
Rhythm Changes
Comping Rhythm Changes
Titus
Rhythm Changes Solo
Chord Forms
Major
Minor
Dominant Seventh
Chords with Open Strings
Comping
Modal Comping
Twelve Bar Blues
Twelve Bar Progressive Blues
Harmonized Bass Lines
Study #1 in G
Study #2 in C
Study #3 in Bb
Study #4
Chelsea Rose
What a Friend We Have in Jesus
Improvisation - Lesson I
Improvisation - Lesson II
Improvisation - Lesson III
Improvisation -Lesson IV
Solo to "In the Breeze"
Listening
Jerry Hahn

CD Contents
1. Tune up
2. Picking Technique
3. Basic Warm-ups - No. 1
4. Basic Warm-ups - No.2
5. Basic Warm-ups - No.3
6. Blues Scales and Patterns - No. 1
7. Blues Scales and Patterns - No. 2
8. Blues Scales and Patterns - No.3
9. Blues Scales and Patterns - No.4
10. Chord Positions for Cross-Picking Exercise
11. Alternating Picking - No. 1 - 4
12. Alternating Picking - No.5 - 8
13. V7-I Patterns - No. 1 - 4
14. V7-I Patterns - No. 5 - 9
15. V7-I Patterns - No. 10 - 12
16. II7-V7 Patterns - No. 1 - 4
17. II7-V7 Patterns - No. 5 - 8
18. II7-V7 Patterns - No. 9 - 12
19. Bm7b5-E7 Patterns - No. 1 - 4
20. Bm7b5-E7 Patterns - No. 5 - 8
21. Bm7b5-E7 Patterns - No. 9 - 12
22. G Minor Patterns for Improvisation - No. 1 - 4
23. G Minor Patterns for Improvisation - No. 5 - 8
24. G Minor Patterns for Improvisation - No. 9 - 12
25. Polytonal Improvisation Scales and Arpeggios
26. Polytonal Improvisation - No. 1 - 4
27. Polytonal Improvisation - No. 5 - 8
28. Polytonal Improvisation - No. 9 - 12
29. Polytonal Patterns - No. 1
30. Polytonal Patterns - No. 2 and Pentatonics No. 1 - 5
31. Pentatonics - No. 6 - 9
32. Pentatonics - No. 10 - 14
33. Pentatonics - No. 15
34. D Dorian
35. E Donan
36. Jazz Language
37. Changing Positions
38. Complete Fingerboard Knowledge - Malachi
39. Jazz Blues Solo
40. II-V7-I Cycle
41. Giant Steps Ahead
42. Giant Steps Ahead first six measures and 1st and 2nd measures Patterns No. 1 - 4
43. Giant Steps Ahead 1st and 2nd measure Patterns No. 5 - 7
44. Giant Steps Ahead 5th and 6th measure Patterns No. 1 - 5
45. All the Things You're Not -Slow Version
46. All the Things You're Not - Fast Version
47. Joy Springtime - Slow Version
48. Joy Springtime - Fast Version
49. Joy Springtime - Original Version
50. Comping Rhythm Changes - Study # 1
51. Comping Rhythm Changes - Study # 2
52. Titus
53. Rhythm Changes Solo - Slow Version
54. Rhythm Changes Solo - Fast Version
55. Rhythm Changes 1st and 2nd measure Lines 1 - 6
56. Rhythm Changes 1st and 2nd measure Lines 7 - 12
57. Comping - No. 1 - 2
58. Comping - No. 3 - 5
59. Modal Comping - No. 1 - 3
60. Modal Comping - No. 4 - 6
61. Twelve Bar Blues - a and b
62. Twelve Bar Blues - c and d
63. Twelve Bar Blues - e, f and g
64. Twelve Bar Progressive Blues
65. Twelve Bar Progressive Blues Solo
66. Study # 1 in G (Twelve Bar Blues)
67. Study # 2 in C (Twelve Bar Blues)
68. Study # 3 in B (Twelve Bar Blues)
69. Study #4 in A (Donna Lee or Indiana)
70. Chelsea Rose
71. What a Friend We Have in Jesus
72. Improvisation Course Lesson I Solo Example
73. Improvisation Course Lesson II Solo Example
74. Improvisation Course Lesson III Solo Example
75. Improvisation Course Lesson IV Solo Example - In the Breeze

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4556 COREA CHICK, PLAY-ALONG COLLECTION. CD OUT OF PRINT

Euro 16,95

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COREA CHICK, PLAY-ALONG COLLECTION. C instruments. CD

Song List:
Bud Powell
Captain Marvel
500 Miles High
Litha
The Loop
Mirror, Mirror
Now He Beats The Drum, Now He Stops
(I Can Recall) Spain
Tones For Joan's Bones
Windows

Availability:

4936 CREATIVE COMPING CONCEPTS FOR JAZZ GUITAR, Boling. CD

Euro 18,00

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CREATIVE COMPING CONCEPTS FOR JAZZ GUITAR, M. Boling. CD TAB.

Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along CD recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively.

Contents:

Introduction
Acknowledgements
RHYTHM
PHRASING
TEXTURE
CHORD VOICINGS
Voicings in Thirds
Drop-2 and Drop-3 voicings
Guide Tone Voicings
Voicings in Fourths
Voicings in Fourths and Pentatonic Scales
Voicings Derived from the Minor 6 Pentatonic Scale
Voicings Using Combinations of Intervals
Slash Chords
Polychords
VOICELEADING
Common Tones
Direction of Top Voice
Parallel Motion with Constant Structure Voicings
Intervallic Voiceleading
CHORD SUBSTITUTION AND REHARMONIZATION
Diatonic Substitution from the Third
Diatonic Passing Chords
Add a Related Ilmi7 Before Any Dominant 7
Alter Dominant 7 Chords That Resolve Down a Perfect 5th
Chromatic Approach
Dominant Approach
Cycle of Dominants as a Reharmonization Technique
Cycle of II-Vs as a Reharmonization Technique
Chromatically Ascending 4th
Monet
C Minor Blues
Blues in F
Rhythmystic
Soul Three
Whole Nother Standard

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CHITARRA LAMPO