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1750 LED ZEPPELIN, IN THROUGH THE OUT DOOR. GUITAR TABLATURE

Euro 25,99

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LED ZEPPELIN, IN THROUGH THE OUT DOOR. GUITAR TABLATURE

Led Zeppelin: In Through the Out Door
Led Zeppelin
Item: 00-31944
UPC: 038081344515
ISBN 10: 0739057529
ISBN 13: 9780739057520

Category: Guitar Personality
Format: Book
Instrument: Guitar
VERSION: Authentic Guitar TAB Edition includes complete solos

Led Zeppelin' s final studio recording, In Through the Out Door, was released in 1979, just one year before the passing of John Bonham and the dissolution of the group. All songs are fully transcribed in notation and TAB. Songs include: In the Evening * South Bound Saurez * Fool in the Rain * Hot Dog * Carouselambra * All My Love * I'm Gonna Crawl.

Released 15 August 1979
Recorded November December 1978,
Polar Studios, Stockholm, Sweden

TITLE COMPOSER

South Bound Suarez - Robert Plant (composer); John Paul Jones (composer)
All My Love - Robert Plant (composer); John Paul Jones (composer)
In the Evening - Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
Hot Dog - Jimmy Page (composer); Robert Plant (composer)
Carouselambra - Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
Fool in the Rain - Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
I'm Gonna Crawl - Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer

spiegazione della notazione e dell'itavolatura in italiano

* In the Evening

* South Bound Saurez

* Fool in the Rain

* Hot Dog

* Carouselambra

* All My Love

* I'm Gonna Crawl.

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1755 LED ZEPPELIN, PRESENCE. TABLATURE

Euro 24,00

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LED ZEPPELIN, PRESENCE. TABLATURE

Led Zeppelin. For Guitar. This edition: Authentic Guitar TAB. Guitar Personality. Book. 136 pages. Recorded in 1975 in just 18 days while Robert Plant was recovering from a car accident. Presence went on to sell over 4 million copies. All songs are fully transcribed in notation and TAB. Songs include: Achilles Last Stand - For Your Life - Royal Orleans - Nobody's Fault but Mine - Candy Store Rock - Hots On for Nowhere - Tea for One.

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6315 LED ZEPPELIN, MOTHERSHIP. TABLATURE

Euro 32,70

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LED ZEPPELIN, MOTHERSHIP. TABLATURE

It was a modest announcement, a two-page press release issued in November 1968: "Atlantic Records has signed the hot, new English group Led Zeppelin to a long-term exclusive recording contract. Although the exact terms of the deal are secret, it can be disclosed that it is one of most substantial deals Atlantic has ever made."
Most of what followed was quick biography-Jimmy Page's history with The Yard birds, where he had succeeded Eric C1apton and Jeff Beck as lead guitarist, and as one of the best and busiest session musicians in Britain; bassist John Paul Jones' success as an arranger of hit records for Donovan and The Rolling Stones, among many others. There were references to drummer John Bonham's already notorious solos as a member of American singer Tim Rose's touring band and to Robert Plant's blooming reputation as "one of England's outstanding young blues singers."
There was a promise too. "Top English and American rock musicians who have heard the tracks," the release said, referring to Zeppelin's imminent debut album, "have compared the LP to the best of Cream and Jimi Hendrix and have called Led Zeppelin the next group to reach the heights achieved by Cream and Hendrix."
That was audacious talk, a fat power chord in the face, at a time when Hendrix still walked the Earth and Cream were a fresh memory-the latter played their farewell shows that ,'ery month at London's Royal Albert Hall. In comparison, when Lcd Zeppelin opened their first North American tour in Denver, Colorado, on December 26, 1968, they were third on a bill to Vanilla Fudge and Spirit and treated like a doormat. The promoter, Plant told me years later, deducted the cost of the backstage grub" this four-Ioaves-and-fivc-fishes thing"-from the band's pay.
At other dates, Plant operated Zeppelin's PA. system himself, onstage, and Bonham often played without miking his kit (a minor annoyance as he was loud enough without electricity). In Detroit a local newspaper ad for Zeppelin's three-night stand at the Grande Ballroom announced the appearance of "Led Zeptlin." But as Page said later, recalling that tour, "You could feel something happening-first this row, then that row. It was like a tornado, and it went rolijng across the country." By the end of 1969, Page, Plant, Jones, and Bonham had torn through North America four times, each time to bigger, sold-out audiences. In Britain, where they had been in clubs as The ew Yard birds as late as October 1968, Zeppelin quickly followed Cream into the Royal Albert Hall, ftlling it in June 1969 (and again in January 1970).
In that first whiplash year, Led Zeppelin also released two of the most exciting and important rock albums ever made, Led Zeppen fill and Led Zeppelin II-together, the fundamental bones of hard rock and heay\ metal for the next four decades.
From the start, Led Zeppelin were working warriors. They toured like dogs-albeit in wild-boy luxury, fiercely protected by their manager, Peter Grant-and made eight studio albums (one a double LP) at a pace that now seems superhuman. Page claimed the total recording time for Led Zeppelin was 30 hours. The band made II on rare off days berwcen shows in the summer of '69, in nearly a dozen different studios. "I remember we did vocal overdubs in an eight-track studio in Vancouver where they didn't even have proper headphones," Page rccalled in a 1977 interview with Dave Schulps for the American magazine Trails-Oceanic Trouser Press. "Can you imagine that?"
Actually, yes. Even the band's harshest critics-and there were armies of thcm at the time-could not deny that Led Zeppelin had a rare drive to excel and conljuer. "So many people are frightened to take a chance in life," Page told Rolling Stone's Cameron Crowe in 1975, "and there's so many chances you have to take." Jones did not hesitate to give up the regular, lucrative checks from his studio gigs to be in Led Zeppelin; as soon as he heard about Page's plans for a new group, in the late summer of '68, he called Page and asked to join. Page himself was throwing dice when, on the recommendation of Terry Reid (who turned down Page's offer to be vocalist), he checked out and hired Plant, just 20 and unknown beyond the club grind in England's industrial Midlands. Page then took Plant's advice and grabbed the singer's friend, Bonham.
"It was a series of intense, dynamic crescendos, one right after the other;' Plant told me, describing Zeppelin's first American shows in 1968 and '69. "There was no room for the letdown."
That is also a perfect description of the power, confidence, and desire-the lust for liftoff-in these songs and performances. Led Zeppelin wanted everything, in record time. And they were afraid of nothing. Mothership--the peak of their canon-is what No Fear sounds like.
The first four songs here, all from Led Zeppelin, are the work of a new band racing against clock and budget to connect their individual histories and collective passions into a new, huge music.
The roots are unmistakeable, the combination unprecedented: the blues, twang, and holler of America's Deep South and black urban neighborhoods, especially anything bearing the classic Chess, Sun, and Atlantic labels; the British folk renaissance; California Day-Glo psychedelia.
So are the ambitions. "Good Times Bad Times" and "Communication Breakdown" are as tightly arranged as any candy-pop 45 Page and Jones played on as hired guns. But the details are explosive: Bonham's ayalanche rolls and Jones' pummeling bass outbursts in "Good Times Bad Times"; the nuclear buckshot of Page's chords behind Plant's arcing wail in ...

To Plant, the essence and promise of Led Zeppelin was in "the quest, the travels and explorations that Page and I went on to far climes well off the beaten track," he told me in a 1988
inten·iew. \X'orld domination obvioush' had its benefits. "I had a dream/Crazy dream/Anything I wanted to know, any place I needed to go," Plant crowed in "The Song Remains The Same" on
1973's Houses Of The Holy'. Except it was no dream. By then, Bron-Yr-Aur, a remote cottage in southern Wales,was famous for the songs Page and Plant wrote there in 1970 and '71; Page and
Plant had also recorded in India with members of the Bombay Symphony. "D'yer Mak'er" may have been tongue-in-cheek reggae (say the title real fast), but the blunt-instrument treble of Jones'
bass was authentic homage to the trull- heavy bottom and primitive fidelity of Jamaican records and rhythm sections. (page often put Jones way up in Zeppelin mixes; in "I houses Of The
Holy," originally cut for that album, the chugging bass is louder and dirtier than Page's guitar.)
"Of course, we only touched the surface," Plant said of those excursions with Page between records and tours. "W'e weren't anthropologists. But we were allowed, because we were musicians, to be invited in societies that people don't normally witness, It was quite a remarkable time, to open your eyes and see how Berber tribesmen lived in the northern Sahara"-a memorable trip that
inspired the thundering march and orchestral sandstorm of "Kashmir" on the 1975 double album Phpica! Graffiti.
Jones' skills as an orchesrrator and multi-instrumentalist, rarely mentioned even in ra\'e reviews of the band's records, were pivotal in Zeppelin's songs of pilgrimage (real and imagined). The
mounting doom of "No Quarter" on Houses Of The Holy starts with the simple, compelling black-liquid ripple of his electric piano.
In "Kashmir" staccato strings march alongside Page's climbing guitar, and long mellotron chords roll O\'er the horizon like clouds of dust. \X'hen I asked Plant, in 1988, about "Stairway To Heaven"
and its status as the definitive Zeppelin song, he immediately corrected me, "It's not," he said, "'Kashmir' is."
Ultimately, everything here is definitive Zeppelin, in some way: the rude, thundering funk of "Trampled Under Foot," driven by Jones' percolating c1a\'inet and Bonham's merciless drumming;
the ferocious, prolonged assault of "Achilles Last Stand" (page told Dave Schulps that he meticulously orchestrated the song's horde of guitars "in my mind," then recorded "all the overdubs in one night"); and the elegant sweep and memorial tenderness of "All My Love."
Then, suddenly, there was no Zeppelin, On September 25, 1980, a day after the group convened to rehearse for yet another Korth American tour, Bonham was found dead at Page's home,
following a mammoth drinking binge. "The band didn't exist," Plant said later, "the minute Bonzo died."
The music and history were left unfinished. On December 4 Atlantic Records issued a one-sentence press release: "We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undi\'ided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were," It was simply signed "Led Zeppelin."
The end came with ironic timing-12 years almost to the day after Atlantic sent out that first announcement in 1968. It also scaled the purity and power of everything Jimmy Page, Robert
Plant, John Paul Jones, and John Bonham wrote and played together in what now seems like a very short time. Led Zeppelin did not last long enough to faiLInstead, they have a unique, eternal life in this music that can never be tainted and will never be topped.
The band is gone. The thrill is not.

Series: Guitar Book
Medium: BOOK
Artist: Led Zeppelin
232 pages
24 of their biggest hits from the mult-platinum collection, spanning their entire career. Good Times Bad Times - Communication Breakdown - Dazed and Confused - Babe I'm Gonna Leave You - Whole Lotta Love - Ramble On - Heartbreaker - Immigrant Song - Since I've Been Loving You - Rock and Roll - Black Dog - When The Levee Breaks - Stairway to Heaven - The Song Remains the Same - Over the Hills and Far Away - D'yer Mak'er - No Quarter - Trampled Under Foot - Houses of the Holy - Kashmir - Nobody's Fault but Mine - Achilles Last Stand - In the Evening - All My Love.

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5763 LED ZEPPELIN, PLAY GUITAR WITH... THE BLUES. CD TABLATURE

Euro 27,90

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LED ZEPPELIN, PLAY GUITAR WITH... THE BLUES. Babe, I'm Gonna Leave You -Bring It On Home -I Can't Quit You Baby -The Lemon Song -We're Gonna Groove -You Shook Me. CD TABLATURE

Six of Led Zeppelin’s greatest versions of blues classics!

The CD features 2 specially recorded ‘soundalike’ backing tracks of each song. The first track is a full demo (with guitar) showing you how the song should sound. The second is a backing track (without guitar) so you can play along! Learn the guitar part from the TAB or standard notation- both are included to make it easier for you to learn.

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1746 LED ZEPPELIN, CODA. guitar TABLATURE

Euro 29,00

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LED ZEPPELIN, CODA. guitar TABLATURE

Led Zeppelin
Item: 00-31943
UPC: 038081344508
ISBN 10: 0739057510
ISBN 13: 9780739057513

Category: Guitar Personality
Format: Book
Instrument: Guitar
Version: Authentic Guitar TAB

Coda was the final release for Led Zeppelin. Released in 1982 and consisting of previously unreleased recordings, all songs from the album are presented here in notation and TAB. Songs include: We're Gonna Groove - Poor Tom - I Can't Quit You Baby - Walter's Walk - Ozone Baby - Darlene - Bonzo's Montreux - Wearing and Tearing. 108 pages

TITLE COMPOSER

We're Gonna Groove (live) - Words and Music: Ben E. King, James A. Bethea - 1964
Poor Tom - Words and Music: Jimmy Page, Robert Plant - 1982
I Can't Quit You Baby" (live) - Words and Music: Willie Dixon - 1966
Walter's Walk - Words and Music: Jimmy Page, Robert Plant - 1982
Ozone Baby - Words and Music: Jimmy Page, Robert Plant - 1982
Darlene - Words and Music: John Bonham, John Paul Jones, Jimmy Page, Robert Plant - 1982
Bonzo's Montreux - Music: John Bonham - 1982
Wearing and Tearing - Words and Music: Jimmy Page, Robert Plant - 1982

Led Zeppelin
John Bonham - drums, percussion
John Paul Jones - bass guitar, piano, keyboards
Jimmy Page - acoustic and electric guitar, production, electronic treatments
Robert Plant - lead vocals, harmonica

Recorded 9 January 1970 - 21 November 1978
Released 19 November 1982

Barry Diament - mastering (original Compact Disc release)
Stuart Epps - engineering
Peter Grant - producer, executive producer
Andy Johns - engineering
Eddie Kramer - engineering
Vic Maile - engineering
George Marino - remastered Compact Disc
Leif Mases - engineering
John Timperley - engineering
Jack Royerton - mixing

Disponibilità:

1759 LED ZEPPELIN, REMASTERS BOXED SET 1 & 2 (OFF THE RECORD).

Euro 80,00

Quantità

LED ZEPPELIN, REMASTERS BOXED SET 1 & 2. I due libri REMASTERS VOLUME 1 e 2. Per chitarra (1,2,3,4), basso, batteria, flauto, piano, ecc. ecc. . Comprende anche una lunga biografia con fotografie a colori. 370 pagine di musica. VOLUME 1 contiene: -whole lotta love -heartbreaker -communication breakdown -babe I'm gonna leave you -what is and what should never be -thank you -I can't quit you baby -danzed and confused -your time is gonna come -ramble on -travelling riverside blues -friends -celebration day -hey hey what can I do -white summer/black mountainside -black dog -over the hill and far away -immigrant song -the battle of Evermore -bron-Y-aur stomp -Tangerine -going to California -since I've been loving you -d'yer mak'er -gallows pole -custard pie -misty mountain hop -rock 'n' roll -the rain song -stairway to heaven. VOLUME 2 contiene: kashmir -trampled underfoot -for your life -no quarter -dancing days -when the levee breaks -Achilles last stand -the song remains the same -ten years gone -in my time of dying -in the evening -candy store rock -the ocean -ozone baby -houses of the holy -wearing and tearing -poor tom -nobody's fauld but mine -fool in the rain -in the light -the wanton song -Mody Dick/bonzo's Mountreux -I'm gonna crawl -all my love. OFF THE RECORD TAB.

Disponibilità:

1757 LED ZEPPELIN, REMASTERS VOLUME I (OFF THE RECORD).

Euro 33,00

Quantità

LED ZEPPELIN, REMASTERS VOLUME I. Per chitarra (1,2,3,4), basso, batteria, flauto, piano, ecc. ecc. . Comprende anche una lunga biografia con fotografie a colori. 370 pagine di musica. Contiene: -whole lotta love -heartbreaker -communication breakdown -babe I'm gonna leave you -what is and what should never be -thank you -I can't quit you baby -danzed and confused -your time is gonna come -ramble on -travelling riverside blues -friends -celebration day -hey hey what can I do -white summer/black mountainside -black dog -over the hill and far away -immigrant song -the battle of Evermore -bron-Y-aur stomp -Tangerine -going to California -since I've been loving you -d'yer mak'er -gallows pole -custard pie -misty mountain hop -rock 'n' roll -the rain song -stairway to heaven. OFF THE RECORD TAB.

Disponibilità:

1760 LED ZEPPELIN, REMASTERS VOLUME II (OFF THE RECORD).

Euro 37,00

Quantità

LED ZEPPELIN, REMASTERS VOLUME II. Contiene: -kashmir -trampled underfoot -for your life -no quarter -dancing days -when the levee breaks -Achilles last stand -the song remains the same -ten years gone -in my time of dying -in the evening -candy store rock -the ocean -ozone baby -houses of the holy -wearing and tearing -poor tom -nobody's fauld but mine -fool in the rain -in the light -the wanton song -Mody Dick/bonzo's Mountreux -I'm gonna crawl -all my love. OFF THE RECORD TAB.

Disponibilità:

1748 LED ZEPPELIN, ENCOMIUM: A TRIBUTE TO. GUITAR TABLATURE

Euro 23,00

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LED ZEPPELIN, ENCOMIUM: A TRIBUTE TO. 4 Non Blondes, Hootie & the Blowfish, Sheryl Crow, Stone Temple Pilots, Big Head Todd and the Monsters, Duran Duran, Blind Melon, Cracker, Helmet with David Yow, Rollins Band, Never the Pride, Robert Plant & Tori Amos. TABLATURE

Misty Mountain Hop (4 Non Blondes) - Hey Hey What Can I Say? (Hootie And The Blowfish) - D'yer Mak'er (Sheryl Crow) - Dancing Days (Stone Temple Pilots) - Tangerine (Big Head Todd And The Monsters) - Thank You (Duran Duran) - Out On The Tiles (Blind - Good Times Bad Times (Cracker) - Custard Pie (Helmet With David Yow) - Four Sticks (Rollins Band) - Going To California (Never The Bride) - Down By The Seaside (Robert Plant & Tori Amos)

Disponibilità:

4519 LED ZEPPELIN.

Euro 50,00

Quantità

LED ZEPPELIN. Biografia.

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