Ricerca:
• SPARTITI, LIBRI DI MUSICA
    SPARTITI NOVITA'
    SPARTITI GRUPPI e PERSONALITA'
    SPARTITI ACUSTICA
    SPARTITI ACCORDATURE APERTE
    SPARTITI OPER TUNINGS/BOTTLENEK
    SPARTITI BLUES
    SPARTITI COUNTRY BLUES
    SPARTITI CLASSICA
    SPARTITI CLASSICA e...
    SPARTITI NATALE/SACRA
    SPARTITI NEO-CLASSICO
    SPARTITI FLAMENCO
    SPARTITI LATIN
    SPARTITI COUNTRY / BLUEGRASS
    SPARTITI BANJO, MANDOLINO e...
    SPARTITI BASI '50
    SPARTITI BASI '60
    SPARTITI BASI '70
    SPARTITI BASI '80
    SPARTITI BASI '90
    SPARTITI BASI '00
    SPARTITI BASI BLUES
    SPARTITI BASI COUNTRY
    SPARTITI BASI JAZZ
    SPARTITI JAZZ
    SPARTITI JAZZ METODI
    SPARTITI GYPSY JAZZ, SWING, MANOUCHE
    SPARTITI METODI PER CHITARRA
    SPARTITI PIANO E TASTIERE
    SPARTITI ROCK 'N' ROLL
    SPARTITI RHYTHM and BLUES, SOUL, DISCO, FUNK
    SPARTITI RACCOLTE '70
    SPARTITI RACCOLTE '80
    SPARTITI RACCOLTE '90
    SPARTITI RACCOLTE '00
    SPARTITI RACCOLTE FILM/TV
    SPARTITI SOLOING SCALE MODI ARPEGGI
    SPARTITI ARMONIA, ACCORDI
    SPARTITI DI TECNICA
    SPARTITI TECNICA TAPPING
    LIBRI DI ELETTRONICA
    LIBRO DI AMPLIFICAZIONE E IL SETUP
    LIBRI SUL SUONO E GLI EFFETTI
    LIBRI DI LIUTERIA
    MONOGRAFIE, BIOGRAFIE DI CHITARRISTI
    SPARTITI METODI PER BASSO
    SPARTITI METODI PER BATTERIA
    SPARTITI METODI PER ARMONICA
    LETTERATURA
• VIDEO/DVD
• CHITARRA FLAMENCO, CLASSICA, ACCESSORI
SPARTITI GRUPPI e PERSONALITA'

 
 

 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19 - 20 - 21 - 22 - 23 - 24 - 25 - 26 - 27 - 28 - 29 - 30 - 31 - 32 - 33 - 34 - 35 - 36 - 37 - 38 - 39 - 40 - 41 - 42 - 43 - 44 - 45 - 46 - 47 - 48 - 49 - 50 - 51 - 52 - 53 - 54 - 55 - 56 - 57 - 58 - 59 - 60 - 61 - 62 - 63 - 64 - 65 - 66 - 67 - 68 - 69 - 70 - 71 - 72 - 73 - 74 - 75 - 76 - 77 - 78 - 79 - 80 - 81 - 82 - 83 - 84 - 85 - 86 - 87 - 88 - 89 - 90 - 91 - 92 - 93 - 94 - 95 - 96 - 97 - 98 - 99 - 100 - 101 - 102 - 103 - 104 - 105 - 106 - 107 - 108 - 109 - 110 - 111 - 112 - 113 - 114 - 115 - 116 - 117 - 118 - 119 - 120 - 121 - 122 - 123 - 124 - 125 - 126 - 127 - 128 - 129 - 130 - 131 - 132 - 133 - 134 - 135 - 136 - 137 - 138 - 139 - 140 - 141 - 142 - 143 - 144 - 145 - 146 - 147 - 148 - 149 - 150 - 151 - 152 - 153 - 154 - 155 - 156 - 157 - 158 - 159 - 160 - 161 - 162 - 163 - 164 - 165 - 166 - 167 - 168 - 169 - 170 - 171 - 172 - 173 - 174 - 175 - 176 - 177 - 178 - 179 - 180 - 181 - 182 - 183 - 184 - 185 - 186 - 187 - 188 - 189 - 190 - 191 - 192 - 193 - 194 - 195 - 196 - 197 - 198 - 199 - 200 - 201 - 202 - 203 - 204 - 205 - 206 - 207 - 208 - 209 - 210 - 211 - 212 - 213 - 214 - 215 - 216 - 217 - 218 - 219 - 220 - 221 - 222 - 223 - 224 - 225 - 226 - 227 - 228 - 229 - 230 - 231 - 232 - 233 - 234 - 235 - 236 - 237 - 238 - 239 - 240 - 241 - 242 - 243 - 244 - 245 - 246 - 247 - 248 - 249 - 250 - 251 - 252 

 1889 OSBOURNE OZZY, THE BEST. TABLATURE



Euro 27,00

 
 Quantità Metti nel carrello

 
OSBOURNE OZZY, THE BEST. TABLATURE

Series: Guitar Recorded Version TAB
Artist: Ozzy Osbourne

The new edition of this excellent Ozzy collection features brand new transcriptions and engravings! Includes straight-from-the-record, note-for-note tab transcriptions for 14 hits from the King of Darkness, Also includes photos.

Bark At The Moon
Black Sabbath
Crazy Babies
Crazy Train
Flying High Again
Goodbye To Romance
I Don't Know
Mama, I'm Coming Home
Mr. Cowley
No More Tears
Paranoid
Shot In The Dark
Suicide Solution
War Pigs (Interpolating Luke's Wall)

120 pages

Bark At The Moon - Words and Music: Ozzy Osbourne - 1983
Black Sabbath - Words and Music: Frank Iommi, Terence Butler, William Ward, John Osbourne - 1970
Crazy Babies - Words and Music: Ozzy Osbourne, Robert Daisley, Zakk Wylde, Randy Castillo - 1989
Crazy Train - Words and Music: Ozzy Osbourne, Robert Daisley, Randy Rhoads - 1981
Flying High Again - Words and Music: Ozzy Osbourne, Robert Daisley, Randy Rhoads, Lee Kerslake - 1981
Goodbye To Romance - Words and Music: Ozzy Osbourne, Robert Daisley, Randy Rhoads - 1981
I Don't Know - Words and Music: Ozzy Osbourne, Robert Daisley, Randy Rhoads, - 1981
Mama, I'm Coming Home - Words and Music: Ozzy Osbourne, Zakk Wylde, Lemmy Kilmister - 1991
Mr. Cowley- Words and Music: Ozzy Osbourne, Robert Daisley, Randy Rhoads - 1981
No More Tears- Words and Music: Ozzy Osbourne, Zakk Wylde, Randy Castillo, Michael Inez, John Purdell - 1991
Paranoid - Words and Music: Frank Iommi, Terence Butler, William Ward, John Osbourne - 1970
Shot In The Dark - Words and Music: Ozzy Osbourne, Phil Soussan - 1986
Suicide Solution- Words and Music: Ozzy Osbourne, Robert Daisley, Randy Rhoads - 1981
War Pigs (Interpolating Luke's Wall) - Words and Music: Frank Iommi, Terence Butler, William Ward, John Osbourne - 1970
 

Disponibilità:




 3728 OSBOURNE OZZY, THE RANDY RHOADS YEARS. CD TABLATURE



Euro 27,99

 
 Quantità Metti nel carrello

 
OSBOURNE OZZY, THE RANDY RHOADS YEARS. CD TABLATURE

Series: Guitar Educational
Softcover with CD - TAB
Composer: Aaron Rosenbaum
Artist: Ozzy Osbourne
Artist: Randy Rhoads

With note-for-note transcriptions of Randy Rhoads' searing guitar work, gear set-ups, performance notes, historical retrospective and a play-along CD, this info-packed book will teach you to play 72 licks from 11 of Ozzy's most recognizable
SONG LIST:

CRAZY TRAIN
DEE
DIARY OF A MADMAN
FLYING HIGH AGAIN
GOODBYE TO ROMANCE
I DON'T KNOW
MR. COWLEY
OVER THE MOUNTAIN
REVELATION (MOTHER EARTH)
S.A.T.O.
SUICIDE SOLUTION

80 pages

Randy Rhoads: Ozzy Osbourne Legendary Guitarist

Randy, or Randall William, as his parents named him, was born on December 6, 1956, at St. John's
Hospital in Santa Monica, California. His parents were both musical: His father was a public school music teacher, and his mother owned and managed Musonia, a music school and store in orth Hollywood where he first began guitar lessons at age 61 /2. Even more important, perhaps, was the fact that his mother was a professional musician "on the classical side," as she would say. In addition to some basic piano, he also helped him learn how to read music until he was able to work out harmonies, scales, and chords.
This early exposure to classical music and the discipline that accompanied it grew within the young guitarist from a small seed to a great sequoia, enabling Randy to later create his own fusion of classical and blues-rock guitar playing. While his mother was wise enough to encourage his musical development, it was his singular dedication and genius that turned Randall William Rhoads, mild-mannered student of guitar (he really was mild-mannered), into Randy Rhoads, blazing guitar-powered engine behind Quiet Riot I and II and Ozzy Osbourne's first two smash solo albums, Blizzard of Ozz and Diary of a Madman, as well as teacher and inspirer of future generations of guitarists.
By all accounts, Randy's one love was playing guitar. He started on an old Gibson acoustic that belonged to his father. He loved it from the moment he picked it up ... well, actually, from the moment he was large enough to get his arms around the thing and do something with it.
Growing up, Randy had his share of gray clouds as well as silver linings. Having been raised by his mother- his father left the family when he was just a child-he was unwittingly placed on the path of his musical destiny. Because the single-parent family was not able to afford a TV or a stereo until later than most people, Randy had to develop his musical style without ready access to the world of (how shall I put it?) "broadcast taste." This "liability" ultimately became one of his greatest assets, as it forced him to find his own voice. They say necessity is the mother of invention, and in the case of Randy Rhoads, the invention turned out to be a unique style of guitar playing that changed the language of rock guitar.
Throughout his career, Randy never lost that ethic of working things out for himself, as opposed to focusing on and imitating the particular guitar style of another. In his early teens, Randy was already so attached to the guitar that, when he talked on the phone, he would hold the receiver with his shoulder and practice at the same time. Wherever he went, he always took his guitar-sidekick with him. He wasn't just attached to his guitar, however; he was attached to the idea of improving himself as a musician.
That improvement came quickly. People were always remarking about how quickly he progressed. Even cott Shelly, his first electric guitar teacher, told the young student's mother after about one year of lesons with Randy that he had nothing more to teach him.
ithin a few years, Randy had been elevated from pupil to teacher at his mother's school. While a lot of hi students were interested in learning other famous guitarists' licks, Rhoads, true to his philosophy, tried to show each of his students how to find their own voice in the music. He had a unique approach to teaching as well-Mrs. Rhoads referred to it as "bouncing the ball"-which involved introducing a certain progression during the lessons in order to start his students on a basic pattern of soloing.
In addition to his special method of teaching, he possessed a good nature and humble personality that worked together like a magnet. His students were devoted fans of their teacher, and Randy, in turn, was dedicated to them. He would even place them on the guest list when he performed locally-not your average teacher.


Table of Contents

Randy Rhoads: Ozzy Osbourne's Legendary Guitarist
A Randy Rhoads Timeline
Finding His Own Voice: Randy Rhoads' Influences
A Guitar Master's Guitar History .
Music to Our Ears: The Gear of Randy Rhoads

I DON'T KNOW
CRAZY TRAIN.
GOODBYE TO ROMANCE .
DEE .
SUICIDE SOLUTION .
MR. COWLEY. .
REVELATION (MOTHER EARTH) .
OVER THE MOUNTAIN .
FLYNG HIGH AGAIN . .
S.A.T.O. .
DIARY OF A MADMAN .
Guitar Notation Legend
About the Author

When he was seven years old, Aaron Max Rosenbaum's parents decided that their son ought to play an instrument and bought him a beginner's acoustic guitar that he could barely get his arms around.
Practicing wasn't fun, but he was told he'd thank them one day. When he was about 11, he was given his first electric guitar: a brown Gretch BSG model (that he has held on to for 21 years since). The new guitar could do something the previous one couldn't: distort. All at once, the past conflicts about practicing were reconciled; from then on, it has been a continuing love affair.
Aaron went on to get his bachelor's degree in music composition from the New England Conservatory and his master's in music theory and composition from Columbia University. In addition to composing, performing, and writing, he works as a freelance audio engineer in New York City. He would like to thank his wife, Yvonne, for her support and patience with all of the piles of papers and transcriptions, as well as Mark Phillips and John Stix for their assistance and for being great people to work with at Cherry Lane.
 

Disponibilità:






Euro 31,00

 
 Quantità Metti nel carrello

 
OSBOURNE OZZY, THE RANDY RHOADS YEARS, A Step-by-Step Breakdown of Randy Rhoads' Guitar Styles and Techniques. 2 DVD

Series: DVD
Author: Danny Gill
Artist: Ozzy Osbourne
Artist: Randy Rhoads

Learn the guitar styles and techniques Randy Rhoads made famous with Ozzy Osbourne. Each part is played up to speed, then broken down note-by-note in this 2-DVD set to provide and in-depth analysis of 8 songs.
Disc 1 - Crazy Train - Revelation (Mother Earth) -Mr. Cowley - I Don't Know.
Disc 2 - Diary of a Madman - You Can't Kill Rock and Roll - Flying High Again - Little Dolls. 4 hours, 48 minutes!

Crazy Train
Flying High Again
Mr. Cowley
I Don't Know
Little Dolls
Revelation (Mother Earth)
diary of a madman
You Can't Kill Rock And Roll
 

Disponibilità:




 3727 OSBOURNE OZZY, THE VERY BEST OF. a step-by-step breakdown of the styles and techniques of Randy Rhoads, Jake E. Lee, Zakk Wylde. CD TABLATURE


Euro 32,40
- 29,17% Euro 22,95

 
 Quantità Metti nel carrello

 
OSBOURNE OZZY, THE VERY BEST OF. A step-by-step breakdown of the styles and techniques of Randy Rhoads, Jake E. Lee, Zakk Wylde. CD TABLATURE

Description:
A step-by-step breakdown of the guitar styles and techniques of the late Randy Rhoads, Jake E. Lee and Zakk Wylde. Includes hits (with CD note for note performances) from the albums Blizzard of Oz and No More Tears. Great care has been taken to recreate the tones and mix of the original recordings, with one exception - the featured guitar part is isolated on the right channel, and the other instruments are isolated on the left channel. You may then listen to the guitar part for learning purposes, hear the entire band or play along with the backing tracks.

Rhoads:
-I don't know
-crazy train
-dee
-steal away (the night) live
-Iron man (live)
-Paranoid (live).

Jake E. Lee:
-bark at the moon
-killer of giants (Eb slack tuning)

Zakk:
-mama, I'm coming home
-no more tears (drop D tuning)

Arranged: Troy Stetina.
Explore the trademark riffs, solos and compositions of Ozzy Osbourne's famous sidemen: Randy Rhoads, Jake E. Lee and Zakk Wylde. This book/CD pack by Troy Stetina includes background notes, lessons and other helpful tips that will help you master 11 Ozzy favorites from his Black Sabbath and solo years. Features hands-on analysis of: Bark at the Moon -Crazy Train -Dee -I Don't Know -Iron Man (Live) -Mama, I'm Coming Home -No More Tears -Paranoid (Live) -Killer Of Giants -Steal Away (The Night). The CD includes full-band examples of each song. 64 pages.

Bark At The Moon
Crazy Train
Dee
I Don't Know
Iron Man
Killer Of Giants
Mama, I'm Coming Home
No More Tears
Paranoid
Steal Away (The Night)
 

Disponibilità:




 0062 OSBOURNE OZZY/RANDY RHOADS TRIBUTE. TABLATURE



Euro 24,99

 
 Quantità Metti nel carrello

 
OSBOURNE OZZY/RANDY RHOADS TRIBUTE. TABLATURE

Ozzy Osbourne - Randy Rhoads Tribute

Series: Guitar Personality
Publisher: Cherry Lane Music TAB
Artist: Ozzy Osbourne
Artist: Randy Rhoads

Matching folio to the sensational live album, featuring: Suicide Solution - Believer - Iron Man and more. Plus feature story and photos.

Inventory #HL 02507904
ISBN: 9780895243478
UPC: 073999079043
Publisher Code: 7904
Width: 9.0"
Length: 12.0"
128 pages



In virtually every tune, the listener can hear evidence of Randy's
elaboration and embellishment of the basic song structure with
countless additional fills, extending and intensifying existing sections
with interesting new material. All the familiar Rhoads-isms
are here but more plentiful: long, elastic bends, wailing artificial
harmonics, switch flipping, pick slides, portamento glissandi, pull off
flurries, trills and whammy bar manipulations uf all lypes. Tn
"Crazy Train" Randy elaborates on the basic song structure by
adding two solos to the form which function as intro and outro,
respectively. These new solo sections were given a freer treatment,
producing statements which were more like an assortment of fills
and noises than the constructed solos he was famous for.
Randy approached his solos in two ways. The first being a stylized
classical concept of reproducing/duplicating the melodic and
rhythmic entity intact, with little or no obvious variation. The solos
to "I Don't Know," "Crazy Train," "Mr. Crowley," "Flying High gain,"
"Revelation (Mother Earth)," "Steal Away (The Night)" and
"Goodbye to Romallce" all share this approach. The second is one
in which he paraphrases while extemporizing/improvising on the
underlying solo mood, structure and thematic content. This more
liberal attitude is employed in the solos of "Believer," "Suicide
solution," "iron Man," "Children of the Grave," "Paranoid" and
''No Bone Movies," where fragments from the original solos serve
as inspiration for further invention.
Throughout his live performance, Randy used sound effects from
his pedal board coloristically to add new dimension to the song
(e.g. the final chorus of "I Don't Know," where the wah-wah is
heard prominently as a filter sweep) or to generally enhance solo
lines and chord textures. His well-known arsenal of processors:
wah. flanger, fuzz, chorus, EQ, echo and delay was exploited to
an even greater extent than in the studio.
Included in this collection is Randy's unaccompanied guitar solo
which evolves from the closing bars of "Suicide Solution." The
elaboration begun in the internal solo hints at the mood and substance
of an a cappella spot, particularly in the usage of exotic
intervals (tritones), feedback, quick ascending and descending
phrases and whammy bar sounds. The unaccompanied solo combine
virtuoso flash techniques with melodious episodes, culminating
in a mixture of compositional and jammed styles. Key elements
in thi solo are: extremely fast minor pentatonic riffs which are
moved through related tonal centers, muted flurries, diminished
7th arpeggio out-lines, scalar, triadic and chromatic runs, double-
handed sequences and whammy bar growls and dives.
It is immediately obvious that the Black Sabbath selections in
this set were particularly conducive to Randy's style by virtue of
several aspects-the darker, quasi-classical (early Eurometal) mood
in modality and melodic content; the heavier driving rhythm feel
(much like his own riffs); and the backing chord progressions for
solos, which complemented his penchant for signature melodic rolling
scale passages and use of minor and exotic line forms_ This
suited his guitar playing more aptly than the pop-rock leanings of
his Quiet Riot material, which relied in great part on I IV V chord
progressions depictive of the major mode. In "Children of the Grave"
the background harmony for the solo is 1 vi vii, an Aeolian chord
pattern, which seems to coax out of Randy the trademark style he
developed with Ozzy. The solo to "Paranoid," again built over a
driving minor riff, combines, humorously, Chuck Berry unison bend
sequences with "outside" scale excursions, bent tap-ons and
machine-gun quick picking ostinati. A clear example of Randy
Rhoads' rootsier rock 'n' roll/blues side can be heard throughout
the straight ahead rocker "No Bone Movies," which finds him using
ideas from the basic A pentatonic/blues vocabulary effectively.
Furthermore, a solid rock 'n' roll 12/8 triplet phrasing indicative
of blues shuffle rhythm and soloing over a simple 1 IV chord progression
strengthens this impression.
Possibly the most unique and unexpected treasure on this album
is the personal experience offered the listener to join Randy in the
studio during the tracking of "Dee. "Here we share intimate moments
of a thoughtful performance, resulting in two foundation tracks being
laid down, over which he added over-dubbed voices to create the
familiar masterpiece. Admirers of Rhoads' studio technique will
appreciate the insights, informality and candor of this all-too brief
session with Randy.
In re-evaluating his contributions, it becomes apparent that
Randy Rhoads' work is still as moving and significant as it was
over five years ago. It is interesting to see the seeds Rhoads planted
take root and bear fruit in so many contemporary guitarists' styles.
His pioneering of the fusion of high-tech heavy metal with classical
and exotic musics redefined and revitalized the idiom of modern
rock guitar. For those who never had the opportunity to see or hear
this star shine so brilliantly, and for those who wish to remember,
this final encore deserves a standing ovation. We applaud you, Randy and Ozzy!



Believer
Children Of The Grave
Crazy Train
Dee
Flying High Again
Goodbye To Romance
I Don't Know
Iron Man
Mr. Crowle
No Bone Movies
Paranoid
Revelation
Steal Away (The Night)
Suicide Solution

128 pages.
 

Disponibilità:




 0419 OSBOURNE OZZY/RANDY RHOADS, TRIBUTE. BAND TABLATURE



Euro 98,00

 
 Quantità Metti nel carrello

 
OSBOURNE OZZY/RANDY RHOADS, TRIBUTE. BAND TABLATURE

Believer
Children Of The Grave
Crazy Train
Dee
Flying High Again
Goodbye To Romance
I Don't Know
Iron Man
Mr. Crowle
No Bone Movies
Paranoid
Revelation
Steal Away (The Night)
Suicide Solution
 

Disponibilità:




 1238 OSBOURNE, RANDY RHOADS. KARAOKE. CD TABLATURE



Euro 89,00

 
 Quantità Metti nel carrello

 
OSBOURNE, RANDY RHOADS. JAM. CD TABLATURE
 

Disponibilità:




 5401 OSBOURNE OZZY RANDY RHOADS, LEARN TO BURN. 2CD TABLATURE



Euro 29,99

 
 Quantità Metti nel carrello

 
OSBOURNE OZZY RANDY RHOADS, LEARN TO BURN.
-Flying high again
-Crazy train
-over the mountain.

With complete backing trax. Audio. TABLATURE 2CD

NEW CD LESSONS!
The all new master series feature 3 digitally recorded songs with FULL BAND TRACKS!

ON 2-CD'S.
The master series is the learn to burn system

fully revamped. The recordings are all new

and more accurate than ever. Plus you now get full band tracks minus the guitar, so once you learn the song, you can jam along with it.

IT'S LIKE BEING IN THE BAND!

ALL NEW AUDIO TAB SYSTEM.

The new audio tab system will have you playing in half the time. The new format

features a much smoother work flow,with musical refference.

And now on cd you can use the track numbers to tab any section quickly! no more getting lost, use your computers media player. PLUS! new book has all sections pre

mapped out, i'ts never been easier to learn your favorite songs!
 

Disponibilità:




 0131 OSBOURNE, RHOADS RANDY, ORIGINAL. WITH CD TABLATURE ULTIMA COPIA, LAST COPY, OUT OF PRINT



Euro 49,99

 
 Quantità Metti nel carrello

 
OSBOURNE, RHOADS RANDY, ORIGINAL. CD TABLATURE

An Annotated Guide to the Guitar Technique of Randy Rhoads (Illustrated)
 

Disponibilità:




 5656 THE BANDS OF OZZFEST. TABLATURE



Euro 16,00

 
 Quantità Metti nel carrello

 
THE BANDS OF OZZFEST. Bored To Tears -Cemetary Gates -Crawling -Crazy Train -Down With The Sickness -Last Resort -Left Behind -My Name Is Mud -No More Tears -Refuse/Resist -Seasons In The Abyss -Sweet Dreams Are Made Of This -War Pigs (Interpolating Luke's Wall) -When Worlds Collide -Zero Signal. TABLATURE

Series: Play It Like It Is
Publisher: Cherry Lane Music TAB

Artist: Various
Now into its second decade, Ozzfest has brought the best hard rock and metal to amphitheaters coast to coast. Play all the music from your favorite festival bands with this collection of 15 hits, transcribed note-for-note for guitar with tab. Includes: Cemetery Gates (Pantera) • Crawling (Linkin Park) • Crazy Train (Ozzy Osbourne) • Last Resort (Papa Roach) • Left Behind (Slipknot) • My Name Is Mud (Primus) • Seasons in the Abyss (Slayer) • Sweet Dreams (Are Made of This) (Marilyn Manson) • War Pigs (Black Sabbath) • Zero Signal (Fear Factory) • and more.

Bored To Tears
Cemetary Gates
Crawling
Crazy Train
Down With The Sickness
Last Resort
Left Behind
My Name Is Mud
No More Tears
Refuse/Resist
Seasons In The Abyss
Sweet Dreams (Are Made Of This)
War Pigs (Interpolating Luke's Wall)
When Worlds Collide
Zero Signal

112 pages
 

Disponibilità:




CHITARRA LAMPO