CHITARRA LAMPO

• MUSIC BOOKS
    WHAT'S NEW
    GROUPS & PERSONALITIES
    ACOUSTIC GUITAR
    OPEN TUNINGS
    OPER TUNINGS/BOTTLENEK
    BLUES GUITAR
    COUNTRY BLUES/ACOUSTIC BLUES
    CLASSICAL GUITAR
    CLASSICAL and
    SACRED, CHRISTIAN, CHRISTMAS
    NEO-CLASSICAL
    FLAMENCO
    LATIN
    COUNTRY / BLUEGRASS
    BANJO, MANDOLIN and...
    JAM '50/backing tracks
    JAM '60 backing tracks
    JAM '70 backing tracks
    JAM '80/backing tracks
    JAM '90/backing tracks
    JAM '00 backing tracks
    JAM BLUES/backing tracks
    JAM COUNTRY/backing tracks
    JAM JAZZ/backing tracks
    JAZZ GUITAR
    JAZZ METHODS
    GYPSY JAZZ, SWING, MANOUCHE
    METHODS FOR GUITAR
    PIANO/KEYBOARDS e...
    ROCK and ROLL
    RHYTHM and BLUES, SOUL, DISCO, FUNK
    ANTHOLOGY '70
    ANTHOLOGY '80
    ANTHOLOGY '90
    ANTHOLOGY '00
    FILM/MOVIE/TV
    SCALES MODES ARPEGGIOS
    HARMONY, CHORDS
    GUITAR TECHNIQUE & INSTRUCTION
    TAPPING
    ELETTRONIC
    AMPLI SETUP
    SOUNDS AND EFFECTS
    GUITAR MAKING
    INSTRUMENTAL REFERENCE, BIOGRAPHY
    METHODS FOR BASS GUITAR
    METHODS FOR DRUM
    HARMONICA
    BOOKS
• VIDEO/DVD INSTRUCTIONAL DVD
• CLASSICAL AND FLAMENCO GUITARS, & ACCESSORIES

GROUPS & PERSONALITIES

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19 - 20 - 21 - 22 - 23 - 24 - 25 - 26 - 27 - 28 - 29 - 30 - 31 - 32 - 33 - 34 - 35 - 36 - 37 - 38 - 39 - 40 - 41 - 42 - 43 - 44 - 45 - 46 - 47 - 48 - 49 - 50 - 51 - 52 - 53 - 54 - 55 - 56 - 57 - 58 - 59 - 60 - 61 - 62 - 63 - 64 - 65 - 66 - 67 - 68 - 69 - 70 - 71 - 72 - 73 - 74 - 75 - 76 - 77 - 78 - 79 - 80 - 81 - 82 - 83 - 84 - 85 - 86 - 87 - 88 - 89 - 90 - 91 - 92 - 93 - 94 - 95 - 96 - 97 - 98 - 99 - 100 - 101 - 102 - 103 - 104 - 105 - 106 - 107 - 108 - 109 - 110 - 111 - 112 - 113 - 114 - 115 - 116 - 117 - 118 - 119 - 120 - 121 - 122 - 123 - 124 - 125 - 126 - 127 - 128 - 129 - 130 - 131 - 132 - 133 - 134 - 135 - 136 - 137 - 138 - 139 - 140 - 141 - 142 - 143 - 144 - 145 - 146 - 147 - 148 - 149 - 150 - 151 - 152 - 153 - 154 - 155 - 156 - 157 - 158 - 159 - 160 - 161 - 162 - 163 - 164 - 165 - 166 - 167 - 168 - 169 - 170 - 171 - 172 - 173 - 174 - 175 - 176 - 177 - 178 - 179 - 180 - 181 - 182 - 183 - 184 - 185 - 186 - 187 - 188 - 189 - 190 - 191 - 192 - 193 - 194 - 195 - 196 - 197 - 198 - 199 - 200 - 201 - 202 - 203 - 204 - 205 - 206 - 207 - 208 - 209 - 210 - 211 - 212 - 213 - 214 - 215 - 216 - 217 - 218 - 219 - 220 - 221 - 222 - 223 - 224 - 225 - 226 - 227 - 228 - 229 - 230 - 231 - 232 - 233 - 234 - 235 - 236 - 237 - 238 - 239 - 240 - 241 - 242 - 243 - 244 - 245 - 246 - 247 - 248 - 249 - 250 - 251 - 252

0004 AC/DC, HIGHWAY TO HELL. TABLATURE

Euro 39,99

Quantity

AC/DC, HIGHWAY TO HELL. TABLATURE

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE

Availability:

1265 AC/DC, JAM WITH. TOTAL ACCURACY. CD TABLATURE

Euro 29,95

Quantity

AC/DC, JAM WITH. TOTAL ACCURACY. Basi per voce e per chitarra, con la Tablature delle 2 tremende colonne portanti dell'hard rock. CD TABLATURE

Basi con preascolto:

-For those about to rock

-let there be rock

-highway to hell

-hell ain't a bad place to be

-sin city

-whole lotta Rosie

-back in black

-Hells bells

ANGUS YOUNG OF AC/DC
If It Ain't Broke, Don't Fix It!
Interview by Nick Bowcott

LAST MONTH, ANGUS STRESSED THE IMPORTANCE
of being able to play rhythm well and discussed the various aspects of tone. This month, the tone talk continues.

ANGUS YOUNG: The heavier your string gauges are, the bigger your sound is gonna be. Not just on rhythm, but on solos as well. With thick strings you can really get a nice, round, bluesy lead sound happening without having to use any pedals to help fatten things up. Because I've got such small hands, though, .010 to .048 [high to low] is about the heaviest set I can deal with. Malc's a different story altogether, though his gauges just keep getting heavier and heavier. He really likes those big, thick, "tram track" things and he's actually at the point where they don't make those gauges anymore. I couldn't tell you his exact gauges, but if you find out what the heaviest set of strings available is right now then that's what he's probably using. [Our most recent report indicates that Malcolm is using a Gibson 900M set, which is .012 to .056 with a wound .025 G string-GW Ed.]
A lot of idiots think, "thick strings are just a macho statement or something," but they're not. When we were growing up we couldn't get those "slinky" strings. We learned how to play on heavy gauge strings, almost bass strings! [laughs] When they started selling those Iighter strings, Mal tried a set and said, "Fuck, these things wobble too much. I've got no tone on my guitar!"

GUITAR WORLD: Talking about gear, your rig is quite simple and direct.
YOUNG: Yeah, I've always kept it fairly simple right from the get-go. I just plug my guitar straight into a stack or .four [laughs] and start banging away; That's all you need, y'know-have fingers, will play! I've always felt that if you're on stage playing rock and roll and you've got too many toys hooked up, there are just too many things that can go wrong. My SG and Marshall combination has always worked well for me, so I stick with it. As the old saying goes, "if it ain't broke, don't fix it!"

GW: I take it you're not a big fan of effects devices.
YOUNG: Nah, I'm my own effect! [laughs] To be honest, I've always looked at effects as being a bit like a video remote control you' re always trying to work out what the hell they are! I grew up at a time when effects gadgets were being used a lot and pretty much every guitar player had a pile of 'em in front of him. Every time you walked into a guitar shop you'd see all these people stepping on pedals and going "wah-wahwah." That got so common, it cured me pretty quick. My whole approach is to get the amp happening and then just plug in and play. Then, if I want to hear something different, I try and get it with my guitar. The trouble with these effects units is sometimes you can walk awayfrom your gear for a few minutes and people who don't know any better start plugging stuff in for you. I remember once we were playing the Donnington Festival in Britain and I went down the day before the show and they had this gadgetry up there-it looked like Space Station #9! Anyway, I think Van Halen were on the bill too and Eddie Van Halen came up and said, "Jeez, what's all this?" One of the guys who'd built the thing explained it to him and when he was done I said to Eddie, "Do you like it?" Eddie went, "Yeah, it's nice," so I said, "Do me a favor mate, take the fuckin' thing with ya! I'm sticking with me Marshalls-simple is better."

GW: Marshalls have pretty much always been your amp of choice.
YOUNG: Yeah. I've experimented with different makes of amp, but I eventually came to the conclusion that the Marshall 100-watt stack was the best way to go. I love 'em because they're great rock and roll ampsthey' re road-worthy and they're noisy, too (in a good way)! I think if you're into rock music, that's the amp you should be using. Live I
normally use four stacks hooked up in a series via splitter boxes. [On the Ballbreaker tour Angus used four Marshall reissue 1959SLP Plexi heads driving eight Marshall straight-fronted 4x12 cabs loaded with 25W Celestion Greenback speakers: "the noisy ones! ']

GW: And is everything turned up to 11?
YOUNG: Nah! [laughs] A lot of people think that with Marshalls you've gotta run everything full up and drive the buggers to death. I don't do that; I pretty much have everything on around half. To my ears, if you go over half it starts to get a little bit mushy. I like to get a natural sustain that cuts; I don't like playing lead with that false, Tonebender
[fuzz] type sound. It's funny, people hear us and automatically think we play really loud. Well, we don't-mind you, we're not exactly quiet either!

GW: Although you use 100-watt stacks on stage, I believe you have an old Marshall JTM45 miked up under the stage and also use JTM45s in the studio.
YOUNG: You're right, my main amp for recording is an old JTM45 head and I also use it live-I have it underneath the stage with a single 4x12 cabinet and an isolation box. I use a 100-watt head in the studio every now and then, too. It just depends on what I'm after. The 100s are thicker-sounding, have more bottom end and are cleaner and louder. The JTM45 (a 45-watt amp) has a smoother sound and is much easier to overdrive.

GW: And your primary guitar has always been a Gibson SG, right?
YOUNG: Yeah. When I was in school in Sydney, Australia, a friend of mine had a Gibson guitar catalog, and as soon as I saw the SG I went, "Jeez, that looks great, I want one." I always liked the shape of it and the double cutaway is great because if I'm playing high up the neck I don't have to reach around anything like you have to do on aLes Paul. I also like the weight and the size because I'm a little guy, On most people an SG looks pretty small-like a violin. On me, though, it looks like a pretty big guitar and it balances well, too. Oh, Ilike the sound of 'em too!

GW: Have you ever played Strats or Les Pauls? .
YOUNG: I tried Fenders but they were too heavy and they just didn't have the ballsy sound I was looking for. I tried a Les Paul when I was younger and nearly dislocated my hip because the fucking thing was so heavy! You've gotta have muscles to playa Les Paul and if you've ever seen me with my shirt off you'd know that I'm not exactly Arnold Schwarzenegger!

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE, CD BASI CON PREASCOLTO

Availability:

1204 AC/DC, PLAY GUITAR WITH . CD TABLATURE

Euro 23,00

Quantity

AC/DC, PLAY GUITAR WITH. Basi per voce e per chitarra: back in black -for those about to rock -highway to hell -rock and roll ain't noise pollution -whole lotta rosie -you shook me all night long. CD TABLATURE

Play Guitar With Australian Rock gods AC/DC on six of their greatest hits with these specially recorded CD backing tracks! Learn the virtuosic fret magic of Angus Young with the matching music book which features both guitar tablature and standard notation for each song. Chord symbols and the complete lyrics are also included for rhythm guitarists and vocalists. Includes the famous favourites Back In Black, Highway To Hell and Whole Lotta Rosie.

When you know the music, the accurate backing tracks allow you to take the lead and play as though you are part of the band!

Back In Black
For Those About To Rock (We Salute You)
Highway To Hell
Rock 'N' Roll Ain't Noise Pollution
Whole Lotta Rosie
You Shook Me All Night Long

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE, NEL CD BASI CON PREASCOLTO

Availability:

5440 AC/DC, GUITAR KIT. TABLATURE CD DVD

Euro 37,00

Quantity

AC/DC, GUITAR KIT. Back In Black -For Those About To Rock (We Salute You) -Highway To Hell -Whole Lotta Rosie -You Shook Me All Night Long. 72 minutes. TAB. CD DVD

TABLATURE
nel CD Jam complete con preascolto
nel DVD lezione nota per nota
nel libro Tablature

This 3-part package contains everything you need to master five songs by the legends of rock AC/DC, featuring a sheet music booklet, a tutorial DVD and a CD of superb soundalike backing tracks.
Learn to play the five songs note-by-note with the DVD tutorial - you'll get as close as possible to help you master the correct fingerings, techniques and sounds.
A 56-page booklet contains the printed music in notation and tablature to support the on-screen lessons.
Once you've mastered the songs, the audio CD of backing tracks will give you the chance to experience the sound of the full band, with carefully produced professional accompaniments that sound just like the original recordings!

DVD, CD JAM, LIBRETTO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE

Availability:

0006 AC/DC, ROCK SCORE. TABLATURE

Euro 23,00

Quantity

AC/DC, ROCK SCORE. TABLATURE

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA, BASSO, BATTERIA, IN NOTAZIONE E TABLATURE

Availability:

2265 AC/DC, STIFF UPPER LIP. TABLATURE

Euro 32,00

Quantity

AC/DC, STIFF UPPER LIP. TABLATURE

Stiff Upper Lip
Meltdown
House Of Jazz
Hold Me Back
Safe In New York City
Can't Stand Still
Can't Stop Rock 'n' Roll
Satellite Blues
Damned
Come And Get It
All Screwed Up
Give It Up

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE

Availability:

0009 AC/DC, THE RAZORS EDGE. TABLATURE ULTIME COPIE DISPONIBILI, OUT OF PRINT, LAST COPY AVAILABLES, IN STOCK

Euro 29,99

Quantity

AC/DC, THE RAZORS EDGE. GUITAR TABLATURE EDITION

BOOK WITH NOTES AND TABLATURE

MUSIC TRANSCRIPTIONS: RALPH AGRESTA, JEFF CIAMPA, CHRIS AMELAR

112 PAGES.

The Razors Edge è un album del 1990, pubblicato il 21 settembre, e registrato a Vancouver, Canada. Prodotto da Bruce Fairbairn.

-Thunderstruck (A. Young, M. Young)
-Fire Your Guns (A. Young, M. Young)
-Moneytalks (A. Young, M. Young)
-The Razors Edge (A. Young, M. Young)
-Mistress for Christmas (A. Young, M. Young)
-Rock Your Heart Out (A. Young, M. Young)
-Are You Ready (A. Young, M. Young)
-Got You by the Balls (A. Young, M. Young)
-Shot of Love (A. Young, M. Young)
-Let's Make it (A. Young, M. Young)
-Goodbye & Good Riddance to Bad Luck (A. Young, M. Young)
-If You Dare (A. Young, M. Young)

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE

Availability:

0008 AC/DC, WHO MADE WHO. GUITAR TABLATURE EDITION ULTIME COPIE DISPONIBILI, OUT OF PRINT

Euro 13,00

Quantity

AC/DC, WHO MADE WHO. Cercare la musica dentro se' stessi, qualsiasi intermediario è di intralcio. Per alcune persone, un insegnante può diventare un blocco che impedisce di seguire la propria strada, che interrompe il collegamento diretto e vitale con la musica. "Io suono con la testa e con le mani! Sin da quando ero piccolo ho imparato così, da solo. Malcolm Young prendeva lezioni, io mai! Seguivo i dischi di Chuck Berry e funzionava. Non ci sono regole, ho un'altro fratello che suona la chitarra con 3 corde, non so come faccia, ma funziona, quindi per me non c'è nulla di sbagliato". Angus ha un rapporto puramente istintivo con la musica, e un senso innato del ritmo che lascia meravigliati tutti coloro che l'hanno visto. Il cantante racconta: "Malcolm mi disse: -se perdi il tempo, non guardare mai i piedi di Angus, lui non è come gli altri. Guarda la sua testa: quella si che è un metronomo perfetto". TABLATURE

"who made who" is the soundtrack from the Stephen King Film MAXIMUM OVERDRIVE.

GUITAR TRANSCRIPTIONS BY: RALPH AGRESTA, JEFF CIAMPA, JOHN McCREA

Includes:

- Who Made Who

- You Shook Me All Night Long

- D.T.

- SINK THE PINK

- SHAKE YOUR FOUNDATIONS

- CHASE THE ACE

- Hells Bells

- For Those About To Rock (We Salute You)

- Ride On.

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE

Availability:

6133 AC/DC, BASSOLOGY. TABLATURE

Euro 30,00

Quantity

AC/DC, BASSOLOGY. TABLATURE

Over twenty AC/DC classics transribed for Bass in tablature and standard notation with complete lyrics and chord symbols. Includes band history and discography. 159 pagine.

Back In Black
Big Balls
Dirty Deeds Done Dirt Cheap
For Those About To Rock (We Salute You)
Girls Got Rhythm
Given The Dog A Bone
Have A Drink On Me
Hells Bells
Highway To Hell
If You Want Blood (You've Got It)
Let Me Put My Love Into You
Money Talks
Problem Child
Shoot To Thrill
Shot Down In Flames
Sin City
T.N.T.
Thunderstruck
Walk All Over You
What Do You Do For Money Honey
You Shook Me All Night Long

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA BASSO IN NOTAZIONE E TABLATURE

Availability:

5459 AC/DC, FAMILY JEWELS. TABLATURE

Euro 29,00

Quantity

AC/DC, FAMILY JEWELS. TABLATURE

324 pages. Compiled to coincide with the 2005 AC/DC DVD, this bumper book of transcriptions features 40 of the greatest slices of hard rock magic from the Australian legends, all in accurate Guitar Tab.

Since their first show at the Chequers Club in Sydney, AC/DC have become true rock heroes, and a clear example of everything that hard rock music is about. From the opening notes of their first single Can I Sit Next To You, they spear-headed a career of outrageous shows and thundering songs. In March 2003 AC/DC were inducted into the Rock 'n' Roll Hall Of Fame, confirming their status as one of the loudest and most exciting bands in the world.

This heavy songbook is as metal as it gets! 40 songs, including the unstoppable Whole Lotta Rosie and For Those About To Rock (We Salute You), have been transcribed in Guitar Tab so you can get your hands and ears around the insane talents of the inimitable Angus Young.

There's even a special selection of full-colour photos and stills from the band's hottest videos and the story of their explosive career for you to enjoy.

Are You Ready

Baby, Please Don't Go

Back In Black

Danger

Dirty Deeds Done Dirt Cheap

Dog Eat Dog

Flick Of The Switch

Fling Thing/Rocker

Fly On The Wall

For Those About To Rock (We Salute You)

Girls Got Rhythm

Heatseeker

Hells Bells

High Voltage

Highway To Hell

If You Want Blood (You've Got It)

It's A Long Way To The Top (If You Wanna Rock 'N' Roll)

Jailbreak

Let There Be Rock

Let's Get It Up

Moneytalks

Nervous Shakedown

Riff Raff

Rock And Roll Ain't Noise Pollution

Rock 'N' Roll Damnation

Shake Your Foundations

Shot Down In Flames

Show Business

Sin City

Sink The Pink

Stand Up

T.N.T.

That's The Way I Wanna Rock 'N' Roll

Thunderstruck

Touch Too Much

Walk All Over You

What Do You Do For Money Honey

Who Made Who

Whole Lotta Rosie

You Shook Me All Night Long

LIBRO DI MUSICA CON ACCORDI, VOCE, SPARTITO PER CHITARRA IN NOTAZIONE E TABLATURE

Availability:

CHITARRA LAMPO