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SCALES MODES ARPEGGIOS

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

6666 FLUID SOLOING BOOK 1, ARPEGGIOS FOR LEAD ROCK GUITAR. Tim Quinn. CD TAB.

Euro 22,00

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FLUID SOLOING BOOK 1, ARPEGGIOS FOR LEAD ROCK GUITAR. Tim Quinn. CD TAB.

Product Description:
A modern arpeggio handbook and comprehensive training manual for developing fast, flowing arpeggio runs that connect the entire fretboard. Emphasis is on developing fluid, non-shifting arpeggio patterns (across the neck) using hammer-ons and pull-offs for speed and fluidity; and also on developing smooth position-shifting arpeggios (along the length of the neck) using slides. These two types of motion are then connected and combined in an extensive collection of soloing etudes for full assimilation. The result is a complete system of arpeggio pathways that connects every part of the fretboard and facilitates maximum speed, fluidity, and range. Complete whole-neck connections are presented for major 7th, dominant 7th, minor 7th, minor 6th, half-diminished, diminished 7th, major triadic and minor triadic arpeggios.

This book is for all guitarists who are serious about improving their ability to solo over chord progressions using arpeggios, in any style of music; including rock, jazz, fusion, blues, country or pop. Having the ability to instantly outline any chord in a song with a fluid arpeggio run (no matter where your hand is on the neck) is immensely valuable for every guitarist. This book methodically teaches you the skills that make this possible. Loaded with melodic arpeggio passages that can be applied to your music immediately, this is perhaps the most practical and powerful arpeggio book ever written. CD included. Standard notation and Tablature.

Format: Book/CD Set

introduction
section one: RAPID FIRE ARPEGGIOS
NON-SHIFTING - Fast & fluid arpeggio patterns for Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(b5), Minor 6, Major Triadic, Minor Triadic chords. Arpeggios are presented in seven different sets. Each set is identified by a number that indicates the string with the lowest root and the finger that plays it in that set (for example, Set 5-1 arpeggios have the root on the 5th string fretted with the 1st finger).Set 5-1 Arpeggios
Set 6-1 Arpeggios
Set 5-4 Arpeggios
Set 6-4 Arpeggios
Set 4-1 Arpeggios
Set 6-2 Arpeggios
Set 5-2 Arpeggios

Practice Suggestions
Soloing Etudes
section two: EXTENDED ARPEGGIO RUNS
POSITION-SHIFTING - Fluid, melodic exercises for whole-neck motion.

Arpeggio Runs with a 16th Note Feel
(3 runs each for: Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(f5), Minor 6, Major Triadic, Minor Triadic)
Arpeggio Runs with a Triplet Feel
(3 runs each for: Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(f5), Minor 6, Major Triad, Minor Triad)

Practice Suggestions
Soloing Etudes

Appendix: "Guide For Using This Book"
Tablature Symbols Key
106 PAGES

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6781 FLUID PENTATONICS Book 2. 84 Melodic Studies for Guitar, Tim Quinn. CD TAB. 2010

Euro 18,00

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FLUID PENTATONICS Book 2. 84 Melodic Studies for Guitar, Tim Quinn. CD TAB.

MBGU Rock Curriculum: Fluid Pentatonics, Book 2
84 Melodic Studies for Guitar
by Tim Quinn

Product Description:
Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard, using position-shifting slides, hammer-ons, and pull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic "box" scale fingerings by developing pathways that continually shift between and connect the five pentatonic “boxes”. Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies, each of which spans the range of twelve frets, thus unlocking virtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns, applied to each of the five pentatonic "boxes". Section Three presents 10 whole-neck/position-shifting studies that are non-sequential in design, in order to develop unpredictable melodic flow. Then, in Sections Four and Five, two vital extensions/variations of the pentatonic scale are fully explored; the Hexatonic and Dominant Pentatonic scales.

The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into any single particular pentatonic "box". The resulting sound is definitely NOT bluesy (very little string bending), but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock, jazz, fusion, blues, country, and pop styles who want to unlock complete whole-neck freedom and develop a fast, modern pentatonic sound. CD included.

Presented in standard notation and tablature.
85 PAGES.

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6782 FLUID SOLOING, BOOK 3, CHORD-LEAD SOLOING FOR GUITAR, Tim Quinn. CD TAB. 2010

Euro 17,00

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FLUID SOLOING, BOOK 3, CHORD-LEAD SOLOING FOR GUITAR, Tim Quinn. CD TAB.

Product Description:
Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as The Wind Cries Mary, Little Wing, and Castles Made of Sand), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressions

Chord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, R&B, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist’s ability to "stand alone"; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. CD included. Standard notation and tablature.

Availability:

6802 FLUID SOLOING BOOK 4, String Skipping & Wide Interval Soloing for Guitar, Quinn. CD TAB. 2010

Euro 18,00

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FLUID SOLOING BOOK 4, String Skipping & Wide Interval Soloing for Guitar, Quinn. CD TAB.

Product Description:
String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarist’s guide to mastering wide interval soloing.

This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale.

The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music.

This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included. 152 Pages.

Contents:

Introduction

Section One: Double Pentatonic Scales and Shapes
A) Basic Non-Shifting Scale Exercises

Double Pentatonic Scale Fingerings
Wide-Interval Shapes
Basic Sequencing Exercises
Non-Shifting String Skipping Exercises
Stacked Fifth Exercises
B) String Skipping Shapes and Position Shifting

String Skipping Shapes
String Skipping Shape Sets
Shift Patterns (for horizontal position shifting)
Motion Exercises (using the shift patterns)
Non-Shifting Exercises (using shape sets)
C) Melodic Studies

Six Studies, presented in one scale fingering that combines All Of The Above
How to apply each melodic study to a different scale fingering

Section Two: Octave Sliding
A) Identifying Octave Shapes within Pentatonics
B) Octave Sliding Exercises

23 exercises showing all of the possible ways to slide octaves within one pentatonic scale fingering area
How to apply octave scale sliding exercises to other scale fingerings
C) Melodic Studies (Fifteen Studies)

Section Three: Pentatonic "Stacked Fifths"
A) The Concept
B) Wide Interval Shapes (in 5 fingerings)
C) Shape Connection Exercises

Non-Shifting (Positional)
Shifting (Whole Neck)
Combining Shifting and Non-Shifting Motion
Section Four: Wide Interval Diatonic Arpeggios
A) Diatonic Arpeggios in 5 Fingerings
B) Wide Interval Arpeggio Sets

Due to the large volume of exercises in this book, only selected examples are represented on the CD. It is in the student's best interest to study all the exercises for any given subject, including those that are not represented on the CD.
Breaking up the predictability
Exercises playing Sets 2-5 in all 12 keys
C) Licks Using Arpeggios

Section Five: Soloing Etudes
Appendix: "Guidelines For Using This Book"
Tablature Symbols Key

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6448 ARPEGGIOS FOR THE MODERN GUITARIST, The Complete Guide, Including Theory, Patterns, Techniques and Applications

Euro 17,00

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ARPEGGIOS FOR THE MODERN GUITARIST, The Complete Guide, Including Theory, Patterns, Techniques and Applications. CD TAB.

Series: Guitar Educational
Medium: BOOK W/CD TAB
Author: Stephen Ross

Using this no-nonsense book/CD pack, guitarists will learn to apply and execute all types of arpeggio forms using a variety of techniques, including alternate picking, sweep picking, tapping, string skipping, and legato. This is not just another arpeggio book, but a methodical approach to expanding your skills as a guitarist - and as a musician!

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4721 CRASH COURSE ON GUITAR ARPEGGIOS. Joe Bennett. CD TAB.

Euro 11,00

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CRASH COURSE ON GUITAR ARPEGGIOS. 32 pagine con Joe Bennett. CD TAB.

The Essential Guide for All Guitarists
Series: Guitar Educational
Publisher: Artemis Editions
Softcover with CD - TAB
Author: Joe Bennett

Understand arpeggios with this great beginner's guide! You'll discover: the difference between arpeggios and scales; how arpeggios can improve your solos and help you play faster; essential open and moveable arpeggio shapes shown in both tab and as guitar fretboxes; and more. The CD features over 40 tracks, with sample solos, backing tracks and three complete pieces to play along with. 32 pages.

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1817 GIG BAG BOOK OF ARPEGGIOS FOR ALL GUITARISTS. TABLATURE

Euro 15,99

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GIG BAG BOOK OF ARPEGGIOS FOR ALL GUITARIST. 20 accordi moltiplicati per le 12 tonalità, 240 arpeggi in 4 diverse altezze sulla tastiera, 245 pagine. TABLATURE

The ultimate arpeggio reference book for all guitarists. 240 arpeggios in all 12 keys. The handy fretboard diagram illustrates the finger positions.

The Gig Bag Book of Arpeggios for All Guitarists
Series: Music Sales America
Publisher: Music Sales America
Format: Softcover
Author: Mark Bridges

The ultimate arpeggio reference book for all guitarists. 240 arpeggios in all 12 keys. The handy fretboard diagram illustrates the finger positions. 4.5? x 12?

Inventory #HL 14012653
ISBN: 9780825616594
UPC: 752187946908
Publisher Code: AM946902
Width: 5.25"
Length: 12.0"
248 pages

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4026 MELODIC ARPEGGIOS FOR LEAD GUITAR, MARK GALBO. CD TAB.

Euro 21,00

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MELODIC ARPEGGIOS FOR LEAD GUITAR, M. Galbo. CD TAB.

An arpeggio is simply playing the notes of a chord, one after another, in a melodic fashion. Piano, bass, string, and horn players routinely find the study of arpeggios a staple of their learning process. But, somehow, guitarists often manage to skip over this essential musical building block.
This book is designed to demystify arpeggios and demonstrate their application in a musical and easy-to-understand format. All of the material is presented within the context of various 'Jam Tracks' which allow students to immediately apply new knowledge and hear for themselves why arpeggios are essential to their playing.

All of the music examples are presented in standard notation and tablature so there is no need to read music. Also includes a special demonstration and playalong CD.

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6437 ARTFUL ARPEGGIOS DON MOCK, Fingerings and Applications for Guitar REH. CD TAB.

Euro 15,00

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ARTFUL ARPEGGIOS DON MOCK, Fingerings and Applications for Guitar REH. CD TAB.

Series: REH Publications
Softcover with CD - TAB
Author: Don Mock

Expand your playing and your imagination with these essential arpeggios! With this pack, players will learn: arpeggio fingerings; major, minor, dominant and altered dominant sounds; bi-tonal arpeggios; arpeggios from major, minor, melodic minor and harmonic minor scales; and much more! The book features standard notation and tab, and the CD includes 78 demonstration tracks. 32 pages.

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4873 COMPLETE GUITAR SCALE DICTIONARY. DVD

Euro 21,00

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COMPLETE GUITAR SCALE DICTIONARY. DVD TAB.

Introduction
How to Read the Scales
How to Use the Book

Major Scales
Major
Neopolitan Major
Hungarian Major
Harmonic Major

Minor Scales
Natural Minor Scales
Harmonic Minor Scales
Melodic Minor Scales
Jazz Minor
Hungarian Minor
Lydian Minor
Neopolitan Minor

Pentatonic Scales
Major Pentatonic Scales
Minor Pentatonic Scales

Blues Scales
The Blues Scale
The Major Blues Scale

Modes
lonian Mode
Dorian Mode
Phrygian Mode
Lydian Mode
Mixolydian Mode
Aeolian Mode
Locrian Mode
Super Locrian Mode
Lydian Dominant
Major Locrian

Symmetrical/Altered Scales
Chromatic
Diminished (Whole-Half)
Diminished (Half-Whole)
Whole Tone
Diminished Whole Tone
Leading Whole Tone
Symmetrical
Six Tone Symmetrical

Exotic Scales
Arabian Scale
Balinese Scale
Byzantine (Popular in India)
Hungarian Gypsy
Persian
East Indian Purvi
Oriental
Double Harmonic
Enigmatic
Overtone
Eight Tone Spanish
Prometheus

Japanese Scales
Gagaku (Rittsu Sen Pou)
Gagaku (Ryo Sen Pou)
Zokugaku (You Sen Pou)
In Sen Pou
Okinawa

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