CHITARRA LAMPO

SCALES MODES ARPEGGIOS

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

1286 ROCK LEAD PERFORMANCE, MUSICIANS INSTITUTE. CD TABLATURE

Euro 18,99

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ROCK LEAD PERFORMANCE, MUSICIANS INSTITUTE. Tech, scales, soloing for guitar. centro tonale, i modi, le scale, bluesy, arpeggi, jam, 74 Esempi audio di rock song, con Nolan e Gill. CD TABLATURE

Rock Lead Performance
Techniques, Scales and Soloing Concepts for Guitar
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Danny Gill
Composer: Nick Nolan

Techniques, scales and soloing concepts for guitar complete with a CD with over 70 full-demo tracks; in-depth study of modes; soloing over chord changes and modulations; harmonic minor, diminished and other scales; blues-based music; and much more!

Inventory #HL 00695278
ISBN: 9780793590582
UPC: 073999952780
Width: 9.0"
Length: 12.0"
80 pages

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3361 SCALE CHORD RELATIONSHIPS, A GUIDE TO KNOWING WHAT NOTES TO PLAY, AND WHY! GUITAR EDUCATIONAL CD

Euro 14,95

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SCALE CHORD RELATIONSHIPS, A GUIDE TO KNOWING WHAT NOTES TO PLAY, AND WHY! GUITAR EDUCATIONAL. CD TAB.

Composer: Jeff Schroedle, Michael Mueller. Scale Chord Relationships teaches players how to determine which scales to play with which chords, so guitarists will never have to fear chord changes again! This book/CD pack explains how to: recognize keys; analyze chord progressions; use the modes; play over nondiatonic harmony; use harmonic and melodic minor scales; use symmetrical scales such as chromatic, whole-tone and diminished scales; incorporate exotic scales such as Hungarian major and Gypsy minor; and much more! 40 pages.

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1091 SCALES OVER CHORDS, WITH CD

Euro 24,00

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SCALES OVER CHORDS. Suggerimenti, studi esercizi, arpeggi, modelli, progressioni, per un immediato e pratico uso delle scale insieme ad accordi. CD TAB.

Description:

How to improvise lead lines over chord progressions and never play bad notes! The audio companion demonstrates all musical examples with full band back-up. 160 pages.

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0263 SCALES AND MODES, ESSENTIAL SKILLS. BOOK & C.D.

Euro 17,00

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SCALES & MODES, ESSENTIAL SKILLS. Più di 40 scale e modi per rock, blues, shuffle, funk, country. Ogni scala è esaminata in varie posizioni sulla tastiera, con suggerimenti per gli impieghi più usuali. Nell'altoparlante destro potrete ascoltare la scala singolarmente. CD TAB.

Series: Guitar Book
Publisher: Cherry Lane Music
Medium: Softcover with CD
Author: Jon Chappell

42 movable scales and modes arranged over rock, shuffle, and funk grooves. Includes: The 7 Fundamental Modes - Major, Minor and Pentatonic Scales - Diminished & Whole Tone Scales - The Blues Scale - Exotic Scales. Includes CD and performance notes.

24 pages

Availability:

3273 SCALES. CHERRY. TAB.

Euro 12,99

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SCALES, over 70 scales tra modali, esotiche, pentatoniche, simmetriche, bebop. enigmatiche, e molte altre. 220 pagine. TAB.

Composer: Joe Charupakorn.
Find any scale quickly and with ease! This book presents over 70 scales from bebop scales to synthetic scales to exotic scales from around the globe. Each scale is displayed on every possible string from lowest to highest with numerous fingering options. This is the ideal book for beginners seeking a well-organized, easy-to-follow guide to last a lifetime and consummate professionals who need a reference of scales for every possible musical situation. No music reading is required, as each scale is shown in diagram form. 224 pages.

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4769 TECNICA MODERNA DI MELODIA, DELAMONT GORDON.

Euro 21,00

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TECNICA MODERNA DI MELODIA, D. Gordon. In italiano.

Availability:

6591 THE DIATONIC CYCLE, Essential Exercises for All Jazz, Traditional and Contemporary Musicians, Emile, Laura De Cosmo. 300 esercizi, 344 pagine.

Euro 16,00

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THE DIATONIC CYCLE, Essential Exercises for All Jazz, Traditional and Contemporary Musicians, Emile, Laura De Cosmo. 300 esercizi, 344 pagine.
Series: Jazz Instruction

Author: Emile De Cosmo
Author: Laura De Cosmo

Renowned jazz educators Emile and Laura De Cosmo provide more than 300 exercises to help improvisors tackle one of music's most common progressions: the diatonic cycle. This book is guaranteed to refine technique, enhance improvisational fluency, and improve sight-reading! 344 pages

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4024 THE ART OF SOLO GUITAR 1, J. FISHER. CD OUT OF PRINT

Euro 21,00

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THE ART OF SOLO GUITAR 1, J. Fisher. CD TAB.

In this two-book series, popular clinician and author Jody Fisher clarifies and simplifies the art of creating an arrangement and improvising as a solo guitarist. In his easy-to-understand and enjoyable style, this master of solo guitar teaches all of the theory, technique and arranging skills students need to start a lifelong journey as a solo guitarist.
Book 1 focuses on the nuts and bolts of playing solo guitar, covering basic fingerboard knowledge and theory followed by extensive information about chords, harmony, and basic arranging skills.

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4025 THE ART OF SOLO GUITAR 2, J. FISHER. CD ULTIMA COPIA, LAST COPY, OUT OF PRINT

Euro 29,99

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THE ART OF SOLO GUITAR 2, J. Fisher. CD TABLATURE

By Jody Fisher

In this two-book series, popular clinician and author Jody Fisher clarifies and simplifies the art of creating an arrangement and improvising as a solo guitarist. In his easy-to-understand and enjoyable style, this master of solo guitar teaches all of the theory, technique and arranging skills students need to start a lifelong journey as a solo guitarist. Book 2 focuses on more advanced arranging techniques and adding the element of improvisation to your solo work. There is also lots of information about ornamentation, various musical and stylistic feels, and many aesthetic considerations.

Fisher 2 art solo

INTRODUCTION
Welcome to the second book in this two-book series. Before you begin working in Book 2, it is important to make sure that the information and skills covered in Book I are thoroughly understood
and well under your fingers. You should also have at least a small solo repertoire prepared.
As you learn and work with the concepts presented in this book, it will be helpful to have songs to
which these skills can be applied. This is the only way you can integrate new ideas into your playing and make them truly your own.
As you page through this book, you will notice that there are quite a few musical examples. All the
theory in the world is useless until you hear the ideas in context. I believe that the best way to learn how to play is to play-a lot! For this reason, I have tried to keep the verbiage to a minimum. You will need to be able to play the examples well to hear their full effect. Expect to spend plenty of time practicing the pieces in this book.
Fingerings are shown only where I felt they were necessary to give you the basic idea. Since much
of this book is about solo guitar improvisation, absolute fingerings have been avoided and many will be up to you to find. This is because in an improvisational situation, one's ideas are rarely conceived much more than a few measures in advance. Fingering, as well as actual chord voicings and melodies, are executed on the fly. Creating ways to get from pointA to point B is a large part of improvising solo guitar. If you have done the usual technical exercises required to prepare for this kind of playing, you are probably ready for this material. If not, this will become apparent soon enough.
There is a certain dichotomy to writing out examples of "improvised" solos. Musical events occur
in improvisation that cannot be duplicated on paper. Indeed, the whole idea of spontaneous playing
suggests a trusting of the moment. Writing musical ideas out pretty much negates that whole concept. Be that as it may, these examples express tools and thought processes that need to be learned in order for that spontaneous "magic" to happen. These examples are not meant to be hot licks that will impress and amaze your friends. Rather, the concepts behind them are intended to be integrated into your body of knowledge. The actual musical examples are simply illustrations to help you catalog the sounds that are possible when these concepts are applied.
One or two books cannot possibly cover the entire realm of solo guitar, so I would like to recommend other books I have written that are good companions to this series. Together, with The Art ofSolo Guitar, they deliver much of the important information that is eventually needed for a comprehensive understanding of this style:
Mastering jazz Guitar: Chord Melody, for more arranging ideas and techniques Mastering jazz Guitar: Improvisation, for more information on soloing 30-Day Guitar Workout to make sure your hands are up to the task jazz Licks Encyclopedia for more melodic vocabulary Remember that you need to listen to quite a bit of solo guitar to become aware of all the possibilities.
This includes players from the jazz, acoustic and classical worlds. You really can't listen too much.
With all this said, the most important aspect of all this is to enjoy the process of learning and discovering the joy and intimacy of solo guitar.

TABLE OF CONTENTS:

About the Author .
Introduction .

Chapter I-Scales: Major Pentatonic .
Solo Guitar and Improvisation .
Improvisi ng with Scales .
Step One-The Major Pentatonic Scale Formula
and Fingeri ngs .
Step Two-Adapting the Major Pentatonic Scale for Solo Guitar .
Some Observations .

Chapter 2-Scales: Major .
Step One- TheMajor Scale Formula and Fingerings .
Step Two-Adapting the Major Scale for Solo Guitar .
Major Ideas and Solos .
Mr. Lee's .
Paul's Song .
Spring Has Sprung .

Chapter 3-Scales: Three Minor Scales .
Step One-The Minor Scale Formulas and Fingerings .
Step Two-Adapting the Minor Scales for Solo Guitar .
Minor Ideas and Solos .
Blues for Igor .
Any Minor Blues .
Some Other Time .
Carnival Morning .

Chapter 4-Scales: Diminished .
Step One-The Diminished Scale Formula and Fingerings .
Step Two-Adapting the Diminished Scale for Solo Guitar .
Diminished Ideas and Solos .
Silent Evenings .
Diminishing Returns .
2 Jody fi her's
The Art of Solo Guitar

Chapter 5-Scales: Whole Tone .
Step One-- The Whole Tone Scale Formula and Fingerings .
Step Two-Adapting the Whole Tone Scale for Solo Guitar .
Whole Tone Ideas and Solos .
Not a Chance .
Whole in One .

Chapter 6-Scales: Super Locrian .
Step One-- The Super Locrian Formula and Fingerings .
Step Two-Adapting the Super Locrian Scale for Solo Guitar .
Super Locrian Ideas and Solos .
Fifty Years Ago .
Coming from Somewhere .

Chapter 7-Comping with Walking Bass Lines .
Developing a Chord Vocabulary on the Lowest Four Strings .
Develo ping Bass Lines .
Syncopation and Rhythmic Variations .
Worki ng with ii-V7-1 Progressions .

Chapter 8 - Developing Chord Phrases .

Chapter 9- Two-Note Chords .

Chapter 10-Playing Around Chord Shapes .

Some Final Thoughts .
Track

A compact disc is available for this book. Using this disc will help make learning more enjoyable and the information more meaningful. The CD provides you with the sounds of many of the book's examples. Track I will help you tune to this CD. Have fun!

The ann Guitar Workshop P, esents
jazz Chops for Guitar (Brown)
07-1036 Book and CD

Theory for the Contemporary Guitarist (Capuzzo)
16755 Book only

Ultimate Scale Bible. The (Dziuba)
07-1009 Book only

Other Products by
Jody Fisher

COMPLETE JAZZ METHOD
Beginning jazz Guitar
14120 Book and CD

Intermediate jazz Guitar
17123 Book and CD

Mastering jazz Guitar: Chord/Melody
17126 Book and CD

Mascering jazz Guitar: Improvisation
17129 Book and CD
MORE...

30-Day Guitar Workout
17867 Book only

Art of Solo Guitar, The: Book I
07-1053 Book and CD

Beginning jazz Guitar (Video)
11805 VHS

Chord and Scale Finder
14148 Book only

Ear Training for the Contemporary Guitarist
19370 Book and CD

Guitar Mode Encyclopedia
14445 Book only

jazz Guitar Christmas Solos
14869 Book and CD

jazz Guitar Harmony
20440 Book and CD

jazz Guitar Master Class
14827 Book only

jazz Licks Encyclopedia
19420 Book only

jazz Skills (Fisher)
07-1012 Book and CD

Rhythm Guitar Encyclopedia
14838 Book only

Stand Alone Tracks: Smooth jazz
17808 Book and CD

Other Jazz Products
Published by the National Guitar Workshop
Alfred Publishing Co. Inc.

The Jazz Guitarist's Guide to Solo Guitar Arranging In this two-book series, popular clinician and author Jody Fisher clarifies and simplifies the art of creating an arrangement and improvising as a solo guitarist. In his easy-to-understand and enjoyable style, this master of solo guitar teaches all of the theory, technique and arranging skills you need to start a lifelong journey as a solo guitarist.
As the author says, "Becoming a solo guitarist is an ongoing learning experience that will reward you with a highly personal form of expression. As a solo guitarist, you will be completely self-reliant; your skills will free you from dependency on anyone else. Also, these skills will transfer directly to group playing, so you can't really lose."
Book 1 focuses on the nuts and bolts of playing solo guitar.
Basic fingerboard knowledge and theory are covered, followed by extensive information about chords and harmony and basic arranging skills. Book 2 focuses on more advanced arranging techniques and adding the element of improvisation to your solo work. You will also find lots of information about ornamentation, the various musical and stylistic feels and many aesthetic considerations.
This comprehensive arrangmg method IS a must for any

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3272 THE DIMINISHED SCALE FOR GUITAR. M. INSTITUTE. CD TAB.

Euro 12,00

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THE DIMINISHED SCALE FOR GUITAR. Belkadi, M. Institute. CD TAB.

Publisher: Musicians Institute Press

Jean Marc Belkadi reveals the secrets of using the diminished scale in over 30 lessons and sample phrases. The CD includes over 30 tracks for demonstration and play-along, and the topics covered include: tonal and modal usage; diminished triads, chromaticism, arpeggios, polytonalities, common licks and patterns for jazz, rock, and fusion guitar; and more! 24 pages.

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CHITARRA LAMPO