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BLUES GUITAR

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15

5858 150 COOL BLUES LICKS. CD TAB.

Euro 15,95

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150 COOL BLUES LICKS. CD TAB.

Series: Guitar Educational
Publisher: Cherry Lane Music
Softcover with CD - TAB
Author: Toby Wine
Artist: Various

This cool book/CD pack presents a wide selection of riffs in a variety of styles, just waiting to be used in your solos! The riffs are organized by blues style and by placement within the standard 12-bar format (first, second and final four measures) so you can assemble your solos easily, section by section. This is the ultimate resource for beginning and intermediate blues guitarists seeking a straightforward route to solo-building, as well as for seasoned pros who want to further stock their arsensals. Includes a CD with recorded demos of every lick! 56 pages

Availability:

1788 50 RIFFS FOR BLUES GUITAR. CD

Euro 19,00

Quantity

50 RIFFS FOR BLUES GUITAR. Riffoni con backtrack. CD TAB.

Availability:

6331 BLUES RHYTHM GUITAR, Musicians Institute Keith Wyatt CD TABLATURE

Euro 20,00

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BLUES RHYTHM GUITAR, Musicians Institute Keith Wyatt. CD TABLATURE

Series: Musicians Institute Press
Publisher: Musicians Institute Press
softcover with CD - TAB
Author: Keith Wyatt
Blues Rhythm Guitar concentrates on the heart of blues music: the rhythm. You'll learn the crucial elements of the style that no guitarist should be without, including blues changes and variations, several shuffle rhythms, slow and fast blues rhythms, how to combine different rhythm parts, and much more. The included CD demonstrates all the concepts and features rhythm tracks so you can try out your newfound skills with a full band. 112 pages

BLUES RHYTHM GUITAR
MASTER CLASS
The Complete Guide to Shuffles, Boogies, Jump, Slow Blues, and Other Blues Styles
by Keith Wyatt

Introduction
The heart of blues lies in the rhythm. Rhythm is not just a back-up part; it's the essential
glue that ties everything together, from the underlying beat of the drums to the vocals and
solos. With a great rhythm feel, you don't need much else. Conversely, without a great rhythm
feel, nothing else amounts to much. Ever since electricity unleashed the guitar as a blues solo
instrument, players have tended to focus the bulk of their time and effort on developing the
guitar's single-note voice, but two facts about guitar playing can't be ignored: First, most of
your career as a player is spent backing somebody up. Second, your solos will always be
inspired, or limited, by your sense of rhythm. Any attempt to separate great blues guitar playing
into "licks" and "rhythm" is ultimately meaningless-neither B.B. King nor Albert King play
many chords, but their phrasing is profoundly rhythmic. At the other extreme, you won't hear
many solos on a John Lee Hooker record, but he built an entire career on a distinctive rhythm
style. After a century of blues-guitar history, it's still the rhythm that holds it all together.
This book is specifically focused on blues rhythm guitar, but the principles of rhythmic
phrasing (e.g., how to capture a drum beat on the guitar, how to break down chords into
usable fragments, and how to mesh with other musicians) go beyond blues-specific vocabulary;
they apply to any groove or musical style. The blues developed during a period of time
in which the dance rhythms of American popular music were almost universally based on the
eighth-note triplet shuffle, and the bulk of this book is devoted to playing that rhythm at various
tempos. For decades, though, artists have been blending blues with other dance
grooves, from funk and R&B to Latin, rock, and disco. (Stevie Ray Vaughan made his debut
on a David Bowie dance-pop record, after all). Today, it's rare to find a blues band that doesn'
t incorporate a variety of grooves in its set, but the feel of the shuffle is still at the heart of it
all. In the end, this book is for anyone who wants to become a better guitar player-period.

How to Get the Most Out of This Book
To get started, you need to at least know the following:
1. The names of the notes on the sixth and fifth strings.
2. How to play major, minor, and dominant seventh chords in both open and barre chord
(movable) voicings.

If you don't have this knowledge under your fingers yet, practically any beginner guitar
method will provide it. (Check out Guitar Basics, by Bruce Buckingham [MI Press/Hal
Leonard], in particular). You might also want to pick up a basic theory book that explains
chord and scale construction (why a ninth chord is called a ninth chord, how scale tones are
numbered, and so on). A good (and admittedly biased) recommendation is Harmony and
Theory: The Essential Guide, by Keith Wyatt and Carl Schroeder (MI Press/Hal Leonard).
If you're a beginning guitar player or new to playing blues, Chapters 1 and 2 cover the
fundamentals of blues rhythm and chords. If you're a more advanced player or you want to
concentrate on expanding your blues rhythm vocabulary, you may want to start from Chapter
3, or just browse through the chapters and listen to the CD until something catches your
attention. The material is not arranged from "easy" to "difficult"-at any point along the way
you may find things that are challenging to your brain and to either, or both, hands. What I've
attempted to do is to break blues rhythm playing into segments, so that by learning how different
rhythm patterns are developed and how they relate to the other instruments in the
band, you can learn to create your own parts.

Table of Contents:

Introduction
How to Get the Most Out of This Book
How to Use the CD

Part I: Medium Shuffles and the 12-Bar Blues
Chapter 1: The Shuffle
Chapter 2: Blues Changes
Chapter 3: Medium Shuffle Part I: Low-range Rhythms
Chapter 4: Medium Shuffle Part II: Mid-range Rhythms
Chapter 5: Medium Shuffle Part III: High-range Rhythms
Chapter 6: 12-bar Variations
Chapter 7: Combining Rhythm Parts
Summary of Part I

Part II: Beyond the Medium Shuffle
Chapter 8: Slow Blues
Chapter 9: Fast Blues
Chapter 10: Beyond the 12-bar Form
Chapter 11: Beyond the Shuffle: Other Rhythms in Blues
Summary of Part II

Appendix
CD Track Listing
Suggested Listening
Guitar Notation Legend

Description
Straight Eighth Notes
Eighth-note Triplets
Triplet Shuffle
Accented Shuffle
Accented and Muted Shuffle
Boogie Pattern
Boogie with Accented Downbeats
Boogie with Accents and Muting
Turnaround in the Key of A
Turnaround in the Key of D
Ending in the Key of A
Ending in the Key of D
Adding the 7th
Separate, Sustained Notes
Adding Bass Notes with the Fourth Finger
Adding Bass Notes while Shifting Position
12-bar Walking Bass Pattern
Bass Riffs
Slapping/Muting Technique
12-bar Bass Riff
Upbeats
Chord Riffs
Riff-chord Variations
Riff Chord
Picking the Fourth String Separately
Sliding into Riff Chords
Legato and Staccato Phrasing Variations
Combined Legato, Staccato and Dynamics
Horn Riff Phrasing
Half-step Embellishment
Two-bar Riff with Whole-step Embellishment (R6)
Two-bar Riff with Whole-step Embellishment (RS)
12-bar Horn-section Riff with Embellishment
Robert Junior Ninth-chord Arrangement
Horn Riff with 13th Chords
Two-bar Horn Pattern Over a Slow Change
Two-bar Horn Pattern Over a Quick Change
B over A
Chicago Turnaround
Adding the IV Chord to the Turnaround
Adapting Two-bar Horn Pattern to the Turnaround
Four Turnaround Examples
Open-string Turnaround in the Key of E
"From the Turnaround" in the Key of G
Regular and Final Turnarounds
"Three Times Around" Ending

Boogie and Fill
Substituting the 4th
Expanding the Fill
Moveable Boogie and Fill
12-bar Moveable Boogie and Fill
Thumb-over Four-string Boogie
E Walking Line
Adding Upstrokes
Walking Line on A, with Upstrokes
V-IV (B-A) Walking Pattern and Turnaround
12-bar Shuffle in E
12-bar Combination Rhythm in G
Adding Chord Embellishments
Hybrid-picked Combination Rhythm
) Slow Blues Bass Riff
Quick-change 12-bar Blues in A
T-Bone-style Slow Blues Rhythm
Phrasing Combinations
12-bar Triplet Rhythm
Jump Blues Walking Line
Uptempo Boogie Pattern
Uptempo Mid-range Chord Riff
Organ-style Rhythm
Albert Collins-style Chord Voicings
Jump Horn Riffs w/ Variations
Two-note Horn-style Rhythm
Two-bar Repeating Riff
Bass Line Combined with Chord Punches
Bass Pattern combined with Two-note Chords
Boogie #1
Boogie #2
Boogie #3
Two-beat Bass Riff
Two-beat Bass Riff
Two-beat Bass Riff
Two-beat Accents and Fills
Eight-bar Progression, Version 1
Eight-bar Progression, Version 2
Sixteen-bar Progression
Blues Rumba Chord Pattern
Blues Rumba Bass/Chord Combination
R&B Combined Guitar/Bass Rhythms
"Chicks" in C
R&B Triplet Ballad
Minor Blues Rhythm with "Chicks & Fills"

Standard blues changes and form
Developing a strong shuffle feel
Useful rhythm parts in high, middle, and low ranges
Fast blues, slow blues, and beyond the 12-bar form

With a great rhythm feel, you don't need
much else. Conversely, without a great
rhythm feel, nothing else amounts to much.
This book is specifically focused on blues
rhythm guitar, but the principles of rhythmic
phrasing (e.g., how to capture a drum beat
on the guitar, how to break down chords
into usable fragments, and how to mesh
with other musicians) go beyond bluesspecific
vocabulary; they apply to any
groove or musical style.

Availability:

2302 THE ART OF THE SHUFFLE. CD

Euro 19,95

Quantity

ART OF THE SHUFFLE. Inside the blues. E' proprio vero che l'incisivo accompagnamento ritmico della musica blues uscì dai tasti del pianoforte, e che la chitarra poi imitò soltanto? Questa edizione sulle varie forme ritmiche blues, approfondirà le radici delle vostre conoscenze fino ai torrenti sotterranei della regione del Delta, delle aride pianure rocciose del Texas, della polverosa Kansas City, delle foreste di New Orleans, dell'asfalto e delle pozzanghere di Chicago. CD. TAB.

Series: Guitar Educational
Softcover with CD - TAB
Author: Dave Rubin

This method book explores shuffle, boogie and swing rhythms for guitar. Includes tab and notation, and covers Delta, country, Chicago, Kansas City, Texas, New Orleans, West Coast, and bebop blues. Also includes audio for demonstration of each style and to jam along with. 64 pages.

Availability:

6586 COMPLETE RHYTHM GUITAR GUIDE FOR BLUES BANDS, Larry McCabe. CD TAB.

Euro 25,00

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COMPLETE RHYTHM GUITAR GUIDE FOR BLUES BANDS, Larry McCabe. CD TAB.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD

This info-filled book/CD will take you out of your rhythm-playing rut and teach you to play confidently in any blues style! You'll learn: intros, endings and turnarounds; modern theory for reharmonizing chord progressions; jazz and eight-bar progressions; and much more. The book includes 100 musical examples, 16 theory workshops, a discography and bibliography, and the CD has 51 tracks. 160 pages.

Availability:

4796 BASIC BLUES GUITAR METHOD, BOOK 2 ENHANCED CD

Euro 17,00

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BASIC BLUES GUITAR METHOD 2 ADVANCED BEGINNER. Hamburger & Matt Smith. CD-ROM, CD. TAB.

Basic Blues Guitar Method, Book 2
By David Hamburger
CATEGORY: Guitar Method or Supplement
FORMAT: Book & Enhanced CD

A thorough course, paced for beginners. Become a great blues guitarist by starting with the fundamentals-like holding the guitar, tuning up, and playing simple chords and notes-and continue to grow with more advanced topics explored later, like slides, tritone patterns and double stops. All the music in each 48-page book is shown in TAB as well as standard music notation and demonstrated on the accompanying CD and/or DVD.

Availability:

4797 BASIC BLUES GUITAR METHOD, BOOK 3 & CD

Euro 18,00

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BASIC BLUES GUITAR METHOD 3 INTERMEDIATE. Hamburger & Matt Smith. CD TAB.

Basic Blues Guitar Method, Book 3
By David Hamburger and Matt Smith

CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

This book is for intermediate players as well as those who have completed book two of the series. You will learn about minor blues, intros, turnarounds, endings, rhythm riffs and Texas swing. In addition to easy-to-understand lessons on improvisation and theory, how to use, mix and expand pentatonic scale patterns is explained. A CD is available which demonstrates each example.

Availability:

4798 BASIC BLUES GUITAR METHOD, BOOK 4 & CD

Euro 17,50

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BASIC BLUES GUITAR METHOD 4 ADV INTERMEDIATE. Hamburger & Matt Smith. CD TAB.

Basic Blues Guitar Method, Book 4
By Matt Smith

CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

This book is for late-intermediate players as well as those who have completed book three of the series. You will learn rhythm & blues fills and advanced blues phrasing issues such as rhythmic variation, dynamics and using non-scale tones in a solo. There are also easy-to-understand lessons on breaking out of scale patterns and soloing techniques such as using tritone patterns and double stops. A CD is available which demonstrates each example.

Availability:

2309 BEGINNING BLUES GUITAR, BY ARLEN ROTH.

Euro 13,25

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BEGINNING BLUES GUITAR, BY ARLEN ROTH. Shuffle, assoli, tournaround, bending, fingerpicking, tutto il condimento necessario per i divoratori di primi piatti alla tavola calda di Robert Johnson. TAB.

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2311 EXCITING CONCEPTS FOR BLUES GUITAR SOLOING. WITH CD

Euro 23,00

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Levenson Barry, EXCITING CONCEPTS FOR BLUES GUITAR SOLOING. Esempi di blues nello stile di Buddy Guy, B.B. King, Stevie Ray Vaughan, e relative basi. CD TAB.

Exciting Concepts for Blues Guitar Soloing by Barry Levenson, is an exciting Blues guitar method (with both music notation and tablature) that explores the techniques found in great Blues soloing. The 14 solos contained in this book comprise some of the greatest "licks" in blues guitar playing. The solos include the playing styles of B.B. King, Buddy Guy, T-Bone Walker, Stevie Ray Vaughan & Hubert Sumlin. The book also comes with a detailed text that analyzes each solo in depth and provides today's Blues guitar improviser with all the tools needed for creating their own melodic and harmonic solos. The book gives insight into such concepts as: phrasing, outlining chord structure, target notes, bending techniques, advanced position playing and motific development. The CD is recorded with rhythm backing tracks with and without the solo. Barry has released his own CD called "Heart To Hand". So many people seem to take a lot of time to nurture their chops carefully to bring themselves to the precipice of being able to really blow and have fun, but then for whatever reason can't get past the blues box thing, and end up constantly repeating themselves, bored with their playing, and don't continue to grow as improvisers.

Barry Levenson is the lead guitarist for the world famous blues/rock/boogie band Canned Heat.

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