CHITARRA LAMPO

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JAZZ GUITAR

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6294 HENDERSON SCOTT, BLUES GUITAR COLLECTION. TAB.

Euro 16,99

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HENDERSON SCOTT, BLUES GUITAR COLLECTION. TAB.

Series: Recorded Version (Guitar)
Softcover - TAB
Artist: Scott Henderson

10 note-for-note transcriptions of Henderson's unique blues-rock fusion tunes, 144 pages, including:

Ashes
Dog Party
Dolemite
Hole Diggin'
Lady P
Meter Maid
Same As You
That Hurts
Tore Down House
Well To The Bone

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0615 HENDERSON SCOTT, JAZZ GUITAR CHORD SYSTEM.

Euro 11,00

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HENDERSON SCOTT, JAZZ GUITAR CHORD SYSTEM, voicing and substitutions. Da una lezione di Henderson. Per chi quel giorno li, non si trovava in California: 500 differenti voicing, sistema con codici a colori, inversioni, estensioni, alterazioni, sostituzioni, altro.

Scott Henderson
Publisher: Musicians Institute Press

The essential guide to jazz chord voicings and substitutions, complete with a color-coded method for over 500 essential voicings. Players will understand chord functions and their harmonic possibilities better than ever before, as well as inversions, extensions, alterations, and substitutions. Players will also be able to increase their harmonic vocabulary for accompaniment, composing and chord-melody playing.

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0880 HENDERSON SCOTT, THE BEST. Guitar and Bass. TAB.

Euro 26,00

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HENDERSON SCOTT, THE BEST. Black Cherry -Jakarta -Revenge Stew -Root Food -Slidin' Into Charlisa -Stella By Infra-Red High Particle Neutron Beam -Susie's Dingsbums -The Crawling Horror -Torque -Worlds Waiting. Chitarra TAB., e basso (no Tab.). TAB.

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2516 HENDERSON SCOTT, GUITAR BOOK. NO TAB

Euro 24,95

Quantity

HENDERSON SCOTT, GUITAR BOOK. 10 titoli per chitarra e basso.

The Scott Henderson Guitar Book Scott Henderson
ITEM: 00-31791
UPC: 038081341682
ISBN 10: 0739056727
ISBN 13: 9780739056721
CATEGORY: Guitar Personality
VERSION: Authentic Guitar Transcription
FORMAT: Book

One of the most influential and technically stunning guitarists on the planet, Scott Henderson's killer fusion of jazz, hard rock, and blues is captured here note-for-note in this fantastic collection of complete guitar transcriptions. Titles: Big Girl Blues - Caribbean - Elvis at the Hop - Mango Prom - Nomad - Peru - Rituals - Signal Path -Spears - Sub Aqua.

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1063 JAZZ GUITAR CHORD MELODIES. WITH CD

Euro 20,00

Quantity

JAZZ GUITAR CHORD MELODIES. CD TAB.
12 Titoli: body and soul -black Orpheus -satin doll -all the things you are -bluesette -how insensitive (insensatez) moonlight in Vermont -my foolish heart -my one and only love -my romance -once I loved (amor em paz) -there will never be another you.

This book/CD pack includes complete solo performances of 12 terrific standards. The arrangements are performance level and range in difficulty from intermediate to advanced. 64 pages

Table of contents
All The Things You Are
Black Orpheus
Bluesette
Body And Soul
How Insensitive (Insensatez)
Moonlight In Vermont
My Foolish Heart
My One And Only Love
My Romance
Once I Loved (Amor Em Paz) (Love In Peace)
Satin Doll
There Will Never Be Another You

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6618 JAZZ CLASSICS FOR SOLO GUITAR, Chord Melody Arrangements. TAB.

Euro 18,00

Quantity

JAZZ CLASSICS FOR SOLO GUITAR, Chord Melody Arrangements. TAB.

Series: Guitar Solo
Softcover - TAB
Composer: Robert B. Yelin

This collection includes Robert Yelin's excellent chord melody arrangements in standard notation and tablature for 35 all-time jazz favorites, 144 pages
Table of contents

All Of You
April In Paris
Beautiful Love
Cheek To Cheek
Come Rain Or Come Shine
Cry Me A River
Day By Day
Easy Living
Georgia On My Mind
God Bless' The Child
Here's That Rainy Day
I Can't Get Started With You
I Remember You
I Thought About You
I've Grown Accustomed To Her Face
Imagination
It Could Happen To You
It Might As Well Be Spring
Little Girl Blue
Lover
Moonlight In Vermont
My Foolish Heart
My Romance
The Night Has A Thousand Eyes
Nuages
Samba De Orfeu
Satin Doll
Sophisticated Lady
Stardust
Tenderly
Unchained Melody
Wave
What's New?
When I Fall In Love
Willow Weep For Me

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5695 JAZZ BALLADS GUITAR, Jeff Arnold. TAB.

Euro 13,00

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JAZZ BALLADS GUITAR, Jeff Arnold.

Series: Guitar Solo
Softcover - TAB
Arranger: Jeff Arnold

27 chord melody arrangements in standard notation and tablature, including, 48 pages

Table of contents
Blame It On My Youth
Body And Soul
But Beautiful
Darn That Dream
Easy Living
Easy To Love (You'd Be So Easy To Love)
Here's That Rainy Day
I Could Write A Book
In A Sentimental Mood
In The Wee Small Hours Of The Morning
Long Ago (And Far Away)
Lover Man (Oh, Where Can You Be?)
Misty
Moonlight In Vermont
My Foolish Heart
My Funny Valentine
My One And Only Love
Nancy - With The Laughing Face
The Nearness Of You
A Nightingale Sang In Berkeley Square
Skylark
Stella By Starlight
Time After Time
The Very Thought Of You
The Way You Look Tonight
When I Fall In Love
When Sunny Gets Blue

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4938 JAZZ GUITAR DUETS, WYBLE. CD LAST COPY AVAILABLE, OUT OF PRINT

Euro 34,95

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JAZZ GUITAR DUETS, Wyble. CD TAB.

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1066 JAZZ GUITAR CLASSICS. CD TAB.

Euro 21,00

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JAZZ GUITAR CLASSICS. 6 titoli: Billie's Bounce (Bill's Bounce), George Benson -Easy Living, Johnny Smith -Honeysuckle Rose, Django Reinhardt -Satin Doll, Kenny Burrell -Stella By Starlight, Tal Farlow -Tangerine, Jimmy Raney. CD TAB.

Series: Guitar Collection
Medium: Softcover with CD
Arranger: Jack Grassel

This play-along book/CD pack includes note-for-note transcriptions of these legendary jazz performances: Satin Doll/Kenny Burrell - Tangerine/Jimmy Raney - Honeysuckle Rose/Django Reinhardt - Billie's Bounce/George Benson - Stella by Starlight/Tal Farlow - Easy Living/Johnny Smith. The CD includes two versions of each song at different tempos with the rhythm section on a different channel. 48 pages

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1067 JAZZ GUITAR FAVORITES. CD TAB.

Euro 21,00

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JAZZ GUITAR FAVORITES. 6 titoli: All The Things You Are, Hank Garland -I Hear A Rhapsody, Howard Roberts -Oleo, Pat Martino -Speak Low, Barney Kessel -When Sunny Gets Blue, George Barnes -Yesterdays, Wes Montgomery. CD TAB.

Series: Guitar Collection
Medium: Softcover with CD
Arranger: Jack Grassel

Guitar transcriptions for these standards: All The Things You Are/Hank Garland - I Hear a Rhapsody/Howard Roberts - Oleo/Pat Martino - Speak Low/Barney Kessel - When Sunny Gets Blue/George Barnes - Yesterdays/Wes Montgomery.
40 pages

Table of contents :
All The Things You Are
I Hear A Rhapsody
Oleo
Speak Low
When Sunny Gets Blue
Yesterdays

INTRODUCTION

This publication represents a new format in jazz education which allows the learning improvisor and professional to access the benefits of studying classic guitar solos. Most transcription books require that the recordings (if available) be searched out, purchased, and only listened to since most players in the developmental stages of their playing would not have the technique to play the solos up to tempo. The solos in this book are:

1. Played in tune; many old recordings have been sped up to improve fidelity, raising the pitch as much as a whole step.

2. Recorded at an easy-to-play slow practice tempo.

3. Also recorded at a fast tempo slightly slower than the original, making performance attainable sooner.

4. Recorded on modern equipment with fidelity surpassing the original recordings with a modern rhythm section. Bass and drums are monophonic on both channels. Piano is on the right only. Guitar is on the left only.With your "balance control" you can choose what you want to hear. The solos are arranged in progressive order of technical difficulty.We chose performances that are most representative of each master's contribution to the development of jazz guitar.

Barney Kessel: This solo demonstrates his use of hard-driving melodic development and some of the first string bending on record by a jazz artist.

Wes Montgomery: The tone of the jazz guitar was forever changed by this man's thumb while adding to the post-bop vocabulary.

Howard Roberts: This early solo displays his formidable jazz talent which became unavailable to the public as Howard persued his pop hits, studio work and teaching careers in the late sixties.

Hank Garland: This Country-Western studio player shocked the jazz world in the early sixties with
his incredible jazz technique and swinging melodies.

George Barnes: With the use of almost every technique known to man, George uses bending, slides,
and hammer-ons to create a high level of expression seldom heard on the guitar.

Pat Martino: This solo is from the seventies after Pat had left his Wes Montgomery-influenced early
playing and developed his present polytonal-chromaticism, which is much different than the traditional jazz guitar approach.

The final form you see here is the result of an entire year of work; researching and choosing great solos, transcribing and proofreading for accuracy, countless hours of practicing and recording. Our motive is to increase the quality of jazz guitar playing and to preserve music which is or may become "out of print." Jeff Schroedl at Hal Leonard was a big help in developing and improving the book.

Up until starting this project I had avoided playing other's solos thinking that my own unique style of playing would be compromised. After spending a year with these masters, I've noticed that I have retained my original conception of guitar music, but have acquired a technical depth and more tools to play my music my way. So I now recommend this study to any jazz guitarist at any level.
Special thanks to the fine rhythm section who did their homework: Jim Sodke-keys, Del Bennett-drums, Tom McGirr-bass, and also Bill Littlefield-recording engineer.

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CHITARRA LAMPO