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JAZZ GUITAR

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6118 MARTINO PAT, JAZZ. CD TAB.

Euro 20,00

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MARTINO PAT, JAZZ. CD TAB.

Series: Stylistic Method
Medium: Softcover with CD

Pat Martino reveals his favorite single-note passages: improvising over ii-V-I and other common progressions; melodic minor, Dorian, chromatic, and other scales; passing tones, tritone substitution, and dominant seventh arpeggios; and more.
16 pages

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4591 MARTINO PAT, CREATIVE FORCE, PART1. CD

Euro 25,00

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MARTINO PAT, CREATIVE FORCE, PART1. CD TAB.

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2513 MARTINO PAT, THE EARLY YEARS. TAB.

Euro 16,00

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MARTINO PAT, THE EARLY YEARS. TAB.

Transcribed by Steve Kahn, by Pat Martino. Guitar solo songbook for guitar. 48 pages. With standard notation (no tablature), chord names, guitar chord diagrams and performance notes. Jazz. 9x12 inches.

Pat Martino is clearly one of the most important figures in jazz guitar, influencing scores of musicians and players. Steve Kahn, a significant player in his own right, transcribed 16 of Pat's solos giving jazz students an incredible learning tool. Includes Steve's analysis of Pat's style, and a bio-sketch of both guitarists.

Contents:
Lazy Bird composed by John Coltrane
Close Your Eyes composed by Bernice Petkere
Stairway To The Stars composed by Mitchell Parish, Matt Malneck and F. SIGNORELLI
Just Friends composed by John Klenner, Sam M. Lewis
Park Avenue Petite composed by Benny Golson
Strings composed by Pat Martino
Cisco composed by Pat Martino
Airegin composed by Sonny Rollins
Minority composed by Gigi Gryce
Little Shannon composed by Billy James
Nocturno composed by Laurindo Almeida
Now's The Time composed by Charlie Parker
Mom composed by Pat Martino
Epistrophy composed by Kenneth Clark, Thelonious Monk
Donna Lee composed by Charlie Parker
Breeze And I composed by Ernesto Lecuona, Al Stillman

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3387 MASTER ANTHOLOGY OF JAZZ GUITAR SOLOS VOL.1. 3 CD TAB.

Euro 40,00

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MASTER ANTHOLOGY OF JAZZ GUITAR SOLOS VOL.1. Sessantasette pezzi. 3 CD TAB.

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3984 MASTER ANTHOLOGY OF JAZZ GUITAR SOLOS VOL.2. CD

Euro 20,99

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MASTER ANTHOLOGY OF JAZZ GUITAR SOLOS VOL.2. CD TABLATURE

Product Description:
Mel Bay's Master Anthology of Jazz Guitar Solos Volume Two presents 11 challenging tunes, improvised solos and solo guitar arrangements designed to enhance the repertoire of the intermediate to advanced jazz guitarist. Some of the world's finest jazz guitarists are represented, including Chris Buzzelli, Corey Christiansen, Mark Elf, Jim Farquar, Dave Frackenpohl, Barry Greene, Randy Johnston, Bill Purse, Dave Stryker, Frank Vignola, and Craig Wagner. All of the pieces are in both standard notation and tablature with a biographical sketch of each performer. A companion stereo CD is included, making this an ideal sourcebook for serious students and professionals alike.

Mark Elfhas been on the Jazz scene for over 30 years. He was born in Queens, New York in 1949 and started playing the Guitar at the age of 11. He has played and or recorded with the Jazz Giants: Dizzy Gillespie, Clark Terry, Jimmy Heath & the Heath Bros., Wynton Marsalis & Jon Hendricks just to name a few. His first professional Jazz performance occurred around 1971 as a sideman at the Club Barron in Harlem, New York with Gloria Coleman and Etta Jones. This performance was a double bill with the George Benson Quintet. During the 1970's he toured with Lou Donaldson, Jimmy McGriff, Groove Holmes & Charles Earland and recorded a number of albums with them. He recorded his flrst album as a sideman with Jimmy McGriff & Groove Holmes in 1973 on the Groove Merchant Record label called "Giants of the Organ Come Together". In the late 1970's Mark worked with Junior Cook and Bill Hardman in New York City and also recorded with them on the Muse Label. In the 1980' s he toured Europe with Dizzy Gillespie, Clark Terry and other Jazz Luminaries and also recorded his flrst album as a leader in 1986 called the Mark Elf Trio Volume 1. In 1988 he recorded his second album as a leader ''The Eternal Triangle with Hank Jones, Jimmy Heath, Ray Drummond and Ben Riley. This album would be released in 1996 on Mark's Jen Bay Record Label. In 1993, Mark landed his fIrst overseas record deal with The Alerce Record Label and ''The Mark Elf Trio" was recorded in Santiago, Chile. This recording was marketed to radio in 1996 and went to #7 on The Gavin Jazz Chart. In 1995, Mark recorded for Telarc on the Jon Hendricks CD, Boppin' at The Blue Note with, Wynton Marsalis, Benny Golson, Al Grey & Red Holloway. This recording went to # 1 and opened up some radio doors just before the Alerce recording released in 1996. After forming his own record company in 1995, Jen Bay Records, he stunned the record industry with hit recordings on Jazz Radio. From 1996 to 2000 all seven of his recordings had flnished in the top ten on National Jazz Radio with flve of them going to #1 consecutively from 1997 to 2000! In 1996 he joined the Jimmy Heath band and also worked with the Heath Bros. During this time The Eternal Triangle was released and it went to #4 on The Gavin Jazz Chart. He recorded As We Were Saying with the Heath Bros. for Concord in 1997. This same year Mark's third recording as a leader, A Minor Scramble was released. This was the second for his own company and it hit #1 on The Gavin Jazz Chart. This was the flrst of 5 consecutive Chart Toppers! The other four were 1998 - Trickynometry (#1), 1999 - New York Cats (# 1) and 2000 - Over The Airwaves & Live At Smalls (# I)! From 1970 to the present, Mark has taught guitar and theory at independent studios, colleges and universities in the USA and abroad. His clinics are recognized as some of the fmest in the world as attested to by Clark Terry who hired Mark to teach at several of his jazz camps in the 1980' s and 1990's. Clark says, "The students love his no nonsense practical approach. He's a great clinician." Beside owning his own successful record label he also owns his own publishing company. He is sought after for his lectures on How To Succeed As An INDIE.

Frank Vignola is considered to be among the top rank of guitarists on the music scene today. Born on December 30, 1965, in Long Island, New York, he began playing guitar at the age of five. As his proficiency grew, he spent many hours listening to the music of legendary guitarists; Django Reinhardt, Joe Pass, and Johnny Smith. Frank not only gained a spiritual sort of inspiration from these guitarist's recordings, he also made an intricate study of the complexities of these guitar masters styles, slowing down his records to analyze many a solo. Frank's first teacher was his father, a semiprofessional banjo player. Later, Frank became the star pupil of guitarist Jimmy George, who was one of the original Dion and the Belmonts. At age 12, Frank took up the tenor banjo and swiftly burst upon the music scene in a way that would portend many of the accolades and milestones to come in his career as a jazz guitarist. Though obviously steeped in the traditional schools ofjazz, especially in the formative years, Frank would ultimately take inspiration from a wide arc of the musical spectrum. Guitarists such as Django, Charlie Christian, Wes Montgomery and Lonnie Johnson are obvious influences, but one might be surprised to learn that rocker Jimi Hendrix has also received the close scrutiny of Frank' s ear. Louis Armstrong, Lester Young, Thelonius Monk, Charlie Parker, Sonny Stitt, Antonio Carlos Jobim, Thad Jones and Duke Ellington have all had inspirational impact on the music of Frank Vignola. While still in his teens, Frank experienced the most effective music education possible-right on the bandstand as a working musician. Soon named among the top ranked musicians in New York, Frank performed and toured with such headliners as Max Morath and Leon Redbone. At age 23, he decided to lead his own group and formed his version of the famed Quintet of the Hot Club of France. Their debut at the New York cabaret, Michael's Pub, was a smash success and launched his career as a guitarist 'in the spotlight.' Tours of Europe, recording sessions, and an exclusive recording contract with the Concord Jazz label would all follow in short succession in a few short years. Frank would perform and/or record with such varied artists as Chet Atkins, Madonna, Jon Faddis, Woody Allen, Ringo Starr, Manhattan Transfer, Frank Wess, Elvin Jones, Lionel Hampton and countless legends from the golden age of jazz. Currently, Frank Vignola is the guitarist with the Mark O'Conner Trio' s tribute to Stephane Grappelli and also performs every Monday night with the Les Paul Trio at the Iridium in New York City. Frank is also the new guitarist in John Lewis' new group "Evolution".

Dave Stryker (3/30/57) grew up in Omaha, Nebraska and moved to New York City in 1980. After establishing himself in the local music scene, he joined organist Jack McDuffs group for two years 1984-85. When McDuff wasn't on the road (literally traveling by van all over the country) they worked a steady four-night a week gig at Dude's Lounge in Harlem. His fIrst break, this turned out to be an invaluable experience, paying his dues night after night with the soulful jazz organist. It was at Dude's Lounge that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. Mter leaving McDuff, Turrentine asked Stryker to join his quintet. From 1986-1995 he played with the legendary saxophonist at all the major festivals, concert halls, and clubs throughout the world. He is featured on two Turrentine CD's (Stanley recorded Stryker's tune Sidesteppin). With Turrentine, Stryker was able to play with such jazz greats as Dizzy Gillespie and Freddie Hubbard. The ten years playing alongside the tenor legend helped Stryker realize the importance of having his own sound. (He continues to play with Stanley on occasion.) Stryker recorded his fIrst CD, First Strike (featuring Billy Hart) in 1988. Guitar on Top (featuring Mulgrew Miller and Victor Lewis) reached #13 on the Gavin Radio Chart and received 4 stars in Downbeat magazine. There have been articles in Downbeat, Guitar Player, Jazz Times, Swing Journal, and Jazz Life on Dave, and he has been awarded three jazz grants from The National Endowment For The Arts. In 1990 Dave began his association with SteepleChase Music. He has released twelve CDs on the label, including: Shades of Miles, Blue to the Bone II, All The Way, Big Room, Blue to the Bone, The Greeting, Nomad, Stardust, Full Moon, Blue Degrees, Passage, and Strikezone. Early on Stryker realized that as much as he loved playing standards and the jazz repertoire he had to have something of his own to give to the music. He feels that his writing combined with his playing is what shapes his musical expression. He has recorded and published over flfty of his own compositions. Eighteen of those compositions (from the flrst flve SteepleChase CD's) are compiled in the book: The Music of Dave Stryker (SteepleChase Music). Some of the other artists who have recorded his music are: Stanley Turrentine, Kevin Mahogany, Victor Lewis, and Steve Slagle. He is currently a featured member of vocalist Kevin Mahogany's working band, having written and arranged music for his Warner Bros. release Another Time, Another Place. Recent gigs have included Europe, Japan, Brazil, Poland and Carnegie Hall. He also works with Blue Note saxophonist Javon Jackson and pianist Eliane Elias. He has appeared on over twenty CD's as a sideman. As a producer, Stryker compiled the CD The Guitar Artistry of Billy Rogers which is the only existing record of the brilliant jazz playing of the late underground legend who was his friend, former teacher and member of the Crusaders. He also co-produced with partner Jim Eigo A Tribute to Grant Green on Evidence Music and is currently involved in producing some new releases.

Product Number: 99554BCD
Format: Book/CD Set
ISBN: 0786660716
UPC: 796279076661
ISBN13: 9780786660711
Series: Non-Series
Publisher: Mel Bay Publications, Inc.
Date Published: 5/15/2001

Format: Book/CD Set

Song Title: Composer/Source:
Eso Si Que Es - Chris Buzzelli
Got Milk? - Corey Christiansen
Guitar On Top - Dave Stryker
It Happened To Me - Barry Greene
Lenny's Song - Jim Farquar
Pat + Wes - Randy Johnston
Rain Forest - Bill Purse
Spiders - Craig Wagner
Tide Pool - Dave Frackenpohl
Trickynometry - Mark Elf
Vignette #1 - Frank Vignola

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4885 MASTER ANTHOLOGY OF JAZZ GUITAR SOLOS VOL.3. CD

Euro 20,99

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MEL BAY'S MASTER ANTHOLOGY OF JAZZ GUITAR SOLOS VOL.3. CD TABLATURE

Mel Bay's Master Anthology of Jazz Guitar Solos Volume Three presents nine challenging tunes and improvised solos by some of today’s top jazz guitar players for the intermediate to advanced jazz guitarist. Contributors include: Ron Afiff, Peter Bernstein, Joe Diorio, Fred Hamilton, Ken Hatfield, Hank Mackie, Steve Masakowski, Joe Negri, and Rick Stone. All of the pieces are in both standard notation and tablature with a biographical sketch of each performer. A companion stereo CD is included, making this an ideal sourcebook for serious students and professionals alike.

Product Number: 20016BCDEB
Format: eBook
ISBN:
UPC:
ISBN13: 9781610659376
Series: Non-Series
Publisher: Mel Bay Publications, Inc.
Date Published: 1/21/2011

Born on December 30, 1965, Affif lear ned all about passion, discipline, and endurance from his father, Charlie Affif, a fiercely competitive middleweight boxer who numbered Miles Davis among his fans and close friends.Then there was his uncle, Ron Anthony, a superb guitarist who worked with the likes of George Shearing and Frank Sinatra. "When I was 12, Uncle Ron gave me my first guitar lesson. When I turned 18, I went out to the West Coast to live near him. From and early age, I did all kinds of gigs. I've worked with everybody from AI Martino to Roger Williams, and I learned a ton of old songs from Gershwin on up. That whole working musician vibe really helped me grow as a professional. So, If a singer comes up and wants to do a tune, it doesn't matter what key-because I'm cool. When I first came to New York, Gene Bertoncini gave me some solid advice. He said to let the singers know I did that kind of work, because a lot of the joints they work don't have pianos, and when the jazzgigsdry up for a minute, they'll have work for you." Driven along by Essiet Essiet's crackling bass lines and Colin Bailey'scrisp, unobtrusive timesteps, guitarist Ron Affif launches into his live Ringside recital with the kind of exuberant, aggressive attack you'd expect from a championship boxer pouring it on in the first round, determined to break an opponent's will before he can establish any kind of rhythm. "If I Were A Bell" is a virtuoso workout delivered with the kind of horn-like intensity and pianistic sweep that transcends straight guitar phrasing. For the 31-year old Affif, it's the kind of performance that draws knowing comparisons to the titled elite of jazz guitar such as Joe Pass and Pat Martino No less a personage that fellow Pittsburgh native George Benson has commented that "There's a kid from my hometown, an Italian fellow: his name is Ron Affif.-yeah, he's a bad dude"; and "my favorite type of guitar player is one that plays with fire, and the first thing that becomes evident listening to Ron is that he has plenty of that." Yetin the course of acknowledging all this praise, Ron Affifis already working to distance himself from his earliest inspirations, as he charts future directions and searches for his own special voice. "Cats like Monk had their own little universe. These days guys are improvising too much the same, they're writing tunes too much the same. And man, I'm not claiming to have it all figured out, but I know what direction I have to take. We all kind of know what we're supposed to do, but a lot of people don't listen to their inner voice. A trumpet player friend of mine, Brian Lynch, told me he was in a shop out in California when a CD come on, and he said "Within a few notes I knew it was you." That's the biggest compliment someone can give you."

Rick Stone began playing guitar at age nine in his hometown of Cleveland. He developed an early affinity for the blues, but it was in the mid-seventies that his passion for jazz was sparked by a live performance of saxophonist Sonny Stitt. Rick studied classical guitar and theory at Cuyahoga Community College and then moved on to Berklee College of Music where he earned his Bachelor of Music in 1980. In 1982 he moved to New York to find a fertile and stimulating envitonment in Barry Harris' Jazz Cultural Theatre. While studying with the legendary pianist, Rick honed his craft sitting in alongside veteran players like Tommy Flanagan, Lionel Hampton, Clarence "C" Sharpe, and Junior Cook. Then, under the tutelage of jazz masters Jimmy Heath, Ted Dunbar, Donald Byrd, Tony Purrone and Hal Galper, he earned his M.A. At Queens College in 1991. Rick's recordings Blues For Nobody and Far East have received wide critical acclaim and his group - which has included world-class sidemen like Kenny Barron, Eric Alexander, Vernel Fournier, Richard Wyands, Ralph Lalama, Dennis Irwin and Billy Hart -- has appeared at venues like Carnegie Hall's Weill Recital Hall, The Smithsonian Institute, The Blue Note and Birdland. From 1993-96 he led a series of guitar duos at the Swing Street Cafe (with guests including Mark Elf, Roni Ben-Hur, Peter Leitch and Peter Bernstein), in 1996 his trio toured South America, and from 1997-2001 his trio played regularly at Sette MoMA (in the Museum of Modern Art). A soughtafter sideman, Rick can be heard performing with Irene Reid, Ronny Whyte, Howard Kimbo, David Coss, Carol Sudhalter, Sol Yagedand many others. He is featured on several recent recordings including Carol Sudhalter's It's Time and Last Train To Astoria, and AI Ashley's These Are Them (with Dave Leibman). An active educator, Rick currently teaches at Jazz in July (U. Mass./Amherst), the JazzMobile, Hofstra University and the Brooklyn Conservatory of Music. His clinics have won accolades at numerous colleges and universities as well as the International Association of Jazz Educators and the Music Educators National Conference. He has received two IAJE Awards for Outstanding Service to Jazz Education and several NEA performance fellowships. In recent years Rick's interests in audio and computer technology have led him to build a studio in his home where he produces numerous recording projects. A regular columnist for Just Jazz Guitar magazine, he is cutrently writing a book on jazz guitar technique. Rick's latest CD Samba Novembro (from which this solo is excerpted) features his guitar in duo, trio and quartet settings with pianist Tardo Hammer, bassist Yosuke Inoue and drummer Matt Wilson. Gear: Comins 17" Classic Archtop, Fender amps, D'Addario Chromes and Dugain picks,

Format: Book/CD Set

Song Title: Composer/Source:
Blues Enough - Rick Stone
Charene - Ron Affif
Dragonfly - Peter Bernstein
Narayani - Joe Diorio
Nina's Smile - Joe Negri
One For George - Hank Mackie
Pass Presence - Steve Masakowski
Thanks, Byrl Elvin - Fred Hamilton
The Book of Sands - Ken Hatfield

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3864 MASTERS OF JAZZ GUITAR, THE STORY OF THE PLAYERS AND THEIR MUSIC. CD

Euro 32,00

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MASTERS OF JAZZ GUITAR, THE STORY OF THE PLAYERS AND THEIR MUSIC. Non ha pagine di musica, 192 pagine. CD

Masters of Jazz Guitar
The Story of the Players and Their Music Softcover with CD
Series: Book
Publisher: Backbeat Books
Format: Softcover with CD
Author: Charles Alexander

The jazz guitar and its master players have had vast influence in a genre of uniquely provocative 20th century music. Written by some of the world's foremost jazz authorities and illustrated with more than 200 gorgeous photographs, this book spotlights remarkable musicians whose artistry has made the guitar fundamental to jazz. From 1930s electric pioneer Charlie Christian, to 1960s fusion visionary Larry Coryell and beyond, Masters of Jazz Guitar celebrates the achievements of players who changed the sound of jazz. Features deluxe paper stock, full-color throughout the book, and a bonus CD with 14 classic tracks by Howard Alden, Tal Farlow, Danny Barker, Al Casey, George Barnes, Herb Ellis, Bucky Pizzarelli, Phil Upchurch and Jack Wilkins.

Inventory #HL 00330985
ISBN: 9780879307288
UPC: 073999309850
Publisher Code: 0879307285
Width: 9.75"
Length: 12.5"
192 pages

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3431 MASTERS OF THE PLECTRUM GUITAR

Euro 35,00

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MASTERS OF THE PLECTRUM GUITAR. 280 pagine, con Tony Mottola, Joe Venuti, Bucky Pizzarelli, Al Valenti, e altri, anche stranieri. 180 pagine in TAB.

Product Description:
This landmark book of music for the plectrum style jazz guitar took years to compile, write and edit. It contains some of the greatest solos and duets ever written and performed on the plectrum or flatpicked guitar, including works by Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson, and Cal Collins. All solos are in notation and tablature while the duets are shown in standard notation only.

Product Number: 95293
Format: Book
ISBN: 0786602678
UPC: 796279021722
ISBN13: 9780786602674
Series: Non-Series
Publisher: Mel Bay Publications, Inc.
Date Published: 3/6/1995
280 PAGES

Contents:

Song Title: Composer/Source:
A Handful Of Riffs Eddie Lang
After Thoughts Part I Carl Kress
After Thoughts Part Ii Carl Kress
After Thoughts Part Iii Carl Kress
Andante Cantabile Harry Volpe
April Kisses Eddie Lang
Bang! Bang! George M. Smith
Chicken A La Swing Dick Mcdonough And Carl Kress
Danzon Dick Mcdonough And Carl Kress
Dark Eyes Medley George M. Smith
Easy Listenin' Blues Nadine Robinson
Eighth-Note Triplet Boogie George Barnes
Estrelita, Little Star Arr George M. Smith
Etude I Frank Victor
Etude I Harry Volpe
Feelin' My Way Eddie Lang
For Two In Love Tony Mottola
Gee Baby, Ain't I Good To You Words And Music By Don Redman, Andy Razaf
Helena Carl Kress
I Had Picked You Bucky Pizzarelli
I Think You Always Knew Music By Mundell Lowe
Lament In E Carmen Mastren, Albert Harris
Love Song Carl Kress
Love You Madly Al Hendrickson
Maple Leaf Rag Joplin-Mel Bay
Midnight Clear Harry Volpe
Mighty Lak'a Rose Nevin-Mel Bay
Modern Etude Harry Volpe
My Cherished Prelude Harry Volpe
My Gal Sal Cal Collins
Narcissus Nevin-Mel Bay
None But The Lonely Heart Peter Ilyich Tchaikovsky Arr. By Al Valenti
Over And Over Blues Bucky Pizzarelli
Peg-Leg Shuffle Carl Kress
Pick It And Play It Frank Victor
Pickin' My Way Eddie Lang
Poor Butterfly Cal Collins
Rainbow's End Eddie Lang
Rhythm A La Carte Harry Volpe
Romantic Harry Volpe
Satin Doll Duke Ellington, Johnny Mercer, Billy Strayhorn Arr
Serenade Riccardo Drigo, Arr. By Al Valenti
Slow Burning George M. Smith
Smoke Eyes Bucky Pizzarelli
Snowfall In April Harry Volpe, Jack Donahue
Squattin' At The Grotto John Van Eps And George Van Eps
St. Louis Blues Arr George Barnes
Stage Fright Dick Mcdonough And Carl Kress
Stringin' Along With Annabelle Frank Victor
Stringin' The Blues Joe Venuti, Eddie Lang
Strolling Thru Manhattan George M. Smith
Sunshine Joe Venuti, Eddie Lang
Sutton Mutton (Taking It On The Lamb) Carl Kress
Sweet Lorraine Clif Burwell, Mitchell Parish Arr Mel Bay
Sweet Strings Frank Victor, Harry Volpe
Swingin' The Scale Harry Volpe, Frank Victor
Tango George Van Eps
Test Pilot George M. Smith
To A Wild Rose Edward Macdowell, Arr Mel Bay
Tony's Tune Tony Mottola
Tranquilo Al Hendrickson
Traumerei Schumann-Mel Bay
Two Guitars Harry Volpe
Warm Feelings Tony Mottola
You Tell Me Your Dream Arr Mel Bay

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5169 METHENY PAT GROUP, THE WAY UP. Transcribed score.

Euro 21,00

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METHENY PAT GROUP, THE WAY UP. Transcribed score.

Artist: Pat Metheny
This is the complete score for the four-part composition from this new release by the Pat Metheny Group. NPR says the album has an ambitious compositional style that amounts to an epic journey. 256 pages, NO TAB.

Songlist:
Opening
Part One
Part Three
Part Two

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5461 METHENY PAT, TRIO LIVE. TAB.

Euro 22,00

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METHENY PAT, TRIO LIVE. TAB.

Series: Guitar Recorded Version
13 selections from the two-disc release documenting performances from the 2000 world tour of the Pat Metheny Trio. 216 pages.

All The Things You Are
The Bat
Bright Size Life
Counting Texas
Faith Healer
Giant Steps
Into The Dream
James
Night Turns Into Day
Question & Answer
So May It Secretly Begin
Soul Cowboy
Unity Village

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CHITARRA LAMPO