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VIDEO/DVD INSTRUCTIONAL DVD
CLASSICAL AND FLAMENCO GUITARS, & ACCESSORIES
JAZZ GUITAR

 
 

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 4016 REINHARDT DJANGO, THE MUSIC OF.



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REINHARDT DJANGO, THE MUSIC OF. The Music of Django Reinhardt. Forty-Four Classic Solos by the Legendary Guitarist with a Complete Analysis by Stan Ayeroff. 272 Pages.

Product Description:
The solos of Django Reinhardt are an endless source of inspiration and amazement for any musician. In this exciting book, the author has compiled precise solo transcriptions (in notation only), as well as a thorough analysis of each. There is also a complete "how to" section that is like a book in itself. This book contains some of Django's best work. It covers a period of 17 years, from Django's first trio and quintet recordings to one of his last bop-influenced sessions, "Live at the Club St. Germain." Multiple versions of many solos are included to show Djangos' musical development over his long career. Studying the music of the master of Gypsy Jazz can help lay a solid foundation for your own sound and style.

Format: Book

Contents:

A Note About Django Reinhardt
Preparation for The Complete Analysis of Django's solos
Symbols and Abbreviations
Scales
Arpeggios
Ornamentation
Chord Substitutions
Chord Progressions
Putting it All Together
Melodic Ideas and Devices
Exercises
Introduction to the Analysis Section

A Complete Analysis of the Solos
Tiger Rag I
After You've Gone I
Tiger Rag II
Avalon I
Swannee River I
Swannee River II
The Sheik of Araby I
Avalon II
Some of These Days
St. Louis Blues I
Limehouse Blues I
After You've Gone II
Limehouse Blues II
Shine
Charleston
Chicago
Hot Lips
Rose Room
Runnin' Wild
The Sheik of Araby II
Limehouse Blues III
Japanese Sandman I
St. Louis Blues II
Baby Won't You Please Come Home I
Baby Won't You Please Come Home II
Farewell Blues
My Melancholy Baby I
Limehouse Blues IV
Japanese Sandman II
My Melancholy Baby II
Tiger Rag III
My Melancholy Baby III
Japanese Sandman III
Limehouse Blues V
A Pretty Girl Is Like a Melody
Margie I
Tiger Rag IV
Dark Eyes I
Improvisation on Tiger Rag V
The World is Waiting for the Sunrise
After You've Gone III
Dark Eyes II
St. Louis Blues III
Darktown Strutter's Ball
Margie II

The Solos
Tiger Rag I
After You've Gone I
Tiger Rag II
Avalon I
Swannee River I
Swannee River II
The Sheik of Araby I
Avalon II
Some of These Days
St. Louis Blues I
Limehouse Blues I
After You've Gone II
Limehouse Blues II
Shine
Charleston
Chicago
Hot Lips
Rose Room
Runnin' Wild
The Sheik of Araby II
Limehouse Blues III
Japanese Sandman I
St. Louis Blues II
Baby Won't You Please Come Home I
Baby Won't You Please Come Home II
Farewell Blues
My Melancholy Baby I
Limehouse Blues IV
Japanese Sandman II
My Melancholy Baby II
Tiger Rag III
My Melancholy Baby III
Japanese Sandman III
Limehouse Blues V
A Pretty Girl is Like a Melody
Margie I
Tiger Rag IV
Dark Eyes I
Improvisation on Tiger Rag V
The World is Waiting for the Sunrise
After You've Gone III
Dark Eyes II
St. Louis Blues III
Darktown Strutter's Ball
Margie II

Discography
Links
Composer Credits
Stan Ayeroff Biography

 

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 1073 REINHARDT DJANGO, UNDISCOVERED INEDIT. BK/CD TAB.



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REINHARDT DJANGO, UNDISCOVERED INÉDIT. 5 original "Swing" pieces: montagne Sainte-Geneviève -Gagoug -Chez Jacquet (A la petite Chaumière) -Choti -Djalamichto. CD TAB.
 

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 3385 RHYTHM CHANGES, VOLUME 1. FRANK VIGNOLA. CD



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RHYTHM CHANGES, VOLUME 1. Frank Vignola. CD
 

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 4837 SALVADOR SAL & BOB GRILLO, SINGLE STRING STUDIES.



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SALVADOR SAL & BOB GRILLO, SINGLE STRING STUDIES. 172 Pagine.
 

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 2521 SCOFIELD JOHN, JAZZ FUNK GUITAR I BOOK & C.D



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SCOFIELD JOHN, JAZZ FUNK GUITAR I. CD. TAB.
 

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 2529 SCOFIELD JOHN, JAZZ ROCK GUITAR II. CD



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SCOFIELD JOHN, JAZZ FUNK GUITAR II. CD TAB.
 

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 2536 SCOFIELD JOHN, TIME ON MY HANDS. TAB.



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SCOFIELD JOHN, TIME ON MY HANDS. TABLATURE

16 songs from this jazz/fusion guitarist featuring full transcriptions and performance notes

 

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 1284 SOLO GUITAR, insights, arranging techniques & classic jazz standards, H. MORGEN H.



Euro 19,00


 
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SOLO GUITAR, insights, arranging techniques & classic jazz standards, H. MORGEN. Those were the days -it might be you -in your own sweet way -santa claus is coming to town -it don't mean a thing (if it ain't got that swing) -you stepped out of a dream -stompin' at the savoy -invitation -misty -take five -Laura -ohhh! Susanna. TAB.


By Howard Morgen
SERIES: Jazz Masters Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book
Solo Guitar is a musical approach to understand the techniques and concepts of solo guitar. Topics include arranging, transcribing, chord progressions, and chord substitutions. Also included are tips for maximizing practice time. Howard demonstrates every subject with arrangements of some of the most memorable songs of any serious musician's repertoire.
Includes the Following Selections:
Title Composer
IN YOUR OWN SWEET WAY
BRUBECK, DAVE
INVITATION
BRONISLAU KAPER & PAUL FRANCIS WEBSTER
IT DON'T MEAN A THING (IF IT AIN'T GOT THAT SWING)
ELLINGTON DUKE/L: MILLS, IRVING
IT MIGHT BE YOU (THEME FROM "TOOTSIE")
L: BERGMAN, ALAN/GRUSIN, DAVE/L: BERGMAN, MARILYN
LAURA
RAKSIN, DAVID/L: MERCER, JOHNNY
MISTY (VOCAL)
GARNER, ERROLL/L: BURKE, JOHNNY
SANTA CLAUS IS COMIN' TO TOWN (VOCAL)
L: GILLESPIE, HAVEN/COOTS, J. FRED
STOMPIN' AT THE SAVOY
GOODMAN, BENNY/L: RAZAF, ANDY/SAMPSON, EDGAR/WEBB, CHICK
TAKE FIVE
DESMOND, PAUL
THOSE WERE THE DAYS (from "All in the Family")
STROUSE, CHARLES/L: ADAMS, LEE
YOU STEPPED OUT OF A DREAM PRINT (C)
NACIO HERB BROWN, GUS KAHN

 

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 4944 SOUL JAZZ GUITAR, R. JOHNSON. CD



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SOUL JAZZ GUITAR, R. Johnson. CD TAB.

Product Description:
Soul Jazz Guitar is a collection of Randy Johnston's tunes and solos specifically designed for the intermediate student. Rather than merely transcribing solos from his CDs, he plays material at a reasonable tempo specifically with the student in mind. There are tunes ("Downtime," "The Philadelphians," and "Rolling at the Summit") that appear on his commercial CDs, but included here are versions that are new and totally unique to this project. There are also some improvisations on some familiar "standard" progressions to help the student deal with these changes when he or she encounters them at jam sessions etc. Randy has tried to present his take on the Jazz language as clearly and faithfully as possible to make the solos easy to learn. He hopes that this will lead the student not just to imitation but also to develop his or her own approach to these progressions just as he developed his own approach from listening to the playing of his role models over the years.

Product Number: 20033BCD
Format: Book/CD Set
ISBN: 0786668083
UPC: 796279088961
ISBN13: 9780786668083
Series: Non-Series
Publisher: Mel Bay Publications, Inc.
Date Published: 6/4/2003

Song Title: Composer/Source:
Down Time Randy Johnston
It Couldn't Happen to Me Randy Johnston
Killer Jane Randy Johnston
Medium Tempo Blues Randy Johnston
Minor Blues Randy Johnston
Polkadots Randy Johnston
Rolling at the Summit Randy Johnston
Slow Blues Randy Johnston
Soul Air Randy Johnston
Speak High Randy Johnston
The Philadelphians Randy Johnston
Tune Down Randy Johnston

 

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 6655 STERN MIKE, THE BEST OF. 184 Pagine. TABLATURE



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STERN MIKE, THE BEST OF. 184 Pagine. TABLATURE

The Best of Mike Stern
Series: Guitar Recorded Version TAB
Artist: Mike Stern

17 guitar transcriptions with tab from this jazz guitarist who got his start playing with Miles Davis in the '80s. Includes: Chromozone • Little Shoes • Mood Swings • Nardis • Sunnyside • There Is No Greater Love • Wing and a Prayer • and more.

Music Transcriptions by Pete Billmann, Jeff Jacobson, Paul Pappas
Cover Photo by George Lange

Inventory #HL 00690655
ISBN: 9780634068003
UPC: 073999888966
Width: 9.0"
Length: 12.0"
184 pages

One of the premier guitarists of his generation, the three-time Grammy nominee was born
on January 10, 1953 in Boston. After growing up in Washington D.C., he returned to Boston
to study at the Berklee College of Music and got his start as a guitar player with Blood,
Sweat & Tears at the age of 22. Following a stint with Billy Cobham's powerhouse fusion
band from 1979-1980, Mike moved to New York City and was recruited by Miles Davis and
played a key role in his celebrated comeback band of 1981 (which also included bassist
Marcus Miller, drummer AI Foster, percussionist Mino Cinelu and saxophonist Bill Evans).
During his three-year period with Miles, Mike appeared on three recordings with the jazz
maestro - Man with the Horn, Star People and the live We Want Miles. From 1983 to 1984,
he toured with Jaco Pastorius' Word of Mouth band and in 1985 returned to Miles' lineup
for a second tour of duty that lasted close to a year.
In the summer of 1986, Stern went out on the road with David Sanborn and later joined an
electrified edition of Steps Ahead which featured Mike Mainieri on midi vibes, Michael
Brecker on the Electronic Wind Instrument (EWI), Darryl Jones on electric bass and Steve
Smith on drums. Stern made his first recording as a leader for the Japanese Trio label
(1985's Neesh) before making his debut on Atlantic Records in 1986 with Upside Downside,
featuring such celebrated colleagues as Sanborn, Pastorius, saxophonist Bob Berg,
bassists Mark Egan and Jeff Andrews, keyboardist Mitch Forman and drummers Dave
Weckl and Steve Jordan. From 1986 through 1988, Mike was a member of Michael
Brecker's potent quintet, appearing on Don't Try This at Home. Stern's second Atlantic
album, 1988's Time in Place, continued the promise of his debut. He followed that in succession
with 1989's Jigsawand 1991's Odds or Evens, both of which ably showcased his
legendary guitar prowess and musicality. During this period he also formed a touring group
with saxophonist Berg that included drummer Dennis Chambers and bassist Lincoln
Goines. They remained a working unit from 1989 to 1992, at which point Stern joined a
reunited Brecker Brothers Band, appearing on 1992's Return of the Brecker Brothers. (Other
notable sideman credits include work with the late, great tenor saxophonist Joe Henderson
and the recent live recording 4 Generations of Miles, in which the guitarist joins with other
Miles Davis alumni George Coleman on tenor sax, Jimmy Cobb on drums and Ron Carter
on bass).
Mike's acclaimed 1993 Atlantic Jazz release, Standards (And Other Songs), led to him being
named Best Jazz Guitarist of the Year by the readers and critics of Guitar Player magazine.
He followed that up with two hard-hitting offerings in 1994's Is What It Is and 1996's
Between the Lines, both of which received Grammy nominations. In 1997, Stern recorded
Give and Take with bassist John Patitucci, drummer Jack DeJohnette, percussionist Don
Alias and special guests Michael Brecker and David Sanborn. Their freewheeling covers of
Sonny Rollins' "Oleo," John Coltrane's "Giant Steps:' Cole Porter's "I Love You" and Jimi
Hendrix's "Who Knows" helped Mike earn the Orville W. Gibson Award for Best Jazz
Guitarist that year. Stern's ninth release for Atlantic was a six-string summit meeting with
colleagues Bill Frisell and John Scofield that was appropriately titled Play. 2001's Voices,
his first foray into vocal music, earned Mike his third Grammy nomination. And now he ups
the ante with These Times. Stern's 12th release as a leader and debut on BHM Productions
stands as one of the best.

Chromozone
Jigsaw
Like Someone In Love
Little Shoes
Mood Swings
Nardis
Odds Or Evens
Play
Sunnyside
Swunk
That's What You Think
There Is No Greater Love
Time In Place
Tipatina's
Upside Downside
What I Meant To Say
Wing And A Prayer

 

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CHITARRA LAMPO