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CLASSICAL GUITAR

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5473 BARRUECO MANUEL, A GIFT AND A LIFE (NTSC). DVD

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BARRUECO MANUEL, A GIFT AND A LIFE (NTSC). Bach, Scarlatti, Albeniz, Granados, Villa-Lobos, Lecuona, Rodrigo, Sierra, Assad, Corea, Di Meola, Lennon & McCartney. Interviste con: Placido Domingo, David Russell, Sergio e Odair Assad, David Tannenbaum, Eliot Fisk, Andy Summers, Al Di Meola. 59 Minuti. DVD

In intimate and candid interviews Manuel Barrueco traces his journey from Santiago de Cuba and his first public performance at the age of eleven to his debut recital at Carnegie Hall and his long and distinguished concert career. On the DVD Maestro Barrueco performs music by Bach, Scarlatti, Albeniz, Granados, Villa-Lobos, Lecuona, Rodrigo, Sierra, Assad, Corea, Di Meola and Lennon and McCartney. Featuring interviews with Placido Domingo, David Russell, Sergio and Odair Assad, David Tannenbaum, Eliot Fisk, Andy Summers, and Al Di Meola. 59 Minutes. Publisher: Michael Lawrence Films.

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6453 YORK ANDREW, THREE DIMENSIONS FOR SOLO GUITAR.

Euro 8,00

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YORK ANDREW, THREE DIMENSIONS FOR SOLO GUITAR.

Product Description:
Classic guitarist Andrew York of the renowned Los Angeles Guitar Quartet displays his extra- ordinary compositional skills in these three reflective solo guitar pieces entitled Wish; Into Dark; and Higher Ground. Written in standard notation only.

Wish - Andrew York
Higher Ground -Andrew York
Into Dark - Andrew York

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3975 YORK ANDREW, JAZZ GUITAR FOR CLASSICAL CATS: CHORD MELODY. CD

Euro 18,00

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YORK ANDREW, JAZZ GUITAR FOR CLASSICAL CATS: CHORD MELODY. CD

The Classical Guitarist's Guide to Jazz. By Andrew York. For Guitar. Guitar Method or Supplement. Jazz. Book & CD. 64 pages. World-famous guitarist and composer Andrew York has created the "Classical Cats" series to be the classical guitarist's ultimate guide to jazz. This book includes introductory lessons on chord voicings, voice leading, and arranging for solo guitar.

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6488 YORK ANDREW, JAZZ GUITAR FOR CLASSICAL CATS: HARMONY. CD

Euro 18,00

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YORK ANDREW, JAZZ GUITAR FOR CLASSICAL CATS: HARMONY. CD

Guitar Method Supplement. Jazz. Book & CD. 64 pages.
World-famous guitarist and composer Andrew York has created the "Classical Cats" series to be the classical guitarist's ultimate guide to jazz. This book includes introductory lessons on harmony. The CD includes exercises and examples performed by the author.

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6489 YORK ANDREW, JAZZ GUITAR FOR CLASSICAL CATS: IMPROVISATION. CD

Euro 19,00

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YORK ANDREW, JAZZ GUITAR FOR CLASSICAL CATS: IMPROVISATION. CD

The Classical Guitarist's Guide to Jazz. By Andrew York. For Guitar. Guitar Method or Supplement. Jazz. Book & CD. 64 pages. World-famous guitarist and composer Andrew York has created the Classical Cats series to be the classical guitarist's ultimate guide to jazz. For many musicians, the thought of improvising can be intimidating. In this exciting conclusion to the Jazz Guitar for Classical Cats trilogy, Andrew York shows you that improvisation is a skill that can be learned and practiced just like any other. It's simply a matter of knowing where you're going (targeting chord tones) and how you're going to get there (scales and modes). By practicing the ear training and visualization exercises in this book, you will learn how to turn the music you hear in your "mind's ear" into imaginative, great-sounding jazz solos. A CD demonstrating the examples in the book is included.

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6961 YORK ANDREW, THE CLASSICAL GUITARIST'S GUIDE TO JAZZ, Expand Your Playing with a New Style. 3 CD TABLATURE

Euro 36,99

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YORK ANDREW, THE CLASSICAL GUITARIST'S GUIDE TO JAZZ, Expand Your Playing with a New Style. 3 CD TABLATURE

ANDREW YORK

INTRODUCTION
There is a desire among many classical guitarists to learn how to play some jazz on the classical guitar. But they often have expressed reservations or even fear when confronted with the idea of playing jazz, reading jazz charts or improvising. I've designed the first section of this book to help classical guitarists learn the necessary harmonic skills to play jazz with confidence and to have some fun doing it.
Learning jazz harmony will be the focus of this first section; before chord/melody or improvising with scalesor modes can be learned effectively, it's vital to have a solid grasp of jazz harmony.
So that is where I chose to begin.
There are some basic differences between the jazz and classical worlds. Compared to classical music, jazz uses a different style of notation and has a different rhythmic sensibility. We'll talk about this, since understanding these differences is important for gaining fluency and authenticity in playing jazz.
You'll find the layout is not strictly linear; though I've tried to progress somewhat logically, I've also digressed frequently and put in many things that will stretch you every step of the way. I didn't want to spoon-feed yo,u. Getting the most out ofthis book will require your participation and study.
Most of all, I hope you find some inspiring new directions for your music.
Enjoy.

EDITOR'S PREFACE
t the National Guitar Workshop, the divisions between different styles of guitar playing have ever been drawn with a heavy line; we have always encouraged as much "cross-fertilization" as students are comfortable receiving. So it was a no-brainer when Andrew first suggested a ourse designed to teach jazz guitar to classical guitarists.
is book assumes you play classical or fingerstyle guitar on at least an intermediate level and ave a basic understanding of music theory. There is a quick review of the basics of theory on age 64, but we make no pretenses about it being complete. If harmony is not a strong area for ou, you may want to brush up a bit.
uitarists tend to be fun-loving, gregarious and curious, which is one very important reason y the level of technical skill and musicianship among us continues to improve with each new eneration of players. We believe this book will appeal to that wide streak of curiosity and joy music making-music of all kinds-among our fellow guitarists.

ABOUT THE AUTHOR
Andrew York presents a unique persona in the world of guitar. He is well-known to classical guitarists through the recordings of his compositions by John Williams, Christopher Parkening and himself; and in the fingerstyle world for his inclusion on the extremely popular Windham Hill Records "Guitar Sampler". Few guitarists cross over stylistic boundaries with such authority and depth of writing and playing. Andrew's second CD, "Denouement," on GSPRecordings, won the 1994Guitar Player reader's poll for best classical guitar album. Rhino Records release "Legends of Guitar - Classical," featuring such luminaries as Segovia, Julian Bream and Los Romeros, also included Andrew playing his composition Sunburst. For 16 years, Andrew was a member of the world-renowned, Grammy-winning Los Angeles Guitar Quartet. His latest recording, "California Breeze," is available on Sony Japan.

An MP3 CD is included with this book to make learning easier and more enjoyable. The symbol shown
at bottom left appears next to every example in the book that features an MP3 track. Use the MP3s to ensure you're capturing the feel of the examples and interpreting the rhythms correctly. The track number below the symbol corresponds directly to the example you want to hear (example numbers are above the icon). All the track numbers are unique to each "book" within this volume, meaning every book has its own Track I, Track. 2, and so on. (For example, The Classical Guitarist's Guide to Jazz:
Harmony starts with Track I, as does Chord/Melody and Improvisation.) Track I for each book will help
you tune your guitar.
To access the MP3s on the CD, place the CD in your computer's CD-ROM drive. In Windows, doubleclick
on My Computer, then right-click on the CD icon labeled "MP3 Files" and select Explore to view the files and copy them to your hard drive. For Mac, double-click on the CD icon on your desktop labeled "MP3 Files" to view the files and copy them to your hard drive.

HARMONY

CONTENTS
About The Author
Introduction
Editor's Preface

CHAPTER ONE Chord Families
Major Family Chords
Major Muse (with Slashes)
Major Muse (Possible Comp)
Major Muse (Another Possible Comp)
Dominant Family Chords
Prominent Dominant
Prominent Dominant
(Another Possible Comp)
Minor Family Chords
Minor Line 17
Minor Line (Another Possible Comp) 18
Review 18

CHAPTER TWO Five-Position Chords
Five-Position Chords
Five-Position Chords Along the Fingerboard
Five-Position Major 7 Chords
Five-Position Chords Across the Fingerboard
Five-Position Dominant Chords
Along the Fingerboa rd
Five-Position Dominant Chords
Across the Fingerboard
Five-Position Minor Chords
Along the Fingerboard
Five-Position Minor Chords
Across the Fingerboard

CHAPTER THREE Reading Jazz Charts
Identify the Chord Family
Chart Reading Details
Chart Reading General Summary
Chart Examples
Inversions
Diminished Chords

CHAPTER FOUR Dominant Chords
Altered Dominants
Playing Altered Dominants
Diminished 7th Chords
Altered Dominants and Minor Keys
Dominant Chord Chart..

CHAPTER FIVE ii-V Progressions
A,ii- V Exercise .
Carefree .

CHAPTER SIX Three-Note Voicings
Inversions ofThree-Note Voicings .
Inversion Study .

CHAPTER SEVEN Rhythm
Swing .
Comping Samba and Bossa Nova Rhythms .
Comping in the Style of Freddie Green .
Com ping with a Two-Beat (Half Note) Feel .
Antici pations .
Metronome Practice .

CHAPTER EIGHT" The Blues
Secondary Dominants .
Tu rna rou nds .
Joroy .

CHAPTER NINE Songs
Day One .
Analyzing Day One .
Day One (with Com ping Examples
A and B) .
Day One (Final Comping Example) .
Day Two .
Day Two .
A Note on Minor 9 Chords .
Day Three .
Seulb .
Carry On .
Discography .
Chord Voicings for Page
Theory Summary .

CHORD / MELODY

CONTENTS
Introduction
Editor's Preface

CHAPTER ONE Triads
First Word
MinorTriads in Closed Voicing
A Triad Tune
Chilean Tune with Closed Voicings
Minor Triads in Open Voicing
Chilean Tune with Open Voicings
A Triad Tune

CHAPTER TWO Harmonizing with Triads
Green sleeves
Greensleeves
Diatonic Harmony
Greensleeves Lead Sheet, A Section
Greensleeveswith Triads in Closed Voicing
Passing Tone Use in Chord/Melody
Greensleeves with Triads in Open Voicing
Greensleeves with Open and Closed Triads
Going up an Octave
Greensleeves Melody One Octave Higher
Greensleeveswith Open and Closed Triads

CHAPTER THREE Greensleeves-Extending
the Harmonies

Greensleeves with Extended Chords # 7
Greensleeves up an Octave
with Extensions

CHAPTER FOUR Harmonizing Each Note
of the Scale
Harmonizing the C Major Scale
with a C Major Chord
Harmonizing the C Major Scale with G7
A Sor Study Phrase
Harmonizing the C Major Scale with D Minor
Dominant Chord Chart..
Quartal Chords

CHAPTER FIVE' PassingTones and
Deeper Harmony
Using Passing Tones .
Using Passing Chords .

CHAPTER SIX Romanza
The Original .
Romanza .
Roma nza Chord/Melody .
Romanza Duet .
Tritone Substitutions .
Romanza Chord/Melody Solo .

CHAPTER SEVEN A Few of the Things
You Might Be
A Few of the Things You Might Be-
Lead Sheet .
A Few of the Things You Might Be-
Chard/Melody .

CHAPTER EIGHT Autumn Sleeves
Autumn Sleeves-Lead Sheet .
Autumn Sleeves-Chord/Melody # 7
Autumn Sleeves-Chord/Melody #2 .

CHAPTER NINE Lagrima de Nuevo
Lagrima .
Lagrima de Nuevo-Chord/Melody .
CHAPTER TEN Ode to Joy
Ode toJoy .

CHAPTER ELEVEN Blues for J.D.
Blues for J.D .
A Final Word .
Romanza with Chord Changes .

IMPROVISATION

TABLE OF CONTENTS
About the Author
Introduction
Editor's Preface

CHAPTER ONE. Colors of Scale Tones
Root Note (R),orTonic
Perfect 5th (P5)
Major 3rd (M3)
Perfect 4th (P4), or 11th
Major 2nd (M2), or 9th
Major 6th (M6), or 13th
Major 7th (M7)

CHAPTER TWO. Improvising with G Ionian,
Lydian and Mixolydian in Open Position
G Ionian, or Major
G Lydian
G Mixolydian

CHAPTER THREE. Open Position Scale Work
Permutating the Major Scale
Arpeggio Permutation
Chord Tones Within Scale Forms-ii, V and 1...

CHAPTER FOUR. ii-V-I in Open Position
Am7: Improvising in Two-Measure Phrases
07: Improvising in Two-Measure Phrases
GMaj7: Improvising in Two-Measure Phrases
ii and V Chords Together
ii, V and IChords Together
Adding an E7 Chord

CHAPTER FIVE. 2nd Position Chords and
Scales in G Major

CHAPTER SIX. "Fly Me Through the
Tune" Changes
Fly Me Through the Tune
(2nd Position Voicings) .
The ii Chord in E Minor .
The V Chord in E Minor .
Beginning to Improvise Over the Progression .
Fly Me Through the Tune
(Improv to "Slow Changes" -2nd Position) ...

CHAPTER SEVEN. 7th Position Chords
and Scales in G Major
Voicings for"Fly Me Through the Tune" .

CHAPTER EIGHT. Seeing How Changing
Chord Tones Relate to Each Other
Fly Me Through the Tune
(7th Position Improv) .
Conclusion .
Afterword .
Developing Your Ear .
Appendix .
Modes of the G Major Scale .
Seven Modes Beginning on G .

The CD that is available for this book can make learning with the book easier
and more enjoyable. It includes performances by Andrew York. The symbol
shown above will appear next to every example and piece that is on the CD.
Use the CD to ensure that you are capturing the feel of the examples,
interpreting the rhythms correctly, and so on.
The track numbers below the symbols correspond directly to the example you
want to hear. Track 1 will help you tune your guitar to this CD.
HAVE FU !

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5131 YORK ANDREW, BEST. CD TAB.

Euro 67,00

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YORK ANDREW, BEST. CD TAB.

Introduction to Sunburst~Sunburst
Sunday Morning Overcast
Muir Woods
In Sorrow's Wake
Lullaby
Faire
Waiting for Dawn
Marley's Ghost
Reflections
King Lotvin
Numen
Emergence
Chilean Dance

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4855 YORK ANDREW, CONTEMPORARY CLASSIC GUITAR. DVD

Euro 23,00

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YORK ANDREW, CONTEMPORARY CLASSIC GUITAR. DVD

In this video, classic guitarist Andrew York, member of the renowned Los Angeles Guitar Quartet, showcases his compositional and solo guitar performance skills. Andrew plays eight compositions that include seven original works for guitar reflecting an incredibly rich and eclectic assortment of moods and temperaments. A special feature of this video is Andrew York's comment and performance notes concerning each guitar solo. Included are the following Andrew York compositions:

Bagatelle
In Sorrow's Wake
King Lotvin
Marley's Ghost
Numen
Sunburst/Jubilation
Sunday Morning Overcast
Third Cello Suite In C Major J.S. Bach

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4953 KAPPEL HUBERT, INTRODUCING THE GUITAR. CD

Euro 23,00

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KAPPEL HUBERT, INTRODUCING THE GUITAR. Il metodo del conosciuto interprete tedesco. CD TAB.

Product Description:
This basic textbook for the classical guitar is suited for private, group and self-instruction. This step-by-step method includes a wide variety of music and musical examples, easy exercises, an extensive introduction to reading guitar music, and clear explanations of beginning to advanced technique. The book focuses on the use of the guitar as a chordal or harmony instrument but, among other things, includes a detailed analysis of the problems and possibilities of different playing positions, basic right and left hand techniques, and song accompaniment (including strumming technique)- all at different learning levels. The book also includes an introduction to the study of harmony. Explanations of every facet of technique are enhanced with numerous photos and diagrams. While it's always advisable to consult a competent teacher, comparing your own playing with the recorded pieces on the companion CD, you can use this book/CD to effectively teach yourself. Written in standard notation only.

Contents:

Preface

Working And Practicing With The CD
Working And Practicing With The Book
CD-Index List

Chapter 1 - Introduction
The Guitar
Suggestions For Buying A Guitar / Basic Equipment
A Short History Of The Guitar
Which Guitar For Which Body Height?
The Strings Of The Guitar
Tuning The Guitar
Holding The Guitar
The Right Hand (RH)
The First Sounds On The Guitar

Chapter 2 - Tirando Stroke With The Thumb / Musical Basics
Accompaniment On Open Strings
Introduction To Musical Notation
From The Written Note On The Staff To The Guitar
Playing Open Strings With The Thumb
The Left Hand (LH)
Left Hand Position
Bodybuilding For The Left Hand
The Notes On The (g)-String
Accents Within A Measure
The Notes On The (b)-String
Simple Fingering Rule
The Upbeat
Tips For Daily Practicing
The Notes On The (d)-String
Keeping The Fingers Down On The Fingerboard
Scale Exercise 1 And 2
Syncopation
Simple Song Accompaniment
Rhythm, Tempo And Technique
The Notes On The (A) String
The Pentatonic Scale

Chapter 3 First Song Accompaniment Using 6 Strings / RH Playing Technique
The First Two Chords, E Minor And A Dominant 7th
Strumming Technique
The Tie
Rhythm With Syncopation
Two More Chords, A Minor And E Dominant 7th 7

Chapter 4 Basic Music Theory
Whole Tones And Semitones
The Constructing Of Major Tonality
The C Major Scale
Rests
Stopping The Strings
Major And Minor Keys
The Notes On The (E) String
The Sixteenth Note
Dotted Quarter Notes And Dotted Eight Notes - The Left Hand Pinky

Chapter 5 The Tirando Stroke
Two Opposite Directions Of Movement
The "Right Feeling" In The Fingers
The Tirando Stroke With The Index And Middle Fingers
Tone Development Exercises
Alternating i/m Tirando Stroke
Alternating Stroke Exercises On Two Strings
Alternating Stroke Exercises On One String
The Notes On The (e')-String
The Note b On The (g)-String Using The Fourth Finger
Expanded Fingering Rule

Chapter 6 - Playing Your First Chord
Simultaneous Playing With The Index, The Middle And Ring Finger (i-m-a)
Alternating The Thumb And The i-m-a Stroke
Two Main Chords in C Major (C Major And G7)
Three Chord Changing Exercises

Chapter 7 - Dynamics And Tonal Color
Playing Loud And Soft
Notes Below The Staff
Tonal Color

Chapter 8 - More Basic Music Theory
From C Major To G Major
The Note F# On The (E)-,. (d)- and (e')-Strings
Alternating The Tirande And The m/a Stroke
Alternating m/a Stroke On Two Strings
Alternating m/a Stroke On One String

Chapter 9 - The Two Note Alternating Stroke / New Keys
Tirando With The Thumb And Index Finger p-i
Minor Tonality And The Keys Of A Minor
From A MinorTo E Minor
From E Minor To B Minor
D Minor, The Relative Minor Of F Major
The Lowering Accidental: The Flat
The Positions On The Guitar
All The # Notes In I. Position
Two Names For The Same Note
Tirando With The Thumb / Middle Finger p-m And The Thumb / Ring Finger p-a
From G Major To D Major
From D Major To A Major
From A Major To E Major
Overview Of Keys Learned Up To This Point
From C MajorTo F Major
A New Value: The Triplet
The Half Position
The Change To Half Position

Chapter 10 - Playing Chords With Three And Four Simultaneous Notes
Two Chord Playing Studies
Arpeggiated Chords

Chapter 11 - Furthering LH Technique I
Stretching And Contracting The LH Fingers
Fingering With Two Or More Fingers Simultaneously
Strength And Flexibility Exercises For The Fourth Finger / Finger Acrobatics
Playing In Sixths

Chapter 12 - Arpeggios
Three Note Arpeggios With p-i-m
Left Hand Study / Arpeggio Exercises By M. Giuliani (op. 1 a)
Three Note Arpeggios With p-m-a And p-i-a
Four Note Arpeggios With p-i-m-a
The Six Basic Arpeggios
Practicing Arpeggios
More Elementary Arpeggio Patterns
Arpeggios Containing Chords
The Relationship Between Arpeggios And Chords
Chordal Study

Chapter 13 - Short Introduction To Bar Technique
The Half Bar
The F Major Chord
The A Major Chord With The Half Bar

Chapter 14 - Short Harmony Lesson / Chord Construction
The Interval
The Three Main Major Chords And Their GuitarTabulature Diagrams In The Most Important Guitar Keys
Major And Minor Triads
The Harmonic Minor Scale
The Three Main Minor Chords And Their Guitar Tabulature Diagrams In The Most Important Guitar Keys
The Dominant Seventh Chord
Important Dominant Seventh Chords In Different Positions
The Neighboring Chords (Triads) In Major Keys

Chapter 15 - Song Accompaniment Using Various RH Patterns
Songs In 3/4 And 6/8 Time
Songs In 2/4 And 4/4 Time

Chapter 16 - Furthering LH Technique II / Playing In II. Position -
Two Fundamental Finger Combinations: 1-2-4 And 1-3-4
Changing Positions
Tempo Indications

Chapter 17 - Arpeggio Etudes And Solo Pieces

Chapter 18 - Playing Two Notes Simultaneously
Dampening The Bass Strings
Songs And Dances With Open String Accompaniment
Songs And Solo Pieces With Fingered Bass Note Accompaniment
Playing Two Notes Simultaneously In Arpeggios

Chapter 19 - Chamber Music

Chapter 20 - Four Advanced Solo Pieces From Different Musical Periods

Appendix
Song Accompaniment With Strumming
Christmas Songs For Beginners
Christmas Songs For Advanced Students
Tuning With A Tuning Fork
Changing Strings
Playing With Your Fingernails - A Short Introduction
Alphabetical Listing Of Musical Pieces And Songs

Alphabetical Listing Of Musical Pieces And Songs

Ah! Vous dirai -je, maman
Allegro (excerpt from op. 30)
And In The Quiet Forest J. S. Bach
Arpeggio Etude after D. Aguado
Arpeggio Exercises M. Giuliani (op. 1a)
Auld Lang Syne Trad.
Banana Boat Song Trad.
Banana Song H. Kaeppel
Blues For Rick H. Kaeppel
Bourrée J. S. Bach
Can Can J. Offenbach
Chinatown H. Kaeppel
Chordal Study H. Kaeppel
Corrente A. Piccinini
Cowboy Song H. Kaeppel
Cuckoo Song Trad.
Der, Die, Das Autorengruppe I. Hoffmann & Co.
Down By The Riverside Trad.
Dreaming H. Kaeppel
Each And Every Year Trad.
Etude In D Minor F. Sor
Etude in Sixths F. Sor
Eurovision Theme M. A. Charpentier
Fandanguillo H. Kaeppel
Fantasia G. Ph. Telemann
Fantasy In A Minor H. Kaeppel
Finger Acrobatics H. Kaeppel
From Heaven High I Come To Thee M. Luther
Fr_re Jacgues Trad.
Galician Melody H. Kaeppel
Ghost Rider Trad.
Go, Tell It On The Mountain Trad.
God Fling Your Heavens Open Wide Trad.
Greensleeves Old English Folk Song
Guitar Rag H. Kaeppel
Happy Birthday M. J. Hill
Happy Dog Song H. Kaeppel
Hawa Nagila Israeli Folk Song
He's Got The Whole World American Spiritual
Hillbilly Song H. Kaeppel
House Of The Rising Sun Trad.
Hunting Fever H. Kaeppel
In The Still Of The Evening 0. Laub
Interludium H. Kaeppel
Irish Round H. Kaeppel
Jamaica Farewell Trad.
Jamsik 19th Century Russian Romance
Jesse James Trad.
Joshua Fit The Battle Of Jericho Trad.
Kalinka Russian Folk Song
Kumbayah American Spiritual
Left Hand Study H. Kaeppel
Light Metal Rock H. Kaeppel
Melody From The 12th Century Trad.
Memories Of Elise H. Kaeppel
Michael Row The Boat Ashore American Spiritual
Morning Has Broken Trad.
Musette J. S. Bach
My Bonnie Trad.
My Bonnie Trad.
Never Ending Road H. Kaeppel
Ode To Joy L. v. Beethoven
Oh Come Children Trad.
Oh Susanna S. C. Foster
Oh When The Saints Trad.
Oh, My Darling , Clementine Trad.
Old Tune H. Kaeppel
Pentosali Dance From Crete
Pera Stous Pera Kampous Greek Folk Song
Prelude H. Kaeppel
Rockin' Blues H. Kaeppel
Romance In Minor H. Kaeppel
Saltarello H. Kaeppel
Scarborough Fair Trad.
Scottish Dance H. Kaeppel
Scottish Melody H. Kaeppel
Sextuplet Etude D. Aguado
Short Etude In Minor H. Kaeppel
Sloop John B. Trad.
Study H. Kaeppel
Study Based On F. Sor F. Sor
Sur Le Pont D'Avig non French Folk Song
Tarantella Dance From Naples
Tempo Di Marcia J. K. Mertz
The Koeniggraetzer March G. Piefke
Tom Dooley Trad.
Tom Dooley Trad.
Tonkaia Rabina Russian Romance
Typical German Folk Song In C Maior Trad.
Unplugged Etude H. Kaeppel
Wade In The Water Trad.
What Shall We Do With A Drunken Sailor Trad.

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3592 LIBRARY OF GUITAR CLASSICS 2.

Euro 29,00

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LIBRARY OF GUITAR CLASSICS 2.

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CHITARRA LAMPO