CHITARRA LAMPO

CLASSICAL GUITAR

1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19 - 20 - 21 - 22 - 23 - 24 - 25 - 26

1138 MOZART, FOR ACOUSTIC GUITAR. Ben Bolt. CD

Euro 29,00

Quantity

MOZART, FOR ACOUSTIC GUITAR. Ben Bolt. Testo in inglese, spagnolo, francese. Contiene: sonata in C maggiore -andante -adagio -concerto n.21 -allegro K525 (A little night music) -romance (secondo movimento da A little night music) -minuetto (terzo movimento da A little night music) -rondo (quarto movimento da A little night music) -allegro molto (dalla sinfonia n.40) -march -minuet and trio -tema e variazione K 460 -minuetto in Fa -march -allegretto -andantino -minuetto in G -march in A -variazioni dall'opera Flauto magico, di Sor -variazioni su un tema di Mozart, di Carulli. CD TAB.

Product Description:
Because Mozart was a profoundly versatile composer, his music suits the guitar as well as it does a chamber orchestra. Includes outstanding transcriptions of movements from several well-known compositions: Concerto No. 21; -Romance and -Menuetto- from A Little Night Music; Allegro (K525); -Allegro Molto- from Symphony No 40; and more. The text is written in English, Spanish, French, and Japanese and includes both standard notation and tablature. 128 Pages.

Format: Book/CD Set
Series: Acoustic Guitar Series

CONTENTS:

VARIATION (K 460) -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
CONCERTO NO. 21 (SOLO FROM THE MIDDLE MOVEMENT) -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
MENUETTO (3RD. MOVEMENT FROM "A LITTLE NIGHT MUSIC -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
ALLEGRETTO -- WOLFGANG AMADEUS MOZART; ARR. BY SOR
ALLEGRO MOLTO (1ST. MOVEMENT FROM "SYMPHONY NO. 40 -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
MARCH IN A -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
VARIATIONS (ON A THEME BY MOZART) NOT ON CD -- MOZART/CARULLI, ARR. BY BEN BOLT
ADAGIO (THEME FROM THE MOTION PICTURE "OUT OF AFRI -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
MINUET IN G -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
MINUET IN F -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
ROMANCE (2ND. MOVEMENT FROM "A LITTLE NIGHT MUSIC" -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
MARCH "KEY OF A" -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
RONDO (4TH. MOVEMENT FROM "A LITTLE NIGHT MUSIC") -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
SONATA IN C MAJOR -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
VARIATIONS (THEME FROM THE OPERA "MAGIC FLUTE") NO -- MOZART/SOR, ARR. BY BEN BOLT
MARCH "KEY OF C" -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
ALLEGRO (K525) (1ST. MOVEMENT FROM "A LITTLE NIGHT -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
MINUET AND TRIO -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
ANDANTE -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
ANDANTINO -- WOLFGANG AMADEUS MOZART; ARR. BY SOR
THEME AND VARIATION (K 460) -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT
VARIATION (K 460) -- WOLFGANG AMADEUS MOZART; ARR. BY BEN BOLT

Availability:

6529 NEW DIMENSIONS IN CLASSICAL GUITAR FOR CHILDREN, by Sonia Michelson. CD

Euro 20,00

Quantity

NEW DIMENSIONS IN CLASSICAL GUITAR FOR CHILDREN, by Sonia Michelson. CD

Product Description:
This method is time tested, innovative, and has proven successful in imparting essential concepts of musicianship and classic guitar performance to children. It's realistic approach to early childhood education utilizes important concepts inspired by the writings of both Suzuki and Kodaly. This method stimulates musical imagination and ability through guitar techniques, eurhythmics, and listening and theory games. Students also learn by participating in movement, singing, and guitar performance. 104 PAGES.

Product Number: 94537BCD
Format: Book/CD Set
ISBN: 0786658061
UPC: 796279072410
ISBN13: 9780786658060
Series: Non-Series
Publisher: Mel Bay Publications, Inc.
Date Published: 1/18/2001

Contents:

Introduction
Principles for Successful Study
Overview
Format
Ideas for Teaching Children Effectively
Recommended Reading

First Lessons
Sample Lesson Plans

Imaginative Games, Exercises & Teaching Ideas
Curwen Hand Signals
Rhythm Syllables
Preliminary Exercises
Imaginative Games

Level I
I-1. Cuckoo
I-2. One, Two, Tie My Shoe
I-3. See-Saw
I-4. Star Light, Star Bright
I-5. Snail, Snail
I-6. Mill Wheel
I-7. Rain, Rain
I-8. Ring Around the Rosy
I-9. Strawberry Shortcake

Level II
II-1. Hot Cross Buns
II-2. Bye Bye Baby
II-3. All Around the Buttercup
II-4. Who's That?
II-5. Merrily We Roll Along
II-6. Let Us Chase the Squirrel
II-7. I See the Moon
II-8. Bought Me a Cat
II-9. Rocky Mountain
II-10. Here Comes the Bluebird
II-11. Fais Do Do
II-12. Mama, Buy Me a Chiney Doll
II-13. Twinkle Rhythms

Level III
III-1. Twinkle, Twinkle Little Star
III-2. Aunt Rhody
III-3. Frere Jacques
III-4. Lightly Row
III-5. Hush Little Baby
III-6. Little River Flowing
III-7. Michael, Row the Boat Ashore
III-8. Learning Chords
III-9 Looby Loo
III-10. Song of the Wind
Ill-1l. Lavender Blue
III-12. Cuckoo, Sing in the Spring
III-13. Oh, How Lovely Is the Evening

Level IV
IV-1. May Song
IV-2. Jim Along Josie
IV-3. Come Little Children
IV-4. Simple Gifts
IV-5. Moon Magic
IV-6. Love Somebody
IV-7. Sometimes I Hear a Song
IV-8. English Song

Level V
V-1. I'll Be a King
V-2. Turn Again, Whittington
V-3. Cotton Eye Joe
V-4.Baker's Shop
V-5. Five Hundred Miles
V-6. Round Up Four
V-7. Alabama Girl
V-8. Who Built the Ark
V-9. Green Holm Jig
V-10. Freight Train
V-11. Minuet
V-12. Minuet in G

Availability:

6147 MORE CLASSICAL TAB. 31 Pezzi

Euro 12,00

Quantity

MORE CLASSICAL TAB. 31 Pezzi:

Solo Guitar with Tablature
Series: Guitar
Softcover - TAB
Composer: Various Composers

31 more classical masterpieces arranged for guitar with tablature, including:

Allegreto
Allegretto
Andante
Andante Cantabile
Arabian Dance ('Coffee')
Ase's Death
Ave Verum (Jesu, Word of God Incarnate)
Bist du bei mir (You Are With Me)
Bourree
Cancion O Tocata
Caro mio ben
Dedicatoria
Eine Kleine Nachtmusik ('Romance'), Second Movement
Españoleta
Evening Prayer
Gerbe des Fleurs
Intermezzo
Lagrima
Minuet In G
Panis Angelicus
Pie Jesu
Rondeau
Sinfonia
Sleepers, Awake (Wachet Auf)
Sonata In A
Study In D
Study In D Minor
Symphony No. 3, Third Movement Theme
Symphony No. 5
Symphony No. 9 in E Minor ('From The New World'), Second Movement Excerpt

Availability:

1139 MUSIC OF THE ROYAL COURTS OF EUROPE BOOK CASSETTE TAB. PKG FUORI STAMPA, OUT OF PRINT NOT AVAILABLE

Euro 20,00

Quantity

MUSIC OF THE ROYAL COURTS OF EUROPE. Anonimi medievali e melodie rinascimentali di John Dowland, L. Narvaez, Dlvgoraj, e altri. CASSETTA TAB.

Availability:

0248 MUSSORGSKY, PICTURES AT AN EXHIBITION FOR GUITAR. Kazuhito Yamashita.

Euro 44,99

Quantity

MUSSORGSKY, PICTURES AT AN EXHIBITION FOR GUITAR. Kazuhito Yamashita. Magistrale trascrizione per chitarra di una delle composizioni più note della musica classica. Come registrato nel disco dal fenomeno della chitarra, Kazuhito Yamashita. Grandioso! Promenade -gnomus -promenade -Il vecchio castello -the tuileries -bydlo -promenade -ballet of the little chickens -Samuel Goldenberg und Schmuyle -a market place in Limonges -catacombae -the hut of baba-yaga -the bohatyr gate of Kiev.

KAZUHITO YAMASHITA
guitar MUSSORGSKY / PICTURES AT AN EXHIBITION (Transcribed for classical guitar by Yamashita)

Availability:

2492 PAGANINI FOR ACOUSTIC GUITAR. CD TAB.

Euro 30,00

Quantity

PAGANINI FOR ACOUSTIC GUITAR. Tutti i pezzi tranne i capricci sono sul CD. Caprice in e no.9, caprice in a minor no.24, allegro, 4 andantinos, 3 allegrettos, andante, 4 sonatas, 3 valtzes, andantino in c, allegretto in a, allegretto in a minor, valtz in c, rondo in a minor, rondoncino, valtz in e, sonata in a, sonata in c. CD TAB.

Availability:

1140 PAGANINI, THE 24 CAPRICES. VOL.1

Euro 29,99

Quantity

PAGANINI NICCOLO', 24 CAPRICCI OP.1. VOL.1. L'opera completa dei 24 capricci trascritti per chitarra da Eliot Fisk. Dal n.1 al n.12. Vi ricordate la sfida tra Steve Vai e il giovane ragazzo nel film "crossroads" uscito in Italia con il titolo "Mississippi adventures"? Quelle scale e quegli arpeggi sono presi dal Capriccio n. 5.

PAGANINI, NICCOLO
24 Caprices, Volume 1 (Fisk)
Caprices 1-12
"These Caprices should be heard more often on guitar for the sake of the guitar. This is a musical feat well worth the effort&any one of the 24 could provide material for masses of practice&such a schedule should improve even the very best players. With comments, fingerings, exercises and advice from Fisk on these masterworks.&the editor has worked hard to present the reader with a solution&I can only recommend this sturdy issue to all of the Paganini devotees out there." Neil Smith, Classical Guitar Magazine

"I'm sure many of you were blown away when you listened to the Fisk CD of Paganini Caprices, but now the transcriptions of his arrangements are now published!" Guitar Magazine

"Finally, we have the book to accompany Fisk's wonderful CD. This publication is exemplary!" Gitarre & Laute Magazine

"Now with these transcriptions, the definition of a guitar virtuoso is at a new level." D.B., American String Teacher Magazine

Availability:

1141 PAGANINI, THE 24 CAPRICES. VOL.2.

Euro 29,99

Quantity

PAGANINI NICCOLO', 24 CAPRICCI OP.1. VOL.2. Dal n.13 al n.24. Trascrizione di Eliot Fisk.

Caprices 13-24

"These Caprices should be heard more often on guitar for the sake of the guitar. This is a musical feat well worth the effort&any one of the 24 could provide material for masses of practice&such a schedule should improve even the very best players. With comments, fingerings, exercises and advice from Fisk on these masterworks.&the editor has worked hard to present the reader with a solution&I can only recommend this sturdy issue to all of the Paganini devotees out there." Neil Smith, Classical Guitar Magazine

ELIOT FISK
Since his first solo recital at the age of thirteen, Eliot Fisk has performed in major concert halls on four continents. He has devoted considerable energy to expanding the repertoire of the guitar-first through his transcriptions of literally hundreds of compositions by masters of the past (Frescobaldi, Froberger, Scarlatti, J.S. Bach, Soler, Haydn, Mozart, Schubert, Schumann, Mendelssohn, Paganini, Granados, and others) and second, through intense collaboration with contemporary composers such as Robert Beaser, Luciano Berio, Nicholas Maw, and George Rochberg, all of whom have written major works for him.
In addition to his numerous recordings, he performs regularly in recital and as soloist with orchestra. Mr. Fisk has sustained a life long passion for chamber music, working frequently with flutist Paula Robison, and also performing with Victoria de los Angeles and Hermann Prey, cellist Steven Isserlis, double bassist Gary Karr, and violinists Gidon Kremer and Dmitri Sitkovetsky among others.
Eliot Fisk is also active as a teacher. He has taught at Yale University (where he founded the guitar department upon earning his M.M.A. in 1977), the Hochschule Fur Musik in Kaln (where he was Professor from 1982 - 1990), and was recently appointed Professor of Guitar at the "Mozarteum" in Salzburg where he founded the Andres Segovia Institute, as a tribute to the great Spanish guitarist who was his teacher and mentor. The Institute seeks to develop new and creative solutions to problems in performance practice, instrumental technique, and career development facing young musicians today.
Eliot's 1992 Music Masters release of Paganini's Caprices climbed to 18th place on the Billboard classical charts, and elicited awe and astonished praise from around the country.

For me there are three great landmarks along the Gradus ad Parnassum of guitar technique: the essential Etudes of Fernando Sor, the 12 Etudes of Heitor Villa-Lobos, and a final peak of truly daunting proportions, the 24 Capriccil Gp. 1, of Niccolo Paganini. John Williams opened the door to this final possibility some years back when he showed so superbly that the Capriccio 24 could be played on the guitar. I began to experiment with others in the set around 1977, and slowly became convinced that a way could be found to play all 24 on the guitar in the original keys. I often felt like Dante at the start of the Divina Commedia: lost in a dark wood with no idea how to get out: "mi ritrovai per una selva oscura che la diritta via era smarrita."
At times this feeling approached that famous inscription over the gates of the same author's inferno: "Lasciate ogni speranza, voi ch' en trate" ("Abandon all hope, ye who enter here!"). Nevertheless, little by little I found ways of negotiating what had seemed impossible. Along the way a lot of people gave encouragement. I would like to single out Antonio de Innocentis of Caserta, Italy, who, in addition to his careful proofreading of the engravings for this edition shared with me some of his tricks of the trade, particularly in Capricci 11, 15, and 17. Enormous artistic inspiration came from maestro Ruggiero Ricci, who graciously shared the wisdom of over half a century's experience of performing and living with these works of genius and who even made some specific practical suggestions on how to transcribe some intransigent passages in parallel octaves in the first part of Capriccio 23!
At this writing, after 15 years of playing these pieces on the guitar, I can still say, time permitting, I would happily spend an entire day practicing any single Capriccio of the 24. So rich are their
instrumental and musical possibilities. I'd like to share a few tips that have helped me along the way:

1) Isolate the difficulties: Even in the most difficult passages most of the notes are not hard to play. It's the 10 - 20% that are truly hard to get to or from that can make an entire passage sound sloppy. Therefore: Analyze through slow practice exactly where the difficulties lie. Practice what's.difficult. Don't be scared by what is not difficult! When you lose your fear, you play better.

2) Transpose difficult passages in the order of the cycle of fifths until you have played the difficult passage in 12 keys. (A "passage" may be as short as 4 notes!)

3) Experiment with various rhythmic alterations of difficult passages.
(e.g., if the passage is written: you can also practice it like this:

Obviously, the possibilities are endless, and you should experiment on your own. With time you'll see what possibilities are productive, and which are merely busywork!) Now I'd like to share with you my favorite way of practicing difficult passages in Paganini and almost any other composer for that matter.

24 CAPRICES, OP. 1
Volume 2

XIII Bb major: Allegro
XIV Eb major: Moderato
XV E minor: Posato
XVI G minor: Presto
XVII Eb major: Sostenuto; Andante
XVIII C major: Corrente; Allegro
XIX Eb major: Lento; Allegro assai
XX D major: Allegretto
XXI A major: Amoroso; Presto
XXII F major: Marcato
XXIII Eb major: Posato
XXIV A minor: Quasi Presto

Availability:

1142 PAGANINI NICCOLO', COMPLETE SOLO GUITAR 1, 43 GHIRIBIZZI.

Euro 16,00

Quantity

PAGANINI NICCOLO', COMPLETE SOLO GUITAR 1, 43 GHIRIBIZZI. Testo in italiano.

Availability:

1143 PAGANINI NICCOLO', COMPLETE SOLO GUITAR 2, 37 SONATE.

Euro 21,00

Quantity

PAGANINI NICCOLO', COMPLETE SOLO GUITAR 2, 37 SONATE. Comprese copie in facsimile. Testo in italiano.

Availability:

CHITARRA LAMPO